Jump to content

Looking For A Good Calligraphy Red


mgrubb

Recommended Posts

Hello all, This is my first post on the FPN. I am looking for an opaque or at least very saturated with little to no shading red ink.

This is mainly for use in a 6mm Pilot Parallel calligraphy pen. I've tried several colors but to no avail.

 

I've highlighted the problem exemplars in yellow in the images below.

Diamine Red Dragon is my favorite red ink, and it almost gets the job done, but it still looks blotchy in the 6mm PP:

fpn_1432174694__diaminereddragonhexample
Here is Noodler's Park Red:
fpn_1432174719__noodlersparkredexampled.
I prefer the shade of the Red Dragon, but I need something that doesn't look splotchy when going over the same area with multiple strokes. Also, don't cringe too badly at the letter forms here, they were part of my practice :).
Any suggestions are very much appreciated. Also, I'm looking for a rich red pigmented ink for dip pens. I'd like something akin to sumi-e, the best I've found in that family is an orangish red though.
Link to comment
Share on other sites

  • Replies 7
  • Created
  • Last Reply

Top Posters In This Topic

  • Randal6393

    2

  • ac12

    2

  • mgrubb

    2

  • jasonchickerson

    1

Top Posters In This Topic

I think you can't avoid seeing the secondary strokes with dye inks. I think you will need to go to pigment inks to avoid that.

 

For the pigmented red ink, have you looked at Speedball acrylic ink?

San Francisco Pen Show - August 28-30, 2020 - Redwood City, California

www.SFPenShow.com

Link to comment
Share on other sites

Almost all fountain pen inks are going to do this. Try Winsor and Newton or Sennelier calligraphy inks. They are usually much cheaper than fountain pen inks, anyway, just don't put them in your pen.

Link to comment
Share on other sites

Yep, most illumination is done with goache of one kind or another. So, time to break out the dip pen and a tube of good goache. The added advantage is that you can mix the colors to achieve just the shade you want. It will take a bit of practice to learn how to mix and the amount of water you need to get the flow right.

 

After mastering rubrication (using red to color a manuscript), you might want to start in with illuminating in general. It's a fascinating area and a good introduction into calligraphy versus handwriting. And a lot of fun.

 

And, Welcome to FPN! Can tell you are going to fit in here very well!

Yours,
Randal

From a person's actions, we may infer attitudes, beliefs, --- and values. We do not know these characteristics outright. The human dichotomies of trust and distrust, honor and duplicity, love and hate --- all depend on internal states we cannot directly experience. Isn't this what adds zest to our life?

Link to comment
Share on other sites

 

I think you can't avoid seeing the secondary strokes with dye inks. I think you will need to go to pigment inks to avoid that.

 

For the pigmented red ink, have you looked at Speedball acrylic ink?

 

I forgot to mention, the Speedball ink is dip pen only, NOT for fountain pen use.

San Francisco Pen Show - August 28-30, 2020 - Redwood City, California

www.SFPenShow.com

Link to comment
Share on other sites

And, Welcome to FPN! Can tell you are going to fit in here very well!

Thanks for the warm, welcome! I find my calligraphy practice to be very cathartic, and has inspired me to really work on my everyday penmanship as well :) I have tried the gouache with some Mitchell dip nibs, I just have a lot more tinkering to get the right consistency. The main reason I'm fiddling with the Pilot Parallels is convenience and consistency. I've had the most luck getting consistent results out of the PPs compared with the dip nibs. I have also been itching to give illumination a try, just trying to find the right project.

 

I may have the wrong attitude toward acrylics and black letter on simulated manuscripts, I've shunned them so far.

I'm trying to stick to as natural of inks as I can, hence my preference with the sumi-e black. It's not that I'm necessarily a purist, but that's my inclination. Anyway, I really appreciate everyone's suggestions.

Link to comment
Share on other sites

 

I may have the wrong attitude toward acrylics and black letter on simulated manuscripts, I've shunned them so far.

I'm trying to stick to as natural of inks as I can, hence my preference with the sumi-e black. It's not that I'm necessarily a purist, but that's my inclination. Anyway, I really appreciate everyone's suggestions.

 

Goache is funny, it's a solid watercolor ink. The acrylic dries waterproof, which is why it's sometimes better for manuscripts. Why not try a tube of acrylic versus a tube of more traditional goache? See which you prefer.

 

Best of luck,

Yours,
Randal

From a person's actions, we may infer attitudes, beliefs, --- and values. We do not know these characteristics outright. The human dichotomies of trust and distrust, honor and duplicity, love and hate --- all depend on internal states we cannot directly experience. Isn't this what adds zest to our life?

Link to comment
Share on other sites

M. Graham gouache is highly recommended. I can't speak to acrylics, but that's what I would trial if you want the really good stuff.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33559
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26740
    5. jar
      jar
      26101
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...