Jump to content

Namiki Yukari Royale Night Scene of Pavilion


Mew

Recommended Posts

Namiki has reintroduced the night scene of pavilion maki-e model, with some changes. More work has gone into the maki-e on cap, the castle on the barrel has increased to 2 instead of 1, with slightly more finesse. Though the technique employed is now inferior to the technique used earlier. 
older model was made by Michifumi, newer one is made by Yutaka. About 33% increase in price. 
 

What do you think? Anyone who has the older model would be willing to compare? Personally I prefer the old model. Looks cleaner to me. 
 

Old model: https://www.pilot-namiki.com/en/collection/yukari-royale/night-scene-of-pavilion/

 

New Model: https://www.pilot-namiki.com/en/collection/yukari-royale/night-scene-of-pavilion_2/

Link to comment
Share on other sites

  • Replies 4
  • Created
  • Last Reply

Top Posters In This Topic

  • jandrese

    2

  • Mew

    1

  • Linger

    1

  • Maki-eMagic

    1

I'd like to get my hands on it and see it in person.

 

Between the Kyusai Yoshida Emperor and the Michifumi Yukari Royale a couple of years later, the Kyusai version is less literal, less detail, but for me the better art. I've reviewed both on Japan's Perfect Pens youtube channel and am planning a comparison video talking exactly on this topic between these older models. The lines in the Kyusai Emperor are rarely straight and not strongly delineated except for the pavilion itself which gives the contrast even without the pavilion rendering being very complex. The pen is full of simpler styles of maki-e but performed to nigh on perfection which elevates it in its own way. When I put it next to say the Emperor Shishi Komainu the huge difference is most obvious, one pen simpler techniques, the other highly complex, but both utterly splendid. The Michifumi version brings in more details and more granularity, more raised maki-e, more strong forms with the river, rocks, pavilion, the pine tree - all very nice elements and I like it, but it doesn't have quite the simplified 'magic' of the Kyusai in my opinion.

 

This new one looks like a further step in the same direction - more detail, more colour variation. It also looks like two different scenes, the mountain scene on the cap with the sharply contrasting waterfall, angular mountain summits, then at the bottom this very nice pine tree and the pavilion in the waters. I enjoy Yutaka's work on those pens of his I've spent time with, namely the Emperor Shoki (which has very nice details), The Emperor Owl and the Yukari Royale Golden Rose (three completely different style pens) - so I'm confident I'd be impressed by this one in real life, but perhaps still considering the Emperor Pavilion the most beautiful of the three. If I was in the market for a new Yukari Royale I'd snap it up immediately, but instead I'm in the market for a new house and car and everything else that comes with moving country so pen spend on the backburners for a year.

Link to comment
Share on other sites

Thanks for posting this. I just bought the Michifumi version NOS. Waiting on nib exchange in Japan to a broad. I had heard about a newcomer but had not seen it until now. The new version looks good and perhaps plays to current tastes for more work and more color. The new one also has a different relationship between the observer and the artwork. The perspective is closer it seems. Based on pics I might just prefer the old version. More serene. Maybe I will purchase the new version too but will have to wait until my Emperor Double Dragon arrives. 

Link to comment
Share on other sites

  • 9 months later...

Another difference between the two is the technique used:

 

old - Michifumi uses Shishiai Togidashi Taka

new - Yutaka uses Togidashi (hira or taka is not mentioned, I assume hira based on the pictures)

 

So the new version uses a slightly less complex technique. Not defining for me though - it is the composition. The old version is calmer, more serene. The new version is present, colorful, more bold. Nothing wrong with that, but not entirely fitting the night's scene. 

 

My preference goes to the older version. I wonder if it is still available? Jandrese seems to know all Namiki dealers around the world and gets his hands on NOS when necessary...

Link to comment
Share on other sites

On 7/19/2022 at 11:51 AM, Linger said:

Another difference between the two is the technique used:

 

old - Michifumi uses Shishiai Togidashi Taka

new - Yutaka uses Togidashi (hira or taka is not mentioned, I assume hira based on the pictures)

 

So the new version uses a slightly less complex technique. Not defining for me though - it is the composition. The old version is calmer, more serene. The new version is present, colorful, more bold. Nothing wrong with that, but not entirely fitting the night's scene. 

 

My preference goes to the older version. I wonder if it is still available? Jandrese seems to know all Namiki dealers around the world and gets his hands on NOS when necessary...

I’ve gotten a few of the choice older Namiki….   I have my network. 

 

Probably gonna get the new version of the Night Scene too. I saw a good picture somewhere that made me interested. 

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33580
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26766
    5. jar
      jar
      26105
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...