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  1. ➤ Please take a moment to adjust your gear to accurately depict the Grey Scale below. As the patches are neutral Grey, that is what you should see. Mac http://www.computer-darkroom.com/colorsync-display/colorsync_1.htmWintel PC http://www.calibrize.com/http://i783.photobucket.com/albums/yy116/Sandy1-1/FPN_2013/27ddb717.jpg ➤ As Photo*ucket lost the basic functionality to display linked files as required and includes advertising with linked images, the HiRes images are embedded. I apologise should that choice slow your display times. ~|≈|~ ➤ Note Well: - This Review was undertaken after Member iliadodyssey piqued my curiosity by mentioning that the current bottled version of Monteverde Brown did not have the water resistance demonstrated by Monteverde Brown in my 29 November 2010 Ink Review. - Suspecting that there was an unannounced reformulation, and knowing that high water resistance is prized by many, I inveigled a sample from a friend to see what's what and to share my findings. - Unfortunately Member iliadodyssey was correct: The water resistance of this ink scored Zero [0] on the 4S Scale, "Nothing left but wrinkled paper. Recycle." -|=|- Fidelity One may try to compare the appearance of the ink I used to the depiction on this site : monteverdepens dot comWiki 'brown color' : http://en.wikipedia.org/wiki/BrownFigure 1. Swabs & Swatch Paper: HPJ1124. http://i783.photobucket.com/albums/yy116/Sandy1-1/FPN_2013/Ink%20Review%20-%20Monteverde%20Brown%202013%20-%20Bottle/INK232_zps85d2fd6f.jpg Figure 2. NIB-ism Paper: HPJ1124. Depicts nibs' line-width and pens' relative wetness. Distance between feint vertical pencil lines is 25mm. http://i783.photobucket.com/albums/yy116/Sandy1-1/FPN_2013/Ink%20Review%20-%20Monteverde%20Brown%202013%20-%20Bottle/INK234_zpsf5b769be.jpg L ➠ R: P99, 45, Prelude. WRITTEN SAMPLES - Moby Dick Ruling: 8mm. Figure 3. Paper: HPJ1124. http://i783.photobucket.com/albums/yy116/Sandy1-1/FPN_2013/Ink%20Review%20-%20Monteverde%20Brown%202013%20-%20Bottle/INK235_zps03c8e7fa.jpg Figure 4. Paper: Rhodia. http://i783.photobucket.com/albums/yy116/Sandy1-1/FPN_2013/Ink%20Review%20-%20Monteverde%20Brown%202013%20-%20Bottle/INK236_zps27ca8592.jpg Figure 5. Paper: G Lalo. http://i783.photobucket.com/albums/yy116/Sandy1-1/FPN_2013/Ink%20Review%20-%20Monteverde%20Brown%202013%20-%20Bottle/INK237copy_zpsdb1614e1.jpg Figure 6. Paper: Royal. http://i783.photobucket.com/albums/yy116/Sandy1-1/FPN_2013/Ink%20Review%20-%20Monteverde%20Brown%202013%20-%20Bottle/INK238_zpsb37c2356.jpg Figure 7. Paper: Staples White. http://i783.photobucket.com/albums/yy116/Sandy1-1/FPN_2013/Ink%20Review%20-%20Monteverde%20Brown%202013%20-%20Bottle/INK239_zps27b2dc8d.jpg Figure 8. Paper: Staples Creme. http://i783.photobucket.com/albums/yy116/Sandy1-1/FPN_2013/Ink%20Review%20-%20Monteverde%20Brown%202013%20-%20Bottle/INK240_zpsd286b4d1.jpg OTHER STUFF Figure 9. Smear/Dry Times & Wet Tests. http://i783.photobucket.com/albums/yy116/Sandy1-1/FPN_2013/Ink%20Review%20-%20Monteverde%20Brown%202013%20-%20Bottle/INK233_zpseb03dbfd.jpg Figure 10. Bleed- Show-Through on Staples White. (Reverse of Figure 7.) http://i783.photobucket.com/albums/yy116/Sandy1-1/FPN_2013/Ink%20Review%20-%20Monteverde%20Brown%202013%20-%20Bottle/INK241_zps197a84f7.jpg GENERAL DESCRIPTION Type: Dye-based fountain pen ink.Presentation: Bottle.Availability: Available when Topic posted.Daily writer? No.A go-to ink? Not so much.USE Business: (From the office of Ms Blue-Black.) Despite being aware of the remote possibility that there might be a Brown ink suitable for general business correspondence, MBrn isn't it. Even for casual lateral notes to a known person, the ink seems a bit too cozy for business use.For personal work product, the somewhat absorbent toothy copy/print papers would give a fair result, but two-sided use of lowest bidder papers seems rather unlikely, especially when the ink is run dark enough to give it the stability on the page necessary for a longer read.Not the best pick for those who prefer their work have a consistent appearance across a range of papers with different properties.Possible for a bit of forms work, especially to indicate non-error anomalies, though the S/DTs might not support rapid handling.Not enough zip for mark-up & editing, nor enough zip for error correction & grading.Illustrations / Graphics: I'd rather not - the hue is not so unique that nothing else would do the necessary, especially when the appearance is sensitive to paper choice, and might not perform up to expectations on presentation-grade papers.The odd Smear/Dry Times could lead to inadvertent unexpected smearing when working on random places on a sheet.As a watercolour, the lack of water resistance may appeal to those who choose media for sketching that can be sponged away as the work progresses.Students: The combination of a narrow range of matching papers, tendency to bleed- show-through lowest bidder papers, and lack of water resistance seems unlikely to earn this candidate a passing grade.Personal: This seems the most likely place where MBrn can be used.As mentioned above, it does have a cozy feel to it, yet is not intrusive. As I have found, recipient/s who have grown accustomed to my Blue-centric choice of inks rather welcome something in Brown.While personal writing allows one to use whatever pen+paper combos are to hand, it seems MBrn cannot take full advantage of a broad selection.PHYSICAL PERFORMANCE & CHARACTERISTICS Flow Rate: Variable.*The hand-off of ink from nib to paper seems a bit odd.Nib Dry-Out: A bit on the nib tips after about 10 minutes uncapped.Ink in the feed was ready to go.Start-Up: Immediate from capped pens.With confidence.Lubricity: Slightly high.A good balance of feedback to smoothness.Nib Creep: Not seen.Staining (pen): Not seen after three days.Clogging: Not seen.Seems unlikely.Bleed- Show-Through: Staples: See Figure 10.HPJ1124: A few freckles from the 45.All other pen+paper combos used were greenlighted for two-sided use.Feathering / Wooly Line: Not seen on papers used.Aroma: Not noticed.Hand oil sensitivity: Not evident.Clean-Up (pen): Plain water removed the vast majority of inky residue, with my gentle DIY 0.5% ammonia + Photo-Flo clean-up solution releasing but a whisper of residue. I suspect that a more rigorous/lengthy plain water clean-up could be effective, hence avoid exposure to stronger chemicals. YMMV.Mixing/Blending: No stated prohibitions.Archival: Not claimed.Smear / Dry Times: Perhaps the most unusual set I've produced to date.HPJ1124: Within a 5 second interval it went from not dry to fully dry, but only after 25 seconds. Most inks show gradual run-up to the dry state.Rhodia: Just plain goofy.Staples: As expected.__ __ * Member Miles R. depicted anomalous behaviour @ Post № 27 in my Review of the 2010 MBrn cartridge ink, which is more relevant to the current version of the bottled ink. https://www.fountainpennetwork.com/forum/index.php/topic/176304-monteverde-brown/?p=2729843 THE LOOK Note: The hue of fresh ink shifts from nearly Brick Red to that depicted above within ~20 seconds on papers used. Presence: Another middling warm Brown.Saturation: Middling.A fully-inked line is within range on some papers.Shading Potential: Low.Line quality: Highly dependent on paper.Papers with surfaces from smooth to slightly toothy were very good.The hard laid surface of the G Lalo proved a challenge for MBrn. Variability: Pen+nib combos used:Rather less than expected.Papers used:High.Deceptive - there is an unexpected dependency on both absorbency and surface, which will influence line quality, consistency of line width, and variations in value (light - dark) not attributable to shading.Malleability: Poor.Limited by the need to be fussy about paper, and changing pens didn't seem to do all so much, let alone off-set paper limitations. However, only three pens were used, not my typical six, so I await Replies of other Members to add depth & detail by sharing their experience with this ink.PAPERS Lovely papers: Those with a bit of tooth and more absorbent than usual, with good resistance to bleed- show-through.Trip-wire Papers: ☠ Hmm.As much as this ink is fussy about papers, I thought only the G Lalo, with its hard laid surface, would be a trip wire paper.Copy/Printer Paper: About as expected, so one should watch for bleed- show-through and a bit of line-width gain.Tinted Papers: As ever Brown inks seem to go well on warm papers.Is high-end paper 'worth it'? Not so much as finding papers that match the ink, so rather than jumping to a coated paper, wove papers may well be in the cards.ETC. Majik: No.Billets Doux? Not from yours truly.Personal Pen & Paper Pick Parker 45 on Staples.Nothing special going on here, so its pretty much up the middle, combining the medium width line with an absorbent paper.That brings the warmth down a bit, yet the coverage is low enough so the ink can still cast a glow.Yickity Yackity: Well OK, this is a let down from the previous cartridge version, so my objectivity is stretched a bit thin, as is the extent of the sampling - I just couldn't get rolling with MBrn.This one is wearing shoes that fit too tight, so won't be invited to danse jusqu'à l'aube.Ah kushbaby, yet another reformulation that went sideways.= ==== = NUTS BOLTS & BOILERPLATE Pens Written Samples: A. Pelikan P99 Technixx + steel F nib. B. Parker 45 + g-p steel M nib. C. Sheaffer Prelude + factory stock steel Stub nib. Lines & labels: OMAS Turquoise from a Pilot Penmanship + EF. Papers: HPJ1124: Hewlett-Packard laser copy/print, 24lb.Rhodia: satin finish vellum, 80gsm.G. Lalo Verge de France: natural white, laid, 100gsm.Royal: 25% cotton, laser/inkjet copy/print, 'letterhead', 90gsm.Staples: house brand multi-use copy/print, USD4/ream, bears FSC logo, 20lb.Staples Creme: 'Pastels' house brand, multi-use copy/print, USD9/ream, 20lb.Imaging An Epson V600 scanner was used with the bundled Epson s/w at factory default settings to produce low-loss jpg files.No post-capture manipulation of scanner output was done, other than dumb-down by Epson, Photobouquet, IP.Board s/w, and your viewing gear.Other Inks This Review uses the same Written Sample format, atrocious handwriting and some pen+paper combos common to most of my previous Reviews of Brown inks. Consequently, ad hoc comparisons through manipulation of browser windows is supported. Should that functionality not meet your requirements, I welcome your PM requesting a specific comparison. Additional scans may be produced, but the likelihood of additional inky work is quite low. Fine Print ◊ The accuracy and relevance of this Review depends in great part upon consistency and reliability of matériel used. ◊ Ink does not require labelling/notice to indicate (changes in) formulation, non-hazardous ingredients, batch ID, date of manufacture, etc. ◊ As always YMMV, due to differences in materials, manner of working, environment, meteor showers, etc. ◊ Also, I entrust readers to separate opinion from fact; to evaluate inferences and conclusions as to their merit; and to be amused by whatever tickles your fancy. -30- Tags: Fountain Pen Ink Review Monteverde Brown Bottle Sandy1 2013
  2. I recently ordered a sample of the J. Herbin Rouge Hematite. I have heard though that they did a reformulation due to clogging of the nib. I have the old formulation. How does it compare to the new one. Is there more gold sheen? Less? Thanks!!!
  3. Just received my sample of Whaleman's Sepia from Goulet. This is an ink that, according to older posts, should be dry, thick, and prone to clogging. The consistency of my sample seems to be no thicker than the regular Noodler's inks. Inked it up in a Preppy fine, and the flow is comparable to regular Noodler's ink in that pen as well. It writes light brown with a tiny reddish hue, lighter than most of the reviews I've seen (sorry I don't have my scanner with me). This begs the question whether this has been reformulated/diluted to correct the reported drying/clogging behavior of previous batches. I left the cap off that Preppy for a whopping 10min in the dry California climate, and it started writing again after only 4-5 dry strokes. In comparison, I previously inked the same pen with 54th Massachusetts and left the cap off for 5min, and it refused to write until I wicked the feed with tissue paper. If this sounds nothing like the experience you've had with Whaleman's Sepia before, and you love the color, I think it won't hurt to get a sample of the new lot. I was prepared to hate its behavior and now I'm kissing the paper it had glided on





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