Jump to content

Shakespeare Handwritten In Cursive Italic


caliken

Recommended Posts

This is Shakespeare Sonnet no.116 written in Cursive Italic with a Pelikan fountain pen fitted with a Richard Binder fine Italic nib and filled with Aurora black ink. The paper was Mondi smooth 100gsm, the writing is at a slope angle of 8 degrees and the x height is 2.5mm.

 

fpn_1412865331__sonnet_no116_452.jpg

Edited by Ken Fraser
Link to comment
Share on other sites

  • Replies 15
  • Created
  • Last Reply

Top Posters In This Topic

  • caliken

    6

  • torstar

    1

  • kbrede

    1

  • roddyjen

    1

Beautiful work! Easy on the eyes, but still full of character. As always, thank you very much for sharing, Mr. Fraser! I'm not much one for Shakespeare (sorry, the archaic English he used was difficult for me to decipher, haha), but this is indeed a beautiful passage.

"The price of an object should not only be what you had to pay for it, but also what you've had to sacrifice in order to obtain it." - <i>The Wisdom of The Internet</i><p class='bbc_center'><center><img src="http://i59.tinypic.com/jr4g43.jpg"/></center>

Link to comment
Share on other sites

This is Shakespeare Sonnet no.116 written in Cursive Italic with a Pelikan fountain pen fitted with a Richard Binder fine Italic nib and filled with Aurora black ink. The paper was Mondi smooth 100gsm, the writing is at a slope angle of 8 degrees and the x height is 2.5mm.

 

fpn_1412858566__sonnet_no116_450.jpg

Very nice!! I wish I could do that!.. Thank you for sharing

Link to comment
Share on other sites

Beautiful...simply beautiful.

"The truth may be puzzling. It may take some work to grapple with. It may be counterintuitive. It may contradict deeply held prejudices. It may not be consonant with what we desperately want to be true. But our preferences do not determine what's true..." (Carl Sagan)

Link to comment
Share on other sites

Very, very nice!

 

@Kevin, Flow is everything in poetry, but because a lot of poems start each line with a capital it can throw people off the correct rhythm. Of course, if English is your second language then that will certainly complicate things quite a bit! Not criticising or anything. However, there is not a single word in that poem that I have not used over the past couple of weeks. Archaic it most certainly is not! :) Although the sentence construction is more formal than what we are used to using today.

Edited by Cryptos
Link to comment
Share on other sites

This is Shakespeare Sonnet no.104 written in Upright Cursive Italic with a Pelikan fountain pen fitted with a Richard Binder fine Italic nib and filled with Aurora black ink. The paper was Mondi smooth 100gsm and the x height is 2.5mm.

 

fpn_1412894705__sonnet_104_450.jpg

Link to comment
Share on other sites

This is Shakespeare Sonnet no.97 handwritten in Cursive Italic with a Manuscript fountain pen fitted with a Medium Italic nib and filled with Aurora black ink. The paper was Mondi smooth 100gsm, the writing is at a slope angle of 13 degrees and the x height is 3mm.

 

fpn_1413062307__sonnet_97_550.jpg

Edited by Ken Fraser
Link to comment
Share on other sites

This is Shakespeare Sonnet no.117 handwritten in Cursive Italic with a Manuscript fountain pen fitted with an Italic nib and filled with Aurora black ink. The paper was Mondi smooth 100gsm, the writing is at a slope angle of 17 degrees and the x height is 3.5mm.

 

fpn_1413146805__sonnet_117_600.jpg

Edited by Ken Fraser
Link to comment
Share on other sites

Kevin : jadehawk : dragos.mocanu : Cryptos

 

Thank you all for your comments.

 

Ken

Edited by Ken Fraser
Link to comment
Share on other sites

  • 3 months later...

This is Shakespeare Sonnet no.116 written in Cursive Italic with a Pelikan fountain pen fitted with a Richard Binder fine Italic nib and filled with Aurora black ink. The paper was Mondi smooth 100gsm, the writing is at a slope angle of 8 degrees and the x height is 2.5mm.fpn_1412865331__sonnet_no116_452.jpg

I don't know exactly why this is the case, but somehow it's even more pleasant to read good poetry when it's transcribed in a lovely hand (like yours, Ken). Maybe it's the immersive, nostalgic factor? That is, perhaps I "feel" the poem more deeply because the handwriting transports me to the time-period and/or the actual desk of the poet? It's a lovely experience-- thank you, Kevin!

 

P.S.Speaking of being transported to the poet's time, here's a fascinating comparison of sonnet 116 as read in the modern English dialect of today vs the dialect of Shakepeare's time. (This has nothing to do with fountain pens, but I hope you'll find it interesting nonetheless.)

 

http://youtu.be/Qabr7nyHpVc

Link to comment
Share on other sites

  • 1 month later...

This is Shakespeare Sonnet no.116 written in Cursive Italic with a Pelikan fountain pen fitted with a Richard Binder fine Italic nib and filled with Aurora black ink. The paper was Mondi smooth 100gsm, the wing is at a slope angle of 8 degrees and the x height is 2.5mm.fpn_1412865331__sonnet_no116_452.jpg

My brother read this at our wedding reception, it will always hold a special place in my heart.

 

Would you mind if I printed this out? Your font suits it well and looks right to me. So many would lean to spencerian, but my heart lies with italics. I feel that within it's clarity, the truth of the poems message of clear and true love can be seen better.

Sam O

"A fountain pen with a bad nib is like a Ferrari with a flat tyre..." - Brian Gray, Edison pens

Link to comment
Share on other sites

:thumbup: :thumbup:

I agree, several of my favorites. Shakepeare, his sonnets, handwritten in cursive italic, icing on the cake. :wub:

Edited by fountainpenlady

Ea Alis Volat Propiis, per/Repletus Fontis Calamus!
She Flies by Her Own Wings, with filled Fountain Pen

 

Delta DolceVita, F-C Intrinsic 02, Pelikan M800 red/black striation, Bexley ATB Strawberry Swirl, Red Jinhao 159, Platinum 3776 Bourgogne. :wub:

Link to comment
Share on other sites

My brother read this at our wedding reception, it will always hold a special place in my heart.

 

Would you mind if I printed this out? Your font suits it well and looks right to me. So many would lean to spencerian, but my heart lies with italics. I feel that within it's clarity, the truth of the poems message of clear and true love can be seen better.

Please feel free to print it out....I'm glad that you like it.

 

Ken

Link to comment
Share on other sites

  • 3 weeks later...

This is just beautiful Ken. Thank you for posting this, and for your ongoing contributions to the FPN, and for giving we italic enthusiasts an ideal towards which to strive, And thank you also for providing the details of pen, ink, paper, x-height & slope.

 

Sonnet 117, written with a Manuscript pen, demonstrates that in the hands of an artisan great things can be done with humble (inexpensive) tools.

 

 

 

I've come late to this particular forum. I see now that the forums have grown so much that "calligraphy" has be split into 2 areas with this one focusing on italics ("edged pen") as opposed to Copperplate & Spencerian in the other forum, though its name is still a generic "calligraphy discussions".

The prizes of life are never to be had without trouble - Horace
Kind words do not cost much, yet they accomplish much - Pascal

You are never too old to set a new goal or dream a new dream - C.S. Lewis

 Favorite shop:https://www.fountainpenhospital.com

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33558
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26730
    5. jar
      jar
      26101
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...