Jump to content

Rohrer & Klingner Sepia


Sandy1

Recommended Posts

I was happy with a score of 23 considering my age...see better than average.

Sepia may have been this gray back then....but because of browned photos from big old box cameras, my view is a bit browner.

Got the ink, but not in a pen. Fro two days I had only two pens loaded with ESSR, now have two of the four :yikes: with MB Sepia. Which is somewhat browner.

 

I'd be more tempted to put this in my small gray/grayed ink section.

 

Hi,

 

I'm glad you did so well in the Munsell exercise. :thumbup:

Also coming from the reference of Sepia-toned photos, (as distinct from warm portrait papers), I share your view that the 'Sepia' hue is somewhat more Brown than R&KS. It does teeter into the Grey, in a manner not dissimilar to Herbin Cacao du Brasil.

 

I look forward to your comments on R&KS after you've spent some time with it, especially from a flexi nib.

 

Bye,

S1

 

__ __

My Review of Herbin Cacao du Brasil: https://www.fountainpennetwork.com/forum/index.php?/topic/242986-herbin-cacao%26-8203%3B%26-8200%3Bdu-bresil/page__view__findpost__p__2642263

Edited by Sandy1

The only time you have too much fuel is when you're on fire.

 

Link to comment
Share on other sites

  • Replies 31
  • Created
  • Last Reply

Top Posters In This Topic

  • Sandy1

    13

  • Pterodactylus

    3

  • penmanila

    2

  • Bo Bo Olson

    2

I've had great luck living near Heidelberg, Germany to get to the museums, especially in Spire where they often exhibitions of some of the German Emperor families from 900-12-1300 and in Mannheim or Ladenburg.

 

Only after I got interested in fountain pens did I really look at the parchment-papers, with the red wax stamps hanging from them. The bibles are written in a big script.

Some do have a slight red/brown tinge, others the R&K sepia color. More the latter…some sort of iron gall ink….I’d guess.

 

It was amazing how tiny the lettering was on documents; how perfect. The best scribe and his best journeyman in all the Germany’s wrote those. One of the few who could read and write who was not locked up in a monastery.

 

To writes so clear and beautiful (laser clear), on such expensive material as parchment, no one but God could have rushed those scribes…since I’ve been paying attention, I’ve seen 3-400 of those types of parchments…Marriage agreements, treaties and anything else one put on expensive parchment with very expensive red wax seals, so perfectly done in tiny script…Needlepoint Crow Feathers? Only the world’s finest sharpest steel for a pen knife for such a document.

 

The scribes were Artists.

In reference to P. T. Barnum; to advise for free is foolish, ........busybodies are ill liked by both factions.

 

 

The cheapest lessons are from those who learned expensive lessons. Ignorance is best for learning expensive lessons.

 

 

 

Link to comment
Share on other sites

  • 9 months later...

Apologies to dig up a dormant thread, but I bought this ink shortly after this review came out. I had been anticipating/hoping for the colour of Sandy's writing samples; however, upon receiving it and inking my pen, I found it was more like the colour below -- a brown with a bit of grey/black (vs. a grey with a hint of brown). From my experience, this is the true colour of this ink.

 

All that being said, my initial disappointment has morphed into a love for this ink paired with my gold Sheaffer 797 with a broad nib. It's constantly inked with this ink and it really, really suits a broad nib pen. The ink is obviously darker in a broader nib, but is a distinct "fountain pen ink." Looks good and the characteristics (flow, cleaning, etc.) are excellent.

 

it's a lovely ink, and one i use almost exclusively on one of my two agatha christies (the other one is on a dose of diamine oxblood). see here:

 

http://farm4.staticflickr.com/3679/10066278515_fe77736389_c.jpg

Link to comment
Share on other sites

^that's my pic and pen above ;) i'm still the happy user of R&K sepia for my agatha christie, but i've been experimenting with sepia, and was looking for something more olive (greenish-brown) than gray, so i cooked up this concoction from a variety of inks, and use it in my other daily writer, alongside the agatha:

 

14437962499_122ff964e3_z.jpg

Check out my blog and my pens

Link to comment
Share on other sites

I bought the ink as a response to this awesome review, and it has since become a favorite, alongside with Scabiosa and Alt-Bordeaux (which is my most favorite ink color). Thank you Sandy for providing us with such thorough and delectable reviews (you've already helped me in picking more than 10 ink colors so far!)

"The truth may be puzzling. It may take some work to grapple with. It may be counterintuitive. It may contradict deeply held prejudices. It may not be consonant with what we desperately want to be true. But our preferences do not determine what's true..." (Carl Sagan)

Link to comment
Share on other sites

My bottle arrived from Germany this evening. I immediately filled a Sheaffer Sentinel Vac-Fill with a fine nib and wrote over an hour and a half. Not only is this a wonderful colour, it shades heavily with this nib which is wet. More soothing to the eyes than other warm red-brown sepia inks, it is more legible and an excellent colour redolent of old ink and writing.

Link to comment
Share on other sites

Apologies to dig up a dormant thread, but I bought this ink shortly after this review came out. I had been anticipating/hoping for the colour of Sandy's writing samples; however, upon receiving it and inking my pen, I found it was more like the colour below -- a brown with a bit of grey/black (vs. a grey with a hint of brown). From my experience, this is the true colour of this ink.

 

All that being said, my initial disappointment has morphed into a love for this ink paired with my gold Sheaffer 797 with a broad nib. It's constantly inked with this ink and it really, really suits a broad nib pen. The ink is obviously darker in a broader nib, but is a distinct "fountain pen ink." Looks good and the characteristics (flow, cleaning, etc.) are excellent.

 

 

Hi,

 

Many thanks for sharing!

 

I am a bit concerned about the apparent shift in ink colour though, especially as it seems greater than that which could be ascribed to 'wobble' in the ink itself, or to the malleable nature of the ink by which the appearance can change according to the pen+paper combo.

 

Bye,

S1

The only time you have too much fuel is when you're on fire.

 

Link to comment
Share on other sites

I bought the ink as a response to this awesome review, and it has since become a favorite, alongside with Scabiosa and Alt-Bordeaux (which is my most favorite ink color). Thank you Sandy for providing us with such thorough and delectable reviews (you've already helped me in picking more than 10 ink colors so far!)

 

Hi,

 

You're welcome!

 

I do hope you like the 10+ inks you've picked. I too find Alt Bordeaux a great ink; somehow it remains very much under the radar of many.

 

Bye,

S1

The only time you have too much fuel is when you're on fire.

 

Link to comment
Share on other sites

My bottle arrived from Germany this evening. I immediately filled a Sheaffer Sentinel Vac-Fill with a fine nib and wrote over an hour and a half. Not only is this a wonderful colour, it shades heavily with this nib which is wet. More soothing to the eyes than other warm red-brown sepia inks, it is more legible and an excellent colour redolent of old ink and writing.

 

Hi,

 

Thanks for letting us know of your experience with this ink.

 

Since I posted the Review, I've tried some very wet pens with this ink, and have been very pleased with the results. It seems that the Written Samples in the Review do not represent the full range of the ink. That's nothing new, but when the performance profile allows significantly extending the range of pen+paper combos it is always good to know.

 

If possible, would you be so kind as to contribute some sample images?

 

Bye,

S1

The only time you have too much fuel is when you're on fire.

 

Link to comment
Share on other sites

  • 5 months later...

I love Rohrer & Klingner inks and this one is one of my favourites

Very nice well behaved ink with wonderful colour and shading

Thanks for the review very interesting indeed in some very fine nib pens it even looks like pencil lines and in double boards it can look a wonderful brown / grey with terrific shading

Very wonderful ink

Link to comment
Share on other sites

  • 2 years later...

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33577
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26766
    5. jar
      jar
      26105
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...