Jump to content

Swan


fpupulin

Recommended Posts

In the first of the exquisite engravings of Hypnerotomachia Poliphili, the enigmatic work of the Italian humanist Francesco Colonna (I have a great copy of a limited edition of this work from 1964 *), the main character Poliphilo appears “temendo el periculo del scuro bosco”, fearing the danger of the dark woods (p. 7). I took the inspiration from this nice illustration to create a different version, where the figure of Poliphlo is substituted by a swan opening the wings.

I made the drawing with a Montblanc 149 fitted with a 1978 extra nib, using Toffee Brown ink. The vintage 14C EF nib is very soft and almost flexible. To trace the thinner strokes I used the rear of the nib.
I copied the block initial letter “I” from a useful volume of decorative alphabets **, using the EF nib of my Hemingway filled with Collodi ink. The vergata paper of my Scriptorium leather-bounded notebook is great, and notwithstanding the amount of ink used to fill the dark areas of the initial letter, the ink do not bleed through behind the leaf. I guess the paper should have a weight of about 120-130 gr/m2.
Finally, I added the text “IN NEMOROSA SILVA ALAS SUAS CYCNUM EXPANDIT” with the italic nib of a Sheaffer calligraphy pen. The nib is engraved XF, and I think it must be around 1 mm wide. My idea was using a Latin character, following the example of the beautiful “capitale elegante libraria” conserved in the manuscript of Virgil’s Aeneid known as the Vergilius Augusteus, written toward the end of fourth century A.D. However, as I did not made enough exercise with this beautiful alphabet, and with the nib too wet from dipping it in the inkwell, the resulting calligraphy is well below my expectations… Well, a good opportunity to try making it right in the next work!
fpn_1432520164__cycnum2028229.jpg
fpn_1432520232__cycnum2028329.jpg
* Colonna, F. 1964. Hypnerotomachia Poliphili. Edizione critica e commento a cura di Giovanni Pozzi e Lucia A. Ciapponi. Padova, Editrice Antenore.
** Nesbitt, A. (ed.). 1987. Decorative alphabets and initials. New York, Dover Publications.
Link to comment
Share on other sites

  • Replies 10
  • Created
  • Last Reply

Top Posters In This Topic

  • LeonW

    1

  • T4TEXAS

    1

  • Sampanel

    1

  • bubba818

    1

Awesome job on the illustration and the toffee brown ink works really well with the hue of the paper.

Link to comment
Share on other sites

Absolutely beautiful work. Thanks for sharing.

"You can't wait for inspiration. You have to go after it with a club."


- Jack London



http://i729.photobucket.com/albums/ww296/messiah_FPN/Badges/SnailBadge.png




Link to comment
Share on other sites

An outstanding rendition, indeed. Beautifully executed. I've owned an oversized, illustrated, translated (by Joscelyn Godwin) copy of that book for years. For your next effort, take a look at the text and illustratioins in the Voynich Manuscript. As a bonus, if you successfully crack the cypher, I'll give you my personal Hemingway (custom oblique left medium MB-ground nib included)!

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now

Announcements


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33584
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26772
    5. jar
      jar
      26105
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...