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  1. Hi everyone! I received a lot of old Japanese fountain pens that appear to be old plunger fillers, all of which appear to need new seals as they do not vacuum in any ink (the pen pictured leaked from the blind cap end when I syringed some water into the body). The blind cap unscrews, but the plunger has no resistance when pulled up and can be shifted around to various angles. I can see inside the pen with the section removed that there is a small bulb attached to the end of the rod with a small rubber washer not too far behind it. I did some looking around but had trouble finding a lot of information regarding how to fix these types of pens. Any help would be greatly appreciated! P.S. If anyone knows anything about what this pen is, I'd appreciate any help identifying it. The label reads "shiruba" or Silver
  2. jandrese

    Pelikan M1000 Raden Sunrise LE

    Here is the Pelikan M1000 Raden Sunrise LE from 2016. Difficult pen to photograph but a beauty to behold. Untitled-1-stacked-working-file-brightness-bosted by Ja Ja, on Flickr
  3. longhandwriter

    Parker 88 With Urushi Laquer Finish

    Hello and as usual I am looking for help, in this case to identify the finish on a Parker 88. The pen was made in the UK and has a IIL date code, so second qtr 1993. The pen has a green lacquer finish over a metal barrel and the gold splash is sitting on top of this finish and is not, as has been suggested to me, breaking through from underneath the green. This is not 'brassing' as the gold is three dimensional and under 10X magnification this can clearly be seen. If anyone knows what the finish is called or has seen it it before I would be very pleased to be advised Many thanks in advance for any information you may have.
  4. Here is a focus stacked macro of the Platinum Izumo Kurikara-Ken in sumiko taka maki-e. This pen is subtly amazing. The mix of texture and contrasting finishes all in black is super cool. Best seen and felt to understand its intricacies. f2point8 stacked logo by Ja Ja, on Flickr
  5. jandrese

    Taccia Miyabi Imperial Koi LE

    Here in full focus stacked macro glory is the limited edition Taccia Miyabi Imperial Koi. The background is, I think, byakudan-nuri whereas the fish are in rankaku with mother of pearl raden eyes. Usually, koi are not usually represented this large but Taccia made the specific choice to render them this way to good effect. Sailor nib so it writes well. focus stacked logo by Ja Ja, on Flickr focus stacked koi closeup logo by Ja Ja, on Flickr cap logo by Ja Ja, on Flickr
  6. This is the incredible Sailor King of Pen Battle of Itsukushima LE in full focus stacked macro glory. The artist is Ikki Moroiki and the total number of pens is 33. The presentation box is also incredible in black lacquer and maki-e. Details of the maki-e on the box are shown below. 8E7EBA7F-D2BE-4748-B5AF-EFB645A9EBC9 by Ja Ja, on Flickr 4FDBB95A-F8C8-4497-8026-D63CF7B90898 by Ja Ja, on Flickr 358CEAD5-FDD5-4C92-9B49-AE9CCEC83717 by Ja Ja, on Flickr
  7. I shot focus stacked macros of all these pens for Dromgooles. As far as I know they are all still currently available. Good, high relief maki-e by the French craftsman, Morgan Wisser. I have several pens customized by him and have been happy with the work. Let me know what you think or if you have any questions. focus stacked yes logo by Ja Ja, on Flickr focus stacked yes logo by Ja Ja, on Flickr focus stacked yes logo by Ja Ja, on Flickr focus stacked yes logo by Ja Ja, on Flickr turtle side focus stack yes logo by Ja Ja, on Flickr shark side focus stack yes logo by Ja Ja, on Flickr
  8. Yesterday, I stopped at my local Danitrio fountain pen dealer and stumbled upon a parade of stratospheric pens. I just had to snap some pictures. Unbelievably, these pens represent but a fraction of the hyper pens available in the same trays. First up is the Genkai style 100 Kids design--it is truly extraordinary. I have several from the same artist but none like this! Next a Kaijin style Ebisu (A god of seven) design by Kogaku Then a Yokuzuna aka kyokuchi style emperor dragon design--indescribable beauty and technical prowess The self described #50 gigantic nib, which looks like custom work.
  9. jandrese

    Namiki Yukari Royale Frog

    This is the Namiki Yukari Royale Frog in full focus stacked macro glory. Namiki calls this motif Frog. There is more than one frog but more importantly the dynamism and joy of the piece jumps off the pen. Note the different colors of urushi and raden to depict the water. I'd call this pen Happy Frogs. Focus stacked curves up color shift yes logo by Ja Ja, on Flickr frogs focus stacked with logo by Ja Ja, on Flickr
  10. One of my Danitrio Mikado (eyedropper filling model) pens leaked on me at work. That is Noodler’s Navy you see on the section in the first image. I collect Danitrio and this sort of thing happens more often than I care to admit on their eyedropper filling pens. I still collect Danitrio but stopped buying eyedropper models a couple of years ago. At this point I know all the potential ways in which a Danitrio can leak. This one leaked at the junction between the section and the barrel. Naturally, with a leak like this you don’t know it’s happening until you look at your inky hand so that’s nice. There is no obvious reason for the leak, which led me to investigate further. To do so I thought a comparison to a Japanese eyedropping pen that has never leaked on me was in order. Thus, I cleaned out the Namiki Emperor I had with me at work and set about comparing the two pens. What have I learned? 1) That even compared to a Namiki Emperor the Danitrio Mikado is a big pen and looks great. Feels good to hold and to write with and that stub nib is extra nice. Seems to be on par with the Namiki on looks and feel but… 2) The section engineering and machining execution is different between the two pens. The concept is the same—eyedropper with shutoff valve—but the Namiki has some advantages. a. The Namiki threads are finer pitched and better machined inside the barrel and on the section. This can be felt when screwing in the section; there is a smoother feel and less play. b. The threaded portion of the section has a bigger diameter on the Namiki. The overall diameter is 10% greater and but the ratio between the diameter of the grip portion and the threading is also 10% greater on the Namiki. c. The o-ring on the Namiki is more precisely seated, that is, it has no room to move about. d. Both o-rings fit into a slot in the barrel that is flat and smooth before the threads start up. The slot on the Namiki is not as deep. I have a gang of Danitrio pens that fill by eyedropper. One or two have never leaked on me at the section. This pen used to be one of them. The problem is at the level of the o-ring. There is too much potential for the o-ring to move about, get twisted, or otherwise compressed in an uneven fashion. It only takes an infinitesimal gap for ink to leak. Water always finds the path of least resistance. A little side pressure from your grip and the heat from your hand is all it takes to set the leak in action. Part of loving Danitrio seems to be leak mitigation. Changing o-rings has helped in the past on other pens but o-rings that fit are not easy to come by. Danitrio themselves does not seem to have consistently sized, readily available replacement o-rings. That bit about consistently sized o-rings may make more sense knowing that there is more variability between Danitrio pens of the same model than Namiki pens of the same model. I reckon Namiki buys only one size of o-ring that always fits like it is supposed to. I admit that it all is a bit frustrating, but I press on. IMG_8517 by Ja Ja, on Flickr IMG_8529 by Ja Ja, on Flickr IMG_8535 by Ja Ja, on Flickr IMG_8539 by Ja Ja, on Flickr IMG_8541 by Ja Ja, on Flickr IMG_8543 by Ja Ja, on Flickr
  11. This is the new LE from Sailor, the Bespoke Maki-e King of of Pen Shika to Gekkou or Deer in Moonlight. The artwork is amazing and emotive. Feast your eyes on this focus stacked macro capture of a wonder. Untitled-1 watermarked by Ja Ja, on Flickr
  12. This is my Danitrio Hyotan Special edition Maki-e F-49 Blue Dragon LE. There are only 30 of these pens produced by the artist Yuji. This dragon does, however, appear on another pen, a Mikado model with more involved maki-e that retailed for far more than this pen. Untitled-1 yes logo by Ja Ja, on Flickr closeup yes logo by Ja Ja, on Flickr
  13. I've had this pen for awhile. Since it's attractive I thought I'd capture a good picture of it. Danitrio really does tamenuri well and the curvy shape of this pen lets the light play off of the tamenuri. working image full yes logo by Ja Ja, on Flickr
  14. Here are two limited edition Taccia pens from the Hyakko-Hisho lineup. The Hyakko-Hisho is a compendium of craft techniques from the Edo period including lacquer styles. Taccia has been pulling from that for the past two or three years. Pictured first is the Hakumei or twilight from last year, which is primarily green. Second, is this year's Hakumei or starlight/star shine, which is primarily blue. Both make nice use of blended urushi colors and raden. I thought they made a nice pair. Untitled-1 with logo by Ja Ja, on Flickr Untitled-1 yes logo by Ja Ja, on Flickr together with logo by Ja Ja, on Flickr caps together with logo by Ja Ja, on Flickr tails together with logo by Ja Ja, on Flickr
  15. I photographed these Sailor King of Pen pens for Dromgooles. Very interesting and unique urushi technique that I did not appreciate until I was able to study them. I especially like the color range in the green version. together yes logo by Ja Ja, on Flickr texture zoom crop yes logo by Ja Ja, on Flickr
  16. The Taccia Hyakko-Hisho II collection Sango. The Hyakko-Hisho is a collection of 100 urushi styles, a type of reference work that artists have drawn on since the Edo period. Sango means coral and this pen in kawari-nuri captures the essence of coral. A unique addition to the collection. Fitted with a Sailor Zoom nib. AC7FC6BB-687B-4FAA-A81B-A3EAC71B0CB4 by Ja Ja, on Flickr 233884EA-F18B-4476-B23D-236FA60821C8 by Ja Ja, on Flickr
  17. jandrese

    Namiki Emperor Chinkin Dragon

    Shooting the Sailor Bespoke KOP Chinkin Owl for Dromgoole’s inspired me to pull out my Namiki Emperor Chinkin Dragon and run it through the focus stacked macro ringer. I’d say it availed itself. F8B88398-F81A-4B6A-A5F5-C981F315526F by Ja Ja, on Flickr EE178EB1-23E4-4056-B7BB-80B3EDD2E062 by Ja Ja, on Flickr
  18. I shot this for Dromgooles. Gorgeous chinkin work on the pen but the box is superlative. Expensive but worth every penny. uncapped pen at rest yes logo by Ja Ja, on Flickr Owl pen closeup yes logo by Ja Ja, on Flickr Full capped yes logo 1st choice by Ja Ja, on Flickr box owl yes logo by Ja Ja, on Flickr box yes logo by Ja Ja, on Flickr
  19. Here I present my newest pen, the Platinum Izumo Galaxy in full macro glory. The surface is smooth with dense raden. The raden particles are not of a uniform size and are densely packed with uniform distribution. While not the most challenging maki-e ever this pen was made by a skilled artist. _SON4648 by Ja Ja, on Flickr _SON4649 by Ja Ja, on Flickr _SON4650 by Ja Ja, on Flickr
  20. Here I present the Dantrio Hakkaku with dragon Maki-e and a 18k #6 size stub nib. I don't know anything about this pen other than I bought it in 2017. I've never seen the design on another Danitrio pen. Danitrio does not offer any story or explanation of the artwork. I posted about this pen in the fountain pen review pages back in 2017 but since then I've gained the ability to take good photos so I'm sharing again. Let me know what you think. I could be tricking myself but the tamenuri seems to be changing in a most enjoyable way. The artwork on this pen is rather nice and involved and also makes good use of the space on the pen. _SON4588 by Ja Ja, on Flickr _SON4593 by Ja Ja, on Flickr _SON4597 by Ja Ja, on Flickr _SON4598 by Ja Ja, on Flickr _SON4599 by Ja Ja, on Flickr
  21. This is the Namiki Limited Edition 2021 Coral Emperor in full macro glory. Drink it in. This pen is above and beyond in every way possible. _SON4578 by Ja Ja, on Flickr _SON4577 by Ja Ja, on Flickr _SON4580 by Ja Ja, on Flickr _SON4582 by Ja Ja, on Flickr _SON4584 by Ja Ja, on Flickr _SON4583 by Ja Ja, on Flickr _SON4585 by Ja Ja, on Flickr _SON4586 by Ja Ja, on Flickr
  22. Here is the mighty No. 50 size Namiki Emperor in the 2021 Limited Edition Coral maki-e. Words cannot express the amazingly superlative incredibleness of this pen. I have some pretty awesome macros I can share in a followup post if anybody is interested. IMG_8256 by Ja Ja, on Flickr
  23. Just found this and thought I'd pass along the warning. http://www.hakuminurushi.com/conservation/light.html "Urushi lacquer is very sensitive to light, especially in the range considered ultraviolet light (below 400nm) and can be damaged by overexposure. Avoid exposing lacquerware to direct sunlight or other sources of ultraviolet radiation such as halogen lamps, black-lights and sterilization chambers and avoid exposing lacquerware to strong or direct light over long periods of time. Avoid Light Exposure Avoid Strong or Direct Sunlight, Ultraviolet Light and Long Exposure to Light Unfortunately this fact is urushi's greatest weakness and is one that any owner of lacquerware should know and understand. Overexposure to light can cause noticeable discoloration and loss of lustre and gloss of the lacquer surface. Severe overexposure (especially to that of wavelengths 365nm or less) can cause additional damage including cracking or crazing of the surface, and as a result, exfoliation of the lacquer layers. This type of damage typically will not happen in an average setting but it is clear that care should be taken to prevent such irreversible damage. Preventing damage from over exposure to the most damaging range of ultraviolet light is not a difficult task. Simply avoiding the display and use of lacquerware in and around the strongest sources of this range of light will prevent any severe damage. Sunlight remains the strongest source of ultraviolet light will typically be encountered. Avoid using lacquerware outdoors during daylight hours and do not place or display lacquerware in front of a window or in other places where strong or direct sunlight may enter. Halogen lamps may still be encountered frequently for display lighting in stores and sometimes in the home. Although halogen lamps typically come with UV filters which effectively block a large portion of the emitted ultraviolet light, due its strong intensity and high temperatures, it is still recommended to avoid displaying lacquerware under halogen lamps. In is inadvisable to use a halogen lamp with its UV filter removed. Lacquerware should also never be sterilized in a UV based germicidal or sterilization chamber as these use strong doses of ultraviolet light in the most damaging spectrum (UV-C, 280-100nm) to kill pathogens. Other sources of ultraviolet light include various less common light sources such as high intensity discharge lamps, specialty gas discharge lamps, and certain high intensity LED lamps. Most of these particular sources of ultraviolet light would not be encountered in a normal setting, but should be avoided should the case arise. Ultraviolet light, however, is not the only portion of the spectrum that may damage urushi. Although the level of damage is drastically reduced, light in the visible spectrum can also noticeably deteriorate a lacquer surface. Frequent, extended exposure to the visible spectrum can cause a noticeable change in color and a reduction in luster and gloss in as little as 6 years for transparent or lighter colored lacquer surfaces and 21 years for black lacquer surfaces1. In practice, this type of damage is difficult to achieve in a typical household setting, but it becomes understandable when it is suggested that urushi should not be put on constant display and be illuminated only when they are actually being viewed. Maki-e lacquerware with a heavy layer of exposed metal powder covering the entire surface, as frequently seen in kintsugi repairs on ceramics, will experience very little or no damage from this type of exposure. Heat is also a factor in damage caused by lighting excessive heat over long periods of time also contribute to the surface deterioration in lacquerware. If lighting must be used in close proximity, only low temperature lamps such as fluorescent lamps should be used and they should be arranged to reduce the amount of heat as much as possible. However, at times, unintended damage may still occur. If the layer is severely damaged to the extent of cracking and flaking, little can be done to restore the surface and the only measure that can be taken is to solidify the oxidized lacquer layer and prevent additional damage. However, slight damage can be reversed to some extent. Although changes in color may be permanent, a restoration treatment will typically be able to bring a slightly dulled urushi surface back to its original shine. Nevertheless, this type of restoration effort is best avoided in its entirety and steps should be taken to prevent its need. Avoiding overexposure to light is most important, but a treatment of the lacquer surface is suggested approximately every 20 years. This treatment involves a thorough cleaning, inspection and a re-impregnation of any oxidized or damaged areas with lacquer. However, this type of treatment is not necessary to maintain the beauty of a piece of lacquerware. With proper care, damage caused by overexposure to light is not something that will be encountered over the lifetime of a piece of lacquerware, but knowing how to avoid this damage is important to prevent it from occurring at all. References: • Ogawa, Toshio; Arai, Kazutaka; Osawa Satoshi, "Light Stability of Oriental Lacquer Films Irradiated by a Fluorescent Lamp." Journal of Polymers and the Environment 6:1 (1998): 59-65 • Webb, Marianne, Lacquer: Technology and Conservation (Oxford and Boston, 2000) • Araki, Tadashi; Sato, Hisayishi, "Relationships Between Exhibition Lighting and Discoloration of Lacquered Wares." Scientific Papers on Japanese Antiques and Art Crafts 23 (August 1978): 1-24 1. JRank.org Arts, Conservation - 1. Introduction., 2. Urushi., 3. Insect and associated lacquers., http://arts.jrank.org/pages/9696/III-Conservation.html (21 July 2010)
  24. Hello, We are writing to inform you of the service of our Chinese lacquer workshop. Our workshop named "Zhizhai". Our lacquer workshop in Guangdong that introduces traditional Chinese lacquer techniques. At the end of this year, we plan to have a fun project for fountain pen lovers. We are professional lacquer ware craftsmen. Our main works are lacquer ware and furniture, interiors of hotels and luxury cars. From time to time, at the request of a friend, I apply natural lacquer to their private fountain pen. We don't know how to use this site at all. Should I write in this comment section if I have an event for this fountain pen lover? If you know how to effectively inform us of an event, please let us know. We started Instagram with the help of Japanese friends because of internet regulations in China. Because Chinese lacquer techniques are little known in the world. In the future, we will post many rare Chinese traditional patterns on Instagram. And although they are mainly samples of authentic lacquer ware, we can express the pattern with a fountain pen. This is our Instagram account. @zhizhai_lacquer This is our website. We have prepared a basic knowledge page for real lacquer. Chinese lacquer culture uses so many colors, all of which are real lacquer. https://www.zhizhai.shop/ We look forward to your support and advice. Thank you very much for your interest in lacquer culture. Zhizhai Xiao Guan
  25. dms525

    My new shu

    I have been thinking about acquiring a Nakaya in the Araishu (orangish) urushi lacquer for some time. Nibs dot com finally had one in stock when my resistance was low. I ordered it with a BB nib ground to crisp cursive italic. The color is a brownish-orange, which I like a lot more than I would a brighter orange. The aesthetics exceed my expectations. Here are some photos of the new pen, including side-by-side comparisons of the araishu, unpolished shu and shu urushi finishes. Orange you glad I shared this? Happy writing! David

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