Search the Community
Showing results for tags 'mark 1'.
I have replicated the content in my blog. Happy reading ! Below is a link to the same: Rhymes of the Parker Sonnet It is often said that the Parker Sonnet, was originally designed to succeed the elegant simplicity of Parker 75 pens. The 75-series had already run successfully for over two decades. With a classical yet distinctive Arrow clip, the Sonnets were to carry this legacy through the millennial year and beyond. Geoff Hollington, a London based designer was tasked to make the sonnet rhyme and in due course of time he came up with eighteen different designs for Mark 1 Sonnets, which were successfully released in 1994. You can find a detailed bible on anything and everything about Parker here. THE LAQUE FIREDANCE My Dad had got the lacquer firedance fountain pen back in 1996-97. It was during my schooling years when I had a Camlin Sleek and a Flair Success (a pelikan lookalike) as my grail fountain pens. Those days, it was somewhat mandated (though not strictly) to use fountain pens in government schools, while gel pens had just begun their proliferation, among the private ones. Needless to say, my greedy eyes were fixed on the laque firedance (and a Camlin Premier) from the moment I laid my eyes on the pen. I never knew for years, that it had a gold nib, which was why I was not allowed to carry it to school. Luxor India still sells this pen in its online shop, at a price close to $ 100, as I write this review. DESIGN (5/6) The firedance has a mottled lacquer pattern in dark red and black with sparking golden trims. It’s Mark I and a part of the first eighteen sonnets released in 1994, with a distinctive golden arrow clip. A golden dazzle preludes the sonnet from the finial end running along the arrow shaped clip before converging with the marbled arabesques of red and black, with the final shimmer from a minimal cap-band. The clip starts with an arrow head before transforming into a slender shaft towards the broader vanes, ending up with the finial rings. Some of the Mark II Sonnets released in 1998 came up with a much broader cap band, which can go well or worse given your taste. http://i1302.photobucket.com/albums/ag127/soniknitr/Sonnet/DSC_3637_zpsea4wqph5.jpg On pulling the cap off (yes it’s a snap-on cap), you can notice the golden rings at the start and end of the black plastic grip section. The final symphony is of course played by the usual suspect - the 18k monotone nib glistening at the end of the grip. http://i1302.photobucket.com/albums/ag127/soniknitr/Sonnet/DSC_3650_zpsjbhkgfm0.jpg The cap mentions a few things in a subtle golden font, the name PARKER SONNET, Parker’s traditional arrow through an oval logo and the date of manufacture, IY here refers to the year of 1996. In some of the sonnets, you can see the country of manufacture embossed too. (usually I have seen FRANCE) Further to this, you can observe a unification of design at finial ends of both cap and barrel. A simple black disc does mark the finality in design at both ends of the sonnet. http://i1302.photobucket.com/albums/ag127/soniknitr/Sonnet/DSC_3674coll_zpsrxkmmtz6.jpg FILLING SYSTEM (5/6) On removing the barrel from the grip, you would instantly notice a gold plated metallic thread section, inside which the converter is plugged. With circular cross sections, the parts make an easy fit. A traditional cartridge-converter filling system with a Parker Deluxe Converter gives you an ink-capacity of around 0.5 mL, which might seems limited for extensive writers. http://i1302.photobucket.com/albums/ag127/soniknitr/Sonnet/DSC_3692_zpsmexc1fuz.jpg NIB - ALL THAT MATTERS (4/6) The nib comes in four different nib designs (18k two-tone, 18k monotone, gold-plated steel and steel) across five stock widths - EF, F, M, B & BB (and special widths in OB & I). The firedance has a 18k monotone nib which looks compact and is efficient. The tail end of the nib specifies the composition (75% Au) of the gold-alloy used with the traditional diamond hallmark of P-Arrow-P on the left. PARKER and 18 K imprints rest on the body, while an arabesque decor runs along the inside tines towards the shoulders of the nib, encompassing the circular breather hole in between. There is an outer curve which encloses the nib aesthetics. This one is a medium nib and lays a wet line with a hint of feedback. http://i1302.photobucket.com/albums/ag127/soniknitr/Sonnet/DSC_3705_zpsuvckdjd3.jpg Thin fins constitute the feed which along with the nib screws back into the grip section. There is the nib size mentioned in a triangular region at its end. http://i1302.photobucket.com/albums/ag127/soniknitr/Sonnet/DSC_3708_zpsu3xhaiyv.jpg PHYSICS OF IT (4/6) – RELATIVELY SPEAKING With a cylindrical lacquer coated metal body, it does give a good feel of length, albeit with a bit of imbalance, while posted. The overall weight of the Sonnets has a significant contribution from the cap. The posted cap might leave you with a dragging feel of top-heaviness. Uncapped Length ~ 12. 3 cm Posted Length ~ 14.3 cm Nib Leverage ~ 1.9 cm Overall Weight ~ 20-25 g http://i1302.photobucket.com/albums/ag127/soniknitr/Sonnet/DSC_3722_zpsifqgtwrb.jpg A girth of 1 cm at the grip might seem kind of average but it does match the overall design. http://i1302.photobucket.com/albums/ag127/soniknitr/Sonnet/DSC_3726_zpsgn99iu6k.jpg ECONOMIC VALUE(6/6) It retails at around USD 100-105, and might be available at lower street prices. It seems to be a good buy given the unique make of a lacquer coated pen with a 18k gold-nib. However, you have to be aware that there are a lot of Chinese fakes flooding both the online and offline markets, some of which could be easily identified from the diamond hallmark (P-Arrow-P ) on the nib. OVERALL (4.8/6) This 18k nib has a wet flow, with a hint of feedback. The nib is flexible and lays a broader line with a little pressure. There is no significant variation among the horizontal and vertical strokes. These wet lines take almost 7-10 secs to dry with a traditional pilot blue-black ink on MD paper. http://i1302.photobucket.com/albums/ag127/soniknitr/Sonnet/DSC_3740_zpsr0w8imju.jpg Thank you for going through the review.
Has Anybody Tried To Fabricate Or 3D-Print Parts? (Mark 1 Vacumatic Blind Cap Although Anything Else Also)
ThegreatandpowerfullR posted a topic in Repair Q&AHas anybody tried to fabricate, with or without a 3d printer, any parts? especially Parker 51 vacumatic blind cap parts? esp on the Mark 1? I have a Blue 51 Mark 1 (vacumatic with the plastic plunger and all-plastic blind cap) that I think is a a demi because it was short, but the diameter is the same so i don't think it matters. I do not care if the color is the same (not like pink or a bad looking color though) or if it is even the same shape since it isn't a very intriguing or necessary shape anyways. The bottom lip has a chip that is about 90-120 degrees around the bottom but not deep, so it doesn't affect usability but is clearly visible by as breaking the continuity/seam and as a kinda "hole" in the side. I'm thinking it might be hard to 3d print usable threads, but I think the following things could be done. 1. Print something that vaguely resembles the cap and have an inset with the threads in another material like homemade casein (milk protein plastic), modeling clay, sugru (moldable silicone that stays set once cured), or a Thermoplastic like InstaMorph (plastic that can be reshaped as well as finished in several ways) 2. Have the whole thing one of the materials listed and hand shape it or even better make a mold of the current cap. 3. Have it 3d printed or one of the materials listed and fugure out a way to have it attached another way than threading. I haver some ideas but not really sure of the best way. I am thinking like some sort of small locking or snap mechanism or like locking friction threads. If anything I could have like a friction-fit end cap with "arms" that run down the pen a little, and if the whole thing or at least the "arms" are made of the silicone sugru it would almost definitely grip if it is what I imagine and double as a roll-stop as I don't usually post even when the pen is short. As long as it works, and doesn't cost much more than an actual blind cap or I can sell another to offset the cost I am probably going to make my own blind cap for at least the experience/fun/challenge/new techniques so if you are interested contact me.