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  1. Introduction and Elephant in the room Lets take elephants out of picture. First is controversy that surrounded the bottle design which actually is a patent design of Gecko design and this was cause of issue which has been addressed since then. What happened behind the scene is of no concern to me as end result seems to be good for all. Basically ink is available to buy. Now bottle is well already quite nice looking and half of the folks (including me) would probably jump the gun for bottle over other blue ink, so before diving in ink lets clear this guy out. There are some pros and cons of this bottle design. First what the bottle was originally designed for by gecko is to be used as ink well and it works great as such, any pro and con arises from this very fact so use as you may. Ink was shipped separately outside the box to prevent mishaps during shipping so starting point is empty bottle. Pros include looks, nice design for dips and general filling of ink and well attraction factor (all those who saw the bottle ask where I got it from and if only bottle is available and if larger size is present...so yeah it attracts attention) last the separation of ink mouth and reservoir has real practical benefits when using dip pens and filling pens. There is one other from what I feel but its too vague so I won’t put here. Cons include, glass is on thinner side so be careful. There is bubble issue which happens as if reservoir has ink over channel. The issue is not really as big of deal and can be delt with by moving bottle a bit. Last is size of mouth. I have not seen problem with my pens but I have a feeling that absolute jumbo pens like ranga ganesha might not fit properly to extract the inks from mouth in respect that nib not dipping completely..can’t test it as I lack such pens. All in all its one unique bottle and sure will be liked a lot. Ink review section Paakezah in persian is a word for ‘pure’ and this ink and so the reference of ink as the complete blue on Krishna website. Ink is first in line of Krisna’s S series inks which they say is safe sheen ink for vintage pens and I agree with them on this after testing it. Test papers include 75gsm sectra copy paper 70gsm and 85gsm nightingale paper 52gsm classmate copy paper 100gsm JK Cedar bond papers. Random books back sides and some unknown real cheap papers. Ink properties Bleeding/Ghosting – None seen on any paper tested except for cheap ones. Feathering – None to minimal on very cheap ones. Saturation – Good Flow – Balanced flow with very slight tending to wet side. Dry time - varies from 12 to 20 seconds. Sheen – moderately high. Shading – Not seen as shades are pretty much sheen spots. Water Resistance – none (will not survive water). A write sample in high resolution meant to test the new limits of uploads plus general opinion of ink. The camera is pea shooter phone camera. I tried to get as accurate color as I could with phone. the image is quite accurate just tiny bit more dark then in real.... water resistance results. Paakezah shows no other color, at least in normal case I still have not tested chromatic test, other then blue and its shades. The sheen seen has metallic color and is reddish-violet. The ink show high sheen on decent papers but non-absorbing papers are preferred as with all sheen inks. I must point out though that it is by no means a sheen monster but there is enough sheen that one will not have to look for it, its simply visible on paper in all its glory when seen with naked eye and the fact that I can see such on mostly normal papers says a lot. some sheen seen in writing. The entire page has such results just hard to get photograph in one go. I feel the ink lies on darker spectrum of blue, its very blue just not light shade. All in all its interesting in respect that it manages to separate itself from usual blue lots like waterman serenity blue and lamy blue ink even without any sheen. Still sheen is the highlight and you might wanna go with decent paper on this one. screenshot if ink from Krishna inks website There were never any hard starts or skips in 3 pens that I tried with decent flow maintained in all types of writing from fast to weird. Wality 69EB, Ranga Slim Bamboo and Oliver Exam pen are 3 test lots. Now cleaning is easy and water is suffice here. As for safe..well I tried clogging the pen with the ink by letting the nib open and drying the pen for one day...still managed to clean the pens with soap water. There ware no stains left and disassembly of the pen showed no clogs or residue. So I think it should be safe for any pen. I tested these results on Oliver exam pen which is clear demonstrator and makes it easy to observe such results. other sample with full page writing. Do tell if higher resolution image is preferred over this one. All in all a nice ink even without the bottle. Conclusion For the price of Rs 949..or approx. $12.5 without delivery….its a steal especially with the bottle and by looks of it being mostly on pre-order I will say that its selling like cakes. The customer service of Krishna inks was great, all orders were placed from their website and notifications were sent via email. Any quarries and questions were replied via email and replied within 2 days. It was a pleasant experience overall. Disclaimer: entire writing seen is done on 100GSM JK cedar paper. I lack tomoe river but I am confident the ink will sheen more on that page.
  2. I have bought several blue inks hoping that they were as bright as they seemed to appear. However, the results have so far been disappointing. Krisha's inks seem to be reasonably priced with a lot of interesting colours. I want advice about Krishna's blue inks from the users. If I had to pick 3 blue inks, which ones would you recommend? They should be as bright as posssible with relatively short drying times, decent lubrication and minimal feathering.
  3. DrDebG

    Krishna Njaval

    Krishna Njaval Thanks to amberleadavis for supplying this sample for review!!! Krishna inks are created by Dr. Sreekumar, a medical doctor. Dr. Sreekumar started experimenting with ink making, and then began production in 2010. His passion is to make these handmade inks in his beloved India. It appears that the color of the ink is inspired by the Njaval Pazham berry, also known as Java Plum, Black Plum and other names. The fruit is said to have both spiritual and health benefits. Njaval is a moderately saturated burgundy red ink with lots of character. Paper: Col-o-ring Ink Testing swatch The chromatography reveals strong wine colors separating into reds and fuchsia leading to cooler pink and lavender as the blue components separate to the edge. The ink shades very nicely even using an EF nib. But the inks really shows how well it shades in a broad or stub nib. Paper: 68 gsm Tomoe River Paper in Endless Recorder notebook As you can see above, the ink does take some time to dry. On 52 gsm Tomoe River paper, the ink takes even longer to dry. Unfortunately, it also smears several hours after writing. It does dry a little faster on other more absorbent papers, but some shading is lost. Bleedthrough and showthrough are minimal, and only seen on less expensive papers. This ink does feather on less expensive papers as well. Paper: HP All in One 22 lb copy paper Paper: Engineer's Computation Pad (pale green paper) There is little water resistance to this ink. Krishna does make a line of waterproof inks, but this is certainly not one of them. There is some pale outline left, but not enough to be readable. Krishna Njaval is similar to J. Herbin Rouge Bourgogne and is darker than L’Artisan Pastellier Callifolio Andrinople, but is significantly lighter and less purple in tone than Pilot Iroshizuku Yama-budo and Sailor Manyo Kuzu. Paper: Midori MD Notebook Pros: Nice shading Nice color Good flow Moderately wet Cons: Longer dry time Smearing No water resistance Some feathering and bleedthrough on Summary: Krishna Njaval fountain pen ink is a beautiful burgundy red. It flows nicely for all the pens I have used and is well behaved. It does take a long time to dry and smears in concentration. It has no water resistance. I like the ink, but it isn’t practical for daily use. I use Engineer’s Pads for my work which are made from a less expensive paper, but not as bad as notebook paper. Even on my Engineer’s Pads, this ink feathered and bled through the paper. As a result, I likely won't be using this for my work. Thank you, Amberleadavis, for supplying this ink for this review!!! My apologies for the poor photography. Red inks are notoriously difficult to capture correctly. Also, I used an iPhone for the photos for this review.
  4. the main review is below. This is an Indian notebook called ITC classmate which is dirt cheap and exceptionally fountain pen friendly - doesn't feather or spread with the worst offenders (in my case, Noodler's 54th Mass for spreading, Noodler's forest green for feathering); dry time is quick but inks retain their vibrancy and shade nicely. Only strikes against it is that it doesn't particularly help with sheen and its not bright-white (there's a slight red tinge to the pages). Anyway, enough about the paper. This review was written with a PenBBS 480 with a Mini fude F nib. Really its more like an M. Writes wetter than normal. Note: the color balance is off in the top 5th of the page - probably due to paper not being totally flat. The ink in that area looks murkier than in real life. Here are some comparisions to other browns (Kiowa Pecan is similar, Yama Guri, not really). Also how the inks looks on blobs, swatches, smudges and dry times. Overall thoughts: It is a very nice brown, rich color with shading variations and possibilities of sheen (and a nice ink even without the sheen); with good flow, quick-ish dry times and no major drawback as far as I can see, except the tendency to stain clear plastic (though not sure if it was just that one cartridge converter). Will be receiving some Clairefontaine and Tomoe River shortly (I am out of stock now and all but essentially deliveries are closed due to C-Virus). Will check on sheening then. The pooled ink drop shows some green sheen around the rim of the darker area.
  5. Intensity

    Krishna "vaikhari" Ink Review

    Good day, fellow FPN ink connoisseurs! Today I'd like to discuss the Krishna "Vaikhari" ink - a complicated orangey-reddish-brown with heaps of olive green metallic sheen. Krishna is an Indian ink brand, which is a relative newcomer--especially to the European and American markets. If I want to fault this ink in one way that irks me, it would be the pricing of the tiny 20ml ink bottles outside of India. Apparently you can buy these in India for $3 or less a piece (doing a currency conversion), but in the USA these cost $8-9 per bottle for the RC and Super Rich lines. Considering we only get 20ml of ink, it's not a particularly budget-friendly option if one wishes to use a lot of a particular color. Using this ink almost begs for a juicy writing pen with a wide nib or flexible nib, so going through 20ml may not take very long. I hope Krishna's distributors reconsider the pricing of these inks. With that said, "Vaikhari" is a very exciting ink! Everything about it is bold and complex. Firstly, the hue. My scanner just flat out refused to get it right (as well as Waterman's Absolute Brown), but I'll present scans anyway, for completeness. The photographs do a much better job representing the colors accurately. There is a further complication to the hue--it's actually quite variable in itself. I would compare this ink to something like Diamine Ancient Copper: it can look different based on lighting conditions, and how much ink you put down in a line also matters. And finally there's the sheen--lots and lots of sheen! This ink sheens at least as easily as something like Sailor Tokiwa Matsu, and perhaps even more so. Likewise with Colorverse Dark Energy. Thus the areas with more ink start shifting toward olive green, further complicating the overall appearance. Indoors with natural light, the red-brown component of the hue will be more prominent. With artificial lighting, the red takes a step back and orange-brown are much more prominent. Sheen: lots of sheen! Sheen lovers should be happy. Even on crappy paper and even without particularly juicy writers, you can see at least some sheen peeking through. The appearance of this sheen is almost identical to that of Colorverse Dark Energy in hue and to sheening Sailor inks (like Tokiwa Matsu) otherwise. It does not look like smooth metallic sheen of Organics Studio Walden Pond Blue--has more texture and almost matte appearance in transition areas. Water resistance: poor! This ink is very concentrated, and water droplets turn writing into a smeary mess. Carefully dabbing away the liquefied bits, there is reddish-pink line remaining. If one is able to carefully wash off all of the smeared portion, the writing left behind will be legible. Otherwise, the concentrated smeared portion will obscure the paler pink-red water-resistant lines. Drying times: are actually quite good, considering the high saturation and amount of sheen with this ink. Unless you are using a very wet writing pen, where you might need to wait for up to a minute for puddles of ink to dry, the writing should be fairly dry within 15-25 sec. Smearing: There is no smearing once the writing is dry, even on the highly sheening spots. I suspect there is some thickener added to the formula, because while moving a fingertip over the writing, one can feel the roughness of the surface where the ink concentrated. Not everywhere, just where a lot of ink pooled up--the texture can be almost gritty. Feathering: none on good paper! Even on crappy paper it's somewhat usable with a low amount of feathering. Scent: none while writing with my bottle. Sniffing the ink in the bottle, there's something that smells like phenol to my nose. I like it! Bleed-through: none on good paper, only where a lot of ink pools up. Phototraphs - both with natural indoor daylight and with a good quality indoor LED artificial desk light. (Natural light) (Artificial + natural light) (Natural light) (Artificial + natural light) (Artificial light) (Artificial light the night before, still drying) SCANS - SOMEWHAT INNACURATE COLOR WARNING (Waterman Absolute Brown is too magenta here and Vaikhari should be a bit less maroon. The rest look fairly close to me.)
  6. jandrese

    Krishna Lyrebird Blue Black

    This is Krishna Lyrebird Blue Black. It's a well behaved ink that smells heavily of phenol. The color is not so much blue black so much as a blue purple as shown in by the chromatography. It seems to get darker as it dries but it's not an iron gall ink. There is some water resistance, it does not run away from water but it's not water proof either. A good ink just wish it did not smell so strong and that the color matched the name better. copy paper lyrebyrd by Ja Ja, on Flickr bagasse lyrebyrd by Ja Ja, on Flickr tomoe river lyrebyrd by Ja Ja, on Flickr lyrebyrd chroma by Ja Ja, on Flickr
  7. RudraDev

    Ink Review: Krishna Cool Breeze

    Hi, I recently went on a hunt to find the best turquoise-blue ink I could find and I landed on this ink by Krishna pens. This ink is a part of their super-saturated series and the color is a super nice azure. Here's the full review: Color: The color is a super vibrant turquoise without any green undertones. this ink is a true blue. the color is somewhat similar to Robert Oster Fire and Ice and Noodler's turquoise. Drying time: THe flow of this ink is very wet. I used a medium nib and it took about 35-40 seconds before it became completely dry. the pen I used was relatively dry flowing, so if you were to use it on a wet BB nib or a flex nib, the dry time could be higher. Drip test: The ink is not advertised as being water resistant, and it is not. most of the ink washes away with water, but the writing, for the most part, remains legible. so I would say that it is moderately water resistant. Shading: This is where it shines. The ink shades like crazy! Even on regular paper, the shading is very prominent. I don't know if this is a trend with turquoise inks, but this has to be in my list of top 10 shading inks. Saturation: The ink is a part of the super-saturated series. the saturation is very good, especially since the ink flows very wet. Ease of cleaning: Since the ink is saturated, it does tend to be a little cumbersome to clean, but nothing too difficult. I would rate the easiness to be moderate. Conclusion: The ink is super vibrant and shades really well, plus the color is a delightful shade of turquoise. My only complaint would be the tiny 20ml bottle the ink comes in. The retail price for this ink is Rs. 180, or about 3 dollars US for a 20ml bottle. It's definitely one of the best turquoise inks I've tried. materials I used: Krishna Cool Breeze ink Lamy VIsta Medium nib Tomoe RIver 68gsm A4 printer paper 75gsm
  8. Since succumbing to the Hobonichi Cousin last year, I have been enjoying matching my fountain pen ink colour to that of the daily pages. The Japanese versions of this planner has lovely, slightly dusty, faded vintage colours which change for each month. The whole page is printed in that colour - grid, Japanese quote, date and day markets etc. So I thought it would be fun to write using a matching ink - a great excuse for exploring some of the glorious colours now available and a built in excuse for changing inks regularly. This idea was inspired by a blog I saw (sorry, can't remember who) where the writer had done a similar project but using gel pens. I know everyone's experiences of ink colour is different, depending on pen, nib, paper, how heavy-handed your are, phase of the moon (who knows? Maybe) but I thought someone out there may be doing something similar and we could share our thoughts. Anyway, here are my selections so far: January: burnt orange - Monteverde Fire Opal February: bronze brown - my own mix using Platinum mixable inks March: pinky purple - Herbin Larmes de Cassis April: red pink - Colorverse Sea Europa May: bright olive - KWZ green Gold Ii or Monami Olive June: grey green - another custom mix - see above July: grey turquoise - Birmingham Pen Co Fountain Turquoise August: blue grey - another custom mix - see above September: warm brown - Krishna Vaikhari October: grey purple - another custom mix - see above November: pine green - Birmingham Pen Co Fern Hollow Creek December: faded red - another custom mix - see above. As you can see, I've ended up mixing some colours myself - lots of fun, and I'm less happy with some of the other choices so will need to explore further. For example, I find the Herbin colours a bit watery but haven't yet found a similar colour to Larmes de Cassis; the Krishna Vaikhari is a nice colour but not quite yellow enough... I generally stick to relatively easily available inks and would like to expand the brands but I like this selection as a first pass. I should add that I'm using a Pilot Metro with a Plumix EF or F calligraphy nib. If anyone else is doing this, I'd love to see your choices or generally, any thoughts.
  9. jandrese

    Krishna Moonview Rc Series Ink

    Here I have another winner from Krishna. This is Moonview from from their RC Series, which I believe refers to ink that sheens. And sheen it does. It's not a sheen monster like say Organics Studio Nitrogen, but it is better behaved. For example, it flows amply and does not dry out immediately in the nib. So that's nice. It's a beautiful blue composed of what appears to be a singular dye. There is a faint hint of a purple in the paper chromatography but if actually there it is minor. I believe the purple is responsible for the sheen. Lovely ink that behaves well. It flows freely and really wants to feather but even on cheap copy paper it holds back for the most part. Good water resistance too but not really water proof. This ink sheens and it shades. It is also comely. I like.
  10. jandrese

    Krishna After Dark

    This is After Dark from Krishna. It is one of the Super Rich series ink, and boy is that an apt description. The ink is a rich royal blue and seems very saturated, but may just be a very dark ink. Regardless, it is very well behaved especially for such a seemingly highly saturated ink. Considering this is a blue ink the water resistance was a very pleasant surprise. A vibrant, good flowing, water resistant ink. Only downside is the small bottle, but I can always order more. Smells distinctly of phenol. See, it's water resistant, as in paper chromatography with dH2O barely moved the ink. Seems like only one dye component.
  11. penzel_washinkton

    Krishna Sea At Night - Quite Obscure?

    So, finally my first ink review... The lucky ink that I have the chance to review is : KRISHNA SEA AT NIGHT (RC SERIES) Before we get down into it, as a foreword, I received this ink as a sample kindly from Pen World India (shout out to them) and in turn I would do a review on the ink. It's a win-win I guess since I believe the Sea at Night is a beautiful colored ink that seems to be getting few attention here. BACKGROUND As a little bit of a background, Krishna Inks are inks made from India, particularly by a gentleman by the name of Dr. Sreekumar. He is as quoted from the Krishna Ink web "professional at day and connoiseur by night" , now that is one hell of a description and I totally like it. Now don't misunderstand the "connoiseur by night" to other meanings . Onto the ink, the Sea at Night is one of the ink in the RC series which specializes in the sheening / shading characters of a fountain pen ink. Quite well known inks in this series is the Jungle Volcano (will do a review later), Anokhi , Goldfish etc. The ink comes in 20 mL bottles for the price of around 8-9 USD (excluding shipping and tax). You can order the Krishna Ink and particularly this one from the official website : http://krishnainks.com/ TESTING & IMPRESSIONS To be totally honest, I did not know what color this ink is initially since there are no reviews at the time I requested a sample of this ink (Pen Chalet has one review but I don't think there are other ones). From the swab sent from Pen World I thought this was a black with a heavy red sheen which is unique in itself. Upon testing the inks however, I was totally wrong and surprised at the same time. This is actually a Teal color, and a very dark one at that. The tools I've used for the testing is as below: Pen: Faber Castell Loom - Fine, Steel nib Paper; Muji A5 (over 55% recycled paper) Maruman Mnemosyne 195 Kinbor A5 Lined (not in the scans) Below are some points I concluded from my testing: Shade : Teal with heavier green toneFlow : GoodLubrication : GoodDry Out : No dry out up until 1 minute observationNo hard startsQuite saturatedMinimal water resistanceDry time (with the tools tested ) : Around 30 - 40 secondsNo major issues with the ink character, there is a little bit of smudging experienced in the testingHard to see from my scans but managed to observe limited red sheen in the ink Maruman Mnemosyne 195 Muji A5 Grid (over 55% recycled paper) Comparison with Diamine Sherwood Green - Platinum Century 3776 Bourgougne Red (Fine, 14K gold nib) CONCLUSION All in all, I have very little negative aspect and many positive aspect to say about this ink. It flows well, no issue of drying out (in 1 minute time span of uncapping the pen) , no bad ink characteristic observed. The shading for me is quite unique, I know that teal is like the trending color recently and the market is starting to get saturated (pun intended) with the color but the Sea at Night has a darker teal tone of color. It also has sheening characteristic (which may become more apparent in a broader nib) that separates the ink to other teal inks. The bad aspect I would say probably is the relatively long dry time of this ink and there is a sign of smudging. All in all, this is a good ink and good shade of teal (IMO) and I recommend it for you guys/gals looking for a dark teal ink with a little bit of flair.
  12. Krishna inks are produced in India by Dr. Sreekumar, a doctor by profession, and a fountain pen enthusiast by passion. It's not easy to get them but I received some samples and plan to review them. The Earth is a faux iron gall ink - it changes color very fast once the ink is on page but offers no useful water resistance. The ink is a bit dryish but not too much. The color is a nice orange in the vial and for a second when you put the line, it fastly turns darker and, at least to me, less atractive. It behaves a bit like chameleon as the color perceived on different papers varies strongly. Ink Splash Drops of ink on kitchen towel Color ID Color range Field Notes, Kaweco Classic Sport, broad nib Tsubame notebook, Kaweco Classic Sport, broad nib Rhodia, Kaweco Classic Sport, broad nib Water resistance
  13. As this is my first post, let me introduce myself. A sailor in my past life, I rekindled my passion for fountain pens about two years back. I saw myself collecting big branded western pens and Chinese ones for fun... And then I discovered a fun WhatsApp group of like-minded individuals and with them several Indian manufacturers. From what I understood reading the reviews, Ranga and Gama seemed to be the hot shots, and ASA the young turk bringing web based marketing and end user inputs to pen design. Due to my career as an engineer and machinist, I became attracted to pens with unique designs... With sweeping curves (ASA Nauka) and near- perfect symmetry( Ranga Bamboo). When Vaibhav Mehendiratta announced a group buy of the Bamboo, I took the plunge. But sadly , I was informed by the manufacturer that my desired specs ( viz. with clip) is not included in the group buy but can be processed as a special order with a negligible premium in pricing. Nib: Bock fine. Zero feedback or line variation. Not too wet... as all my pens are for pocket carry and I use them to write on a myriad quality of (usually (bleep)) papers, this suits me just fine. Body: Near perfect machining...turning marks visible but after extreme scrutiny . Finally the pen is able to perform even with difficult and temperamental inks like Krishna After Dark. Pen comes with a Schmidt converter...but the tight Ebonite threads just scream for use as an eyedropper. Can be posted but the pen becomes too long. On the plus side, the cap comes off the barrel with a very satisfying *POP*.(you know the sound) The pen cost me $67, but I can vouch that the manufacturer has put in every cent of effort in the process. If anything, buying this pen has made me richer. Cheers.
  14. mehandiratta

    Ink Review - Krishna Gold Rush

    KRISHNA GOLD RUSH The review is simultaneously posted at my blog here : LINK In Indian Fountain Pen industry or Circles, Dr. Sreekumar is quite known for his hand-turned fountain pens and almost 20 types of nib tuning. However recently he has shelved in to making fountain pen inks under the brand name of KRISHNA. These inks are sold on eBay India Page for Rs. 550 (8 USD) each for 5 Nos. 30 ml ink bottle plus shipping. NOTE THAT NEW GLASS BOTTLES HAVE ARRIVED AND THIS WILL RESULT IN BIT OF PRICE INCREASE. However old plastic bottles still remain in stock while the stock lasts. The inks that are being produced are currently limited to 27 nos. (28 earlier) : GOLD RUSH MEADOW GREEN BLUE MAGIC AFTER DARK SAPPHIRE BLUE LAKE BLUE BRONZE LEAF ORANGE CRUSH AUTUMN SINDHOOR GLORY VINE DARK ROSE NJAVAL WILD CHERRY PURPLE PEACOCK YELLOW VALLEY MELLOW BLUE VIVID VIOLET ORCHARD LILY DARK CHOCOLATE COOL BREEZE SILENT NIGHT SKY FORGET ME NOT SKY BLUE GHAT GREEN PUMPKIN GIRL PINK / BARBIE PINK (discontinued) Krishna Inks – Color Chart 1 Krishna Inks – Color Chart 2 I would like to thank Dr. Sreekumar for sending me the samples and also for the effort that he has put in. I will be reviewing all one by one. This review is about GOLD RUSH ink from KRISHNA. This is actually like yellow golden colour. And I do like it. It does amazing job in broad nibs. Krishna Ink comes in plastic bottles in 30 ml quantity and new lot with INCREASED PRICES will come in glass bottles now. INK SPLASH Krishna Gold Rush – Ink Splash on JK Cedar 100 gsm Colour is beautiful with no sheen and very little shading. DROP ON PAPER NAPKIN Krishna Gold Rush – Ink Drop on Paper Towel COLOUR MATCH Krishna Gold Rush – Color Range WRITING SAMPLES Krishna Gold Rush – Writing Sample on JK Cedar 100 gsm Krishna Gold Rush – Writing Sample on JK Cedar 100 gsm – Angled View The ink is legible even in Japanese fine nibs but perform well in Broad nibs INK SWABS Krishna Gold Rush – Ink Passes on JK Cedar - 100 gsm Krishna Gold Rush – Ink Swab on Jk Cedar - 100 gsm Krishna Gold Rush –Scribble on JK Cedar -100 gsm WATERPROOF TEST Krishna Gold Rush – Waterproof Test Ink when rubbed with water gives away the colour easily and is not at waterproof. INK DRYING TIMES Krishna Ghat Green – Ink Drying Times Ink drying are better than other Krishna inks I reviewed earlier. BLOW UP WRITING SAMPLES Krishna Gold Rush – Blow up Writing Sample on JK Cedar 100 gsm There is no feathering of this Ink as you can see from this close-up. CONCLUSION: I like the colour of the Ink. It can also be used as highlighter Ink. Performs best in Western Broad and Medium nibs along with the Calligraphy Nibs The ink has amazing flow properties and is moderately lubricated. Following are the summation of ink properties: Feathering : NoSheen : NoShading : LowLubrication : ModerateFlow : GoodWater Resistance : BadDrying Times : AcceptableNib Creep : NoneClogging : NoneOdor : NoneInk can be bought from : LINK (Ebay India Store)





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