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Sailor Shikiori Kinmokusei (Four Seasons – Autumn: Gold Osmanthus)


A Smug Dill

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Another quickie review, on another 'four seasons' colours in the Sailor Jentle Ink line for which I came too late to the party, and missed out on getting it in a 50ml bottle at the old pricing.

 

fpn_1539572488__sailor_kinmokusei_on_rho

 

Colour: I love orange – especially when it's the colour of the garment I'm wearing, which means it's far more in others' faces than in mine, although that's not the case here – either bright and intense, or deep and dark, and I love the colour of Sailor kinmokusei, which certainly does not disappoint me in the way Iroshizuku yu-yake and Noodler's Operation Overlord Orange did.

 

(I only just opened my bottle of Monteverde Topaz in the Gemstone Collection range, to scratch a couple of words on this test page with a dip pen and a mapping nib as a comparison, so I haven't got a very clear or detailed view yet of how it compares with Sailor kinmokusei over more extensive pieces of writing.)

 

Feathering: None observed.

 

Ghosting and bleed-through: None, either from writing or from repeated passes with a soaked cotton swab.

 

fpn_1539574182__sailor_kinmokusei_on_rho

Drying time: Very fast, for writing done with an EF nib with (usually) moderate-to-wet flow; there is almost no observable smearing in just five seconds. My zeroes with a 'broader' nib tend to leave one or two wet spots around the oval shape, and there is some smearing of the '30s' even though the '25s' mark did not smear.

 

Water resistance: Forget about it.

 

fpn_1539574423__sailor_kinmokusei_on_rho

Shading: Very subtle, if any, along a single stroke of the pen or an unbroken line, in spite of the range of shades this ink can display. I don't have a problem with that.

 

Sheen: None that I can see on the Rhodia paper I used, and that's fine by me.

 

My verdict: I like this ink, it is well-behaved, but with the 'new' pricing for 20ml bottles in the Sailor Shikiori line, I'm not going to rush about to buy spare bottles just yet, especially when I haven't spent enough time using Monteverde Topaz or perhaps trying Diamine Pumpkin.

Edited by A Smug Dill

I endeavour to be frank and truthful in what I write, show or otherwise present, when I relate my first-hand experiences that are not independently verifiable; and link to third-party content where I can, when I make a claim or refute a statement of fact in a thread. If there is something you can verify for yourself, I entreat you to do so, and judge for yourself what is right, correct, and valid. I may be wrong, and my position or say-so is no more authoritative and carries no more weight than anyone else's here.

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Love this ink! It's such a cheerful color. I think oranges get particularly flattered in broad round nibs, but this one at least doesn't require a broad nib to look good. EFs do miss out on some shading and slight sheen, but the base color still comes out nicely saturated, which isn't always the case for oranges.

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I love orange inks but I'm glad you saved me.

Fountain pens are my preferred COLOR DELIVERY SYSTEM (in part because crayons melt in Las Vegas).

Create a Ghostly Avatar and I'll send you a letter. Check out some Ink comparisons: The Great PPS Comparison 

Don't know where to start?  Look at the Inky Topics O'day.  Then, see inks sorted by color: Blue Purple Brown Red Green Dark Green Orange Black Pinks Yellows Blue-Blacks Grey/Gray UVInks Turquoise/Teal MURKY

 

 

 

 

 

 

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    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
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