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  1. After a long & strong fight with the penavarice-devil , I finally gave in and bought a GvFC Intuition. I went with the 'terra' - the red-orang-ish barrel. I have also replicated the content with some additional pictures in my blog as the images are reduced to a small thumbnail after a short-while. Below is a link to the same: Graf von Faber-Castell Intuition Review Here goes a review of the same: The Intuition With a covetous eye on this pen, since the time I had got my FCD Ambition and then an orange coloured Ondoro fountain pen, it indeed required lady luck's blessings, to get this one at a steeply discounted price. I must say, that there was already a strange sense of loss of colours, after I had given both of my orange coloured fountain pens away - Ondoro (mint & boxed) and later the Pelikan m205. And this was an appropriate treatment for my colour blindnesshttp://lh5.ggpht.com/-a-Tba4pAIVk/VPfDFXW0uAI/AAAAAAAAEBE/0lhEVc5hixI/wlEmoticon-rainbow2.png?imgmax=800. Coming to the Faber-Castell Design(FCD) and the rather luxurious Graf von Faber-Castell(GvFC) line of pens, I must say that they have been able to splendidly highlight the art of convergence of design and utility. The Intuition pen comes in six lines of resin-based designs and two(earlier three) lines of wood-based designs. The wooden designs are called Intuition Platino Wood which is an enhanced intuition design altogether, be it the fluted wooden barrel or the platinum plated cap or an extra-large and more exquisitely designed bi-colour nib. And, it naturally places them in a more premium segment http://lh3.ggpht.com/-xbUGfrYQ50k/VPfDGkDN4aI/AAAAAAAAEBM/SJueZw-VO6s/wlEmoticon-surprisedsmile2.png?imgmax=800. All these design lines come with a fountain pen (with 6 to 7 different nib widths), a roller ball, a propelling pencil (0.7mm) and a ballpoint pen. Presentation (6/6) It’s a chamois-coloured gift box with top and bottom wooden linings, which secures itself by a magnetic catch within the two folds. There is the pen resting in a cardboard box within a chamois-coloured linen bag, which carries the Graf Von Faber-Castell name and their coat-of-arms logo. I someway like the linen, bag because of its differentiated appeal, though not from an utilitarian perspective. There is also a warranty leaflet-cum-manual, which states a lifetime guarantee against manufacturing defects and assures services, in case any need for repair arises. Then, it also illustrates refilling the entire range of GvFC pens and other stationery. http://s25.postimg.org/pcc1oi7n3/Gv_FC_001.jpg Design (6/6) The Intuition range comes in six variants (terra - orange, ivory – off-white/fluted, black - black/fluted/metal cap) with six different nib sizes – EF, F, M, B, OM and OB. Only one of these variants comes with a platinum plated metal cap with a shiny black barrel. Coming back to the pen, once you take it out, it surely looks like a compact enchanting piece of art. A high gloss sheen of the of the barrel and the cap reflects back quite a bit of light. Complementing this sheen, are the dazzling platinum plated trims of the pen. http://s25.postimg.org/u4qwx28mn/Gv_FC_009.jpg On pulling the cap off, you would initially notice the singularity of the barrel, a section sans joints. It’s made out of a single piece of resin, in this case reflecting the colour of earth or ‘terra’, gleaming with an orange smile. At the top end of the barrel, is a twist-metallic crown, which disengages the bi-tone nib section and converter system, from the rest of the body. I just love this element of design! The knob is embossed with the coat-of-arms logo, on the finial. Usually the coat-of-arms logo is used in GvFC pens and FCD pens(Ambition, Ondoro, e-motion) carry the jostling knights logo. Traditionally coat-of-arms is said to represent full-achievement in a heraldic tradition. GvFC has quite a bit of design superiority over the other FCD pens. Towards the nib end, the singular barrel narrows down to a slightly concave section to form a comfortable grip. Despite the glossy and smooth finish, the pen has a subtle but non-slippy grip section. The cap is engraved with GRAF VON FABER – CASTELL, encircling the metallic finial insert which again bears another coat-of-arms logo with its platinum sheen. The cap band says GRAF VON FABER – CASTELL on one side and on the other end it's HANDMADE IN GERMANY. ‘Handmade’ because there are over a hundred steps in the entire manufacturing process of this pen, a majority of which are carried out by hand. The clip on the cap carries the gleam of platinum with a highly efficient and visible spring loaded system. http://s25.postimg.org/xcqcczokv/1_Gv_FC.jpg Filling System (6/6) Once the crown of the barrel is rotated anti-clockwise to disengage the nib & filling system, you would notice a rather classical CC filler system. The nib has a screw fit, and inserts into a metallic sleeve like most of the Faber-Castell fountain pens which I have seen. The nib sleeve has threads which synchronize with threads on the inner barrel, both ending up with an octagonal cross section. The converter has a metallic premium band which friction-fits into the nib section though it does not fit a FCD Ambition section. However, the Ambition converter fits in the Intuition nib section. The converter has a reasonably high capacity of 0.8 – 0.9 mL, and the ink does last for quite a while! I usually have a bias towards piston fillers, but I do appreciate the Faber-Castell converter capacity. http://s25.postimg.org/xgk5t8u27/2_Gv_FC.jpg The nib section carries a six-digit number which denotes the date of manufacture, which I did confirm with the Faber-Castell team. Mine says 011210, which would mean it was manufactured way back on 01-December-2010.http://lh3.ggpht.com/-4LhAicXcVUM/VPfDJ9JciiI/AAAAAAAAEBk/kRvZ6XhRsSM/wlEmoticon-peace%25255B2%25255D.png?imgmax=800 Nib (5/6) – All that matters The 18k bi-tone nib comes in four main widths – EF, F, M & B and two special widths – OM (left) & OB (left). The tail end specifies the nib size and composition (75% Au , 18 ct) of the alloy used. A white rhodium decor occupies the outer tines converging with the iridium tip, while the inner part circumscribing the breather hole gleams golden with engraved stripes. There is a dazzling white coat-of-arms logo resting just above the tail-end. This one is a fine nib and writes quite smoothly with a 'minutely minute' hint of feedback when I use relatively drier inks. It lays down a wet albeit fine line, which will be covered in the last section of this review. With a rather curved shoulder, the nib does portray an apparently smaller size even if it’s quite similar to the size of the relatively flat Ambition nib. [minus 1] http://s25.postimg.org/yhkeidb1r/Gv_FC_008_wb.jpg Below is a comparison to the FCD Ambition (non-premium) sections. You can check the differences between the two converters, the Intuition has got some metallic embellishment. They do use a similar feed. http://s25.postimg.org/fnylldctr/3_Gv_FC2.jpg Physics of it (4/6) – relatively speaking With a cylindrical body of 1.2 cm diameter, it does give a comfortable feel without adding too much weight. The capped length of 12.5 cm is quite similar to a Pelikan m400. In short, it is quite a compact pen when compared to an MB146 or even a thinner Ambition, for that matter. And a compact pen, can have its advantages along with some disadvantages. The weight of this pen has a significant contribution from the resin cap. http://s25.postimg.org/93vtf0ysv/Gv_FC_017.jpg Uncapped Length ~ 12 cm Posted Length ~ 15 cm Nib Leverage ~ 2 cm Overall Weight ~ 29.4 g Uncapped, it’s quite similar to the m400 but slightly shorter than the Ambition. The loss of weight and length is somehwat balanced by the wider grip section, if not completely. http://s25.postimg.org/g9nkhh7vz/Gv_FC_018.jpg Alternatively, you can post it and it’s similar to a posted m400 with a slightly top-heavy configuration. However, I feel comfortable to use it both posted and unposted, although I never have shared the same feeling with Ambition. http://s25.postimg.org/hant6lovj/Gv_FC_019.jpg Economic Value(5/6) Although pen retails around USD 600, it is available at a street price of around USD 430. With end of season clearance sale, I was able to get the pen at a good discounted price (around 50%). Overall (5.3/6)I feel loved by the design and exquisite appeal of this pen on an overall scale, whenever I write with it. No skipping or hard starts right from the beginning, it was quite smooth out of the box. With a stiff nib, it delivers a wet (not broad) line, with the fine nib. The line width closely resembles a Japanese FM nib. For a pelikan 4001 brilliant green ink, it takes around 12-13 seconds to dry up. You may not notice any line variation with horizontal and vertical strokes for this one. http://s25.postimg.org/bp1e2jo6n/Gv_FC_020.jpg It was fun reviewing the intuition. Hope you enjoyed reading it. Thank you for your time. Awaiting your feedback on the intuition... Best, Sonik
  2. Waltz For Zizi

    Would You Buy It?

    If someone offered you this pen, used, for ~135$ would you buy it?
  3. I am happy to share a review of the Graf von Faber Castell Elemento Fountain pen, which is incidentally my first limited edition fountain pen. I have also replicated the content with some additional pictures in my blog, since the images are/will be reduced to a smaller thumbnail after a short-while by the image hosting service. Below is a link to the same: Review of Graf von Faber-Castell Elemento ELEMENTO L.E To be honest, the Elemento seems so alluring, ever since I have got an Intuition. Its yearning could only multiply with time. A sale was good enough to trigger my purchase as I could not wait long to catch hold of the pen. Incidentally, this is my first numbered (limited edition) fountain pen, delightfully so with a wooden barrel. Elemento, incidentally was designed to celebrate the 250th anniversary of my favourite fountain pen company - Graf von Faber-Castell. It also marked the release of a few other similarly sized wooden models of intuition. The Elemento range comprises of individually numbered propelling pencils (250 pieces), ball point pens (1500 pieces), roller-ball pens (1000 pieces) apart from these fountain pens (2500 pieces). PRESENTATION (6/6) One of the best parts of the presentation is a big hand-crafted wooden case in wenge colour, housing the entire collection. There is also a similar box which holds only the fountain pen. I was not able to get this case due to certain shipping constraints. However to my absolute delight, the Faber-Castell company sent me a spare wooden box, which usually is meant for the Intuition Wooden/Platino editions. Many thanks to Nicole, who handles marketing at Faber-Castell for APAC/MEA region. http://lh3.googleusercontent.com/-zOTP8rjHasI/VTYaH8RXWqI/AAAAAAAAEVA/a1NJpMExdLY/wlEmoticon-star2.png?imgmax=800 http://i1302.photobucket.com/albums/ag127/soniknitr/elemento/elem%20000_zpsev8dffig.jpg The pen comes in a small cardboard box, which has an L.E number attached to one of the smaller faces of the cuboid. Along with the pen, there is a brochure which narrates a bit of Faber-Castell’s ‘since 1761’ history, along with alluring pictures of the Perfect Pencil, before it delves further into the elements of the Elemento range. http://i1302.photobucket.com/albums/ag127/soniknitr/elemento/1-design_zpsh7eqpsw1.jpg DESIGN (6/6) This is probably where firms like GvFC revolutionize the past, present and future of design. A dazzle of platinum deeply resonates with the subtlety of discernible olive wood grains in the barrel. http://i1302.photobucket.com/albums/ag127/soniknitr/elemento/elem%20005_zpsa2quef3g.jpg The barrel is made of cross-grained olive wood (Stimholz in German), where wood is cut into discs, perpendicular to the height of a tree. This renders both strength and elegance to the wood. You can notice some heavy varnishing on the barrel, so that any chance of staining is well-eliminated. The wood is said to be fitted onto the barrel in six individual elements, for the sole purpose of transforming it into a fountain pen. A contour of colours ranging from honey gold to reddish brown, garnish the barrel while the black lines running across the length of barrel give it a distinct elegance. http://i1302.photobucket.com/albums/ag127/soniknitr/elemento/elem%20014g_zps5gwwfcom.jpg On puling off the cap, you will instantly notice a singularity of the barrel, running sans any joints. A super-sized two-tone nib is divulged with a golden-silvery sheen glistening with the platinum coated trims. Towards the nib end, the singular barrel narrows down to a slightly concave section, to form a comfortable grip. The cap is friction fit and closes onto the barrel, with an audible click. http://i1302.photobucket.com/albums/ag127/soniknitr/elemento/elem%20006_zpskpo9sl7j.jpg At the other end of the barrel is a glittering crown, which can be twisted to disengage the nib and filling system. You can find the GvFC coat-of-arms logo embossed on its finial, earlier used to represent complete achievement in heraldic tradition. And, why not! http://i1302.photobucket.com/albums/ag127/soniknitr/elemento/elem%20012_zpskypyedqi.jpg Once you reach the end cap, you will notice a disc of olive wood adorning the finial and rendering a finality to the wooden barrel.The cap is engraved with GRAF VON FABER – CASTELL, encircling the wooden finial insert. Below at the cap band, it says GRAF VON FABER – CASTELL on one side and HANDMADE IN GERMANY on the other. ‘Handmade’ because there are over a hundred steps in the entire manufacturing process of this pen, a majority of which are carried out by hand. The clip shines in consonance, with a highly efficient yet visible spring loaded system. http://i1302.photobucket.com/albums/ag127/soniknitr/elemento/1-cap_zpsuxqy60xs.jpg As a Limited Edition (L.E), a number, i.e XXXX/2500 here, is etched at the end of the barrel section, which attaches to the nib & filling system insert. And while writing, you can always observe a subtle reflection of the L.E number, rhyming in cadence with your script, on the visible metallic end of the insert. http://i1302.photobucket.com/albums/ag127/soniknitr/elemento/elem%20016_zpsiyeoyetn.jpg FILLING SYSTEM (6/6) Once the crown on the barrel is rotated anti-clockwise to disengage the nib & filling system, you would notice a rather classical CC filler system. The nib has a screw fit, and inserts into a metallic sleeve like most of the Faber-Castell fountain pens which I have seen till date. The nib sleeve has threads which synchronize with the inner threads on the metal insert of the barrel, both ending up with octagonal cross sections. The converter has a metallic band which friction-fits into the nib section although it does not fit a FCD Ambitionsection. With a reasonably high converter capacity of 0.8 – 0.9 mL, the ink does last for quite a while! My usual bias towards piston fillers has always been negated by the relatively higher capacities of Faber-Castell converters. http://i1302.photobucket.com/albums/ag127/soniknitr/elemento/1-fill_zpsxd5umrg9.jpg NIB (6/6) – ALL THAT MATTERS The giant two-tone nib with an usual iridium tip is run by hand, and it comes in four main sizes – EF, F, M & B along three special widths – BB (extra-broad), OM (L) & OB (L). The tail end of the nib specifies the size and below it rests the composition (18 ct, 75% Au) of the gold-alloy used. A golden decor runs along the shoulders of the nib and it converges across the outer tines onto the iridium tip, while the rhodium silvery finish diverges from thebreathless slit (There is no breather hole on this nib!) across the inside of the tines and over to the tail. A cross hatched border segregates the rhodium and gold decors. Then, there is a dazzling white coat-of-arms logo resting above the tail-end. This one is a fine nib and writes superbly butter smooth with no hint of feedback. http://i1302.photobucket.com/albums/ag127/soniknitr/elemento/elem%20018_zpsrciomce6.jpg PHYSICS OF IT (6/6) – RELATIVELY SPEAKING With a cylindrical wooden body, it does give a superb feel with a comfortable weight, without posting. The overall capped length of around 13 cm is more than a typical Pelikan m2xx/4xx. The total weight of Elemento has a significant contribution from the cap but is quite well-balanced otherwise. You would not love to use the pen posted, though. http://i1302.photobucket.com/albums/ag127/soniknitr/elemento/elem%20019_zpsges68cnn.jpg Uncapped Length ~ 12.5 cm Posted Length ~ 16.9 cm Nib Leverage ~ 2.3 cm Overall Weight ~ 40-45 g While it’s not posted, Elemento compares well with a Pelikan m800, which I feel has a slightly flatter and bigger nib. http://i1302.photobucket.com/albums/ag127/soniknitr/elemento/elem%20020_zpsjnbvvqsd.jpg ECONOMIC VALUE(5/6) Although the Elemento retails at more than USD 1200, it is available at lower street prices. With end of season clearance sale, I was able to get the pen at a good discounted price. I would not undervalue the rating by much, because in the end the Elemento is a kind of masterpiece in itself. OVERALL (5.8/6) I adore the distinctly granular olive wood design and the remarkably superlative appeal of Elemento, given the contoured gradient of reddish brown to honey gold colour. This pen is blessed with a butter smooth fine nib which delivers a relatively wide but wet line. The line width closely resembles with a Pelikan Fine nib. For a Waterman Florida Blue ink, it takes around 14-15 seconds to dry. I could not find any line variation with horizontal and vertical strokes for this one. Below is a written review of the same: http://i1302.photobucket.com/albums/ag127/soniknitr/elemento/elem%20021_zpsjj6biuoe.jpg It was fun reviewing the Elemento. I hope you enjoyed it. Best, Sonik
  4. One of my initial reviews@fpn was of the FCD Ambition. I took this pen out today to give it a deeper look, after gaining relatively more experience with Faber Castell line of pens. Here is a link to my review on blogger: The Faber-Castell Design Ambition Review So here goes a detailed review. Long ago during school days, I had used some of the not so expensive Faber-Castell ballpoints, pencils, highlighters, rulers, mechanical pencils and geometry sets. They used to be a bit scarce in India then, as they came with a ‘Made in Germany’ tag. Though there was little or no price difference with other Indian brands like Camlin or Omega, these were not widely available as such. Years later one fine day, while randomly searching for pens made by Faber-Castell, I bumped across the Ambition/Ondoro/e-motion fountain pens which were placed in a premium segment with Graf-Von Faber Castell Anello/Intuition in luxury segment. In India, a few models were available in Shoppers Stop Online and some of the other known e-com sites, back then. I finally ordered an Ambition (then an Ondoro) from Pensavenue, as they were running a discount sale on all Faber-Castell products. I added a converter since it was clearly mentioned that a Faber-Castell Design (FCD) converter was not included with the gift package. A BIT OF FABER-CASTELL HISTORY Around 1660s Kaspar Faber was one of the pencil makers in Stein, Bavaria, Germany. Later Kaspar’s son Anton Wilhelm Faber took over the business and the initials A.W were added from his name in 1839. Later on in 1898, when Ottile Von Faber (sixth generation of Faber family) married Count Alexander zu Castell-Rüdenhausen, A.W Faber-Castell was born. Count Alexander modernised the company and introduced the jousting knights logo. Faber-Castell started manufacturing fountain pens in 1951, after acquiring the Osmia Company and produced fountain pens till 1975. They had carried the Osmia logo [diamond-within-a-circle] till the 1960s, given Osmia’s high brand recognition in the fountain pen industry. Later under Anton Wolfgang von Faber-Castell, Faber-Castell started expanding their factories & offices across the globe and also started manufacturing fountain pens under two banners of Design and Graf von Faber-Castell (introduced in 1993) from the 90s. These Ambition range comes with a fountain pen (with 4 different nib widths), a roller ball, a propelling pencil (0.7mm) and a ballpoint pen with various barrel designs constituting of resin, wood or brushed steel. PRESENTATION Within 3 days, the pen and a converter were delivered in a moss-green cardboard box. The colour reminds me of lush green cricket outfields and the Australian Baggy Green Caps. The box has a slider and the pen is secured with an elastic band on a felted bed, along with a warranty card. http://3.bp.blogspot.com/-msdcMLZM5x8/VcX15lwx8aI/AAAAAAAAFCI/azlre_iK5vU/s1600/DSC_4963.jpg DESIGN - THE CYLINDRICAL MOTLEY OF RESIN & METAL (4/6) Held in hand, the pen will feel somewhat heavier towards the cap end, with a relatively lighter brushed barrel made of up black coloured resin (Like MB, Faber-Castell also calls it ‘precious resin’, I feel it has comparatively lower density). http://3.bp.blogspot.com/-Hih-SaIwMKU/VcX2CwS4I1I/AAAAAAAAFCQ/DXWLWXZ25Hw/s1600/DSC_4973.jpg http://4.bp.blogspot.com/-SxktYdYHRiQ/VcX2Xh2uVkI/AAAAAAAAFCo/sz_dpqB7bMw/s1600/DSC_5010.jpg A convergence in its minimalistic design of the chrome plated accents is achieved with another piece of metallic finial at the end of the barrel, which also serves as the click-lock for posting the cap. http://3.bp.blogspot.com/-n4O_LTCsd-8/VcX2HuQbODI/AAAAAAAAFCg/iPvdisa5D18/s1600/DSC_5000.jpg And yes, the chrome accents are prone to fingerprints. http://4.bp.blogspot.com/-P96DZiiL9xI/VcX2EdtvRaI/AAAAAAAAFCY/8T7Awrn-FRk/s1600/DSC_4983.jpg The cap is substantially heavy with a snap-on locking mechanism. Once you pull it, it comes off with an audible click, and you can see a chromed metallic section attached to the non-differentiated grip, at the end of which rests the shiny nib. Absence of any taper in the singular cylindrical section, introduces a steep step for holding the pen. http://4.bp.blogspot.com/-4UFE2LGgsjE/VcX2mbCswxI/AAAAAAAAFDA/LKc5NSRPrUQ/s1600/DSC_5019.jpg A mirror finish on the chromed cap etched with the Faber-Castell logo of two jousting knights will immediately gleam with the slightest amount of light and it is also embossed with the traditional statement preserving antiquity of A.W Faber-Castell - Since 1761. The clip is spring loaded and is shaped like an arc with a concave end. To generate friction with fabric, there are multiple grooves on the insides of the clip’s concavity, where it touches the cap. There is also a plastic insert inside the cap which gives the snap-on friction. However, it seems to lose grip with time. http://4.bp.blogspot.com/-UQI4QeeQLeA/VcbJiYDaMgI/AAAAAAAAFD0/gT_mkgHU35c/s1600/Cap.jpg FILLING SYSTEM (5/6) The small metallic section at the end of the barrel unscrews from the resin barrel with less than three turns and it disengages the section containing the nib and CC filling system. The nib has a screw fit, and inserts into a metallic sleeve like most of the Faber-Castell fountain pens which I have seen. The nib sleeve has threads which synchronize with threads on the insides of the resin barrel. http://3.bp.blogspot.com/-RK7DWlaZ-AU/VcX2asJWGLI/AAAAAAAAFCw/E6G25MRITCo/s1600/DSC_5048.jpg The converter says SCHMIDT on its piston along with a brand imprint of FABER-CASTELL Germany on the metallic sleeve. It has a reasonably high capacity of 0.8 – 0.9 mL, and the ink does last for quite a while! I am usually biased towards piston fillers, but I like the capacity offered by Faber-Castell or Schmidt converters. In case of GvFC Converters there is no mention of Schmidt on the converters themselves. http://4.bp.blogspot.com/-Dha1qS8xnX0/VcX20pkwu2I/AAAAAAAAFDQ/kMbn4yPpB0Q/s1600/DSC_5072.jpg NIB - ALL THAT MATTERS (6/6) The nib is made of stainless steel alloy with an iridium tip. The initially available nib sizes featured F, M and B nibs, though an EF was made available later. I went with an M sized nib. Right out of the box, this was a butter-smooth nib. The nib has a perforated imprint of dots which cover a third of its surface area. Had these been real perforations there would have been an opulence of breather holes. And in fact there is not even a single breather hole. The nib-size is embossed above the traditional Faber-Castell Design logo of two jousting knights near the tail. Nib section is screw-fit and thus easily removable from the steel sleeve for cleaning or replacement. http://4.bp.blogspot.com/-56jH49qkE40/VcX2mZWV-lI/AAAAAAAAFC8/AkLF0kvG-Ec/s1600/DSC_5083.jpg The feed is standard grey plastic, with a big filler hole for ink suction, which is incidentally also used across the GvFC Intuition Series. http://3.bp.blogspot.com/-wJHOQThFG3Q/VcX200DcZCI/AAAAAAAAFDY/yqDYXJWC2QI/s1600/DSC_5103.jpg Faber-Castell Design (steel) nibs are sourced from JoWo whereas the GvFC nibs are known to be sourced from Bock. PHYSICS OF IT (3/6) – RELATIVELY SPEAKING Without the cap, the pen measures around 12 cm, which might not be comfortable for people with medium or large hands. Posting the cap is easy and it seems to be secured with a click-lock at the finial section. Although the posted pen exceeds a 15 cm scale, the steel cap makes it pretty top-heavy. In addition to weight, the cap freely rotates once it’s click-posted. While writing posted, the beautifully arched clip later becomes the pen’s arch-nemesis for top weight imbalance, with free rotation around the metal section. A girth less than 1 cm might be inadequate for the shorter uncapped length. Uncapped Length ~ 12.2 cm Capped Length ~ 14 cm Posted Length ~ 15.8 cm Nib Leverage ~ 1.9 cm Overall Weight ~ 28 g (Cap Weight ~ 15 g) Capped and uncapped and posted with a GvFC Intuition, Pelikan m400/2XX and a bigger MB146 run below for your reference. The Intuition has a wider grip than the Ambition. (Reusing some older pics here) http://1.bp.blogspot.com/-raOQ2a8hfmg/VaneoU3hiRI/AAAAAAAAE04/MbwYl1DQCNw/s1600/GvFC%2B017.jpghttp://1.bp.blogspot.com/-3IfUp77HFXU/VaneucQwuSI/AAAAAAAAE1Q/ywtzuSmqxKQ/s1600/GvFC%2B018.jpghttp://1.bp.blogspot.com/-lEIIXA9iDXQ/VaneqEEmoVI/AAAAAAAAE1A/_cJ3dzaaoo0/s1600/GvFC%2B019.jpg ECONOMIC VALUE (5/6) It retails at around USD 70 and I got a converter included at the same price because of the aforementioned discount. I believe it’s a good value for money pen given you too end up with such a nib, which defeats many of the gold ones. OVERALL (4.6/6) This nib is wet, runs wide and smooth like butter, without giving even a hint of feedback. I purposely used a less wet ink, but the pen did quite well against a drier pelikan 4001 ink. There is a bit of line variation with relatively thicker verticals. The nib has some spring and a touch of softness. In fact it lays a wetter and wider line with a little pressure. If you hold it from the metal section, the pen might feel slippery after some time and it might even rotate a little between your fingers. I instinctively hold the pen just above the metal section. Being a wet writer out of the box, the Medium nib puts a line which takes more than 20 seconds to dry on MD Paper with a relatively dry Pelikan 4001 Brilliant Black ink. http://4.bp.blogspot.com/-w-SffYYQWEk/VcX3A22t3SI/AAAAAAAAFDg/aai7dhvEl5Y/s1600/DSC_5185.jpg REFERENCES Faber Castell History Bock Clientele Thank you for going through the review. You can find some more pen and paraphernalia reviews here.

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