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Found 8 results

  1. Just a very quick topic to let you all share in my joy. I will do a formal review somewhere this weekend. A Bexley Owners Club 2015 Pendleton Brown Fine Stub. Bigger photos: https://photos.google.com/album/AF1QipNCpK75hFLQeZigm8xeecgwBGy_mruzRwFXNdAi
  2. I'm about to make my first foray into the world of customized nibs and I'm having trouble deciding whether to go with a Pendleton Brown butter-line stub or a Mike Masuyama round-nose cursive italic for a Pilot 823. I'm looking for a nib width of approximately 0.4mm on the downstroke for use as a daily writer - I write fairly small with lots of math (small subscripts/superscripts are an issue to me). This is a sample of my normal handwriting when note-taking (stock pilot M nib). Any perspective on which one to pick would be greatly appreciated. In particular, I'm wondering: how the two customizations compare in terms of line variation and forgivingness (I normally normally hold the pen at a 45-degree angle to the paper, with a little bit of inconsistent rotation as well)how controllable the thickness of a line put down by MM's RNCI is - this post mentions that the BLS's line width can be controlled by the amount of pressure put into it; is the RNCI capable of something similar? The ability to put down a finer line when necessary would be great for subscripts.how the BLS looks up close - there's a picture of the RNCI up-close here, but I haven't been able to find a similar pic for the BLS.Thanks!
  3. I just received three pens back from Pendleton Brown...they are now the loveliest, most fun writers I own. I would not think twice to have any pen reworked by Mr. Brown. He should be declared a national treasure of nib culture. For anyone interested, I sent him a Pelikan Souveran M605, Lamy 2000, and a Graf von Faber-Castell Intuition. Just sayin...
  4. Photos from sending my L2K to Pendleton. When I sent him his questionnaire about what I wanted done, I wrote, "I'm right-handed, use light to medium pressure, and to just do 'the voodoo that you do!" I told him his name reminded me of the "Bookman" episode on Seinfeld. "Dude, you're like the guy Kramer talked about; "you're the ice cream guy named Cone!" Great guy and the work speaks for itself, no? Great guy, excellent communication, and I would send him a pen again in a heartbeat and without reservation! Thanks again, Mr. Cone!
  5. First of some context to this review. I am fairly new to the whole fountain pen thing, about 6 months in and a ton of reading on this site. Apart from the Micarta i have the following pens: Lamy safari, Lamy next M88, Jinhao x750, Jinhao x189, Parker 45, Twsbi 580, FPR Dilli. This is my first review. I don’t like the standard black snoozefest pens. So, to the review! The looks: I knew as soon as i saw this pen that i had to have it. It is a stunning pen. Really, whoever designed this pen new what they were doing. From the color, to the small black TWSBI-logo, model number and TSBI logo on top of the cap it all fits with the overall design. It is, in lack of a better word, a manly pen. When it is capped i feel like taking it with me to woods to chop some wood, or live with the wolves. When you uncap it, you want to write. The rough looking pen gives a stark contrast to the delicate gold colored nib and puts it firmly at the center of your attention. I have the clip less version, this contrast is not as great with the clip i think. I really wished i had the ability to take photos to really show of this effect, and i tried, but no. Anyway it would not be the same as when you hold the pen your hand and can really admire it like it should be admired. My particular pen has an even color. That is, the barrel, section and cap is the same earthly brown tone. I have read reviews were some have, particularly the v1, slightly different coloration on the barrel compared to the cap. Not on mine. There is however some darker lines in it. There is a photo of it further down in this post. Those add to the charms of the pen and gives some…well i guess structure is the wrong word since you can’t really feel them, but maybe layered effect is more fitting? People i have shown the pen often think it is wooden. Ravantra wrote a review of the Micarta and wrote the following about it: «…After all the reviews I have read I was expecting a very rough and ragged pen. Well the pen appears slightly rustic but feels pretty smooth to the touch and warms quickly once in hand. To me it feels like a lightly urethane finished wood. Tapping on the pen with my fingernail it feels and sounds like wood…» https://www.fountainpennetwork.com/forum/index.php/topic/218911-another-micarta-review/ I would have to agree. It is really comfortable and fits my hand perfectly. http://bildr.no/thumb/cVIzeCts.jpeg This photo does not do the pen justice, but at least it shows the darker lines i was talking bout. Threads: For me it takes 3-4 turns to remove the cap. This is something i like. My very first FP, the safari, dropped to the ground the very first day i had it due to the loose fitting cap. This makes me secure in the knowledge that the cap is on tight. Also, it has a certain zen-feeling to me. Writing should not be rushed. I can see how some might find it annoying and would prefer it to come off easier, but to me its just another layer that fits in to the overall theme of the pen. At first uncapping it was a sort of rough feeling, like there were some fine gravel there. This is due to the «fuss» on the threads. I have owned the pen for a little over a month now and capping/uncapping is really smooth. The fussing has mostly been worn away. There will be a photo a little later to show this. The writing: Ah yes, the writing. As you probably can tell i really like this pen. So when it came to buying it i discovered there was a nibmeister who sells these. Which is really convenient for me since sending a pen to a nibmeister from were i am is not really an option. I had never tried a nib from such a person before, so i decided to just go for it. This pen then, comes from Pendleton Brown himself. It has a Butter line stub F nib and writes like nothing else i own. So what we have here is a perfect storm of a pen. The pen itself is of an astounding beauty, and with a nib from Pendleton Brown the writing is perfect. I have my perfect pen! In fact i liked it so much that i wanted another one in due time. That time came a whole lot quicker once i learned that the Micarta is discontinued. So i went ahead and ordered another one from PB. The second Micarta: I got it yesterday. This pen as slightly lighter brown color, just slightly, and some different structures in it. But still as beautiful as the first one. The nib is also different. This one is a medium nib with the flex option. First of PB made the nib crisper. It is just one the edge of not being suitable for regular writing, but writing with really light pressure works well. Line variation without pressure is on the other hand much better than on my F BLS. This makes it fun to play around with and i have done quite a bit of writing already. The semi-flex works as shown in the writing sample. Though the pressure needed to flex it makes me uncomfortable. I have a FPR Dilli with a flexible nib that works better for flexing, but on that one i really have to prime the feed to keep it from railroading. On the PB semi-flex nib i have not managed to make it railroad. http://bildr.no/thumb/N3NNUFdr.jpeg Comparison of the threads. Final thoughts: Get the Micarta while you can. It is a stunning pen and if you are at all interested in it you will regret it if you don't once it disappeares. If you can, get it from Pendleton Brown while he has it in stock. He does some incredible work and is a really nice guy. I can fully recommend his nibs! I will certainly order from him again, and when i do i going to get a smooth BLS from him which was the nib option i liked the most. Disclaimer: I am just a regular fountain pen user and does not have any connection with TWSBI or Pendleton Brown, just a happy customer. Oh yeah, here is the writing sample: http://bildr.no/thumb/NUZxM0ZB.jpeg Yes i know. My writing does not do the nibs justice. But i will not apologize for my horrible handwriting. I´m working on it, leave me alone EDIT: Fixed a small error.
  6. So, long story short, I saved up for a Danitrio Sho-Hakkaku in EEF nib from Nibs.com. Good pen, great writer---until the day I accidentally pressed too hard on slippery paper (Apica, for the curious) & sprung the nib. Oops. Luckily, nibmeisters abounded in fountain-pen-verse, so I delivered my baby to the care of Pendleton Brown & got back a pen with pizazz (& a teeny bit of stub, to boot)! It's been my first experience with a nibmeister, & everything from the service to the delivery time has been stellar. Thanks, Mr. Pendleton! This doodle note's for you!
  7. I have been collecting fountain pens for 4 or 5 years. In that time I have had well over 250 fountain pens pass through my hands. I first started with fountain pens when I was a boy. My father always used a fountain pen, a MB 149, this was his only pen and he carried it everywhere, still does. He has sent it in for service over the years but he always tells everyone who asks about his lifetime warranty and he has made use of it many times. When I was 18 or so my father bought me a MB 146. I used it sparingly but at the time I was not mature enough to appreciate it and didn't care for the mess that I invariably made. 20 years down the road my daughter went off to summer camp. We sent her to an old fashioned camp on an island in the Pacific NW and the only way to communicate with her was via snail mail letters. The camp does not allow, email, text, telephone, etc. No electronic communication whatsoever. I started writing my daughter letters almost every day and I was appalled by my handwriting. Not good. I have had a computer since I was six years old and gave up on handwritten schoolwork as soon as I was allowed. The prospect of writing letters was a little daunting to me and I was definitely embarrassed by my awful script and print. I started looking for a better pen that allowed me to write more legibly and quickly settled upon a fountain pen. I found one made for practicing handwriting with a little feedback so that the pen held the paper nicely and did not shake with my unsteady hand. This event though started an odyssey for the perfect fountain pen. I started going to shows and events, reading blogs, scanning through eBay, sending pens to nibmeisters, I found this forum, and have bought and sold quite a number of pens over the past 4 to 5 years all in search of the perfect pen. I got into repairing and restoring old pens. I would buy old pens in as found condition and work to get them functioning again sometimes with limited success. As a result I have a box of 50 or more pens that I was not able to get working. I like flexible italic nibs. I love a little line variation. I have pretty much given up on modern pens in favor of vintage. I thought I would share my current favorite pens. While I have considerably more than this these are the pens that I find myself reaching for. My other pens just sit in a box until I finally bring myself to the point where I am willing to part with them. These pens are in no particular order of preference. 1. Montblanc 214. This is a button fill flexible italic nib that has been customized by Pendleton Brown. I bought this pen about 3 years ago and somehow it manages to stay in my top rotation. I had it for sale at one point but no-one bought it for the price I was asking and I am glad that it didn't sell. Now it has sentimental value as my first vintage MB and I don't think I will sell it. It is both very crisp yet somehow glides over the page. I prefer finer, more substantial pens but the nib on this one is just too spectacular to worry about the pen that is holding it too much. 2. Montblanc 146 F Semi-Flex with flat feed and telescoping fill. This is a celluloid pen from 1950-51 I believe. Pendleton Brown customized the nib to an italic and made it a little finer but the way it writes was vastly improved. I cant decide between this 146 and the next. I will probably end up selling on one of them as it doesn't make sense to have two identical pens but currently I cannot decide which of them I prefer more. 3. Montblanc 146 EF Semi-Flex with two groove round feed and telescoping fill. This is a celluloid pen from 1951-53 I believe. I did not customize the nib on this one. It is nice and crisp. I am not sure if a former owner customized it or if it came this way from MB but it is wonderful. It has an Italic edge but flexes for great line variation. As I mentioned I cannot decide which pen I prefer this one or the just slightly earlier one. 4. Montblanc 642 F full flex with flat feed and telescoping fill. This pen is celluloid and gold plate overlay. I believe it is from 1950-51. I did not customize the nib on this pen is is really fantastic. I think that this pen is one of those that I reach for most often. I really like the look of it and the way that it feels. It is a little smaller than I would prefer and I am looking for a 644 currently with a similar nib. I have another pen just like this one currently out for repairs getting its cork replaced and I will probably end up selling one of them. They are pretty much identical. The flex nib is wonderful on both of these pens. Probably the best stock nib I have ever used for my preference. 5. Krone Fiction Picante EF to M semi flex italic stub. Pendleton brown customized this nib for me. This is the only modern pen that I have in my top box. I really love the way that this nib turned out from Pendleton. It is very crisp and the nib is more soft than a real semi-flex but the line variation is really fun. I also love the way it looks clipped into my jacket or shirt pocket. The fittings are solid silver and it is a dream to write with. 6. Omas 556 Brevetto full flex M to BB italic stub. The pen is a piston filler from about 1960 I think. Pendleton Brown customized this nib for me and I really love it. With light pressure I can write nice spidery print and with a little more pressure it is very expressive. Even though this is kind of a plain pen I don't think I will part with it. It is very unique and I don't have another pen that writes anything like it. I use this pen for custom thank you and birthday cards. I can get nice thick shaded lines. 7. Diamond Point Black and Pearl Flat Top Lever Fill. I think that this thick celluloid pen is from 1924-25. The quality of the material is quite remarkable. No-one believes that the pen is really that old. It is in fabulous condition. It has a Warranted EF to B flexible italic nib customized by Pendleton Brown. I reach for this pen quite often. The lines are very crisp and the flexibility of the nib is very smooth and even. I really like my handwriting with this pen. It is very large and makes a great statement in my pocket as well. 8. Morrison's "The Tourist" Ef to B italic flex nib. Pendleton Brown customized the nib of this oversized black and pearl pen for me as well. This pen is a lever filler. I am not sure what year this pen was made. I would guess the 40s but I don't really know. I like the way that this pen looks and now that Pendleton has done his magic I really like the way that it writes as well. 9. Waterman's Silver Ray. This pen is from the 30s and has the vacuum pump fill that Waterman's used during this time on some of its pens. The lever compresses a bulb and when it inflates it sucks ink into the body of the pen. The ink capacity is quite large. I really like these pens. I bought three of them when I was trying to acquire one of them and they were all in disrepair. Out of the three that I bought I ended up with two functioning pens. The nib on this pen was customized by Pendleton Brown. The #4 Key Hole nib is really nice to write with and has a good flex. I cannot decide which I prefer this Silver Ray or the Emerald Ray. I think I like the looks of the Emerald Ray a little better but I prefer the way that this Silver Ray writes. 10 Waterman's Emerald Ray. This is the brother to the Silver Ray. Pendleton Brown also customized the nib on this pen and It is also spectacular This pen has a little less flex and a little less of an edge to the italic but they are both very similar. I like the gold hardware on this pen a little better than the silver on the other. This pen also has the gold emblem on both the top and bottom of the pen whereas the Silver Ray only has the silver emblem on the bottom. 11. Waterman's 7 Emerald Ray. This lever fill pen has the famous Red nib. I left it stock and it performs very well. I have so far resisted the urge to collect more of these #7 Waterman's. They came in Jet Black, Emerald Ray, and Red and Olive RIpple. The color coded nibs come in different widths and flexibility as well. Richard Binder has a good description of these on his website. I am looking for a Pink or Black nib in a #7 or #5. This pen is in fantastic condition. I bought it from the collection of the late Earl Shigemoto the former owner of the Honolulu Pen Shop. This pen is really fabulous and I highly recommend these #7 Waterman's pens with a Red nib. 12. Waterman's 94 with #4 Italic flex key hole nib. This lever fill pen has this beautiful celluloid I call Autumn Night. I am not sure what Waterman's called it. Pendleton Brown customized the nib for me and it is smooth and wonderful to write with. This is a light comfortable pen that I use when I am going to be writing for long periods. I get no fatigue whatsoever with this pen. 13 - 15. Eversharp Skylines with "flextastic" nibs customized by Pendleton Brown. I have collected these Skylines extensively. I still have more than 20 of them and these are my favorite 3. The Skyline came in three different sizes, Demi, Standard and Executive. It also came in a ton of different materials, colors and nib variety. I prefer two certain types of flexible nib. I can spot them now on sight and still will occasionally buy them. I have sold off a number of Skyline pens in my collection but these three are special to me.
  8. I have been using the nib customization services of Pendleton Brown for a couple of years now. I thought it was past time for me to post some samples of his fine work. In my opinion Pendleton is a living treasure. Invariably when I send him a pen it comes back to me writing much better. Some times it is like a different pen altogether the improvement is so great. I have gotten the full gamut of customization work from him, soft stubs and super crisp italics on both hard and flexible nibs. While all his work is phenomenal my favorite are my flexible crisp Italics. I am posting some of my favorites here. At this point I send almost every new pen I get to Pendleton. I have his GA address saved as a favorite in PayPal. Despite my wholly positive comments here I have no association with Pendleton, financial or otherwise. Feel free to ask me any questions about the attached 20 or so pens.

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