Jump to content

Sailor Bespoke King of Pen Ebonite Iro-Miyabi Fukaai


jandrese

Recommended Posts

Here is my new Sailor Bespoke King of Pen Ebonite Iro-Miyabi Fukaai with broad nib. A most excellent writer with a unique fine stone urushi finish aka ishime-nuri. Fine as in quality but more so in execution; its a fine grained pontilated finish that is pleasantly tactile and mercurial of color. Pictured along with the Sailor is a Nakaya with a much larger grained ishime-nuri finish. The name fukaai refers to dark blue, and it can look that way, but also light blue and greenish blue. Blue is an unusual and modern color for urushi. This pen is most unexpectedly interesting. 

 

 

B930A9F5-8611-4B90-A3E3-312852996FA4.jpeg

DD365229-11FD-4D0F-9F7C-872C475456E4.jpeg

9CA3D8B4-2203-4BD9-829B-B87A1136EE8F.jpeg

E7A758BF-CAED-43C9-A137-08BF82E337CF.jpeg

AADAF847-8283-4571-81B4-5674437C1CD8.jpeg

C72912A2-EAEB-493C-94AA-33E8CB5C98C7.jpeg

3F16501C-B7D1-46B7-A92E-A30B53F9F61E.jpeg

Link to comment
Share on other sites

  • Replies 9
  • Created
  • Last Reply

Top Posters In This Topic

  • jandrese

    4

  • Driften

    1

  • msum

    1

  • Wadude

    1

Top Posters In This Topic

Posted Images

A beautiful, unique finish for a classical pen. Congratulation! Hope you enjoy it. I quite like Ishime, specially for the section. Makes for a comfortable grip that does not slip.

 

I am a bit curious for a comparison: how do you find Sailor’s Ishime Kanshitsu technique as compared to Nakaya’s?

Link to comment
Share on other sites

2 hours ago, Wadude said:

A beautiful, unique finish for a classical pen. Congratulation! Hope you enjoy it. I quite like Ishime, specially for the section. Makes for a comfortable grip that does not slip.

 

I am a bit curious for a comparison: how do you find Sailor’s Ishime Kanshitsu technique as compared to Nakaya’s?

You are correct, the grip is quite positive. Also, the surface is essentially matte, the texture blocks most of glare and shininess. 

 

As for how the Nakaya and and Sailor ishime finishes compare I will comment a little. I'm no stranger to ishime having many traditionally finished Japanese wares done in the stone or ishime finish in my possession. In Japan I've also examined saya or the scabbard for the Japanese sword finished with ishime by acknowledged masters.  I've even tried my hand at the technique to mostly good success, that is, for an amateur. 

 

While both can be said to have ishime finish, and while I was not privy to their fabrication I believe the Nakaya and the Sailor were done with two different techniques. The Nakaya is, as you mention, kanshitsu ishime whereby crushed urushi is seeded on the surface to create the texture. In this case the kanshitsu powder was relatively coarse for the size of the object. The Sailor was, I believe, finished with crushed charcoal to create the texture. Using Google translate on the Japanese website for this pen is equivocal on kanshitsu-fun versus crushed charcoal by mentioning them both. Beyond that, the individual particles are much smaller on the Sailor. The larger particles on the Nakaya both join together across the surface with greater continuity but also stand further off the base. Handling the Nakaya feels smoother unless one were to catch a particle with a fingernail; there would be more bite. The Sailor is rougher but the texture is so finely grained it feels pleasantly grippy without going overboard. The Nakaya is also more glossy due to a combination of the texture technique, urushi used, and subsequent polishing. 

 

Basically, they are different. If one had to assess the quality of the workmanship there are things to commend on both pieces. Both also fall short of being masterworks. The Sailor, however, seems to have a slightly elevated quality about it than the Nakaya. Both are good enough to stand on their own, and are good enough to be distinctive of the artist. That is, I believe an informed observer could tell who finished the pens. 

Link to comment
Share on other sites

18 hours ago, jandrese said:

You are correct, the grip is quite positive. Also, the surface is essentially matte, the texture blocks most of glare and shininess. 

 

As for how the Nakaya and and Sailor ishime finishes compare I will comment a little. I'm no stranger to ishime having many traditionally finished Japanese wares done in the stone or ishime finish in my possession. In Japan I've also examined saya or the scabbard for the Japanese sword finished with ishime by acknowledged masters.  I've even tried my hand at the technique to mostly good success, that is, for an amateur. 

 

While both can be said to have ishime finish, and while I was not privy to their fabrication I believe the Nakaya and the Sailor were done with two different techniques. The Nakaya is, as you mention, kanshitsu ishime whereby crushed urushi is seeded on the surface to create the texture. In this case the kanshitsu powder was relatively coarse for the size of the object. The Sailor was, I believe, finished with crushed charcoal to create the texture. Using Google translate on the Japanese website for this pen is equivocal on kanshitsu-fun versus crushed charcoal by mentioning them both. Beyond that, the individual particles are much smaller on the Sailor. The larger particles on the Nakaya both join together across the surface with greater continuity but also stand further off the base. Handling the Nakaya feels smoother unless one were to catch a particle with a fingernail; there would be more bite. The Sailor is rougher but the texture is so finely grained it feels pleasantly grippy without going overboard. The Nakaya is also more glossy due to a combination of the texture technique, urushi used, and subsequent polishing. 

 

Basically, they are different. If one had to assess the quality of the workmanship there are things to commend on both pieces. Both also fall short of being masterworks. The Sailor, however, seems to have a slightly elevated quality about it than the Nakaya. Both are good enough to stand on their own, and are good enough to be distinctive of the artist. That is, I believe an informed observer could tell who finished the pens. 

Beautiful pen, and I really enjoyed reading your analysis of the ishime, most interesting! 

Link to comment
Share on other sites

  • 4 weeks later...

Very nice. Wish they came with the NT nibs instead as I like those much better than the usual M or B nibs. Maybe a nib swap will do...

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33559
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26744
    5. jar
      jar
      26101
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...