Jump to content

EFNIR: Aurora Blue Black


LizEF

Recommended Posts

33 minutes ago, Glenn-SC said:

Please explain the difference between a “dark blue” and a “blue-black”?

Dark blue is just a blue that's dark.  Blue-Black should be a muted color, where you can see the black (or grey) muting the blue. This webpage does a good job of showing and explaining saturation vs brightness (without wasting words).  Dark blue is a blue with low brightness.  Blue-Black is a blue with low saturation.

 

Of course, true blue-blacks are always iron galls (Diamine Registrar's, ESSRI, etc.), but we've taken to using the category for non-IG inks as well.  Robert Oster Thunderstorm (Mountain of Ink review) seems genuinely blue-black to me.

Link to comment
Share on other sites

  • Replies 36
  • Created
  • Last Reply

Top Posters In This Topic

  • LizEF

    18

  • yazeh

    6

  • TSherbs

    3

  • InesF

    3

Top Posters In This Topic

2 minutes ago, yazeh said:

Colour distinction

  • Dark blue: A deep, saturated blue with no black content .

  • Blue-black: A blend of blue and black.

:thumbup:  (And thanks for the IG history! :) )

Link to comment
Share on other sites

7 minutes ago, LizEF said:

 

Of course, true blue-blacks are always iron galls...

 

Maybe, traditionally.

 

But *always,* now? 

Link to comment
Share on other sites

31 minutes ago, TSherbs said:

Maybe, traditionally.

 

But *always,* now? 

I just meant by the original meaning of the term - IGs are the only ones that start blue and turn black.

Link to comment
Share on other sites

Excellent review, no surprises there :)

 

Interestingly, I do see this as perhaps the one true blue-black in my collection. It is perfect in color. My eyes do see the black content, but now you have me thinking twice about it! :) 

 

I absolutely adore this blue black, I usually keep it in a Lamy 2000 B, which is actually more like a BB fatty stub in practice. Lots of shading with a broad nib, split at the center of each letter. Quite lovely. 

 

I do enjoy to read your reviews as your experience will on most occasions differ from mine as I haven't used an EF in many years. The wonder of this pen and ink and paper world is not only in the variety of our colors and tools, but the people too! Endless combinations there.

 

Can't wait to read the next review @LizEF

Link to comment
Share on other sites

15 minutes ago, SashK said:

Excellent review, no surprises there :)

:) Thanks!

 

16 minutes ago, SashK said:

Interestingly, I do see this as perhaps the one true blue-black in my collection. It is perfect in color. My eyes do see the black content, but now you have me thinking twice about it! :) 

 

I absolutely adore this blue black, I usually keep it in a Lamy 2000 B, which is actually more like a BB fatty stub in practice. Lots of shading with a broad nib, split at the center of each letter. Quite lovely. 

:lol: Eyes are funny things.  Perhaps only ink enthusiasts and artists understand that what I see as blue, another may see as blurple, and another as flat-out purple; etc.  So it should not be surprising that to you, this seems to be a blue-black (which, after all, is not a standardized unit of measure, and thus subject to our own personal interpretations). :)

 

Regardless of how one perceives the color, it's a really good choice when the quality of the paper one uses isn't always the best.  In fact, of those I've tested, it might be the best blue-black for poor paper (certainly among dye-based inks).

 

19 minutes ago, SashK said:

I do enjoy to read your reviews as your experience will on most occasions differ from mine as I haven't used an EF in many years. The wonder of this pen and ink and paper world is not only in the variety of our colors and tools, but the people too! Endless combinations there.

 

Can't wait to read the next review @LizEF

:) Thank you!  And I entirely agree - the variety is wonderful, and the people are the best part!

 

 

Link to comment
Share on other sites

@LizEF I completely agree with you! A lot of the joy comes from the sharing of experience, whether there is an overlap there or not. 

On 8/17/2025 at 3:40 PM, LizEF said:

 

 

:lol: Eyes are funny things.  Perhaps only ink enthusiasts and artists understand that what I see as blue, another may see as blurple, and another as flat-out purple; etc.  

 

 

 

I think this is very true, the range of personal experience is astonishing, and very much welcomed. We're not surprised by it, and it is probably a big reason why you don't get the flame wars found in other groups. Thank heaven for that!

Link to comment
Share on other sites

1 hour ago, SashK said:

@LizEF I completely agree with you! A lot of the joy comes from the sharing of experience, whether there is an overlap there or not. 

 

I think this is very true, the range of personal experience is astonishing, and very much welcomed. We're not surprised by it, and it is probably a big reason why you don't get the flame wars found in other groups. Thank heaven for that!

:) :thumbup:  Fountain pen people are the best people!

Link to comment
Share on other sites

  • 3 weeks later...

Ohhh!, we have left iron-age ... ;) :) :lol:

 

Thank you, @LizEF, for reviewing this quite interesting Aurora ink, for the cliffhanger in the story and for practically confirming one of the ink wetness (or ink delivery) theories! :thumbup:

 

A connection to Waterman Brown (from another thread I re-read today): The Aurora Blue-Black has a 25% higher viscosity than your Waterman Brown sample with G.A. added, which is the ink with the highest surface tension of all I tested so far. Both inks have almost the same surface tension. The Aurora Blue-Black is maybe more like a Blue-Grey (can be seen from broad and dry writing nibs), but the extremely high viscosity makes the lines darker and suppresses spreading on absorbent paper.

One life!

Link to comment
Share on other sites

7 hours ago, InesF said:

Ohhh!, we have left iron-age ... ;) :) :lol:

:lol:

 

7 hours ago, InesF said:

Thank you, @LizEF, for reviewing this quite interesting Aurora ink, for the cliffhanger in the story and for practically confirming one of the ink wetness (or ink delivery) theories! :thumbup:

 

A connection to Waterman Brown (from another thread I re-read today): The Aurora Blue-Black has a 25% higher viscosity than your Waterman Brown sample with G.A. added, which is the ink with the highest surface tension of all I tested so far. Both inks have almost the same surface tension. The Aurora Blue-Black is maybe more like a Blue-Grey (can be seen from broad and dry writing nibs), but the extremely high viscosity makes the lines darker and suppresses spreading on absorbent paper.

You're most welcome!  And thank you for the explanation, but I'm a little confused:

 

7 hours ago, InesF said:

The Aurora Blue-Black has a 25% higher viscosity than your Waterman Brown sample with G.A. added, which is the ink with the highest surface tension of all I tested so far.

The rules of English suggest that Waterman Absolute Brown is the one you're referring to as having the highest surface tension - do you mean without the G.A.?  Because in your google sheet, it's definitely not the highest, and Aurora Blue-Black has a higher surface tension.  (Both these inks are in the high 60s, but Platinum Citrus Black is the highest at 76.7.)

 

I see the very high viscosity of Aurora BB, and appreciate your explanation of the impact this has on the ink's performance!  (So much to learn, so little time... :D )

Link to comment
Share on other sites

1 hour ago, LizEF said:

 

 

The rules of English suggest that Waterman Absolute Brown is the one you're referring to as having the highest surface tension - do you mean without the G.A.?  Because in your google sheet, it's definitely not the highest, and Aurora Blue-Black has a higher surface tension.  (Both these inks are in the high 60s, but Platinum Citrus Black is the highest at 76.7.)

Well, I forgot the rules of English, but I understood that Aurora has a higher (highest ) surface tension than Waterman. 

Link to comment
Share on other sites

8 minutes ago, yazeh said:

Well, I forgot the rules of English, but I understood that Aurora has a higher (highest ) surface tension than Waterman. 

In English, pronouns refer back to the most-recently-mentioned noun (thus, Waterman).  Either way, neither of these has the highest surface tension, hence my confusion.

Link to comment
Share on other sites

1 hour ago, LizEF said:

In English, pronouns refer back to the most-recently-mentioned noun (thus, Waterman).  Either way, neither of these has the highest surface tension, hence my confusion.

Thank you, cowgirl 🙏🤠 ;)

 

Link to comment
Share on other sites

26 minutes ago, yazeh said:

Thank you, cowgirl 🙏🤠 ;)

 

:lol: Gladly!

Link to comment
Share on other sites

20 hours ago, LizEF said:

The rules of English suggest that Waterman Absolute Brown is the one you're referring to as having the highest surface tension

OMG, no, no, no. I meant viscosity! Aurora Blue-Black has the highest viscosity of all inks tested so far! Sorry, half of my brain is still in Fangorn ... 🙄 :) 

One life!

Link to comment
Share on other sites

19 hours ago, yazeh said:

Well, I forgot the rules of English

+1 👍

(see above; spending so much time in Fangorn was not without consequences ... ;) :) )

One life!

Link to comment
Share on other sites

2 hours ago, InesF said:

OMG, no, no, no. I meant viscosity! Aurora Blue-Black has the highest viscosity of all inks tested so far! Sorry, half of my brain is still in Fangorn ... 🙄 :) 

Thank you!  I was hoping that was what you meant. :)   Back with you now.  Thanks for the explanation.  And welcome back, second half of Ines's brain! ;) :D

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43972
    2. PAKMAN
      PAKMAN
      35350
    3. inkstainedruth
      inkstainedruth
      30433
    4. Ghost Plane
      Ghost Plane
      28220
    5. Bo Bo Olson
      Bo Bo Olson
      27744
  • Upcoming Events

  • Blog Comments

    • inkstainedruth
      Thanks for the info (I only used B&W film and learned to process that).   Boy -- the stuff I learn here!  Just continually astounded at the depth and breadth of knowledge in this community! Ruth Morrisson aka inkstainedruth 
    • Ceilidh
    • Ceilidh
      >Well, I knew people who were photography majors in college, and I'm pretty sure that at least some of them were doing photos in color,<   I'm sure they were, and my answer assumes that. It just wasn't likely to have been Kodachrome.  It would have been the films I referred to as "other color films." (Kodachrome is not a generic term for color film. It is a specific film that produces transparencies, or slides, by a process not used for any other film. There are other color trans
    • inkstainedruth
      @Ceilidh -- Well, I knew people who were photography majors in college, and I'm pretty sure that at least some of them were doing photos in color, not just B&W like I learned to process.  Whether they were doing the processing of the film themselves in one of the darkrooms, or sending their stuff out to be processed commercially?  That I don't actually know, but had always assumed that they were processing their own film. Ruth Morrisson aka inkstainedruth   ETA: And of course
    • jmccarty3
      Kodachrome 25 was the most accurate film for clinical photography and was used by dermatologists everywhere. I got magnificent results with a Nikon F2 and a MicroNikkor 60 mm lens, using a manually calibrated small flash on a bracket. I wish there were a filter called "Kodachrome 25 color balance" on my iPhone camera.
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...