Jump to content

Can This Cause A Scratchy Nib?


stefanv

Recommended Posts

I have a Pelikan Polar Lights, which I really like, but I find the nib to be somewhat scratchy. I've checked for alignment (using a 20x loupe), and the tines are perfectly aligned. There are also no obvious "corners" anywhere on the nib (even when viewed with a 50x inspection microscope). The one thing I did notice is that the nib, when viewed from the tip, looks like the left side of the picture below. I'm pretty sure that the tines are actually touching at the bottom.

 

post-15411-0-81300900-1349120350.jpg

Size of gap and offset while writing GREATLY exaggerated!

 

What I'm wondering is whether the tines assume the configuration shown in the right hand picture when I write with the pen? If the tines are indeed touching, then the slightest pressure would offset one tine, and it would "stick" that way, at least for a while.

 

I've already spoken to Abi Weeks at Chartpak, and she's going to replace the nib for me at no charge, so I'm not looking to fix this. I'm just curious whether that sort of thing can cause scratchiness. Any nibmeisters care to chime in?

Edited by stefanv

Stefan Vorkoetter

Visit my collection of fountain pen articles at StefanV.com.

 

A pen from my collection:

spacer.png

Link to comment
Share on other sites

  • Replies 8
  • Created
  • Last Reply

Top Posters In This Topic

  • stefanv

    2

  • psfred

    1

  • Fountainer

    1

  • TimGirdler

    1

Top Posters In This Topic

Posted Images

Thanks. Yeah, I've seen Brian's page, but it doesn't address this particular issue, other than the brief comment, "If the tines are touching on the bottom, but not the top, this is not usually desirable." But it doesn't say what effect this will have.

Stefan Vorkoetter

Visit my collection of fountain pen articles at StefanV.com.

 

A pen from my collection:

spacer.png

Link to comment
Share on other sites

Probably, especially if you use much pressure, which you might have to with a nib like that because that could also cause some flow issues.

Link to comment
Share on other sites

  • 2 months later...

send your pen top mike masumaya, he'll fix it. you don't need to apply too much on the nib when writing with your pen

Pens are like watches , once you start a collection, you can hardly go back. And pens like all fine luxury items do improve with time

 

Link to comment
Share on other sites

 

 


I have a Pelikan Polar Lights, which I really like, but I find the nib to be somewhat scratchy. I've checked for alignment (using a 20x loupe), and the tines are perfectly aligned. There are also no obvious "corners" anywhere on the nib (even when viewed with a 50x inspection microscope). The one thing I did notice is that the nib, when viewed from the tip, looks like the left side of the picture below. I'm pretty sure that the tines are actually touching at the bottom.

post-15411-0-81300900-1349120350.jpg

Size of gap and offset while writing GREATLY exaggerated!


What I'm wondering is whether the tines assume the configuration shown in the right hand picture when I write with the pen? If the tines are indeed touching, then the slightest pressure would offset one tine, and it would "stick" that way, at least for a while.

I've already spoken to Abi Weeks at Chartpak, and she's going to replace the nib for me at no charge, so I'm not looking to fix this. I'm just curious whether that sort of thing can cause scratchiness. Any nibmeisters care to chime in?



I have to say that I don't know whether the right side of the picture is a result of writing with the left side in what is referred to as a "Grand Canyon."

A properly tuned nib with have neither a "Grand Canyon" or a reversed Grand Canyon.

The reason this is important deals with capillary action. A properly-tuned nib will have the inner corners of the nib (by the slit) rounded (but not enough to make "baby's bottom"). Also, the nib should have a good "writing pad" (not to be confused with a foot). Generally, the ink flows down the slit to the tip and flows through the bottom of the nib (because that's where the paper is and capillary action draws the ink to the paper...if there's no baby's bottom). Once it goes out the bottom of the nib, it flows lubricating the nib along the writing pad (this is why even properly tuned XF nibs, for instance, feel more toothy--there's less area to lubricate).

With a slit pinching itself at the bottom, I don't think the capillary action is going to help the nib glide across the paper (like an ice skate glides on water over top of the ice). So, it is possible that it feels scratchy because it is not being properly lubricated. With insufficient lubrication, certain strokes--and perhaps all of them--will be scratchy. I would suspect that if the bottom of the slit is indeed touching, the nib itself is starved for ink in general.

I know you said you were replacing the nib However, there is no guarantee that the new nib won't need tuning either.

Tim

Tim Girdler Pens  (Nib Tuning; Custom Nib Grinding; New & Vintage Pen Sales)
The Fountain Pen: An elegant instrument for a more civilized age.
I Write With: Any one of my assortment of Parker "51"s or Vacumatics

Link to comment
Share on other sites

One thing that will definitely make a nib scratchy is to have a sharp corner on the nib slit at the bottom edge. It must be VERY slightly rounded off. Not ground higher than the part that touches the paper, but not sharp. If it is, it will scratch horribly.

 

The slit should also be vertical and parallel, with both sides the same size (although Sheaffer seemed to have a hard time with the latter over several decades).

 

I suspect you are quite correct in your assumption that pressure on the nib is causing an edge to catch and scratch. One tine is twisted, I suspect.

 

Also, as mentioned, the only time you NEED pressure on a fountain pen is when you are using a flexible nib and want a wide line. Otherwise, the great joy of fountain pens is that you DON'T have to press down to get them to write.

 

If the pen will not write properly by drawing it across the paper under only it's own weight, you need to fix the nib problems. Pressure on a fine nib will almost always make it scratchy, as you will be driving the tips into the paper.

 

Peter

Link to comment
Share on other sites

  • 2 years later...

Can we dive deeper in to this subject? I have done this V-shaped gap in my daily pen like shown in the picture, when i saw this being done in some video. But the Edison method (behind the link of Bphollin) prefers the gap open from the bottom and closed from upside, so it's more like /\-shaped. Of course the third and probably most common way is to make it exactly parallel: II. Nothing wrong with that. I'm open to believe anything, but just give me reasons. Is this all about smoothness of the pen rather than ink flow?

 

The reason i made the V-shape was because i had hard starting issues and had to spread the slit somehow but i didn't want the pen to become too wet writer. So i decided to make the V to form a pond of ink in the tip, but close the down side in hope of dry writing.

 

The Edison method is interesting too. I'd like to try it but i would need to take another pen for the project as i'm not going to twist an expensive gold nib back and forth. I would be also interested of reducing the drop left in the end of each stroke, if possible. I wonder does this tip slit configuration affect in it or not. Maybe the /\-slit would spend all the excess ink in the beginning and keep dryer in the end. The capillary action works from wider to smaller gap, right? Could this like lift some of the ink up from the paper in the end? Probably not because the feed pushes more ink all the time... Who knows. I think i should go trying.

 

Twisting tines like this can also affect on how the nib rests on the feed. So be aware of all the changes if you want to try too. The V-shape is more prone to pick up fibers from the paper i guess. Ok, that's all i can think of for now.

There are other ways than the easiest one too.

Link to comment
Share on other sites

My experience is that it's about ink flow. A V shape is smooth, but dry. A /\ shape is wet, but doesn't give any precision. Down strokes will be consistent, but rounded strokes like "e" or "d" will be inconsistent - delivering too much ink and filling in the circles or unintentionally altering line width. A /\ shape can be easier to smooth, since the angle of the inside of the tine is already not 90* from the writing surface.

 

A parallel || shape delivers ink with the most precision, but is prone to scratchiness even when not misaligned. The inner edge needs to be slightly ground/polished to eliminate that (which is what drawing figure 8's usually does).

 

I think the reason people end up with a V or /\ is due to opening or closing the gap by applying pulling or pushing pressure on the wings of the nib, which (in the case of spreading the tines) is the "correct" way (as opposed to using a razor blade). Inadvertently creating a V or /\ is easy to do, but should be corrected as part of the adjustment.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43972
    2. PAKMAN
      PAKMAN
      35686
    3. inkstainedruth
      inkstainedruth
      31765
    4. Ghost Plane
      Ghost Plane
      28220
    5. Bo Bo Olson
      Bo Bo Olson
      27748
  • Upcoming Events

  • Blog Comments

    • Misfit
      Oh to have that translucent pink Prera! @migo984 has the Oeste series named after birds. There is a pink one, so I’m assuming Este is the same pen as Oeste.    Excellent haul. I have some Uniball One P pens. Do you like to use them? I like them enough, but don’t use them too much yet.    Do you or your wife use Travelers Notebooks? Seeing you were at Kyoto, I thought of them as there is a store there. 
    • A Smug Dill
      It's not nearly so thick that I feel it comprises my fine-grained control, the way I feel about the Cross Peerless 125 or some of the high-end TACCIA Urushi pens with cigar-shaped bodies and 18K gold nibs. Why would you expect me or anyone else to make explicit mention of it, if it isn't a travesty or such a disappointment that an owner of the pen would want to bring it to the attention of his/her peers so that they could “learn from his/her mistake” without paying the price?
    • szlovak
      Why nobody says that the section of Tuzu besides triangular shape is quite thick. Honestly it’s the thickest one among my many pens, other thick I own is Noodler’s Ahab. Because of that fat section I feel more control and my handwriting has improved. I can’t say it’s comfortable or uncomfortable, but needs a moment to accommodate. It’s funny because my school years are long over. Besides this pen had horrible F nib. Tines were perfectly aligned but it was so scratchy on left stroke that collecte
    • stylographile
      Awesome! I'm in the process of preparing my bag for our pen meet this weekend and I literally have none of the items you mention!! I'll see if I can find one or two!
    • inkstainedruth
      @asota -- Yeah, I think I have a few rolls in my fridge that are probably 20-30 years old at this point (don't remember now if they are B&W or color film) and don't even really know where to get the film processed, once the drive through kiosks went away....  I just did a quick Google search and (in theory) there was a place the next town over from me -- but got a 404 error message when I tried to click on the link....  Ruth Morrisson aka inkstainedruth 
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...