Jump to content

Taccia “Limited” edition Polar Lights/ Amairo Hekiku


Baabaaredsheep

Recommended Posts

I fell in love with Taccia’s original blue LE Raden “Polar Lights” fountain pen, which was sold as a limited run of only 50 pens worldwide.  http://taccia.com/limitededition/reserve-polar-lights-le/
I finally picked up one of these grails and love it.

 

However, I was checking today to see if Taccia has anything new out, and it turns out they are releasing the Polar Lights in three colour ways— in Red, Green, and Blue — with a “limited” production of 100 pens worldwide.

https://www.sakurafountainpengallery.com/en/boutique/detail/polar-lights-le-amairo-hekiku-fountain-pen-taccia

 

How are companies able to do that? To market a pen by saying only 50 pieces are available, and then release another 100?!

This reminds me of the hot water Pelikan found themselves in in the 90s when they released a limited number if Toledos, only to come back and sell them again (I think there were lawsuits about that too).

Any thoughts?

Link to comment
Share on other sites

  • Replies 4
  • Created
  • Last Reply

Top Posters In This Topic

  • Baabaaredsheep

    2

  • jandrese

    1

  • steve50

    1

  • Paul-in-SF

    1

There have been other discussions on this board on this topic, and the consensus seemed to be that marketing a pen model as a limited edition is not the same as a contract with the buyer that they will never ever produce that same model again. So that when they said "Limited to 50 pieces worldwide," they did not promise that will be the case in perpetuity. 

 

I can see two ways that a limited edition can appeal to buyers: one is that here is a beautiful object which is going to be hard to get due to scarcity, so if you want it, get it as soon as possible; the other is that here is an object that is appealing enough that its after-market value may go up due to scarcity. Both of those depend on the company not actually producing more of those objects in the future. When they do, as in this case, they tend to devalue all their other and future LE products, at least for those who are paying attention, because people now know they are not to be trusted. Nevertheless, none of this is a matter for litigation, only for customer wariness. 

Link to comment
Share on other sites

I can understand your frustration. But perhaps Taccia's line of reasoning is that they commissioned 50 of these pens to a particular artist, so it was a limited edition, and now they've commissioned another 100, both times with no guarantee that this artist will produce them again.

 

I don't like the business practice of releasing some model in a different colour, call it a limited edition and charging double the price, like Sailor and Pelikan do all the time. In Taccia's defence, it looks like they genuinely aren't in full control of how many of these pens they can produce, and also they aren't really charging a 'limited edition' price. 875EUR is what this kind of pens normally go for. 

Link to comment
Share on other sites

The red one is awesome. I bought one. LE in another color. Common across industries and it really is a very different looking pen than the original colorway.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33583
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26772
    5. jar
      jar
      26105
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...