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  1. Hello everyone! I'm brand new to the world of fountain pens, and have a couple beginner's questions regarding my new Retro 51 Tornado. It came with a medium nib, which writes nicely, but I'd like to purchase a nib that allows me to vary my line stroke and write more calligraphically and personally. Before I look into flexible or italic nibs, however, I was wondering if my pen can even take replacement nibs; the nib doesn't seem to come apart from the nib assembly/ feed, so even if I knew the correct size to buy I'm not sure if my pen could take it. Do I have to purchase an entire new nib assembly (in which case, where should I look to buy them?) or does the nib disconnect in a way I'm unaware of? Thank you all, Alec
  2. kohlj2

    Waterman Yellow Nib Fever

    As a lefty (with atrocious penmanship), I have a soft spot for Waterman’s Yellow nibs. In turn, the collection has steadily grown. What struck me today when looking them over is how different the nib shape and profiles are from one to another. Additionally, flexibility varies significantly. In the close-up photos of the nibs from left to right: (1) Canadian #5. (2,3) US #7’s. (4) Canadian #7. (5) Canadian 14k #7. (6) US 18k #7. By far, the 18k nib requires the least amount of pressure to spread the tines and lays down a strong wet line. The #5 is quite springy and flexible. The 14k nib is surprisingly the least flexible. So, the moral of the story, when my girlfriend muses why I have 'so many of the same pen', I can now point out that they are in fact quite dissimilar. The madness continues….
  3. Well, I did not know where to put it - nibs&tines, pen reviews or else So this seems a good forum. I pursue flex almost from the beginning of my fountain pen journey. I was fortunate enough not starting with modern flexes, but with a vintage one. I fancied a vintage pen, and bought one just because it was cheap, looked nice and I knew the brand. Parker Slimfold - in terms of size it was a disappointment (i didn check its size or asked the seller), - but the nib was fantastic. Right away i fell in love with "flex". Bought another vintage (Wyvern) - also great. Then started looking at moder ones - Conklin Omniflex, Ahab etc but nothing compared. Alter some time I learnt more, bought and used much more pens. Realised that flex is quite a wide idea. soft, semi, regular, wet noodle, modern, vintage. Waterman 52 flex vs vintage MB 146 flex vs flexible Pelikan nibs in 140, 400 etc. Soft nibs in M1000 vs japanise SF nibs. Pilot Custom 743 with FA nib is another part of this journey. I got to know and like Japanese nibs only recently. I knew about Pilot Falcon but did not like it, then "discovered" 912, 823, 742, 743 etc. And definitely wanted one with FA nib. So I ordered one. Pilot Custom 743 to be exact. In Europe they are not sold at all, so for the first time I took a risk and ordered from Japan. The price was incredible, good seller, but he sent it with the economy not expedited as I ordered, but any way 10 days later it was home I did not pay any duty or taxes (typically for import from Japan its est 28% total, but not this time - customs missed it?) . Pen is very nice, very well built but nothing especially interesting - just another cigar shaped, black rather large pen with gold trim. And 14k gold nib, in an unusual shape - with cutouts. It is not a vintage full flex but is much better in this area than any of modern so-called flex nibs I had a chance to try. I'm not a calligrapher, I'm still working on my handwriting. But I can appreciate a good nib. With a light touch, it puts a thin line, Japanese fine, and is smooth. but even slightly pressed it goes medium, broad and double broad quite easily, but at the same time, it becomes scratchy. I'm not sure it should work like that. The only problem I had was railroading then I flexed it too much or for too long, or was writing too fast. I investigated and wound aftermarket feed at flexiblenibs.com - 4 versions to be exact for my pen !!! Actually also for 823 and probably 845 pens too. Japanese ebonite, CNC cut, two colors (black and red) and two versions (2 slits, and 3 slits one for wet inks or not to aggressive flexing, the second one for dry inks and heavy pressing. I ordered both versions in black and several days later herre they are. Fixed the problem like a dream. The feeds are PERFECT. They are super high quality, shapes matches the original with 0,2mm precision. I really recomend one for any FA nib user on 743/823 (#15 nib) pen. Pictures and writing samples below. http://gakko.pl/wp-content/uploads/2019/03/MG_3583.jpghttp://gakko.pl/wp-content/uploads/2019/03/MG_3584.jpg http://gakko.pl/wp-content/uploads/2019/03/MG_3585.jpg http://gakko.pl/wp-content/uploads/2019/03/MG_3586.jpg http://gakko.pl/wp-content/uploads/2019/03/MG_3590.jpg
  4. I recently exhanged the nib in my Kaigelu 316 pen with a Titanium Bock nib from Beaufort Ink (UK). http://i1376.photobucket.com/albums/ah12/phzervas/93F82412-A163-48E1-88BB-E5B4EE7B8D44_zpsbuvqysnl.jpg http://i1376.photobucket.com/albums/ah12/phzervas/2B0A8CA6-CA0B-47DF-93CF-76770C392C45_zpsslyblstm.jpg http://i1376.photobucket.com/albums/ah12/phzervas/3AB1E03C-FFDA-4592-9E5D-D967C4E528BD_zpsrgsjhhi3.jpg http://i1376.photobucket.com/albums/ah12/phzervas/D0D6918C-DC5F-4D6B-9047-85330A442456_zpsp0hhmnri.jpg http://i1376.photobucket.com/albums/ah12/phzervas/0DFF4BB4-911C-481C-BAA2-AF4206DD2EC7_zpscrmjmtol.jpg The new nib is quite wet, feels very bouncy on the paper, is somewhat feebbacky but pleasantly so, and can write semi-flexy when little pressure is applied. For regular writing, it feels like driving a car with super soft suspension (shock-absorbers). Makes going back to nail stiff steel nibs very difficult indeed. Positives: - line variation, - cushioning effect the springy nib gives. Negatives - ''gas guzzler'' meaning it uses a lot of ink, compared to a regular EF nib. I wanted to try it for a long time, I do not regret buying it! There are a lot of nibs that can be tried on the Kaigelu 316. It is a beautiful pen! Ink is Waterman Harmonious Green.
  5. FeloniousMonk

    My First Dip Nib...

    Hello kind sirs and ladies, I recently acquired this Mabie Todd 313 long dip nib that had been installed in a Watermans #12 eyedropper. This is my first dip nib, my first Mabie Todd, and my oldest pen by at least a couple decades. A sample via dip test follows below. Best regards, Eric
  6. Recently I found one of my fountain pen could be installed with a dip pen nib, so I quickly grabbed a compatible nib and try it. It really works like a charm But it's an eyedropper pen, I want a more easy fill mechanism, then I go to the internet and see if I can find a pen with the same nib & and feed but with piston fill mechanism. At last, I found it in an India internet pen shop. Due to some of my friends also want to buy this pen, I was going to buy about 20 pens from him and started a price negotiation. During price negotiation, I found an interesting flex nib in his pen shop. The left one is the kanwrite flex pen nib (pretty similar to noodler's or FPR nib), the right one is the interesting flex nib I found in his shop. It looks pretty like a vintage nib. Because I was buying 20 pens from him, after negotiation, the shop owner agreed to replace the original nib with this pretty flex nib without extra charge. After 2 weeks waiting, finally I got my pens, but how this beautiful nib performs ? Let the video tells It writes very smooth and the nib is even softer then some semi to medium flex vintage pen !!! And believe it or not, this pen only cost me lesser than 15 USD dollars include the shipping !!! I think this pen is a very very good deal for who was starting learning copperplate writing style, it's soft enough for practicing and cheap enough to avoid afraid of breaking it.
  7. Hello all, I'll start this post - or thought excersize - with a question: - Do you feel that current fountain pen industry is slowly moving toward re-introduction of proper flexible nibs? It occurred to me, while watching fp reviews online, reading etc - that in each one of them there is at least one segment dedicated to "line variation" (ex. Stephen Brown, Matt ...etc) or "Flexibility". Also, a lot of excitement is raised around any pen/nib claimed to have "that vintage flex feel". As my comment on one Aurora 88 review by sbrebrown on YouTube states: "Maybe I am an idealist with unrealistically positive (maybe hopeful) expectations of future days, maybe I'm noticing some "shifts" or "ripples" in fountain pen manufacturing trends or maybe I'm just imagining and lying to myself - but... it seems to me that more (and more) flexible nibs are on offer. Whether they are quasi-flexible, sort-of-flexible, vintage-wannabe-flexible, or really flexible with "modern" or "vintage" feel - there's new Wahl Eversharp, Franklin Cristophs, Pilot, Platinum, even this Aurora 88... perhaps I can include Romillo (?) and Visconti... maybe even modern M1000 by Pelikan (?? it is soft, F or EF feel flexy)... in any case, it seems like industry is (very) slowly moving in the right direction. Fountain pen sales are up year-on-year, and with more fp users - demand for semi-flex or flex nibs is growing. Aurora is maybe playing on that card, testing the market - whatever they are trying to do - they are doing us (fountain pen users) a favor. And your (Stephen) reviews, with few others here on YouTube or there on the web - are helping this as well. Having that "what about line variation" question drives some people to think about that, want to have that... One of these days (my dream says) I will click on Pelikan's web page and find Pelikan M805 special edition... flexible or Montblanc... Parker... Lamy )))) " What are you thoughts on this? Are there any insider-information or rumors that more flexible nibs are coming? Or I'm not seeing it right.
  8. strelnikoff

    A Wahl Eversharp Confession

    Dear all, I'm hooked to Wahl Eversharp pens. And I'm here to admit that (with perhaps a short quasi-question). It didn't happened by design or by my own will - but by coincidence and through circumstances. When I got into flexible nibs, vintage pens and so on - and started to investigate more, I was drawn by default to Waterman pens. What I have seen and read it was sufficient for me to believe that's the way to go. While trying to find a decent 52 with super-flexible nib, one that writes exactly as what I've seen in videos and reviews, photos... I ended up purchasing two Wahl pens. One Gold Seal Victory, and one Penrite - Tempoint. I've tried my pens, wrote with them for some time and although I was quite happy with performance - I never really thought much about them. I was searching for Waterman's with that ... unicorn nibs. And so - I've got my Waterman 52, 42, another 42, 54, 56, 3V, 52-1/2V, 52V... few more 52's... several 94's... 100 YR Pen, Commando, Nurse's Pen, 12 and 13 eyedroppers... and that gorgeous 58 woodgrain. Few had extra-flexible nibs, one or two with super-flexible wet noodle nibs, most have flexible or semi-flexible nibs and several manifolds. All in all - I was buying Waterman's almost indiscriminately, sometimes just for a nib. In that process I have picked up few Wahl pens. Usually, I'd look at them, see if they have any flex, and if they are in decent condition, so if the price is right (i.e. if I won't notice it in end of month statements) - I'd buy them. So I've got one Decoband Equipoised with Flexible nib (written on the nib) and one - no clue what the model is, gold filled with #5 long nib... And then I saw new Decoband Rosewood (and blue lapis) with superflex nib in our local store- tried it too. So I have to admit - only few of my Waterman's pens come close to quality of build or writing experience of my Wahl's. And - I keep reaching for them first (WE's). I probably won't stop looking at and buying good Waterman's - but it's the Wahl Eversharp what really I started to appreciate more. Thus the semi-question: those who have new Decobands - I'm torn between Rosewood hard rubber and Blue (celluloid?). Considering hard rubber being more sensitive (I think) - does celluloid material make more sense? Is there any considerable differences to take into account before I spend 800 USD or more? Thank you!
  9. I think this is a very rare find. Due to the looks and construction of the pen I dated it around 1930, but I could not find any information about these pens on the net, so maybe somebody can help out here. Appearance and size: 10/10 As you can see this is a midsize pen, comfortable to hold and by far different than the mostly bland today's Pilots. It was made I think for export since it had english letters on it. The cellulloid? is quite stunning, one of the most beautiful pens I have ever seen. Also it is in a terrific shape, doesn't seem to have any discoloration, only maybe some tiny brassing spots, to be seen better in photos, not with the naked eye. Construction: 10/10 Quite balanced pen, very well constructed. It shows to me why the current japanese pens have this good name. They started making good pens long long ago ... Filling: 9/10 Standard lever filler, easy to fill, harder to clean. So a 9 for me, since I rotate pens often. Nib: 10/10 One of the best nibs I ever wrote with. With no pressure it writes wet and smooth, a joy to use, like it a lot. And with pressure comes the flex. Joy again. It is quite flexible, probably in the superflex category. Test Drive: 10/10 Very very nice to write with. If it would be a little bigger, probably it would be my favorite pen of all Overall: 10/10 As you can see I am in love with it, so ....
  10. Has anybody seen or reviewed the new Stipula Spash? It's supposed to be a demonstrator with a flexible steel nib! http://fpgeeks.com/wp-content/uploads/2014/09/stipula-splash-fountain-pens-posted.jpg Here's a link to one. http://www.fountainpenhospital.com/Index_Showcase.asp?BOD=/collections/collection.asp%3FMFG%3D37%26CK%3D1813
  11. Hi ! I recently bought a gorgeous wahl eversharp equipoised (the balance-like model) Unfortunately the nib is missing... Do you know someone or do you have tips on where to find the nib and feed ? The best would be a flexible nib... Thank you very much !
  12. Hi everyone, I have a PILOT NAMIKI Falcon Elabo fountain pen with Soft Medium nib. Several months ago, my co-worker tried my pen for writing, he did not know about flexible nib and he pushed so strong that the nib got a crack. (I attached an drawn image for the cracked nib). I really want to buy another nib to replace the broken one but I cannot buy it in my country (Vietnam). Many shops sell the pen, but none of them sell the nib only. I want to buy a Soft Fine nib only. Anybody know where I can buy it online and how much it is? Any help is appreciated very much! Thanks.
  13. This thread is about people who are willing to contribute with a link and possibly a short description to: articles, posts, discussions, technical articles, pictures, diagrams, videos or other instructional info, armamentarium needed, etc anything that could be relevant on ways to add flex to a fountain pen nib. Everyone's input will be highly appreciated. Any link deemed useful for someone when they tried there own flex nib modification that they are willing to share with the forum will be welcome here. Hopefully at the end, the list of references accumulated will help pen users to have a condensed thread to study about their own pen flex modification attempts, instead of looking for information scattered all around the web. The goal is to gather in as much material, from as many sources on this topic as possible, for everyone to use in the future; think of it as a reference list at the end of a book or a bibliography on this subject. The material will remain property of the FPN and its members for as long the forum wishes to host it. Reference to non-copyrighted material should clearly indicate the source of the link. Reference to useful links to copyrighted material as well as benevolent comments about them are mostly welcome, but copying and pasting experts from copyrighted material is strictly NOT allowed, unless accompanied by a written consent by the copyright owner. Many thanks to all who are willing to share, Photios PS: I have no commercial interest in fountain pens, I am just a fp enthusiast. My respects go to all people, professional and amateurs, who have toiled for the advancement of the fountain pen experience, as we all enjoy it.
  14. Hi all, I've been wanting to purchase a vintage flex pen for a while now, but can't seem to find any reputable places that sell them. Does anyone have any suggestions?
  15. Dear FPN Members, I want to share a piece of urushi laquered ebonite with you: The basis is an indian made ebonite blowfiller, with a very nice vintage flexible Wahl Eversharp Skyline NIb. I painted the pen in the style of the tsugaru nuri technique, with high quality natural japanese urushi laquers. The laquer has been cured in a controlled envirorment, with about 79% humidity. It took about a 2 months to do the pen, The following steps where done: 1.) three base layers of black urushi (cured for 48hrs each), fine sanding in between each layer 2.) adding the splotches with a painting knive 3.) a layer of clear urushi, with 23 karat gold powder sprinkled on the sticky laquer (cured for 48 hrs) 4.) 4 layers of clear urushi (cured for 48hrs each, followed by 14 days of additional curing) 5.) sanding of the clear layers, curing 6.) application of very high refined clear natural urushi with filter paper and wiping 7.) curing, micromeshing, polishing 8.) repeating steps 6&7 9.) polishing by hand 10.) fine polishing by hand The result is a very glossy pen, that writes fantastic with a very flexible nib, superb for drawing as well. Working with urushi is difficult, layers have to be very thin and precautions have to be followed due to the urushiol content of natural urushi. http://www.austrianairports.com/pens/Tsugaru_01.jpg http://www.austrianairports.com/pens/Tsugaru_02.jpg http://www.austrianairports.com/pens/Tsugaru_03.jpg http://www.austrianairports.com/pens/Tsugaru_05.jpg http://www.austrianairports.com/pens/Tsugaru_06.jpg http://www.austrianairports.com/pens/Tsugaru_07.jpg http://www.austrianairports.com/pens/Tsugaru_08.jpg
  16. Often times when I see wet noodle wahl's (or any wet noodles for that matter) they lay down too much ink to where when not flexed the toppling amounts of ink make any color of ink just look black and you get no shading/color variation. I heard somewhere that this is because the ink demand for wet noodle's is so much since they flex so easily they are flexed like 40-50% of the time so it needs a lot of ink burping out to keep up with that feed. This is why when you fully flex a wet noodle and write in big letters the ink looks perfectly fine, but once you begin normal writing without flex, since the letters are so small compared to how the wet noodles should be used, the is too much ink being gushed out. And if you try to reduce the amount of ink coming out of the pen to make the normal writing not too inky, the ink flow while flexing is hindered and you get railroading whenever you try to fully flex. Is this true? Ex. https://youtu.be/JsV5Gc8IcQo?t=6m16s
  17. I'll do a full review after I've had more time to use it but I wanted to share some of Shawn Newton's most recent work. Some of the pictures were taken by me, others by Shawn. Shawn's photos are being used with his permission. http://i.imgur.com/iwZMEoY.jpg A while back I had the idea of having Shawn make me a pen like the Hemingway except with solid 14k trim. Shawn was totally up for it and when he and his jeweler started making nibs, he asked if I wanted one. It was a risk - I was the first customer to buy one of these nibs so I had no idea how it would write. I trusted that Shawn would make sure I got nice writing pen. I wasn't disappointed. http://i.imgur.com/YkkJSi3.jpg All the metal (the nib, and all the trim) are all solid 14k gold. Writing sample http://i.imgur.com/kFL1jCV.jpg This is the coolest part: It writes just like a vintage flex nib. It even has the responsiveness of vintage flex and the tines close quickly after letting up on the pressure. Shawn Newton has an amazing thing to offer with these handmade nibs. The ink used in the writing sample is Iroshizuku Ku-jaku. I have a Romillo Essential #9 with a semi-flexible Fine nib coming in a few weeks - I'm really excited to get to compare the two handmade nibs to one another. http://i.imgur.com/rKQgZKV.jpg Here's a good look at the feed, which Shawn cut by hand out of ebonite. http://i.imgur.com/jYuCmf8.jpg Handmade Newton nib compared to a Bock nib on an Eboya Kyouka, medium-size. Comparison with other pens http://i.imgur.com/RZuiRej.jpg From top: Romillo Eo #9, Edison Pearl with Karanuri urushi, Shawn Newton custom, Eboya Kyouka - medium-size. http://i.imgur.com/tDIDOfq.jpg It's a true piston-filler. Shawn makes the piston-filling mechanisms in-house. Here you can see the blind cap unscrewed.
  18. So, over on another calligraphy-oriented forum I just posted a review of sorts I thought some here might also appreciate. It's my first attempt at comparing some of the vintage nibs I've collected accumulated. For my first group, I chose flexible nibs that all have something to do with School: either labeled as "school" or "college" or "university", or, in the case of the Palmer Method completely associated with something you do in school. These are all written using the same straight holder, using Diamine Registrar's ink, and are all vintage. I included a Spencerian no. 1 at the top as it's a pretty famous flexible pen and at least gives you an idea of the relative performance of these nibs compared to the Spencerian. I've also included a picture of the nibs themselves so you can then figure out that ones like the Palmer Method and the Esterbrook Business and College are too big for oblique holders, but work great in straight holders. Hope you enjoy! Andrew
  19. I finally received my FPR Guru Flex today in the mail and it is a very interesting pen. Interesting in the sense that I can't make up my mind about it. Here are my thoughts from the first time using it. http://i.imgur.com/kWKuieKl.jpg Aesthetics: 5/10 I don't think this is an ugly pen, however, it isn't pretty. I like demonstrators, especially when they are well done. This, unfortunately, isn't the most refined of demonstrators. The points where the plastic is joined looks very sloppy and the threads suffer from the same problem. The pocket clip works well, but looks very very cheap. This pen comes in at about 5 inches, pretty similar in length to the Noodler's Ahab, but much thinner. I would have preferred if it were a bit thicker, both for aesthetics and ergonomics. http://i.imgur.com/FBUAUAgl.jpg http://i.imgur.com/k8HZHTvl.jpg http://i.imgur.com/ePawEAll.jpg Ergonomics: 7/10 Despite being a bit thin for my taste, it is actually very comfortable to use. The grip section appears smooth, but it is not slippery. The cap threads aren't sharp and don't interfere with writing. Filling System: 7/10 Piston filler. The piston knob is a little stubborn at first but it works smoothly and it fills up with ease. Hold a good amount of ink, I haven't measured this but it is pretty close to the Ahab. Nib and feed: 7/10 Here is where the pen gets interesting. I took out of the box and I was underwhelmed. I handled it, and it felt cheap. I filled it and the piston mechanism left something to be desired. And then I wrote with it. This nib is smooth. Very smooth. The feed keeps up with fast writing and this thing flexes with ease. No railroading whatsoever, and I can get it to flex just as much as my Ahab. Granted, I have no tinkered with my Ahab much at all, but as far as out of the box performance goes, I have to say the Guru impressed. http://i.imgur.com/9hJ8wlZl.jpg http://i.imgur.com/TeTki0ol.jpg Value: 7/10 This pen costs $12 from fountainpenrevolution.com. With shipping it is $15 and you get a free Serwex pen with it (at least I did, not sure if this is still the case). http://i.imgur.com/qJxSGGgl.jpg Overall: 33/50 I won't compare this to a Hero type pen because the Chinese companies don't offer a flex version. In terms of value I would compare it to the Noodler's Nib Creaper and Ahab. The Nib Creaper costs $14 without shipping and the Ahab costs about $20. If you can get a Nib Creaper for ~$15, I think that would be the best option. The Ahab is more ergonomic and better built, but more expensive. Overall I would say that I like the Guru. It is an interesting pen with a very nice flex nib. The shipping is a little long (I waited 11 days iirc) but it is a pen that not many people have and which writes very well for the price.
  20. Hedgehogs4Me

    Softest/flexiest Pelikan 400 Nibs?

    Hi guys, looking at potentially getting a Pelikan 400 sometime soon, but, of course, there are so many differnet ones that have been made. Friction fit script, screw in unit script, logo, logo in 400N, logo in 400NN, logo in 400NN M&K... which ones usually will have the most flexibility (or easiest flex)? I won't be using this for calligraphy or anything, but I do like to put some flair on my signatures and writing every so often and I'd love to have some breathing room for how far I can push it. Thanks! (Also, is there anything else I should know before buying one? This kind of purchase always makes me nervous!)
  21. Hey Everyone, Many of you responded to my post "Win one of 7 new high performance flex pens" a while ago, and I was very pleased you took the time to reply to such an exhaustive survey. Well, I've been working like a dog making a lot of mistakes these past few months, and at last, here are a few ideas in the form of flex fountain pens I think you'll enjoy. You've probably already seen the writing samples I've posted in the poll posting, so I won't burden you with another one here. User testing was very positive so far. Now, we get to talk about design. Please go to the company Facebook page, and "Like" the pens you like the most on this photo: http://tinyurl.com/plo63t6 Otherwise, chime into this thread with what you'd like. I want to make these pens affordable, so if you're lusting after 14k gold flex, or lots and lots of metal in your pen, you'd probably be better off going vintage. That said, I have lots of ideas I want to make, and your comments will significantly help me refine my thoughts. The webstore is on its way, and if you like what you see, please comment!
  22. I find that flexible dip nibs are very scratchy and railroad a lot. I have the following nibs: Brause L'ecoliere NibBrause 66EFBrause Rose NibVintage Gillott 404Gillott 404 NibLeonardt Copying Nib DP33Hunt 108 dipped in Noodler's inks, and Parker Quink inkon Nature's Wheat-based Paper Can anyone shed light on this and suggest solutions to get smoother, uninterrupted writing with line width variation? The first thing is I don't expect this, because these are supposed to be a useable selection of implements.
  23. ThegreatandpowerfullR

    I Need Help Identifying This Conklin

    My friend got this pen from a flea market seller some time ago and gave it to me. He said he paid 100 dollars for it and it is a very nice pen in superb condition( wear is almost non existent and the color really is amazing in-person). The dimensions are 5 inches capped, 4.6 from nib to end, 3.9 from section to end, and the barrel is 3.4 inches long. The lever is a half an inch long and says "PAT.NOV.17.1925" and the clip says "Conklin PAT 5-38-1916" the imprint says "TRADEConklinMARK" and underneath "Toledo, Ohio, USA. The nib says Conklin 2 toledo and goes from a really wet fine/medium to a 3mm flexed point. Attached are some pictures of it and the pen n comparison to a pilot varsity and a fpr guru and triveni. Thanks a lot in advance for the help!
  24. Over the last 8 or 9 years since I have been collecting fountain pens, I have changed my viewpoint on flexible nibs at least several dozen times. At first, I had to have the wet-noodle because this was a coveted nib that only few had experienced. I have never found a nib that flexible, but I have purchased several pens with very flexible nibs. Over time the novelty wore off. I found I preferred a nib with a little spring to it, but the super-flexible nibs were just not convenient to write with. Then I realized I was writing the wrong way. Instead of trying to produce width and shading with every letter, flexible nibs were meant to distribute ink with the lightest of light touches. If you look at correspondence from the 19th and early 20th centuries, people were not mashing down on the nibs getting them to bend into outrageous proportions, producing broad shades followed by razor point lines. This kind of activity was reserved for the professional penman who used a steel nib with a nib-holder to create a decorative business script. Break a steel nib, replace it with another one. They usually came in a box of 30. So what is this obsession with the flexible nib? Why, when we see some demonstration of the pen are we automatically drawn to the flexible nib, when in fact, it doesn't represent the way anyone writes on a regular basis, nor should it represent the way the nib should be used.
  25. Sam_I_Am

    Pen Body Needed

    I recently purchased a box of brushes and in the very bottom was what appeared to be an old fountain pen. When I picked it up, it began to crumble in my hands. It seemed rather small to be a fountain pen, but when I finally got the top off (in pieces) I found a gold nib. The body crumbled, leaving nothing but the nib. The feed was also cracking. I managed to seat the nib in an off-brand fountain pen to see if I even liked it, and wouldn't you know, I love it!! It works, but not well, in the off-brand pen body. The nib is gold, has the word Eversharp in a slight bow with the words "Made in the USA" just below. Underneath that is the number 2 and the word "flexible." I would love to seat the nib in an appropriate pen body, but I haven't a clue as to where to begin. Any thoughts on where I might get a quick start on learning what type of pen I had and what to place the nib into next? Any help would be greatly appreciated! ~ Sam





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