Jump to content

Wobbly Foundational Hand - Please Criticise!


Inkysloth

Recommended Posts

Hi all,

 

I'm getting to a point with practicing this basic calligraphy hand where I'm incredibly frustrated with my lack of consistency.

 

Can anyone advise on specific exercises to help me with my wobbly lines?

 

Best wishes

 

Robin

 

13521475875_aecdda7b81_n.jpg

Calligraphy practice... by Inkysloth, on Flickr

Instagram @inkysloth

Link to comment
Share on other sites

  • Replies 10
  • Created
  • Last Reply

Top Posters In This Topic

  • Inkysloth

    4

  • caliken

    1

  • The penner

    1

  • smk

    1

Hi all,

 

I'm getting to a point with practicing this basic calligraphy hand where I'm incredibly frustrated with my lack of consistency.

 

Can anyone advise on specific exercises to help me with my wobbly lines?

 

Best wishes

 

Robin

 

13521475875_aecdda7b81_n.jpg

Calligraphy practice... by Inkysloth, on Flickr

 

I'm waiting for some good advice in replies. I have the same problem, if you are talking about "a wandering baseline."

 

David.

Link to comment
Share on other sites

Looks great to me. I like to just have fun and not worry about consistancy. If it's fun, you'll write for hours and become more consistant. If you concentrate on consistency and get frustrated you'll stop writing. Eventually your hand develops muscle memory and you'll be able to get consistent strokes, but you just have to keep repeating and repeating and repeating your writing. I like to draw cartoons and write bad haikus, to keep it fun and interesting and break up time spent between writing and doodling.

Link to comment
Share on other sites

I've always admired this hand, but never tried to write it. Still, I think I detect part of the problem, failure to maintain a orderly relationship among your eye, pen, and writing line. The solution is fairly simple. Reposition your page or hand more frequently (this takes care of horizontal irregularities) and, on longer strokes, allow your hand to take on more of the work - pull the stroke toward your body. The second point is probably the more critical. The top halves of the 2x strokes are pretty well done, but once you come to the x-line, the lines become suspect and below the writing line, your strokes become even more irregular. I suspect you preposition your pen at the x-line. You reach for the 2x strokes, but how do you generate pen movement once you return to the x-line? Get the picture? You need to move your hand for the longer strokes and, at some letter sizes, for all down strokes.

The liberty of the press is indeed essential to the nature of a free state; but this consists in laying no previous restraints upon publications, and not in freedom from censure for criminal matter when published. Every freeman has an undoubted right to lay what sentiments he pleases before the public; to forbid this, is to destroy the freedom of the press; but if he publishes what is improper, mischievous or illegal, he must take the consequence of his own temerity. (4 Bl. Com. 151, 152.) Blackstone's Commentaries

Link to comment
Share on other sites

Getting some excellent advice from Mickey and 00Photo.

 

Would add that ruled base lines are a necessity to study this hand. Moving the hand and page every few strokes is also key to doing well with the Foundational Hand. Keep up your work and you will get more consistent. Just wish my Foundational looked as nice.

 

Enjoy,

Yours,
Randal

From a person's actions, we may infer attitudes, beliefs, --- and values. We do not know these characteristics outright. The human dichotomies of trust and distrust, honor and duplicity, love and hate --- all depend on internal states we cannot directly experience. Isn't this what adds zest to our life?

Link to comment
Share on other sites

I like what I see!

 

I've been doing broad pen calligraphy for ages, and I still always use ruled lines. I can't even handwrite straight without them.

 

You can always make a board with threads instead of lines, taped at the ends, the space between them wider than a piece of paper. Then secure the paper inside and write, and you will be able to pull the paper out when you're done, without any lines to erase.

K.M.J

Link to comment
Share on other sites

Thanks all for your help!

 

I had lines drawn on the paper, but rubbed the ones in the top half of the page out, to better show my general wobbliness.

 

My issue is more of individual letters going wonky - the downstrokes end up slanting. Though I do manage to miss, or sightly overshoot my guidelines too.

Instagram @inkysloth

Link to comment
Share on other sites

 

My issue is more of individual letters going wonky - the downstrokes end up slanting. Though I do manage to miss, or sightly overshoot my guidelines too.

 

As Foundational Script is written upright, try practicing on grid paper. The vertical lines will help sort out your wayward downstrokes.

 

Ken

Edited by Ken Fraser
Link to comment
Share on other sites

As Foundational Script is written upright, try practicing on grid paper. The vertical lines will help sort out your wayward downstrokes.

 

Ken

Thanks! Have been trying grid paper and plain paper - it does seem grid paper is better for keeping me on track.

 

I'm working on the idea that Foundational Hand will give me a good base from which to practise other alphabets from - training my eye & hand to be able to be careful, judge distance, draw a straight line etc.

 

I don't know if this is common, but I seem to exaggerate movements - so a small flick becomes a too-large curve.

Instagram @inkysloth

Link to comment
Share on other sites

You can expect a decent understanding of the script in about 20 hours of focused study - this is supported by research. The 10,000 hour rule is for gaining mastery as you have noted i.e. to be as good as anyone has ever been.

 

S.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33583
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26772
    5. jar
      jar
      26105
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...