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I have taken ownership of a cache of family history-related documents and, browsing through them, have been struck by the penmanship employed on some of them. In particular, these two interment certificates from Wavertree churchyard, Liverpool caught my eye. The first is reasonably legible even to my untrained eye, but the second is almost completely opaque. The documents are dated 17 years apart, with the more legible one being the older of the two. I wonder whether the the same clerk is responsible for both, and that what we see is the refinement of his art to the point of absurdity. I