Jump to content

OMAS 361 FLEXIBLE\STIFF AXIAL NIB


gicoteni

Recommended Posts

I like the OMAS 361 and its flexible\stiff nib. I have a very small collection of this model: a 361\S set FP + PNC in black celluloid body and gold filled cap, a 361\C black celluloid and gold filled cap and a black celluloid 361\T. They were produced in different years, but all about 1950's.

 

post-4615-1200840407_thumb.jpg

 

The main feature of 361's nib is the difference of flexibility - not of the size like in Sheaffer Stylist or in Parker 180 – turning over the pen.

post-4615-1200840708_thumb.jpg

 

post-4615-1200840433_thumb.jpg

 

post-4615-1200840458_thumb.jpg

 

post-4615-1200840507_thumb.jpg

 

Note in 180 difference of width and in 361 of stiffness

The nib is covered by an hood that on one side lets it quite open, so it can easily bend; on the opposite side the point only sticks out of the cover and it is very rigid. I have always seen a unique size of 361 nib, a fine\medium point, and always in gold.

 

post-4615-1200840556_thumb.jpg

post-4615-1200840578_thumb.jpg

 

The great flexibility makes it a wet nib too, while the stiff side is dry, so the difference of writing is evident.

 

post-4615-1200840602_thumb.jpg

 

The point is perfectly axial (just like in Stylist and 180) and when you rotate the pen you do not feel any change in the position of the nib.

 

post-4615-1200840639_thumb.jpg

 

post-4615-1200840686_thumb.jpg

 

The hood also is free to rotate and one could rotate it to modify the flexibility of writing, but I prefer to turn the pen because the celluloid of the hood is thin and breakable (anyway in the instruction papers of 361 I do not find any reference to the rotation of the hood).

Unfortunately OMAS 361 is a pen not so easy to find and very rare in unused mint conditions.

Edited by gicoteni
Link to comment
Share on other sites

  • Replies 11
  • Created
  • Last Reply

Top Posters In This Topic

  • gicoteni

    2

  • youstruckgold

    1

  • CRB

    1

  • carlc

    1

Top Posters In This Topic

Posted Images

Grazie for the photographs and descriptions Gicoteni.They are beautiful and so completely different from the Omas we know.

These older and more "european" models are tough to find,as you brought out.

 

Regards,

 

Jim

Link to comment
Share on other sites

one very nice and interesting pen ;) grazie mille for sharing

Edited by georges zaslavsky

Pens are like watches , once you start a collection, you can hardly go back. And pens like all fine luxury items do improve with time

 

Link to comment
Share on other sites

Hi all

 

I am not sure if this qualifies as a review, but for sure is a great graphic-essay about a quite remarkable vintage pen.

 

Just one question, is this celluloid from the fifties more like the regular celluloid or more like the cotton (vegetal) resin? Some of you guys knows how old the cotton resin is?

 

Thanks a lot gicoteni for sharing this

 

Very best

 

Ricardo

Edited by rgarciasandoval
Link to comment
Share on other sites

....

Just one question, is this celluloid from the fifties more like the regular celluloid or more like the cotton (vegetal) resin? Some of you guys knows how old the cotton resin is?

....

 

Hello. These pens are in black celluloid, so they do not have the chromatic effects typical of celluloid. Here in FPN I have found a topic regarding resin, plastic, celluloid...resin: it may help to understand the difference.

Ciao a tutti, Giuseppe

Edited by gicoteni
Link to comment
Share on other sites

  • 2 years later...

Hi all. I just read this topic and I wanted to share few pics...same matter.

It is about a vintage japanese pen by Platinum which has an interesting nib, very similar to the Parker 180 one.

Hope you like the pictures.

 

Cheers

Z

 

 

Link to comment
Share on other sites

Wow, what an interesting pen by Platinum. Thank you for sharing the pictures, Zanio; and thanks for bringing forward Giuseppe's excellent original thread.

 

Cheers,

Joe

Link to comment
Share on other sites

Wow, what an interesting pen by Platinum. Thank you for sharing the pictures, Zanio; and thanks for bringing forward Giuseppe's excellent original thread.

 

Cheers,

Joe

 

Hi Joe - wow it's weird to find you here rather than the Waterman forum!

 

Gicoteni - thank you an excellent and informative post.

 

Carl

"Ask not what you can do for your country. Ask what's for lunch" Orson Welles

Link to comment
Share on other sites

I have the 361T and love it! I use the flex side for writing and signatures - lovely flex, and the rigid side for docs that need stiffer nibs for carbon or similar.

The rung of a ladder was never meant to rest upon, but only to hold a man's foot long enough to enable him to put the other somewhat higher - Thomas Huxley

http://img525.imageshack.us/img525/606/letterji9.png

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33558
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26730
    5. jar
      jar
      26101
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...