Jump to content

My Montegrappa Botanist's Pen And An Orchid, Three Years Later


fpupulin

Recommended Posts

Botany is not a quick science. The job of giving a face and a name to the diversity of plants that populate our planet is made up of patient checks and comparisons with what has already been discovered and revealed to science in the nearly 280 years of history of modern botany. We already know a little less than 400 thousand species of plants and every year another 2000 recently discovered are added to the list. Almost 10% of all plants with flowers are orchids, and the comparison work with the thousands of existing names, frequently published in old and difficult to find journals and books, with museum specimens not always in the ideal conditions for their study, takes time.

 

Almost exactly three years ago, on the pages of this same forum, I wrote about how you can use a fountain pen, among many other things, also to describe a new species of orchid, and not only in words, but also by tracing on a sheet its unique and distinctive characters (you can read it here). A couple of photographs showed my notebook and my Montegrappa Extra 1930 in Black Bamboo celluloid (the botanist's perfect pen, with that air of a linfous plant shoot) struggling with the first draft of description of a new orchid species from Costa Rica: Dichaea auriculata, this was the name that could be read noted in the notebook.

 

fpn_1587566765__montegrappa_extra_1930_b

 

Three years later, that name finally became real in the baptismal deed of the new species (which botanists cryptically call a "protologue"), published this April in the scientific journal Blumea, an international journal on the biodiversity, evolution and biogeography of plants, published by the National Herbarium of the Netherlands. On the pages of the journal you can read the short Latin phrases written initially in pen, and observe the drawing whose details had been sketched with the fountain pen in my notebook.

 

fpn_1587564753__montegrappa_extra_1930_b

 

And here it is again, my dear Montegrappa Extra 1930 "Acque del Sile", with the old notebook I had in use three years ago and with the new one, which I have been using these days. Not much has changed in these three years: a few more pens, a few more publications, a few more years old ...

fpn_1587564804__montegrappa_extra_1930_b

Link to comment
Share on other sites

  • 2 months later...
  • Replies 2
  • Created
  • Last Reply

Top Posters In This Topic

  • fpupulin

    2

  • Arcadian

    1

Top Posters In This Topic

Dear Franco,

 

What a great story! Congratulations on lending your name to such a beautiful thing.

 

I am a little envious that you work in a field where your fountain pens can occupy such a salient role. For me, it is always a matter of making excuses to use my pens instead of the computer.

 

And as always, your writing and drawings are things to aspire to! Personally I am awaiting a Montegrappa Extra 1930 Black Bamboo in the mail tomorrow. Maybe it will come with built-in talent for using it....

 

 

- P.

Link to comment
Share on other sites

Dear Franco,

What a great story! Congratulations on lending your name to such a beautiful thing.

I am a little envious that you work in a field where your fountain pens can occupy such a salient role. For me, it is always a matter of making excuses to use my pens instead of the computer.

And as always, your writing and drawings are things to aspire to! Personally I am awaiting a Montegrappa Extra 1930 Black Bamboo in the mail tomorrow. Maybe it will come with built-in talent for using it....

 

- P.

Dear Arcadian, years ago I discovered that writing by hand was a way to focus on my ideas. With no copy and paste, you just have to think a bit clearer what you want to say. If you like photography, you can compare handwriting and computer writing to analogic and digital photography. Digital photography is a tremendously helpful tool, but in most cases a digital camera made you less selective when shooting, with the excuse tat you will be selective choosing the best shots later at the desktop, something that almost never happens. So, thousands of shots are simply buried into the PC, to never be seen again.

 

Recently, looking at some old roll of Fuji Velvia (a notoriously difficult film to shot), I was blown by the extremely high number of shots that were correct both as to exposure and framing. I was just more selective before, rather than after...

 

I can imagine your excitement waiting for the Bamboo Black Extra 1930. In my opinion, the Bamboo Black and the Black and White are the more refined celluloids of the entire series, but with the latter you have to be lucky, as in several examples that I saw the pattern was a bit too crazy. I never saw a Bamboo Black that was less than perfect in her pattern, however.

 

Which nib did you choose?

 

Please do not forget to post photos of your incoming beauty!

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33559
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26744
    5. jar
      jar
      26101
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...