Jump to content

J. Herbin - Eclat De Saphir (Perle Des Encres)


namrehsnoom

Recommended Posts

J. Herbin - Éclat de Saphir

 

La Société Herbin, Maître Cirier à Paris, was established in 1670. This makes J. Herbin probably the oldest name among European ink makers. Today, Herbin produces a range of beautiful fountain pen and calligraphy inks, writing instruments, gift sets and accessories. Herbin inks are made in France, and the finishing touches on the bottles are still done by hand in Paris.
fpn_1546346629__jherbin_-_eclat_de_saphi
J. Herbin is probably best known for their inks in the "La Perle des Encres" series. In this review, I take a closer look at Éclat de Saphir - a good-looking blue-with-a-bit-of-purple ink, that to my eye belongs to the Royal Blue / Sapphire Blue family of colours. The ink writes very purple when wet, but quickly dries to a standard royal-blue colour, with the purple still there just below the surface. The ink is quite saturated, and works well with all nib sizes and with all types of paper (white as well as more yellow ones). Shading looks best in M-nibs and broader, but remains subtle without too much contrast between the light and darker parts. Quite nice.
fpn_1546346644__jherbin_-_eclat_de__saph
The ink has excellent lubrication, even in drier pens like my Lamy Safari. With wetter pens like my Pelikan M120 with M-nib, the ink leaves a very saturated blue line, and in the process loses most of the shading. My guess is that with wetter pens, you need broader nibs to bring out the shading again.. To illustrate the colour span of Éclat de Saphir, I did a swab on Tomoe River paper where I really saturated portions of the paper with ink. This perfectly illustrates the ink's colour range, which moves from a fairly light to a really dark royal blue. The purple undertones surface most easily in the lighter parts of the swab.
fpn_1546346660__jherbin_-_eclat_de_saphi
On the smudge test - rubbing text with a moist Q-tip cotton swab - the ink behaved perfectly, with only minimal smearing. Water resistance is not so good: the ink disappears quickly from the page, but leaves behind a ghost image of the original text, which can still be read when using some effort. Your writings will not be lost, but it's definitely not a water-resistant ink.
fpn_1546346672__jherbin_-_eclat_de_saphi
Éclat de Saphir dries fast on all my test paper, typically in the 5 to 10 second range. That was a surprise, because it writes with a really wet line - I would have expected longer drying times from this ink. I've tested the ink on a wide variety of paper - from crappy Moleskine to high-end Tomoe River. On each scrap of paper I show you:
  • An ink swab, made with a cotton Q-tip
  • 1-2-3 pass swab, to show increasing saturation
  • An ink scribble made with a Lamy Safari M-nib fountain pen
  • The name of the paper used, written with a Lamy Safari B-nib
  • A small text sample, written with an M-nib
  • Drying times of the ink on the paper (with the M-nib)
Éclat de Saphir looks great on both white and more yellowish paper. I didn't detect any noticeable feathering, only with the notoriously bad Moleskine paper some barely visible feathering is present. With the lower quality papers in my test set (Moleskine, Generic paper), there is however significant show-through and a tiny bit of bleed-through. You can check this for yourself at the end of the review, where I show the backside of the writing samples.
fpn_1546346691__jherbin_-_eclat_de_saphi
fpn_1546346708__jherbin_-_eclat_de_saphi
fpn_1546346723__jherbin_-_eclat_de_saphi
Writing with different nib sizes
The picture below shows the effect of nib sizes on the writing. All samples were written with a Lamy Safari, which is typically a dry pen. I also added a visiting pen - a wet Pelikan M120 with an M-nib. Here the ink leaves a very saturated dark-blue line, taking away most of the shading that shows up with drier pens. The ink contrasts very well with the paper, even in my EF nibs. With run-of-the mill office paper, you typically need smaller nib sizes to compensate for the lower quality of the paper. Combine this with fast drying times, and you have an ink that is quite at home for office-related note-taking. And even though Éclat de Saphir looks like a standard Royal Blue, there remains that purple undertone that makes it just that bit more interesting.
fpn_1546346741__jherbin_-_eclat_de_saphi
Related inks
To compare Éclat de Saphir with related inks, I use a nine-grid format with the currently reviewed ink at the center. This format shows the name of related inks, a saturation sample, a 1-2-3 swab and a water resistance test - all in a very compact format. I hope that you'll find this way of presenting related inks useful. It's a bit more work, but in my opinion worth the effort for the extra information you gain.
fpn_1546346756__jherbin_-_eclat_de_saphi
Inkxperiment - Visit to the Lands of Faerie
As a personal challenge, I try to create interesting drawings using only the ink I'm reviewing. I find this to be a fun extension of the hobby, and these single-ink drawings often present a real challenge. It also gives you an idea of what the ink is capable of in a more artistic setting. For this abstract landscape, I experimented with using HP premium photo paper as a medium. I started off by wetting portions of the paper with water, and drawing in the horizon line with the trees and parts of the foreground. The water on the photo paper lets the ink bleed out nicely. I then applied some bleach - purely as an experiment to bring in some highlights. Next I completely submerged the paper in water, and added some drops of ink. This reacted nicely with the photo paper, resulting in the light blue-purple haze that covers most of the drawing. Once dry, I painted in the fence and little girl in the foreground. I quite like the end result, which shows off the eery magic of Faerie land. You also get a good idea of what Éclat de Saphir is capable of in a more artistic setting.
fpn_1546346775__jherbin_-_eclat_de_saphi
Conclusion
J. Herbin Éclat de Saphir has a royal blue style colour with a definite purple undertone. The ink works great with all paper types, is well saturated, and shows good contrast with the paper even in the finest nibs. This is an excellent choice of ink for use at the office - not too extravagant, but still playful with that purple undertone just below the surface. Personally, I'm not particularly fond of this type of blue - but there's no denying that this is a very good ink. If you like the colour, you will not be disappointed if you give Éclat de Saphir a try.
Technical test results on Rhodia N° 16 notepad paper, written with Lamy Safari, M-nib
fpn_1546346794__jherbin_-_eclat_de_saphi
Backside of writing samples on different paper types
fpn_1546346811__jherbin_-_eclat_de_saphi
fpn_1546346826__jherbin_-_eclat_de_saphi
fpn_1546346839__jherbin_-_eclat_de_saphi
Link to comment
Share on other sites

  • Replies 6
  • Created
  • Last Reply

Top Posters In This Topic

  • Aysedasi

    1

  • phonelady61

    1

  • ENewton

    1

  • DrDebG

    1

Popular Days

Top Posters In This Topic

Have to agree this is one of my fave inks as well .

Cathy :bunny01:

 

:happyberet:

Link to comment
Share on other sites

This is not my kind of color, but what a stunning, informative review.

 

I love the artwork and your explanation of the process.

Link to comment
Share on other sites

Excellent review of a very popular ink!

 

Several years ago, I had a chance to sample this ink, along with other J. Herbin inks. This is by far my favorite in terms of color and formulation. This ink doesn't seem to smudge like some of the others do.

 

Truly an outstanding ink and a workhorse in my regular rotation.

"Today will be gone in less than 24 hours. When it is gone, it is gone. Be wise, but enjoy! - anonymous today

 

 

 

Link to comment
Share on other sites

Thanks for the review. I like putting Eclat de Saphir in a Parker 61, because it doesn't clog up the capillary filler. As far as I'm concerned, the only downsides to this ink are the lack or water resistance and that it's not terribly saturated a color (although it shades nicely). But because it's well behaved otherwise, I just picked up a back up bottle last week at Fountain Pen Hospital, and wish that FPH carried the 100 ml size bottles (yes, I asked).

Ruth Morrisson aka inkstainedruth

"It's very nice, but frankly, when I signed that list for a P-51, what I had in mind was a fountain pen."

Link to comment
Share on other sites

One of the great inks - too bright for some purposes but as close as you can get to Delfts Blauw with a fountain pen.

 

It has a phosphorescent quality which enhances its attractiveness. The colour reflects the ultraviolet range which on some papers gives almost a black light effect.

Less is More - Ludwig Mies van der Rohe

Less is a Bore - Robert Venturi

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33553
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26724
    5. jar
      jar
      26101
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...