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Sailor Ink Studio Swatch Tests Coming Soon!


NickiStew

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I am delighted and excited to finally start posting my swatch tests of the Sailor Ink Studio range. This is a unique range of 100 inks custom mixed by Sailor’s very own in-house ink genius Osamu Ishimaru and they are stunning. The swatch testing process has been a genuine joy and, as you’ll see, the chromatic outcomes are nothing short of sublime.

 

All of the colours were mixed to order at ink clinics held across Japan and I assume that the numbering system was created on a first come first served basis. However, there are theories that there is a system and a pattern to the numbering and if you’re into that I suggest you link to Yagan Kiely’s blog and read his extensive review of the range.

 

There are already some reviews out there, but as usual these are the standard swab tests on card and Tamoe River paper and that’s okay, BUT, and this is a BIG BUT, the real wonder of these inks is the chromatography. It’s what’s going on ‘under the hood’ – this is where the real magic can be observed and appreciated. If, like me, you are seriously into your inks and their colours, what I’m up to is a creative extension of the typical swab card technique and once you have the hang of this – there’s no going back!

I have decided to post my swatch cards in groups of nine and have categorised them by colour, so eleven posts will follow over the coming weeks.

Edited by NickiStew

To view the full article and images please visit my blog: **** WWW.NICKSTEWART.INK ****

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    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
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