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Trio of Fountain pen turned in india


rajeevc

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  1. I have been using fountain pens since 1976. That time it was primarily hero pens and mostly locally manufactured moulded pens, the brand names I find hard to remember. Most of these pens were of two filling categories only, sac filler(mostly made in China) and ED.
  2. Thereafter I graduated to Parker and continued using a few of them till 2019 on and off. Meanwhile got facsinated by Ballpens, netters, jitters, Gel pens, roller pens etc.
  3. Came 2018. I still had three Parker Vectors, one each for using Blue, black/green and red inks respectively. I came across an article on Ratnamsons and history of fountain pen turned in india. This made me search for manufacturers in India and I thought of reviving my love for Fountain pens. Thus I jumped headfirst in acquiring all I could lay my hands on and in the process became friends with many turners and became aware of their products too.
  4. Subsequently I graduated to use of flex nibs and dip nibs. I got interested in calligraphy fonts and cursive writing. That will be a different post.
  5. Currently I will focus on three pens from different brands using flexible nibs
  6. Magnacarta Emotions with stock flex steel nib, Kanwrite heritage with KANWRITE Fine flex steel nib and LOTUS pen with Kanwrite 14k Gold flex nib. The LOTUS pen is part of a limited edition initiative by Fountain pen lovers of India with 50 pens only made .
  7. These three pens when I started flexing, I realised that even in steel flex nibs, the amount of pressure required to assert pressure was different. It required lot of efforts to flex Magnacarta vis a vis KANWRITE Heritage. The LOTUS pen with gold nib was but easier.

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    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
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