Jump to content

Celluloid 149S - Just A Bunch Of Parts?


360

Recommended Posts

so i have been on the fence with picking up an old celluloid 149... i have many from the 70s, 80s...

 

talking to a noted dealer at a recent show, it was made clear to me that many of the examples of this pen out there are basically a synthesized build-up of old 149 parts. in other words, dealers amass old pens, take the best parts and "build" a mint condition example. accordingly, the price of the pen reflects its newfound "mint" condition.

 

i want to believe there is a secret romance inherent in the history of a vintage pen - e.g. all the people that owned it, how it was used, and how it survived for nearly 70s intact... a collection of parts seems more like, a collection of parts.

 

so does this practice bother any one? is it actually fulfilling a service - more useable pens in the world? would paying a premium for such a pen bother the cognoscenti among us? would love to hear your thoughts as i continue to rationalize this purchase.

 

and apologies if this topic has been covered previously.

Link to comment
Share on other sites

  • Replies 5
  • Created
  • Last Reply

Top Posters In This Topic

  • 360

    2

  • CS388

    1

  • da vinci

    1

  • dneal

    1

Top Posters In This Topic

Not this precise topic, but the definition of 'mint' has.

 

IIRC a franken pen does not fit the criteria for that definition although I don't see anything wrong with a franken pen per se.

Link to comment
Share on other sites

In a perfect world, a pristine example that had been hidden away for 50 years is a great notion. They're also exceedingly rare. I'm fine with a collection of pristine parts used to put together a pristine example.

Link to comment
Share on other sites

In a perfect world, a pristine example that had been hidden away for 50 years is a great notion. They're also exceedingly rare. I'm fine with a collection of pristine parts used to put together a pristine example.

interesting feedback - thanks guys. i was just surprised at the practice and wondering if it was "controversial" amongst the hardcore MB dudes. i am getting closer and closer to taking the plunge.

Link to comment
Share on other sites

talking to a noted dealer at a recent show, it was made clear to me that many of the examples of this pen out there are basically a synthesized build-up of old 149 parts.

 

I'm prepared to believe this happens. Can't imagine why not.

And I'm sure the pristine pens, which sat unused in boxes for 50 years also pop up.

 

I don't think I'd be too bothered if my pen was made up of (correct) parts.

After all, that's what happened in the factory in Hamburg.

Any history comes after. And all the parts in the reconstructed pen will carry their own history, to boot.

 

There's also a good argument for recycling parts, to keep these pens useable, as you say.

But I can't imagine paying a premium for such a pen.

And I'd hope for full disclosure from the seller

 

I would think of the practise as 'controversial', if it were sold under false representation (eg as an unused pristine find).

That'd be a lie. Or the start of a new history?

 

Interesting topic. Thanks.

Link to comment
Share on other sites

Nowadays in the UK we'd call it Trigger's Broom but here's the original phrase:

 

http://en.wikipedia.org/wiki/Ship_of_Theseus

 

Another thing to think about, is that in the process of officially repairing pens, MB has done far worse to themthan pen dealers looking for originality! There are loads of pens out there with newer feeds, nibs, clips and caps. My celluloid 149 must have lost its star in the sixties, as it has been replaced with a newer one by the factory (the owner may have even seen it as an 'upgrade' to the old yellowing one!). If I could find a celluloid star I'd replace it like a shot...

"Truth can never be told, so as to be understood, and not be believ'd." (Wiiliam Blake)

 

Visit my review: Thirty Pens in Thirty Days

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now

Announcements


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33563
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26746
    5. jar
      jar
      26101
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...