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Azania

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Hello everyone,

 

In 1995, I was in my second last year of elementary school (which is known as primary school) in Uganda (East Africa, for those who have no idea). That was the last time I used a fountain pen. At the time, perhaps due the colonial education system that my homeland inherited from Britain, some schools demanded that kids use fountain pens! A few had rich parents who could afford the real stuff, but the rest of us used Japanese knock-offs and Chinese pens. Their refilling systems were a rubber tube (sac) that you had to press several times upon dipping the pen in the ink bottle. Many were toothy and others ran like the river Nile. I hated them- didn’t understand why we had to use them. Schools authorities argued that they would help kids with bad handwriting to write better. I was one of those kids- to this day, most people, including my mother and wife, have a hard time reading my scribbling.

 

Fast forward 23 years later (this summer), I found myself in Edmonton, and felt the urge to use fountain pens again. Still cannot tell why, but I know that for quite a long time, I’ve been particular with the kind of pens I use. I love writing by hand, and making handwritten notes of my readings. It turns out the feel of the pen on paper, and how the ink appears are important parts of how I prefer to experience writing. I also HATE (not a word I use lightly) ballpoint pens. The Pilot G2, 0.7 mm Gel Pen has been my go-to instrument for close to 8 years- I exclusively used it during graduate school right until August this year. I still love that pen, but there comes a time when a man/woman outgrows some things (I am looking at you, Honda Civic). Fountain pens to me, then, seem like a natural progression. So I went and got myself a Lamy Safari.

 

Looking back, fountain pens, at least in the context that they were introduced to me, are not so far removed from my academic work and personal interest today. Though to be sure, only to the extent that they remind me of my colonial educational experience: I am currently occupied with anticolonial education, decolonisation, and the politics of knowledge production- studying colonialism and advocating for native/indigenous epistemologies and intellectual traditions in colonized spaces.

 

Did I mention that come next year, I might need an upgrade? Just for special occasions. Suggestions are welcome. Budget: 140 USD— I am aware that this low in some circles, but I am O.K with it. While I appreciate good looks, I am more of a functional than an aesthetic user. Smooth writing, right out of the box is my main thing.

 

Current pens:

  1. Lamy Safari (pink)
  2. TWSBI VAC700R

 

Inks:

  1. Noodler's V-mail North African Violet (everyday writing)
  2. Pelikan Edelstein Jade (beautiful ink— when I want inspiration to write beautiful prose)
  3. Pilot iroshizuku tsutsuji (for my love of pink, in all its forms)

 

 

 

Happy writing and collecting,

 

Azania

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Hello and Welcome to FPN!! Glad to have you as a member!!

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Hello and welcome to FPN.

Recite, and your Lord is the most Generous  Who taught by the pen

Taught man that which he knew not (96/3-5)

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Hello and welcome to FPN.

To sit at one's table on a sunny morning, with four clear hours of uninterruptible security, plenty of nice white paper, and a [fountain] pen - that is true happiness!


- Winston Churchill



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      Oh to have that translucent pink Prera! @migo984 has the Oeste series named after birds. There is a pink one, so I’m assuming Este is the same pen as Oeste.    Excellent haul. I have some Uniball One P pens. Do you like to use them? I like them enough, but don’t use them too much yet.    Do you or your wife use Travelers Notebooks? Seeing you were at Kyoto, I thought of them as there is a store there. 
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      It's not nearly so thick that I feel it comprises my fine-grained control, the way I feel about the Cross Peerless 125 or some of the high-end TACCIA Urushi pens with cigar-shaped bodies and 18K gold nibs. Why would you expect me or anyone else to make explicit mention of it, if it isn't a travesty or such a disappointment that an owner of the pen would want to bring it to the attention of his/her peers so that they could “learn from his/her mistake” without paying the price?
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      Why nobody says that the section of Tuzu besides triangular shape is quite thick. Honestly it’s the thickest one among my many pens, other thick I own is Noodler’s Ahab. Because of that fat section I feel more control and my handwriting has improved. I can’t say it’s comfortable or uncomfortable, but needs a moment to accommodate. It’s funny because my school years are long over. Besides this pen had horrible F nib. Tines were perfectly aligned but it was so scratchy on left stroke that collecte
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      Awesome! I'm in the process of preparing my bag for our pen meet this weekend and I literally have none of the items you mention!! I'll see if I can find one or two!
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      @asota -- Yeah, I think I have a few rolls in my fridge that are probably 20-30 years old at this point (don't remember now if they are B&W or color film) and don't even really know where to get the film processed, once the drive through kiosks went away....  I just did a quick Google search and (in theory) there was a place the next town over from me -- but got a 404 error message when I tried to click on the link....  Ruth Morrisson aka inkstainedruth 
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