Jump to content

Iron Gall Water Resistance Comparison


bokaba

Recommended Posts

I recently did a comparison of water resistance among some popular iron gall inks on the market. I noticed that generally, Diamine Registrar's, performed best. KWZ IG Blue Black performed well on absorbent paper.  KWZ IG Blue #1, Pelikan 4001 Blue Black, and Platinum Sepia Black performed the worst. I give an honorable mention to Platinum Blue Black and TWSBI as they retain their bright blue color without oxidizing and presumably have little iron gall content, yet have excellent water resistance.  KWZ Blue Black performed very well on absorbent paper. 

 

My methodology is as follows: the inks were allowed to dry at least 24 hours on Rhodia, then soaked for one hour in cold water (I tried boiling water, but it washed away most of the inks). 

 

The inks tested were:

 

Platinum Sepia Black

Rohrer & Klinger Salix

Platinum Blue Black

Akkerman #10

TWSBI Blue Black

KWZ IG Blue #1

KWZ IG Blue Black

Diamine Registrar's

Pelikan 4001 Blue Black

 

 

Water Resist.jpg

Water Resist1.jpg

Link to comment
Share on other sites

  • Replies 25
  • Created
  • Last Reply

Top Posters In This Topic

  • yazeh

    10

  • bokaba

    6

  • arcfide

    5

  • Dimy

    3

Top Posters In This Topic

Posted Images

Here is a scan of the inks in their original color prior to soaking. The Diamine Registrar's looks a little light because it ran dry. 

Water Resist1.jpg

Link to comment
Share on other sites

Thanks Bokaba. 

Historic iron gall inks didn't like humidity. In presence of high humidity they deteriorate quite fast....

Interesting the blue has washed away (as it should) and the black/grey has remained in most inks. I believe only two of these are true iron gall, Akkerman and Diamine Registrar's. 

Interesting how KWZ blue black is performing poorly, despite it being supposedly Iron gall heavy. Quite disappointing. 

Interesting enough, once I did a test with a non waterproof ink on absorbent paper and it was very water resistant. However, on Rhodia it washed away....

 

Link to comment
Share on other sites

You're probably right. I think the only "true" iron galls on the market are Diamine, ESSRI, and Akkerman. The old Midnight Blue and Pharmacist's as well, but those are pretty hard to find. I included another test I did with KWZ BB on Rhodia where I let the ink oxidize completely for several weeks before soaking and it performed very well. The line labeled "Diamine" is Registrar's just for comparison. The inks that retain their blue color must be using some other mechanism to stay on the page such as pigment or some form of the "bulletproof" technology used by Noodler's. 

 

The very light gray writing is KWZ Blue IG #1 that had dried for the same amount of time. 

 

 

Diamine.jpg

Diamine2.jpg

Link to comment
Share on other sites

You can add to your list of true IG, Gutenberg Urkunden - Tinte G 10. It's a bit tricky to find, and it's about the same price as Essri. 

I still find Diamine Registrar's more elegant in colour and in waterproofness. 
As for the blue inks. It can be that or not, I cannot say. ...

Link to comment
Share on other sites

On 1/17/2021 at 2:30 PM, bokaba said:

The inks that retain their blue color must be using some other mechanism to stay on the page such as pigment or some form of the "bulletproof" technology used by Noodler's. 

 

 

I'm not sure this is strictly true. Pharmicist had this to say regarding his own formulation:

 

Quote

 

 

In particular, "Unlike the MB and Lamy Blue-Black iron gall inks, the dye componend [sic] does not bleed from the writing, leaving a greyish ghost writing (iron gall pigment), but stays firmly fixed upon the iron gall pigment on the paper."

 

I believe he explains elsewhere -- I was unable to find it -- that depending on the formulation, the dyes may be more or less fixed into the paper as a part of the reaction. 

 

I also would expect that you would see better results across the board if you used a more absorbent paper. 

Link to comment
Share on other sites

In historical iron gall inks in the XiX century they added Indigo dye to the mixture, after which through oxidization the ink turned black and the blue dye disappeared. The blue was there to help with the legibility of writing only....  

Link to comment
Share on other sites

Hmm this is interesting, I think KWZ IG needs more time same for Sallix, I did a 10 day test in my ink review and it was great, there was hardly any colour loss let alone the content loss and my soak lasted 2+ hrs with tap run and towel brush......I feel in general IG need at least 48 to 72hrs before actually playing with them.

 

These are only 2 IG I have and both actually perform extremely well with water once properly dried. I think rest will show better results as well, or should...cant say for them as I lack them.

Link to comment
Share on other sites

I will try a longer drying/curing time at some point in the future. I would like to try ESSRI but don’t want to buy a full bottle yet. 

Link to comment
Share on other sites

Just now, bokaba said:

I will try a longer drying/curing time at some point in the future. I would like to try ESSRI but don’t want to buy a full bottle yet. 

same issues with me, no interest in full bottles or else there would have been a full scoop of blue-black IG ageing tests by me🙃

Link to comment
Share on other sites

On 1/19/2021 at 9:27 AM, yazeh said:

In historical iron gall inks in the XiX century they added Indigo dye to the mixture, after which through oxidization the ink turned black and the blue dye disappeared. The blue was there to help with the legibility of writing only....  

 

I believe based on my readings that indigo was added earlier than that even, and there was some debate about the best dye to use that wouldn't negatively affect the permanency of the ink once aniline dyes came into widespread use. I believe one conservative voice spoke out against anything but indigo as resulting in too "fugitive" an ink. 

 

That doesn't change Pharmacist's claims though, particularly with regards to the permanence properties being different with modern inks that have only one of two classical IG components in them. 

Link to comment
Share on other sites

I think Krishna use some old dye in their Kot-massi permanent line of inks, they claim such at least (using traditional Indian methods, which I presume would include indigo), never tested the ink but worth looking into if someone wants to.

 

They are IG according to site info.

Link to comment
Share on other sites

1 hour ago, arcfide said:

 

I believe based on my readings that indigo was added earlier than that even, and there was some debate about the best dye to use that wouldn't negatively affect the permanency of the ink once aniline dyes came into widespread use. I believe one conservative voice spoke out against anything but indigo as resulting in too "fugitive" an ink. 

 

That doesn't change Pharmacist's claims though, particularly with regards to the permanence properties being different with modern inks that have only one of two classical IG components in them. 

My source is  Pen, Ink, & Evidence: A Study of Writing and Writing Materials for the Penman, Collector, and Document Detective. I believe he mentions Stephen's ink as the first having used it... I can check the precise date, if you're interested...

 

Link to comment
Share on other sites

4 minutes ago, yazeh said:

My source is  Pen, Ink, & Evidence: A Study of Writing and Writing Materials for the Penman, Collector, and Document Detective. I believe he mentions Stephen's ink as the first having used it... I can check the precise date, if you're interested...

 

 

Wait, what exactly is your claim? It's pretty common knowledge that IG inks were traditionally colored with a dye to aid in visibility when initially written, so that's not exactly a contested claim. I was taking your previous post to say that IG's never used dye-based colorants before the 19th century including indigo, but I'm pretty sure that's false. Modern IG inks have their historical lineage in the 18th century "writing fluid" boom, including our current formulations of IG inks, but you seem to be saying something else? 

Link to comment
Share on other sites

I had heard that Indigo dye was added around the middle of the 19th Century when steel nibs became popular as it made the ink less acidic. Most iron gall inks (dip pen medieval type recipes) I have seen are dark enough to see when the ink is put down on the paper (or vellum) and quickly darken to a black color. 

Link to comment
Share on other sites

16 minutes ago, arcfide said:

 

Wait, what exactly is your claim? It's pretty common knowledge that IG inks were traditionally colored with a dye to aid in visibility when initially written, so that's not exactly a contested claim. I was taking your previous post to say that IG's never used dye-based colorants before the 19th century including indigo, but I'm pretty sure that's false. Modern IG inks have their historical lineage in the 18th century "writing fluid" boom, including our current formulations of IG inks, but you seem to be saying something else? 

I have no claim. 

I was just conveying what I'd read. That indigo, as Bokaba mentioned, was added in Stephen's writing fluid, in 183? (Not sure of the date) to attenuate the corrosive nature of iron gall on the newly introduced steel nibs. You've seen the bottles, I assume, where it's mentioned that it'll write blue but will oxidizes to black.... 

Link to comment
Share on other sites

Indigo is a vegetal (Indigofera tinctoria)  with dye properties still used in India and other places or purpose like natural dye...Of course now do get artificial dye same color like indigo...

comprar-indigo (1).jpg

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33553
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26724
    5. jar
      jar
      26101
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...