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  1. In the past I I read with interest write-ups about one's collection. I thought to share mine as I am reflecting on the hobby. I have been heavily invested into fountain pens since 2005. Do not ask me why. I just got the bug. Initially focused on collecting, then in more recent years trying to find the perfect writers. I think I can now narrow down my inseparable fountain pens into the following 15. Let me share with you what makes them special to me. I will start from the left: 1. Visconti Ripple in Blue Silver (BB Palladium nib): this is a classic early model from Visconti (not to be confused with the equally appealing Watermark) with a silver overlay that is colored in blue with a technique used in the auto-industry. At that time, it was quite a feat. One of Del Vecchio's creations. The added bonus is the double broad palladium nib, smooth and stubbish. It is an heavy pen but I do not mind. Provenance: Peytonstreet Pens (2018). 2. Visconti Ripple Carbon Fiber (M Palladium nib). This was a collaboration between Visconti and an Italian company specializing in carbon fiber for sport cars (Carbon Dream, the logo of Carbon Dream appears on the cap finial). The nib has a very good flow and it is a pleasure to write with. Provenance: private seller in China. 3. Visconti Opera Master Demo (18K F Nib). This is another classic model, quite heavy, and the surprise was the nib. I do not usually like fine nibs but this is really wet and leaves a satisfying line on the paper. Provenance: Eurobox in Tokyo. 4. Visconti Homo Sapiens London Fog (M Palladium nib). It is one of the most balanced models in terms of lenght and weight. Born to write. The gray swirls to me are very attractive aesthetically. The nib has a very good flow (almost a and comes with a hint of feedback that is not bad. Provenance: private seller from Spain. 5. Visconti Homo Sapiens Jade (14k B nib modified). This might look like a boring repetition of the previous model, but it comes with a nib with a story. It is an old 14k nib, super smooth, that was modified by Nagahara Jr, a famous nibmeister previously working for Sailor, with his signature cut that provides line variation according to the angle you hold the pen. Perhaps just a gimmick if you do not write in Chinese or Japanese, but the nib is even smoother than before. Provenance: Martini Pens in Germany. 6. Pilot Custom Urushi Vermillion (B 18k nib). I remember how this model was talked about back in 2015 in stores in Tokyo before its release. It was much anticipated. A new model from Pilot does not happen every day. It turned out to be an oversize version of Pilot's previous flagship, the 845 Urushi, with a spectacular new nib, a number 30 nib (smaller than the Emperor's nib, but larger than the nib on the Yukary's pens). The nib is very bouncy, leading to flex (which I am not interested) and I love the generous flow. Provenance: Morita Pens in Osaka (2017). 7. Delta Dolcevita Piston Filler Maraviglia (BB 14k nib). I generally like Dolcevita pens from now-defunct Delta. But this is phenomenal because of the combination of a very attractive material (a turquoise celluloid) and the stubbish smooth BB nib. Provenance: ebay auction (from a former member of this board). 8. Sailor King of Pen Urushi Vermillion (B 21k Nib). I find the minimalist style and the size of this pen very attractive. One special feature: it never dries! I left the pen inked and untouched for months and would always write even after a long period of non-use. Super smooth nib. Provenance: Aesthetics Bay, Singapore (2016). 9. Nakaya Neo Standard Arai-shu (M 14k nib, reground). I have several Nakayas, but this is my favorite because of the nib. It came with a cursive italics nib that I hated (too crisp). A nibmeister during an event in Japan was able to smooth it and now is a beautiful medium stub, with very distinct line variation. Only downside, a lot of turns to open or close. Provenance: private seller on FPN market. 10. Hakase green celluloid and white buffalo horn (18k "stub" nib). Hakase is an artisan company in Tottori. The current maker is the third generation and basically he runs one-man operation. I first read about Hakase in this forum and I was left fascinated. Then one day actually I included Tottori in an itinerary in Japan and I ordered my first one (the next pen). This is my last Hakase, ordered during an event in Tokyo back in March 2018. Ryo Yamamoto, the current maker, is a very able nibmeister. All nibs were adjusted to my writing posture and they are all incredibly smooth. The writing experience with these nibs is very pleasant. 11. Hakase green celluloid (18k B nib). This is the model I ordered during my first encounter with Ryo in his shop in Tottori in 2015 (and delivered in Tokyo one year later). Magnificent smooth nib. I probably exaggerated by adding the possibility to post an already quite long pen. It can work as a desk pen. 12. Hakase in black buffalo horn (18k M nib). This is a very sleek and balanced model. The nib is M with a hint of stub, another extraordinarily unique nib. I ordered it in Tokyo in 2016 during the meeting to take delivery of the first pen and got it again in Tokyo in March 2017. 13. Omas Paragon gray celluloid 90th anniversary (18k BBB nib). I have been a big Omas fan and collector. For many years Omas pens were the only ones I ever used. Now I have only one in this definitive list, but there might have been more. The gray celluloid has some incredible depths and the faceted Paragon is just a timeless elegant design, according to my taste. The nib is an incredible stub, but very smooth. Provenance: trade with a collector in Taiwan (2018). 14. Pelikan M1000 with aftermarket raden decoration (18k F nib). This is my first Pelikan and it immediately made it to the list. The first reason is about aesthetics: the raden work is so clever. The raden was cut to resemble small nibs and they are perfectly arranged on the body and the cap. I immediately liked the creativity of this decoration. The raden work was made by Mr Iwase, a Japanese maker that is quite famous nowadays for these modifications. The second reason is that the F nib actually writes like an M with a very generous flow and meets my requirements. Provenance: Mr Iwase from a pen show (2019). 15. Newton Shinobi (with Omas 18k BB nib). This was a custom pen commissioned to Newton using one of his most popular models. My goal was to re-create a pen with an Omas vibe (hence the semi-transparent celluloid) and to host a terrific double broad Omas nib. The pen had some problems. I had to send it to a repairer that fixed it. Notwithstanding the ordeal, it still makes it to the list because of the nib (that I may transfer to a regular Omas pen in the future). Now, reflecting on the hobby, I think that I reached my level of satisfaction. It is more and more difficult to fall for a new pen, especially with a large collection of pens that do not get any use sitting on the side. I do not regret anything about my journey because apart from the occasional adrenaline rush, thanks to this hobby I made friends and I learnt about cultures and crafts.
  2. Hello FP wizards & Omas FP fans! I have a problem. (yeah, I know what you are thinkin ... too many pens ), but this particular issue has to do what I think is a Omas Extra 630 Demonstrator. I bought it as part of a grouping (one of two pens that induced me to buy the group of FP’s). The piston is stuck. It has traces of ink that have dried over the years. It will not budge, I gently tried to turn it. Not wanting to break or damage it I didn’t force it. I have soaked it in a tall glass bath of water and 2 squirts of liquid hand soap for 2 days. No movement. I have a choice to send back the all of the pens (which I would prefer not!), or tell the seller that it is not able to be repaired w/o professional FP fixer help and request a partial refund of the purchase price of the lot. I like the pen too much to give up that easily or to send back the lot. So, what say you? I have an Ultrasonic cleaner that I have used on other FP’s w/ success. Would you advise using this cleaner? I could simply continue to soak it, but it the water has not entered the piston chamber to dissolve the residual ink (a testament to the seal!) I am not expert at taking apart such a pen and wouldn’t risk damage to it by attempting to. Please, please let me know what you would advise! Pic’s: 1. The first was snagged off our friends Peyton Street Pens website, looks like my pen, although theirs was in pristine condition! PICS#: 2, 3 and 4 are the subject of discussion. Measurements: Capped: 5.25" or 133.35 mm ||| UnCapped: 4.34” or 110mm ||| Cap = 2.25” or 57.15mm Thank you for any comments, advise or predictions! George
  3. Brontosaurus Pluto

    Help Identifying Old Omas

    Hello, can anyone identify this Omas? I am thinking it is from the 60s and it is a piston filler with a steel nib. Pelikan and Platinum for size reference. Thanks!
  4. mns68

    Omas Piston !

    Hi all Today I received a NOS OMAS Ogiva 555-S but unfortunately the piston did not move at all ... it looks that it is very much stuck in its place Any suggestion or solutions please Thanks
  5. I just purchased a modern Ancora pen and was doing a bit of research on the brand. I had known for a while that Ancora had purchased the OMAS brand (with the rodstock going to ASC and the equipment to SCRIBO) but this is the first I heard of actual plans to restart the OMAS name and models. To see the Paragon and 360 again would be incredible. They obviously don't have the OMAS celluloid to work with but Ancora has some incredible materials of their own so I am excited to see what they come up with. Plus all Ancora materials, including nibs, are machined in-house which brings that special OMAS flair in my opinion. Cool stuff. Link: http://ancora1919.com/history-and-production/. The OMAS info is at the end.
  6. enchiridion

    Omas Extra Piston Problem

    I have a problem with an Omas extra from about 1946. The turning nob will no set and the piston turns too far so the upper part gets stuck in the barrel. any suggestions?
  7. WCable1

    Omas 360 Nib And Feed Angle

    Hello everyone, I adore the Omas 360 fountain pen and have two of them, the magnum and the smaller version. I have however noticed a what (for me) is a flaw with my magnum. The Nib appears to be pitched at an upwards angle relative to the line of the barrel, meaning the nib is off centre when I hold it to write, whereas with the smaller version is straighter. It's a bit of goldilocks situation for me. The central nib is more natural for my writing, while the bigger pen feels more comfortable in my hand for longer periods of writing. Has anyone else noticed this Omas 360s? Sorry I can't show any pictures, my computer doesn't want to upload for them!
  8. I recently acquired a beautiful little safety filler with 18 k gold overlay made by "The King" in Turino. The nib's imprint reads "RADIUS / SUPERIOR / 585". I did some research and found indications that they had ties with OMAS in Bologna but there are contradicting statements about what these relations were. I'm sure there are some experts on board here to enlighten me what these relations really were. And most curiously, I've seen a 1930s OMAS pen with a RADIUS nib recently, which puzzled me even more. Any ideas or info?
  9. "The eyes of the world are upon you." -Dwight Eisenhower's message to the troops of the invasion force This year marks the 75th anniversary of the historical day that was the turning point for the Allied forces in World War II. Made to commemorate the 50th anniversary of D-Day at Normandy. This pen is limited to only 5300 fountain pens, signifying the number of ships that crossed the English Channel on the dawn of June 6th 1944. The body is crafted from a gorgeous military green resin with gold vermeil trimmings. This Omas D-Day Fountain pen c.1994 is in exceptional condition and has been vault kept. It comes with authentic documents and presentation boxes. It has a Fine gold plated nib. It is NOS (New Old Stock). The pen has NOT been used and is in exceptional condition. The clip has light patina and the display box does have some light discoloration which is shown in the last image. We currently have two Fountain Pens of these, one with a Medium Nib, and another one in a Fine Nib. Please feel free to contact us for more inquiries, or if you are interested. orders@airlineintl.com
  10. captain1796

    Omas 360 Proto

    So Id like some input. I found and ordered an Omas 360, piston fill. This is the large one and a piston filler. I bought this pen to use and not abuse, but. not worry about scratching either. So Im looking at it, and its marked 000/360 PROTO. So now based on how expensive these pens are, Im wondering if I should just stash it away. The pen was probably unused before I inked it. Looking forward to your opinions.
  11. penmaxwell919

    Question About Omas Nibs

    Hi, does anyone know if Omas ever made a #8 nib?
  12. Those who have seen the most recent Pen World surely must have noticed the forthcoming Armando Simoni Club Brown Arco pen, which is supposed to be introduced at the DC show (if it occurs): http://i.imgur.com/OXEIWFo.jpg The pen is said to be made from remaining OMAS brown Arco celluloid stock. It shares many characteristics of the Wahl-Eversharp Decoband pen, including the pneumatic filling system and the flexible nib. This is not surprising, since both Syd Saperstein and Manu Caltagirone have been involved in the resurrection of Wahl-Eversharp and OMAS (now ASC). What I immediately noticed about all the photos of the new brown Arco pen is the abundant transverse banding in the celluloid, which I don't find very attractive. To my knowledge, this banding is not seen in any of the OMAS Arco pens. I would like to know how this came about, and what other Arco lovers think of it.
  13. Hi gang, It's time once again for PBA Galleries' Fine Pens auction. The upcoming sale is huge, with almost 600 lots of outstanding modern and vintage pens. The sale includes almost all of the Montblanc Writers Series and Patron of Art 4810 Series fountain pens, as well as hundreds of excellent Parker pens from the Dr. Anthony S. Tavill Collection, a selection of Namiki and other Japanese pens, OMAS, Montegrappa, Pelikan, Loiminchay, Stipula, Visconti and other makers. The online catalogue can be viewed here: https://www.pbagalleries.com/view-auctions/info/id/472/ If you'd like to register to bid in the sale, or you'd like to consign to the next sale, please contact: Ivan Briggs Director, Fine Pens, Watches and Comics PBA Galleries, San Francisco ivan@pbagalleries.com
  14. europen

    A Year Without Omas

    In this first year without OMAS, seeing a scurry of imitations, here is a post per week of an actual OMAS, with sample writing. Pangrams used are courtesy of Wits n Wisecracks: 251 Pangrams for Everyday Use, by Millard Port, Amazon Books. Used by permission. Note: format would not allow all caps for OMAS in the posting title.
  15. MRubee

    Omas Gentelmen Question

    Hi there... I've got an Omas Gentlemen that tends to run dry after half a page or so. It has plenty of ink in it and I cleaned it and even put it in the ultrasonic cleaner for awhile but it still does it. If i open up the piston knob I can get another half page out of it before it goes dry again. WHY??????? Also.... HELP! Thanks!
  16. Heres an interesting little thing which I snagged on eBay, a Brevetto 599/600, possibly an OMAS pen although I cant be sure. Perhaps it looks familiar? I doubt its a coincidence, whomever designed it seems to have drawn their inspiration from the iconic Parker 51, if it were an OMAS, it wouldnt be the first time theyve looked to a Parker pen for inspiration. There are subtle differences, such as the extent to which the feed protrudes beneath the nib, and less subtle ones, such as the section of transparent bands in the hood. Another notable difference is that the clutch ring has been reduced to As somebody with a preference for hooded and integrated nibs, for both their form and function, this pen caught my eye at first glance. I was convinced that I knew of every pen which I wanted, that there was nothing left for me to see, yet there it was. But it doesnt surprise me that I hadnt heard of the 599/600 before. Ive scoured the internet for any trace of its existence, and found nothing at all, absolutely nothing. Ive established that 599/600 should be a patent number, something which OMAS often engraved onto their pens, whilst brevetto, the Italian word for patent, followed by 599/600, is etched into a gold band around the plunger. The seller believed this to be the manufacturers name, and that the pen was number 599 of 600 produced. Unfortunately, my example is well and truly buggered and may be beyond repair. Im certain that the nib has fractured, whilst I cannot see for the mass of dried ink which has accumulated beneath the hood, one of the tines moves freely and loosely. For a minute or two I was able to keep them together long enough to write with the pen, I found it to be remarkably smooth and a pleasure to write with. The tines have since parted whilst the pen was capped and I havent been able to coax them back together again. Whilst the cap posts smoothly and snugly, it is far to tight on the hood. So much so that it not only scratches, but that I dont feel comfortable forcing it into position. Lastly, the aperture though which the nib and feed protrude is strangely deformed, as though softened at some point. I imagine the 599/600 was produced whilst the Parker 51 was in production, and probably nearer the beginning of this period than its end. I wonder whether the design entered mass production? Seemingly not for very long if it ever did. I was hoping that somebody might know more about it.
  17. I was looking to buy an Omas Arte Italiana Celluloid Gray. The seller is saying that the pen is from 1990s. I don't know enough about Omas to identify the pen myself. I would appreciate any help. Did Omas sell this pen the 1990s? Did Omas sell bi-color nibs in 90s? I really want to know if this pen is genuine 1990s Omas Arte Italiana Celluloid Gray. Can somebody explain different Omas names? What does extra meaning in the name of an Omas pen? What is the diferrence between Arte Italiana and Arte Italiana Arco Celluloid? Thanks in advance. <blockquote class="imgur-embed-pub" lang="en" data-id="a/IG5pdUm"><a href="//imgur.com/IG5pdUm"></a></blockquote><script async src="//s.imgur.com/min/embed.js" charset="utf-8"></script>
  18. I received an email from ASC the other day about progress on the Bologna Extra Arco Verde orders and they mentioned briefly something very interesting. They had stated that the celluloid rods used had been stocked as Arco Verde Speciale by Omas. It looks to me that the silver celluloid layers might be more defined in this batch of material vs the original pens. Maybe a few more layers of translucent silver it appears? Are there any opinions on this or additional information from the resident Omas experts? Seems like a nice Easter egg of Omas history that I would like to know more about if possible. Im EXTREMELY excited about this pen! Ive been trying to pick up an Arco Verde Paragon for years but prices have gone crazy so the ASC pen seems to be my last opportunity to get a pen of Arco Verde without selling my car! I was able to try an ASC Brown Arco with the same magic flex nib at Detlef Bittners shop and was amazed at how smooth it was. Really cant wait for this pen!!
  19. It's probably for the better that OMAS is no longer with us... marketing executives would never let pens like this leave the factory! Much too 'sedate' for the modern consumer, I'm sure... 2003 Paragon Royal Blue celluloid (LVMH era) and 1934 Extra Permanio tortoise shell celluloid (La Stilografica - Bologna origin)
  20. Hi everyone I'm still at the fairly early stages of learning to use FPN so if anythings out of place don't hesitate to warn me. With that warning out of the way, I have a question about a pen I got some time ago. It's called Armando Simoni Club Ogiva Green Saft Pavarotti LE(what a mouthful name ) and there's supposed to be 70 pens total out there. Mine is the 11th of the series and arrived with a bb omas nib. I later learned that all pens in this series was supposed to arrive with the magic flex nib available in other asc and modern wahl offerings. I enjoy the pens from the asc company until now as they are offering nice pens at reasonable prices. I would like to learn how is it that I got this pen with a non official nib when buying brand new.( not that I don't like it, the pen and nib is very nice and I really enjoy using it) For a side note, I bought this pen from Chatterley luxuries, and the purchase was handled wonderfully as always. Also, I'm wondering if asc will resurrect the omas brand or will they pursue a different path? Thanks for sparing the time, and comments are really appreciated. Here is a picture of the pen: And the front profile of the nib: And finally the side profile of the nib:
  21. Hiya there, I fell out of the hobby for a while, but I recently got interested again. I started back in 2012, and my first pens were a Jinhao and a Parker Sonnet. Since then, I've traded here and there, added cool pens. 6 years later, I have a small collection of pens I truly love. Had the day off today so I had a BBQ with my brother. It was so relaxing, and, to add the experience, I decided to write with each of my favorite pens. Wrote with Montblanc Shakespeare LE ink, though I did find out the Omas had some green in it The pens: 1. Montblanc 146 Transitional with 14C KBB nib. I love this pen, the size and nib are great. This pen was only produced for a year or two, and is super hard to find because those who know what they are keep them forever, and those who don't just list them as regular 146's. It's like a 344 but with Meisterstuck furniture and a 1950s nib. 2. Visconti Homo Sapiens Crystal Swirl with 23k Pd EF. I think the DreamTouch nibs shine on these thinner tips. Just enough softness to give character, and super wet! Love the material. 3. Omas Paragon in Arco Verde with 18k M nib, those the wetness makes it a round B. This needs no introduction. The celluloid is memorizing. It's a true shame that Omas has disappeared. 4. Pelikan M1000 with 18k 3B. The pen is a bit plain to my taste, actually. But the nib is a unique joy. I'd love to get this pen with lizard skin binde someday to spice it up. 5. Montblanc 144 Transitional with sharpened 14C KB nib. Ditto with the 146 Transitional, very hard to track down. It bridges the gap between the 1950s 144 and the 60s 14. Definitely another keeper. These 1950s MB nibs are the best balance, IMO, between daily writer and artistry pen. TLDR: I love these 5 pens. I've swapped through dozens, and these five have survived. I highly recommend them to anyone. Might be getting a 6th and final Grail soon!!!!
  22. We're pretty excited to have been able to secure two (2) of these Limited Edition Omas Arte Italiana Calligraphy Sets. This set is a Limited, Numbered Edition of only 331 released worldwide as part of Omas' 90th birthday celebrations and we have managed to secure the only two that have been allocated to Australia. Includes: One Omas Arte Italiana pen in Omas "Colour of the Year" blue. Four easily interchangable complete nib assemblies: 1 x 14K Gold Broad Nib 1 x 18K Gold Italic Nib 1 x 18K Gold Fine Nib 1 x 14K Gold Extra Fine Flexible Nib An always "ready to write" leather travel carry case that securely holds two pens, three nib assemblies and has a pocket containing an Omas note book and a zip pocket containing five Omas cartridges. Features:Limited, Numbered Edition of 331 Sets. Shape: Dodecagonal Material: Cotton Resin Color: Blue Trim: High Tech Models: Milord Converter/cartridge Fountain Pen Engravings: OMAS logo and Greek key on the ring of the cap #Limited Number on the cap Nib: Rhodium plated, 18K Gold B in 14K Gold – Italic in 18K Gold – F in 18K Gold – 14K Gold in EF Ex.Flex. Feeder: Ebonite ø 6,5mm with 1 capillary for Milord model Loading capacity: Converter: 0,80 ml. – Cartridge: 0,80 ml. Length: (cl. – op.), Weight: 145,2 mm. – 174,70 mm. - 27 grams – max ø 16,3 mm. Warranty: OMAS International Packaging: OMAS Leather pouch, including OMAS notebook and 5 cartridges Price: $AUD2,250.00. ( $USD1722.00)Please email kevin@justwrite.com.au if you would like to buy this set or if you would like any further information. You can also download an OMAS pdf file from HERE
  23. The nib is on an Arco Verde Bologna. I believe it may have been a prototype. Any information would be greatly appreciated.
  24. Founded in 1925 in Bologna OMAS was an Italian manufacturer of luxury goods. Their fountain pens weren't cheap but they had strong following in the community. Sadly it wasn't enough. In january 2015 company was put in liquidation. OMAS stands for Officina Meccanica Armando Simoni. The company was founded by Armando Simoni, who also designed the tools and equipment needed to manufacture the OMAS line of pens. Throughout the years OMAS manufactured a variety of pens, the top line being the faceted Arte Italiana range, as well as a variety of limited edition pens. In their history, they introduced a number of interesting designs such as the "Doctor's pen" which had a tiny built-in clinical thermometer or the double-nibbed Itala in the 1920s and the 361 model in the late 1940s whose nib could be used as a hard writer if handled in one position and as a flexible writer in another. In 2000, the French company LVMH acquired OMAS from the heirs of Armando Simoni. In October 2007 the Xinyu Hengdeli Group of Hong Kong purchased 90% equity stake in OMAS. Xinyu had a strategic partnership with LVMH and planned to use OMAS for its expansion of luxury goods in the Asian market. The company continued to be unprofitable and in 2011 it was sold to another Chinese company, O-Luxe. O-Luxe decided to close Omas in November 2015 and the company entered voluntary liquidation in January 2016 ceasing all trading. My experience with Omas is limited. Two years ago I went bonkers and bought orange Omas Ogiva Alba - the most expensive pen in my collection. While the pen disappointed me a little - I expected it would emanate high quality but it doesn't - the smoothness of its medium nib still amazes me. It glides across the paper. Pure poetry. And the reason I still have the pen. During last two years I bought two other Omas pens - vintage Extra and Emotica. While none of them is perfectly engineered, they all write like a dream. Omas Phaeton was one of two Omases vodnikvolsovecek proposed to borrow me. It seems this model is extremely difficult to find. It was produced for and distributed solely by Volkswagen company who, as it seems, added it as a gift to first buyers of Phaeton model. I'm not sure anout it as there's very little information about this pen. Anyway Omas Phaeton is oversized celluloid piston-filler. Only 650 pieces were made. I'm not sure if it was possible to get a pen without buying a car. The pen is oversized and feels very solid compared to other Omas pens I had in hand. WHile most of them are stunning, some of them simply don't feel very well built. This one however is solid, medium weight, and precisely constructed. It's shaped as Ogiva models and it shares many features with this serie. Phaeton is a classic cigar shaped pen with classy furnishings. The clip is sturdy and has a built in roller to ease the pen in and out of shirt.First difference you see between Ogiva and Phaeton is the cap that has metal ending that I find rather unsightly. Apart from this one element the pen looks very well. Grey celuloid looks nice but it doesn't offer the depth of Arco or Burkina celluloids. Still, on a sunny day grey, black and silverish patches glitter and are a joy to watch. The effect is more than satisfying. Construction So far I used seven Omas pens and owned three. This one is, undoubtedly, the most well made among them. Piston-filler works smoothly and the pen feels very soild and substantial in the hand. Evidently italians decided to accomplish successful marriage of italian style and german precision. Nib Writing sample (Robert Oster Blue Night on Fantastic Paper) Omas Phaeton has Omas nib. This nib is boringly and predictably AWESOME. Wet, smooth and perfect. Omas nibs were (and still are) the nibs that fully meet my expectations. What can I say - the guy who invented a process of creating and tuning nibs for Omas was genius. This nib is simply stellar. In terms of pen-to-paper performace it offers everything I look for - great looks paired with smoothness and wetness. I believe thar rich flow is possible because Omas used ebonite feeds instead of typical injection mold plastic feeds. Ebonite feeds aren't mass produced like the plastic feeds because ebonite requires different technique to machine them into feeds. The nib and feed combo gives juicy feel that I enjoy and look for in fountain pens. Filling System Piston-filler. The piston operates smoothly and it holds enough ink for a typical day in the office. Or maybe even two. Dimensions Capped - 150 mm Uncapped - 138 mm Weight - 35 g Summary While i think Phaeton is much better pen (in terms of fit&finish and materials) than Omas 360 Burkina I reviewed a week ago, I'm not interested in looking for deals on this one. I enjoyed using it but it just doesn't do to me what Omas Burkina does so well. It's aesthetically pleasing, well build pen that's almost impossible to find on aftermarket.
  25. Hello, I got this pen last year, and its one of the extremely rare instances where I buy a pen other than FP, but I couldn't resist this beauty, this edition is limited to only 100 pieces. Best regards.





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