Jump to content

Grinding A Medium Nib To (Extra?) Fine


thefrost

Recommended Posts

Hello all,

 

I previously posted in the MontBlanc section that I wished my MB 146 had a finer nib. Some people suggested grinding down the nib. I thought that I bring the question here to a broader audience.

 

Is grinding down a good idea? Or should i ust swap the nib (expensive through MB) or swap the pen and take my loss. I have noticed that the horizontal strokes are broader then the vertical ones. Would grinding down the nib help with that too? It just seems that a lot of ink flows towards the nib.

 

I also would like to hear any recommendation on where to have such a job done (in The Netherlands, if possible).

 

Link to comment
Share on other sites

  • Replies 16
  • Created
  • Last Reply

Top Posters In This Topic

  • Bo Bo Olson

    4

  • thefrost

    4

  • Honeybadgers

    2

  • TheDutchGuy

    2

If you have not practiced nib re-shaping on some cheap pens, I would not take the risk of doing it on a 146 nib. That is a good way to end up with a ruined nib of nearly zero value.

I have done some work on nib re-shaping, but I started on some very cheap, already ruined pens. There was no risk or consequences of failure on those pens.

Link to comment
Share on other sites

Personally I would not touch that particular nib. It’s a MB, it’s not easily replaceable and despite the fact that you would like a finer nib there’s probably nothing wrong with it. Either have a good nibmaster do it for you, or send the pen to MB, or sell it and buy one with F or EF nib.

 

Using certain inks will produce a thinner line. Sailor kiwaguro is known to have that effect without being a dry ink. I’ve used that ink in quite few pens to reduce the line width and usually it shaves off about 1/3rd, sometimes more.

Link to comment
Share on other sites

M does very well with classic rough papers; laid or linen effect paper.

M is a very good nib for two toned shading inks.

EF is not good for classic rough paper, in fact F can be a bit iffy. F can do shading ink, if not Japanese F=EF. EF requires a vivid supersaturated ink to see the line.

 

Have a qualified nibmeister do your nib work. You don't state where you are, so we need to know what country you are in to recommend a nibmeister.

 

Pelikan 4001 (they shade on good to better paper) is about the dryest ink around, worth half a width. Rhodia 80-90g or Clarefounatine Triomphe are slick papers, good for half a width in going narrow.

Modern MB, Lamy and Pelikan above the 200 are wider than semi-vintage and vintage in MB and Pelikan.

 

 

First try dry inks, and slick papers....going to need both sooner or later as is. :thumbup:

The Reality Show is a riveting result of 23% being illiterate, and 60% reading at a 6th grade or lower level.

      Banker's bonuses caused all the inch problems, Metric cures.

Once a bartender, always a bartender.

The cheapest lessons are from those who learned expensive lessons. Ignorance is best for learning expensive lessons.

 

 

 

Link to comment
Share on other sites

Rhodia paper is indeed a bit better, and I'll try to find Pelikan 4001.

I'm in Amsterdam, the Netherlands, if that helps for any recommendations.

Link to comment
Share on other sites

Get a new nib. When you're happy with what you get (it might take a couple tries) have the other one ground to something fun - stub, italic, architect etc.

"What? What's that? WHAT?!!! SPEAK UP, I CAN'T HEAR YOU!!" - Ludwig van Beethoven.

Link to comment
Share on other sites

Keep the MB as is in reserve for down the road, where a M nib might well be great.

There are cheap or inexpensive Japanese nibs in their F....a western EF. Give one of them a try before grinding.

A MB nib is expensive one ....well the folks that hang out at my bar, just don't tell MB to swap nibs with out a very good reason. E60 for the nib swap, not counting the new gold nibs price.

 

Francis Goossen over in Belgium can grind your nib if that's really what you want. Fontainble on the com.

He ground my 605 from BB to a butter smooth 1.0 (B) stubb.

He was one of the two that developed the Conid founatin pen, and was their nibmeiser until he retired for going to work. He trained the man grinding nibs for Conid. So can do it.....lots cheaper than sending it to MB for a new expensive nib.

 

Well after a long time I got to like M nibs....I like all 'noobie's listen to my elders.....and they either went skinny....or for me the more interesting wide; when new. In many came in with the 'standard M nib, it is very disrespected.

 

This was with MB Toffee a very nice brown shading ink.

 

""""""Most of my shading inks will work well with a regular flex F nib, the ink will not be so dark as a wider nib. 90g or better laser paper.

Ie. MB Toffee:

F was light with dark trails.

M was 50-50. :yikes: Breaking the M prejudice I picked up on this com. :headsmack:

B was dark with light trails.""""

The Reality Show is a riveting result of 23% being illiterate, and 60% reading at a 6th grade or lower level.

      Banker's bonuses caused all the inch problems, Metric cures.

Once a bartender, always a bartender.

The cheapest lessons are from those who learned expensive lessons. Ignorance is best for learning expensive lessons.

 

 

 

Link to comment
Share on other sites

I previously posted in the MontBlanc section that I wished my MB 146 had a finer nib.

_...‹snip›...

Is grinding down a good idea?

If it makes the pen more pleasing and/or value to you, sure. After all, it's your pen, and (I'll assume) you have clear title to it, and are at liberty to do whatever you want with it. It's a better idea than doing nothing, so that's a good idea. The question isn't what is the "best" idea or solution to address a particular problem; not how to minimise cost or risk, preserve the item's worth in the market, etc.

 

For what it's worth, I ground the 18K gold nib on my Pelikan M815 myself, because I just hated the F nib as supplied and therefore wasn't using the pen. I could have waited until the opportunity came when I could get a nibmeister to do it (and pony up whatever he/she wants to charge for the job), but decided to take a punt; and it wasn't like I've already got the skills to properly reshape nibs myself to my requirements or specifications.

 

In my case, it worked and I now enjoy writing with that pen much more than before. However, I wouldn't recommend anyone else do the same if they're not comfortable with taking risks and just want things to work; the default decision is to do nothing, not take risks, and live with how poorly things work in the status quo.

 

Apart from wanting your MB 146 to have a finer nib (or just put down finer lines when you write with it), what do you want?

I endeavour to be frank and truthful in what I write, show or otherwise present, when I relate my first-hand experiences that are not independently verifiable; and link to third-party content where I can, when I make a claim or refute a statement of fact in a thread. If there is something you can verify for yourself, I entreat you to do so, and judge for yourself what is right, correct, and valid. I may be wrong, and my position or say-so is no more authoritative and carries no more weight than anyone else's here.

Link to comment
Share on other sites

No. No no no. Don't touch a nib worth more than $10 until you've ground 50-100 cheap chinese nibs.

 

You could get lucky, but you could not. I screwed up my first 5 or 6 grinds COMPLETELY. I still don't know if i'd be brave enough to put the stones to my homo sapiens or 149, and I've ground at least a hundred nibs to everything from needlepoint to architect and stubs and italics. But I still screw up every now and then, and I really, really don't want one of my mistakes to be on a nib that'll cost $400 to replace.

 

One mistake and you've bitten the tipping in a way that requires you buy a new nib.

 

Yes, it's worth doing if you dislike the line. But just spend $40 and have a nibmeister do it.

Edited by Honeybadgers

Selling a boatload of restored, fairly rare, vintage Japanese gold nib pens, click here to see (more added as I finish restoring them)

Link to comment
Share on other sites

I'm in contact Fontainble.and just to assure everyone, i'm not going to grind the MB myself. :)

 

I understand what everyone is saying. I think i'll just have more personal use from a finer nib, and in the end I want to use the pen.

Right now, mostly worried about sending the pen through the mail... :)

Link to comment
Share on other sites

I just stick it in German post....trust Belgium post, just as much as I would Dutch.

It don't cost much to send the pen box with pen in it registered.

The Reality Show is a riveting result of 23% being illiterate, and 60% reading at a 6th grade or lower level.

      Banker's bonuses caused all the inch problems, Metric cures.

Once a bartender, always a bartender.

The cheapest lessons are from those who learned expensive lessons. Ignorance is best for learning expensive lessons.

 

 

 

Link to comment
Share on other sites

Hello all,

 

I previously posted in the MontBlanc section that I wished my MB 146 had a finer nib. Some people suggested grinding down the nib. I thought that I bring the question here to a broader audience.

 

Is grinding down a good idea? Or should i ust swap the nib (expensive through MB) or swap the pen and take my loss. I have noticed that the horizontal strokes are broader then the vertical ones. Would grinding down the nib help with that too? It just seems that a lot of ink flows towards the nib.

 

I also would like to hear any recommendation on where to have such a job done (in The Netherlands, if possible).

 

 

I had Mike Masuyama ground my MB anniversary nib to a fine 0.4 at the DC pen show.. it's part of what I use every day now. If the nib is not to your liking, get nibmeister to adjust it. I think of the pen just like a suit off the rack.. I get a tailor to adjust the suit to my fit. I do the same to my pens and get a nibmeister to adjust the pen.

Link to comment
Share on other sites

I do most of my own nibwork, but I’d never advise anyone else to do it. I’m with SpecTP and Honeybadgers on this issue: pay a nibmeister to do it for you. Nib work is not easy and the devil is in the details. Today I finally decided to re-grind my old Parker 51 Medium into a mini-stub. Over time, I have established a process for such re-grinds that prevents me from ruining the nib, so if I can’t get it the way I want it, then there is always enough tipping material left for a nibmeister to finish the job for me. The basic rule I apply is when in doubt, don’t.

Link to comment
Share on other sites

It's definitely worth learning to at the very least learn to properly tune a nib, but do it with cheap throwaway jinhao #6 nibs that cost fifty cents apiece. I think everyone should at least learn how to align, open up, smooth and remove baby's bottom.

Selling a boatload of restored, fairly rare, vintage Japanese gold nib pens, click here to see (more added as I finish restoring them)

Link to comment
Share on other sites

  • 2 weeks later...

I had Francis ground the nib ground narrower. It takes a bit to get used to it maybe, but I think the pen will be of so much more use. My e-s are now open, and I can write smaller notes.

Link to comment
Share on other sites

Is it such a problem to learn to write wider?.........what are you going to do.....never ever buy and have fun with a B??

 

Go buy yourself a Japanese EF or their XXF....needle point....then you can write even smaller.

Good to have great eyes.

Edited by Bo Bo Olson

The Reality Show is a riveting result of 23% being illiterate, and 60% reading at a 6th grade or lower level.

      Banker's bonuses caused all the inch problems, Metric cures.

Once a bartender, always a bartender.

The cheapest lessons are from those who learned expensive lessons. Ignorance is best for learning expensive lessons.

 

 

 

Link to comment
Share on other sites

Funny, Ive recently picked up a Fine 146 (used) and its too fine for me. Would love to replace it with a juicy medium.

 

Bo Bo Olson, he obviously bought it for a certain usage scenario to which a Fine fits him most... why learn a new tool when you can get a tool you already know how to use.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43972
    2. PAKMAN
      PAKMAN
      35666
    3. inkstainedruth
      inkstainedruth
      31675
    4. Ghost Plane
      Ghost Plane
      28220
    5. Bo Bo Olson
      Bo Bo Olson
      27747
  • Upcoming Events

  • Blog Comments

    • Misfit
      Oh to have that translucent pink Prera! @migo984 has the Oeste series named after birds. There is a pink one, so I’m assuming Este is the same pen as Oeste.    Excellent haul. I have some Uniball One P pens. Do you like to use them? I like them enough, but don’t use them too much yet.    Do you or your wife use Travelers Notebooks? Seeing you were at Kyoto, I thought of them as there is a store there. 
    • A Smug Dill
      It's not nearly so thick that I feel it comprises my fine-grained control, the way I feel about the Cross Peerless 125 or some of the high-end TACCIA Urushi pens with cigar-shaped bodies and 18K gold nibs. Why would you expect me or anyone else to make explicit mention of it, if it isn't a travesty or such a disappointment that an owner of the pen would want to bring it to the attention of his/her peers so that they could “learn from his/her mistake” without paying the price?
    • szlovak
      Why nobody says that the section of Tuzu besides triangular shape is quite thick. Honestly it’s the thickest one among my many pens, other thick I own is Noodler’s Ahab. Because of that fat section I feel more control and my handwriting has improved. I can’t say it’s comfortable or uncomfortable, but needs a moment to accommodate. It’s funny because my school years are long over. Besides this pen had horrible F nib. Tines were perfectly aligned but it was so scratchy on left stroke that collecte
    • stylographile
      Awesome! I'm in the process of preparing my bag for our pen meet this weekend and I literally have none of the items you mention!! I'll see if I can find one or two!
    • inkstainedruth
      @asota -- Yeah, I think I have a few rolls in my fridge that are probably 20-30 years old at this point (don't remember now if they are B&W or color film) and don't even really know where to get the film processed, once the drive through kiosks went away....  I just did a quick Google search and (in theory) there was a place the next town over from me -- but got a 404 error message when I tried to click on the link....  Ruth Morrisson aka inkstainedruth 
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...