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  1. I had a burgundy meisterstuck passed on to me from my Father. Had it for close to 16 years until I lost it. I went on ebay and purchased another burgundy meisterstuck. I confirmed with the local Montblanc store of its authenticity. My dilemma is this: it is significantly lighter than my original one. I thought it was me, but everyone in the family who has handled the new one says the same thing. Is there something I can do (i.e. go to the mont blanc store perhaps and ask for it to be "weighted" (I dont even know what that means, but the pens does not feel "right" to me. Thanks yall! lisa
  2. Goodmorning! I would like to share recent YouTube videos of an artwork using a Montblanc 149 with a nib grind by Michael Masuyama. The needle-like tip is just perfect for the type of detail work that I enjoy. The ink used for this artwork was Cafe Des Iles by J. Herbin. The paper is an 11 inches by 17 inches Strathmore 2-ply Smooth Bristol board. The pencil used for the initial sketch was a Blackwing pencil by Palomino Brands. At the last stage of the process--from mid to end portion of Video Part 4--the MB 149 pen was turned into a quick airbrush/atomizer tool using a simple soda straw to create fine mist sprays for soft shading and blending, as well as coarse spatter ink sprays for texture work. Video Part 1 of 4 - [Note: When I began this recording, I didn't think I would upload it publicly on YouTube. As such, this first part was recorded at a local restaurant and my friends at the table convinced me to share the entire process. The other three videos were recorded privately in my art studio]: Video Part 2 of 4: Video Part 3 of 4: Video Part 4 of 4: Below are links to the video. Part 1 - Part 2 - Part 3 - Part 4 - Thank you letting me share this post with you... and best regards, Ced
  3. thinkingclown

    Which Ink Is Safe For My Meisterstuck

    Hi, I'm a relative newbie to Fountain Pens and was given a Meisterstuck a few years ago, along with some black Mont Blanc ink. I've finished the bottle and are looking for a replacement ink. I was advised by a clerk in a pen specialty store not to use anything other than Mont Blanc ink due to the Meisterstuck being a resin based pen and other inks being corrisive or there could build up in the pen. Was this advice correct? Is the any particular ink (or component of ink) I should seek out...or avoid? I'm left handed, so quick drying would by nice. P.S. Other than repeated rinses with filtered water is the something I could/should use to clean my pen? Thanks for any friendly advice WayneG
  4. I've just recieved my first MB - a Meisterstuck 'pix' ballpen £50 of Ebay. I'm fairly certain it's genuine - has the unique serial number (CZ1092359), and 'pix' under the pocket clip which I believe is another anti-counterfeiting measure. From what I've read you can't date an MB from the serial number - is that true, or could I determine where this was initially sold from any part of the number? What I'm not sure about is exactly what model it is - 144, 146, 149 etc? Seller stated it's not the LeGrand version. Pics below: Taking it to work this afternoon to give it a proper run out, using this and my Parker 51 actually makes me look forward to paperwork!
  5. AncientScribe

    Vintage Montblanc Refills

    I recently received a vintage Mont-Blanc Meisterstuck ball point as a gift and was wondering if the new Meisterstuck refills are compatible. The pen is from the late 80s.
  6. This got a bit long winded sorry... Introduction: I wanted find a better pen, a pen I could love as much as my P51s. I have been collecting fountain pens on and off since I was 16 and I have had a few modern Montblancs: couple 144s including a solitaire with the Barley pattern, as well as a 146 from the 90s. They are nice pens and while they had some character none of them became “must-haves” in my collection. I wanted something better and with the help of this forum I purchased a Montblanc 146 from the early 50s. Appearance and Design: As an owner of a modern 146 the first thing I noticed was that this pen is a bit shorter than a modern 146. I would not consider it to be oversized in any way; it is very comfortable, slightly shorter and thicker than a Parker 51. The proportions of this pen are nicer to my eye than that of the longer skinnier modern 146. The rings are a closer together and the branding is crisper and deeper than what you find on the modern version. The design is a clean and quiet classic. I can’t really fault it for anything. 10/10 Construction & Quality: The pen is very well made. The trim, even though 60 years old, looks nicer and more substantial than the trim on a modern 146. It is still a plastic pen but it has a great shine to it. This pen has a celluloid body that is supposedly stronger than the injection molded resin pens. It also has a two stage filing system that is a beautiful piece of engineering, likely discontinued to save costs. 8/10 Weight & Dimensions: This pen is not particularly heavy which is great for long writing sessions. As I mentioned above it is shorter than a new 146. The grip is slightly thicker than a standard P51. The one thing I don’t like about this pen is that posting the cap is a bit difficult. It will post straight if you give it a bit of pressure otherwise it will sit crooked which I find to be a bit annoying as I don’t like posting a cap with any force (this is not an issue I have with modern 144s and 146s). I have smaller hands and writing with the cap not posted is perfectly comfortable for me. 9/10 Nib & Performance: I bought this pen because it was supposed to have a superb nib. It has a fine two-tone 14C nib, which is larger and shapelier than its modern counterpart. The pen also features the flat ebonite “ski-slope” style feed. The nib is smooth with some flex and offers more feedback than the modern MBs I have used. The line is relatively wet with some noticeable line variation. I have left this pen with the cap off for over 30 minutes a couple times now and it has always started without skipping. This nib functions nearly as well as my P51 with the added benefit of some flex. 10/10 Filing System & Maintenance: This pen uses a two-stage piston filling system. I found it a bit strange to use at first, not understanding its design as the transition from the first to the second stage felt a bit jarring. Member fountainbel has provided a drawing here: https://www.fountainpennetwork.com/forum/index.php?/topic/211729-vintage-mb-telescopic-pistons/page__p__2207740&do=findComment&comment=2207740 The piston uses cork, which still works without issue in my pen but I would imagine this is not as durable as a synthetic. This pen also features a pinstriped ink view window like the modern version. 7/10 Cost & Value: I have seen prices for early 50’s 146s in black celluloid range from $500-$900. I purchased mine for about $600. I was too impatient to wait around for a cheaper one to come up for sale. For a second hand 146 this pen is not cheap; a modern 146 can be had for around $200. Can you find a pen as good as this for less money? Yes, I think you can. I have Parker 51s and Conway Stewarts that cost under $100 that are just as nice to write with, the fit and finish doesn’t compare but the performance is near equal. 6/10 Conclusion: I have tried to be as objective as possible but let’s face it, this isn’t some white good like a toaster, it’s a vintage fountain pen, it has character and I love it. This pen was made when a Montblanc was a Montblanc. I use it as a daily writer and I will likely buy another when the right deal comes along. Final score





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