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List of current production Italian FP


diplomat

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Hi all.

Since I made some progress in my database of Italian FP producers, I thought it would be a good idea to post it in a new thread. For completeness and future reference, the previous can be found here.

 

I hope you'll enjoy reading as I did writing it.

 

NB: to avoid some problems in formatting, the text is split in two subsequent posts.

 

Introduction

 

To trace a complete picture of the Italian production of FP from its origin it’s almost an impossible task. Letizia Jacopini did already an outstanding job in this field with her work “The history of the Italian fountain pen, 1900 – 1950” [Editore O.P.S. Milano, 2001]. The main difficulty lies in the economic and productive characteristics of Italy. Historically Italy is no home of “corporate identity” or organized industrial activity. Italy economic strength always lived in the singular ingeniousness of its people. Individual risk propensity, flexibility, ability to quickly apt to market conditions or supply changes are the characteristic of such industrial structure. This ultimately led to business fragmentation, small size companies, short time lived brands, lack of documentation and so on…

 

Therefore my goal here is “only” to describe as better as I can the currently (2008/9) existing Italian Fountain Pen producers or brand.

 

For your reference, please consider this post was originally published the 19 of January 2008 (a mere two weeks after the creation of the Italian for a!) and has been revised in September 2009.

 

As general pattern, we can split the history of the “product” fountain pen in Italy as follows:

  • 1900/1918 – The only fountain pens available in Italy are foreigner, mainly German or American. Few sellers and repairers get acquainted with the new imported product and start to experiment;
  • 1920s – This decade represented the real start of a national business. Most of the historical producers and brands started during the 20s by simply copying the most known models: notably the Waterman 42 and the Montblancs. In the later part of the decade the Duofold was the reference model. Celluloid was introduced in the same period replacing ebonite (hard rubber);</li>
  • 1930s – The 30s represented for the fountain pen the definitive consecration on the Italian market: new professions transformed the pen from an elite instrument to an indispensable day-to-day tool. Additionally the government, taking pride on the “italianess” of the economy, push customers to buy Italian products. As the demand increase, producers grew in numbers and the prominent of them launches brand new products, never seen on the international scene;
  • 1940s – From the second half of the 30s to the end of the war, the international sanctions and embargoes push the producers towards “autartic” products: gold is replaced with various leagues in pens. The war represented the first filter for such a large number of producers. Most plants were damaged or closed.
  • 1950/1970 – These years represented a slow but unstoppable fall in both market popularity and overall quality (to compete with cheap BP the producers move in the low fork of the price range). Increasing popularity of BP is the second main reason for closing plants/companies.</li>
  • 1980/1990 – The 80s saw a turnpoint in the market: the fountain pens stopped to be perceived as a commodity and started to gain the “fashion” or “luxury” label. Slowly the supply adapt to this new image, new companies were made to launch new high positioned brands. Older historical brands were brushed up to exploit their recognizability.

 

Now, to the business!!

In my opinion existing Italian brands can be split in five different groups or categories:

1. Historical writing instruments producers

2. Revamped historical brands

3. Modern luxury items producers

4. Designer factories

5. General stationery companies

 

1. Historical Writing Instruments Producers

 

I would put in this category those producers generally founded before WWII, that are in the business with continuity from the beginning. They are usually characterized for making their own pen bodies and nibs in house (at least at the beginning of their history) and for taking pride of their story, often mentioning historical events in LE or using “old fashioned” features and logos. Those producers are:

 


  1.  
  2. AURORA, based in Turin, founded 1919. It’s possibly the most famous Italian producer, the only one to cover the whole writing instruments market from cheap ball points to lower end FP until expensive Limited Edition Fountain Pens. The firm was founded by Isaia Levi in Torino (north west Italy) just after WWI. Soon Aurora became one of the leaders of the newly formed market of the FP (the full corporate name was “Fabbrica Italiana Penne a Serbatoio” “Fountain Pens Italian Manufacture”). The key of Aurora success was (along with quality products) marketing: they extensively advertised both in magazines and with the distributors. Additionally Aurora often used – during the 30s –government slogans and images (like the lictorian fasces or the imperial eagle) to exploit “free” extensive marketing campaigns. Aurora was seriously close to an early end when in 1945 the main plant was completely destroyed by a fire. Aurora kept to its name (in English is: dawn, rise) and in short was able to find resources to build a new plant and to create a new breakthrough model: the “88” the most successful Italian FP ever (look here for a short history of this model). Currently the firm is the only Italian from the “big” to produce everything in-house and they managed to stay an independent company, still led by the fourth generation of the original family (Cesare Verona). In 2007 they purchased the Firma and Nettuno (see) brands.
    www.aurorapen.it
     
  3. OMAS, based in Bologna, founded 1925. Omas was from the beginning one of the most innovative and successful Italian pen enterprises, brainchild of Armando Simoni (born 1891) a Railway Manometer toolmaker in Bologna that started creating his own pens since 1919. The “Officina Meccanica Armando Simoni” was created in 1925 and proceeded from innovation to innovation (between their most famous early models: Doctor’s Pen, Extra, Lucens, 361, 352) until 2000 when the Simoni family sold it to LVMH French luxury group. In 2007 LVMH sold Omas to one of his controlled Chinese company (Xinyu Hengdeli Group of Hong Kong). That looks more like a change in the holding, without affecting the board, the management (unchanged) or the product strategy. Omas always produced everything in house until 2005 when they started outsourcing nibs from Bock. They now specialize in beautiful high end pens, both with classic design (Arte Italiana, that continues the “Extra” model desing from the 30s virtually unchanged) and modern (360, Emotica). A large number of Limited Editions is being released each year too.
    www.omas.net
     
  4. MONTEGRAPPA, based in Bassano del Grappa, founded 1912. The company was founded by Edwige Hoffman with the help of Ing. Heinrich Helm from which the company took its initial name: “Elmo”. At the beginning Elmo was in the business to produce gold nibs only. In 1925 Elmo already changed ownership. The new proprietors (Alessandro Marzotto and Domenico Manea) continued to employ Mr. Helm as chief technician. He was the real man behind the success of the company. The production of Fountains Pens started in the early 20s. In 1925 the first “Montegrappa” (a model name) was introduced. Then during the 30s the name Montegrappa was used to identify the high end models, while Elmo was used for the low end, mass market models. The company succeeded during the 30s thanks to its ability to diversify and for the huge work for third parties. In 1947 the company definitively changed its name in Montegrappa. In 1979 Montegrappa was acquired by the Aquila family (see below). They managed to successfully restructure the brand from a mass market to a luxury items one and in 2000 Montegrappa was sold again to the Swiss based Richemont Group (Montblanc, Cartier, Panerai, etc…). Richemont main strategy was to lower the producing costs by creating “synergies” with Montblanc. Ultimately, during the 2009 recession the Swiss Group sold back the Bassano based company to the Aquila family. It’s difficult to say where the new ownership will lead Montegrappa in the next years. As first move the prices went down by 40%, showing maybe that in the future Montegrappa will be a more mainstream brands than before.
    www.montegrappa.com
     
  5. COLUMBUS, based in Milano, founded in 1919. Columbus was, until the 50s one of the most important FP producers. Eugenio Verga (born 1895) was working in the business as commercial traveler between the years 1907 and 1915. When WWI was over he started his own business with the help of his younger brother Alfredo who left his brother in 1927 to start his own brand: Omega. Their pens got a well deserved image of good quality and excellent value for the money during the 20s/30s. To keep up with quality was not easy: Columbus moved twice in the 30s and the main plant was partially destroyed in 1942 bombing of Milano. It is said that the friendship between Verga and Simoni (Omas) helped Columbus to keep continuity in production by using Omas rebranded products. Unfortunately in the 50s, to react to the fast shift of the market towards the ballpoints, they started to position themselves in the bottom part of the market and they still are there, producing nevertheless good quality writing instruments. In addition to that Eugenio died in 1957 and was substituted by his son Enrico Verga. In 1992, after the death of Enrico, the company was acquired by the Santara Group (Italian distributors of Sheaffer, Ballograf and Kaweco). They don’t produce anymore their nibs and have a small production of mid priced fountain pens, but the majority of the sales come from the pencil and ball point ranges.
    www.columbuspenne.it
     
  6. FILCAO, based in Settimo Torinese, founded in 1964. Even though Filcao (Fabbrica Italiana Lavorazione Cappucci Alluminio e Ottone) was created after the WWII, I don’t’ see any better place in my categories for them. Additionally they are based in Settimo Torinese, that was considered the Italian “pen district”, having a long tradition and long list of producers from the 20s to the 60s. Filcao is a family business still run by the founder, Franco Grisolia. They produce mid priced piston fillers, button fillers and c/c pens.
    www.filcaopens.com

 

 

2. Revamped Historical Brands

 

This category encompass the old brands (again, pre-WWII), that did not operate with continuity during their life. This means that the link with their origin (location, production philosophy, owners etc…) is lost. What generally happened to them is that in their early years they manage to emerge as brand of quality FP, then they somehow (after the death of the owner or because of the war or the market crisis of the 60s) closed down. Then during the 90s, with the surge of the “class FP objects” some new firm acquired the brand to market their newly produced pens.

 


  1.  
  2. ANCORA, now based in Pavia, originally founded in Bologna (but production moved in Sesto Calende from 1925 and in Arona from 1938) in early 1920s. Ancora was the brainchild of Giuseppe Zanini (born 1897). Even though Andreas Lambrou and others date back the start of the company in 1909, this is unlikely. Anyway, all available information tell us that the first fountain pens were produced in the early 20s. After his early death in 1929, the company was run for years by his son Alfredo, that managed to accomplish his father dream to produce all parts of the FP “in house”. Between their most famous models are: Duplex, Dama, Lusso. In 1975 Ancora close down and it was not until 1998 that Giovanni Santini, who owned a pen store in Turin that sold new and vintage pens, started up the company once more. He worked as a pen repairman so he knew the ins and outs of how pens were made. Ancora is now a small company, notable because all pens are made by hand from the nib to the clip on Pavia. They are an independent owned company.
    www.ancorapen.com
     
  3. NETTUNO, originally based in Bologna and founded in 1911. At the beginning of the 20th century in Bologna there was wholesale of stationery registered under Ada Vecchietti. Ada’s husband, Umberto has been working at the railway workshop and during his leisure time he started to repair the first fountain pens that arrived in Italy. He immediately developed a passion for pens and started to realize new pens, giving them the name NETTUNO. The first one (Sicurezza, a copy of the Waterman #52) was created in 1911. In the second half of the fifties the son Alfonso, due to the upcoming of the ballpoint pens, closed the production of Nettuno pens as he did not want to engage in this new adventure. In the 1996, Stipula (see below) made two LE's (Idra and Superba) based on Nettuno pens of the early 20th Century. Then the brand was re launched in 2001 by Firma, a stationery firm based on Bergamo that was later on (02/2007) purchased by Aurora. Nettuno is now a sub brand of Aurora, but a new market strategy seems still to lack (no new models, the old website is “working in progress” since early 2008, old Barracuda product was re-released under the Firma brand with a new name).
    www.nettunopens.com
     
  4. TIBALDI, originally founded in 1916 in Florence. Giuseppe Tibaldi (born 1876) produced some beautiful pens during the 30s (Iride, Trasparente). After his death (1935), the company was held by his nephew, Giorgio Schiassi, not really interested in the business. In 1937 Schiassi sold the company to Toraldo di Francia, that led Tibaldi through the war years without any important innovation. In 1957 Remo Pagliuca that collaborated with Tibaldi since the end of WWII became the new owner. Pagliuca was an enthusiast and brought Tibaldi to new glory. Unfortunately, after 1960 death of his son, Remo close down the production. In 1992 the brand was acquired from Pagliuca widow by Plastimoda Group (owner of the famous "Mandarina Duck") and enjoyed some time of renaissance using some old celluloid stock to produce beautiful high end fountain pens; The model of this period are know as “Tibaldi second generation”. In 2000 Tibaldi was acquired again by Hopa (something close to an hedge found, I understand), and then again became in 2005 part of the Aquila Brand Group (see below). The Tibaldi name (in his “third generation”) is now used to host high end Limited Editions from the Aquila Brand Group.
    www.tibaldipen.com
     
  5. LALEX1938, originally (? - See my considerations on the Aquila section) founded in 1938 in Naples by Leopoldo Aquila. Actually Lalex is a brand new name for a FP. Leopoldo Aquila was – during the 30s – the distributor of Montegrappa products for the south of Italy and Lalex was the name of the distributing company. Starting from 1938 Lalex included in his product range several “Aquila” branded FPs. Those were Montegrappa made (or rebranded) FPs, produced in Bassano and distributed by Leopoldo. It was not since year 2000 that Lalex became a separated FP brand. To better understand this part of the story, refer to Aquila Brand chapter below.
    www.lalex1938.com

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3. Modern Luxury Items Producers

 

Italy is renowned in the world for the craftsmanship in goldsmith and in high-end luxury items. In this third category I would put producers and brands that – being created during the 70s/80s – are making the most out of this image, producing in small numbers high end, well designed and sought-after FP. They all outsource nibs in Germany. They all are independent companies still controlled by their usually creative and charismatic owners. Notably, two of the economical district of luxury goods are located in Florence and Naples (or Campania, the region surrounding Naples), no surprise then that most of the producers in this category are based in these two cities. Most of them are active in more fields that just Fountain Pens.

 


  1.  
  2. DELTA, based in Parete (near Naples), founded in 1982. Delta was created by two ingenious men: Nino Marino (CEO) and Ciro Matrone (Techincal Director). Matrone especially is responsible for the production and the innovations made by Delta. Since their birth Delta reintroduced in the FP market the flamed ebonite and a redesigned lever filler mechanism. After some obscure year where marketing and precious material were not used, in the 90s Delta started to produce Limited Editions Fountain Pens and entered decidedly the high end market. In 1994 – to celebrate the G7 meeting held in Naples – Delta introduced the first FP made entirely of titanium and carbon fiber (25 grams only). Delta flagship is the Dolce Vita model, proposed in various sizes, combinations and shapes. But Delta also has a line of design steel nibbed affordable fountain pens.
    www.deltapen.it
     
  3. VISCONTI, based in Florence, founded in 1988. In 1988, after several years of experience in the world of fountain pens and with knowledge of key markets, Dante Del Vecchio and Luigi Poli, themselves collectors of fountain pens for many years, decide to set up a company to produce and market celluloid fountain pens. Now Visconti calls itself the widest celluloid pen factory worldwide and offers its service and experience to anybody who wishes to produce pens with this material. They extended its experience to other materials like ebonite, acrylics, lucite, bakelite and ivory. Visconti has registered several patents such as the travelling ink pot and the double reservoir power filler. They are the only company to offer four different filling units (power filler, crescent filler, piston filler, converters).
    The current range of Visconti is an ever changing line of creativity and special writing instruments. In addition to that Visconti is very good in marketing and pushed hard on the US market to gain high visibility on that market.
    www.visconti.it
     
  4. MARLEN, based in Caserta (near Naples), founded in 1982. Marlen pens is the creation of two borthers: Mario and Antonio Esposito, the business man and the technician behind the products. In 1982, at the start of the company, Marlen was producing a wide range of products: keyholders, paper cuttings, other desk tools. Then they focused only on pens. Nowadays Marlen is a 20 people firm, producing unique high-quality handmade limited edition collections. The symbol of Marlen is the Corinthian Capital that forms the basis of and brings to life the distinct “Marlen Clip”. Other noteworthy features are the 3D working process, the button filling system, the lateral filling system with key or coin and a recent patent for the placement of the cap on the barrel, screwing into the lower part of the barrel.
    www.marlenpens.com
     
  5. AQUILA BRANDS, based in Pastorano, Naples. Founded in 2000. As mentioned above Leopoldo Aquila founded was in the FP business since the 30s, distributing Montegrappa products and later on Aquila FP, a brand of Montegrappa produced FP. Aquila family was as good in this business that two generations later, in the late 1970s, they step from distributing to owning Montegrappa, one of Italy’s oldest pen manufacturer. In just a few years Aquila developed Montegrappa into an international brand and in 2000 sold it to the Richemont Group. Cashed up and ready for a new challenge, Giuseppe and Gianfranco Aquila (respectively nephew and son of Leopoldo) founded the Aquila Brands Group. As first move they created (or recreated) the Lalex1938 brand. Next on the company’s busy revamp programme was the launching, in 2004, of licensed pens and leather products for the Ducati brand. Again, the desire to bring on board new customers, as well as to cover different price ranges, has promoted the Aquila Group to bring out licensed pens for the Smart and Jaguar brands too. In 2005 was the time for acquire Tibaldi, an FP brand active from 1916 (see), re launched in 2006 for the occasion of his 90th birthday.
    www.aquilabrands.com
     
  6. STIPULA, based in Florence, founded in 1973. Renzo Salvadori is the man behind the firm.
    He began producing gold and silver clasps and ornamental fittings for important leather firms. Then in 1977, the company moved on to focusing on and creating the manufacture of desk accessories. Later, in 1982, the company began the manufacture of pens. However, the company first produced the pens for other trademarks, but in 1991, it had a new registered trade name, Stipula.
    www.penemporium.com/
     
  7. SIGNUM, based in Bassano del Grappa, founded in 1979 by Sergio de Guildolin. Sergio was a long time employee (over 25 years) at Montegrappa. When Montegrappa was sold (to the Aquila family, see chapter above) Sergio, together with his brothers Antonio and Fausto, who were in the jewelry making business and who also had a company that made pens for other brands, decided to produce their own brand of high quality writing instruments and found a company named “Essegi”. During the early years the company produced pens for private label, promotions and did production work for other Italian companies, in an effort to stay afloat while promoting the Signum brand… Once confident that they had a recognizable product, they launched an all out effort to capture the North American market. Their success lies in the fact that their product is made of the highest quality materials, created entirely in house, and hand assembled in their factory. The entire factory consists of family members and one or two loyal employees. Each of the Signum pens are assembled completely by hand, each personally inspected before being put into boxes ready for shipping.
    www.pennesignum.com
     
  8. GRIFOS based in Settimo Torinese, founded 2002. This story starts in the 80s when Maurizio Stura a 12-year-old boy from Settimo Torinese, began his first job, pen mounting operations for plastic pens. Maurizio continued working on pens throughout his school years, until another Settimo pen company hired him to a higher position. His job began just as the company changed its production from plastic, low-end pens to silver, high-end pens. Maurizio used the next 11 years continuing to improve his knowledge and experience in the art of making high-end pens from precious metals. In 1995 Maurizio Stura entered the world of e-commerce by starting an internet business selling pens. As a result, Maurizio’s new business ranked among the first 200 Italian companies to use e-commerce that year. Thus, in February 2002, he decided to start his own firm and created the Grifos Pen Company. The Grifos “core” business is two-sided: small customized jobs, perhaps only 20 pieces, with engraved corporate logos or names on one side and their own “Grifos” brand name writing instruments (using precious metals, gold, silver, brass, resins, briarwood, natural African buffalo horn, and leathers from alligator, python, lizard and stingray skins) on another side. A Grifo’s exclusivity is the use of the guilloche techniques for engraving. Now Grifos is a growing reality in the Italian pen-making (+18% the sales in the difficoult 2008 market) and a new name to watch for the near future.
    www.grifos-pens.com/
     
  9. FERRARI DA VARESE, based in Varese, founded in 1970. Mario Ferrari, who had been dealing with and selling pens and pen-parts for years across the Continent, founded his own company in 1970. Now in the second generation, with son Ivan in charge of the distribution and the marketing of the brand, Ferrari da Varese has kept its human-size, its independence and the entrepreneurial spirit. The production itself is partly made in Germany, where the Ferraris are owners of a production facility, partly made in Italy. With distributing partners all over the world, Ferrari da Varese is, besides its Italian home-turf, well introduced on the North American market, Japan, strong in the middle-east, and growing everywhere in Europe.
    www.ferraridavarese.com
     
  10. RENZETTI 1909. This firm works on behalf of third party to supply the most important goldsmithery and writing instruments names.
    Renzetti's name appeared for the first time in 1909, when Eugenio, the founder of the family, after a long apprenticeship in the most famous goldsmith shops, decided to estabilish his own activity. Eugenio's specialization was gold and silver jewels cr eation for man and woman that, linked together with Guillochè engraving, made them unique objects. Belonged to the old Florentine school, after the First World War crisis, he moved shop and family to Milan and he started his sons to the trade, working for himself and on behalf of third party. Between them was Mario, who destingueshed himself expecially by skill in the art of Guillochè; Mario Renzetti became famous at the end of 30s for his ability to engrave-besides jewels and watch straps-those accessories considering fashionable over the 30s and the 40s, such as trousses, cigarette-cases, powder-compacts and toilette sets. At present, Riccardo Renzetti - Mario's son - continues with care and love the work handed down from his father, engaging himself to find always new patterns and decorative motifs that could satisfy the needs of the modern watchmaking and goldsmithery fields. And he succeeds in doing all this, using the same manual machineries of the good old days!
    www.renzetti1909.it
     
  11. ATELIER SIMONI. Atelier Simoni is the new brand that the Simoni family (Raffaella Simoni Malaguti, daughter of Armando Simoni, founder of Omas, and her son, Gianluca Malaguti Simoni), started sometime in the 2006/8, few years after selling the OMAS company to LVMH (possibly a non-compete clause was behind this delay?). Their first pen was the ID, a classic shaped big size fountain pen which featured a patented new piston system that does not allow the fountain pen to leak or the ink to dry out.
    No internet address is known by now.

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4. Designer factories

 

As everyone knows, Italy – and especially Milano – is world known for being one of the main designer’s paradises. Milano is home of one of the most world known design fairs and in Milano you may find lots of designer studios, designing every kind of object for the most known consumer goods brands of the world. Some of them made a step further, creating his own objects brand ranges, just outsourcing the production to some in shore or off shore factory. Between the several objects created, the paper and stationery products are one of the most obvious and used. I would mention here some of the most famous:

 


  1.  
  2. 3.6.5 by Giuliano Mazzuoli, based in Firenze, founded 2001. The creator of famous “Moka” fountain pen, available in different sizes and models. Another famous writing instrument product is the "Officina" series, where several pens, including fountain pens, are designed after the work tools like screws, nails, and so on.
    www.365-design.com
     
  3. CAMPO MARZIO DESIGN – based in Rome, founded 90s. That’s a shop chain selling various objects, fountain pens included, with an Italian theme. They have shops in the major capital cities and in the big airports. The production of the writing instrument is based somewhere in the far east.
    www.campomarziodesign.it/
     
  4. PARAFERNALIA, based in Milano, founded 1966. The ancestor of this group, creator of the famous Revolution pen (evolved to “Big Revolution”, the fountain pen made by three shafts now displayed at the MoMa in NYC). They are mostly famous for Rollers and Ballpoints, though they do have few FP.
    www.parafernalia.it
     
  5. CLETO MUNARI, based in Vicenza. Again a famous Italian designer that has a production line of several objects including carpets, watches, home furniture, jewelry and pens. The pens are marketed alone in a special website
    www.cletomunaripens.com
     
  6. GIORGIO FEDON 1919, based in Cadore, founded 2000. Other example of an Italian designer going into fountain pens.
    www.giorgiofedon1919.it
     
  7. BRUNO PENS, based in Turin. This is a family business that operates an advanced machine shop near Turin, specializing in high precision work for the aerospace and automotive industries. Using the vast array of numerically-controlled machines and lathes Giuseppe Bruno designed and produce the Kosmos fountain pen. The nib, sourced in Germany, sports a two-tone 24K gold plate. The Kosmos is now out of production.
    www.tryphon.it/pens/bruno/

 

5. General stationery companies

 

Italy, as already mentioned, has a glorious story in the writing instruments field. Several companies that shares the same roots as the main brands, did chose – during the 50/60 turning point – to become mass producers of ball points and markers. Here’s a list of the major, with some insight information on scarce fountain pens found in their catalogues.

 


  1.  
  2. UNIVERSAL – based in Settimo Torinese, founded in 1956. The same regional district that was the breeding ground for the fountain pen production of the pre-war era is the background for Universal, mainly focused on felt-tips and markers especially with the famous brand “Carioca”, marketed for kids. There are no fountain pens in the range at the moment.
    www.carioca.it/inglese/index.html
     
  3. MONDIAL – based in Saronno, founded in 1931. Mondial started as "LUS" as a brainchild of Umberto Legnani (LUS=Legnani Umberto Saronno). The original scope of the company was to produce fountain pen nibs and drawing pins. After the war Mondial was one of the first Italian companies to introduce the ballpoint. Now there is some cheap fountain pens in the range.
    www.mondialus.com/eng/index.htm
     
  4. OSAMA – based in Milano, founded in 1967. Osama (“king” in Japanese) started as a distribution company for Japanese writing instruments. Gradually acquired other Italian companies to become the Italian giant of the stationery, thanks to heavy advertising too. The link with the Japanese world are still there, Osama is the only company I know that markets a stainless steel nibbed Maki-E, for instance.
    www.osama.com
     
  5. KORE – based in Gassino Torinese, founded in 1964. Again the Turin hinterland is home of yet another writing instrument company. This time I picked an example of “gift ideas” company. Here the trick is to import relatively cheap products from the far east, to license them under some fashion name and to propose companies to brand the pens after their names. Here’s a link to an example of the fountain pens they have:
    www.kore-rekords.com

 

Here we are. My “journey” through some of the most interesting Italian fountain pens producers is over. One more thing before the end: since it is very easy to make an “Italian sounding” name to market products that are not Italian, there are several brands that just “sound” Italians but they are not Italians, like Monteverde, Taccia, Romet or Molteni. Nothing bad, just be aware of it.

 

Regards,

 

Diplo

<font face="Verdana"><b><font color="#2f4f4f">d</font></b><font color="#4b0082">iplo</font></font><br /><br /><a href='http://www.fountainpennetwork.com/forum/index.php?showuser=6228' class='bbc_url' title=''><font face="Trebuchet MS"><br /><font size="4"><b><font color="#8b0000"><font color="#696969">Go</font> <font color="#006400">To</font> <font color="#a0522d">My</font> <font color="#4b0082">FPN</font> Profile!</font></b></font></font><br /></a>

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      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
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      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
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      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
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