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Showing results for tags 'inks'.
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Since I rotate my 8 pens and my 8 inks, there are many combinations of pen-ink. And then there's the 4 papers which I also rotate. Some combinations work better than others. I'm trying to make sense of this. I ask you to rate the 8 inks and the 8 pens in terms of wetness and dryness. Fountain Pens: Pelikan Souveran M805, Waterman Expert II, Waterman Phileas, Stipula Splash, Sheaffer Sagaris, Sheaffer Prelude, Sheaffer School pen and Sheaffer Cartridge Pen; inks: Pelikan 4001 Brilliant Schwarz (Brilliant Black), Pelikan 4001 Königsblau (Royal Blue), Edelstein Sapphire, Edelstein Onyx, Waterman Encre Bleu (Inspired Blue), Diamine Mediterranean Blue, iroshizuku (Pilot) ama-iro (Sky Blue), Montblanc Mystery Black Is there anything else I should know about these inks? Are there any other inks that belong in my collection? Blue or Black only, please.
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Up for grabs: five beginner pens, an extra section that I believe fits the clear pen, and, not seen, a couple of standard carts, plus a sample vial labeled Diamine China Blue (but isn't....it is nonetheless blue of a sort). I'll leave this PIF open for a bit, close on a whim, and select a winner using the highly scientific eeny-meeny methodology. Conus only, please. Thanks. http://extras.ourpatioparty.com/files/3215/9058/9426/PIF_Pens-640p.jpg
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I love the in-between-ness of the tertiaries; they're complex, blended, impure, not one thing, nor t'other. Those yellow-oranges, red-oranges, red-purples, blue-purples, blue-greens, and yellow-greens. So all you ink lovers out there who love the tertiary colors: let's hear / see your favorites in the in-between ranges. Here are the colors I have loaded in pens at the moment:
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the main review is below. This is an Indian notebook called ITC classmate which is dirt cheap and exceptionally fountain pen friendly - doesn't feather or spread with the worst offenders (in my case, Noodler's 54th Mass for spreading, Noodler's forest green for feathering); dry time is quick but inks retain their vibrancy and shade nicely. Only strikes against it is that it doesn't particularly help with sheen and its not bright-white (there's a slight red tinge to the pages). Anyway, enough about the paper. This review was written with a PenBBS 480 with a Mini fude F nib. Really its more like an M. Writes wetter than normal. Note: the color balance is off in the top 5th of the page - probably due to paper not being totally flat. The ink in that area looks murkier than in real life. Here are some comparisions to other browns (Kiowa Pecan is similar, Yama Guri, not really). Also how the inks looks on blobs, swatches, smudges and dry times. Overall thoughts: It is a very nice brown, rich color with shading variations and possibilities of sheen (and a nice ink even without the sheen); with good flow, quick-ish dry times and no major drawback as far as I can see, except the tendency to stain clear plastic (though not sure if it was just that one cartridge converter). Will be receiving some Clairefontaine and Tomoe River shortly (I am out of stock now and all but essentially deliveries are closed due to C-Virus). Will check on sheening then. The pooled ink drop shows some green sheen around the rim of the darker area.
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Greetings. For the office and use on cheap photocopy paper I like the quick drying properties of Noodler's Bernanke inks. Color selection is limited to red, blue or black. Here is my go at mixing the three colors to get new options including purple (1 part red to 1 part blue) and my general go-to color: blue-black or midnight blue. Drying time seems to remain the same and not changed by mixing (but will leave it to others to test and confirm). I've read mixing inks made by different companies can be problematic. My assumption (right or wrong?) is mixing inks within the Noodler's Bernanke family should be okay. (Tests done on old (1940s-1950s) good stock graph paper)
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Going to be autumn soon, and being in New England it is something I eagerly look forward to. I am putting aside my brave adventuring into the world of murky grayish greens for the time being and going against my inner nature by exploring ORANGE. The story so far: received two samples from Goulet, Diamine Autumn Oak and Diamine Pumpkin. I like both of them, in fact cannot choose between them, so I mixed them together to fill my eyedropper, since it takes such a huge amount of ink to fill it. Both samples ended up going into it in one fill. Autumn Oak is good for me because most of my pens are wet writers and dry inks do very nicely in them. But I would like to experience others as well. All my pens are vintage (my modern eyedropper is the exception but it has a vintage nib in it). So, no saturated inks, sheening inks. I avoid Noodlers. I love shading. I don't want anything violently bright, but more autumnal, without being brown. Ancient Copper for example, which is one of my standards, is too brown for this exploration. And not washy, such as some J.Herbin inks tend to be. Suggestions?
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Hello FPN, This is Pranav from Mumbai, India. It too me long to get this message up in this forum, well better late than never! I really don't remember how i got into this amazing different world all together, i always wondered whenever i read about random FP Blogs how can people be so passionate and the statement that its a priceless possession for lifetime! - something that started from filling my dad's old Hero FP just to experience its charm, from what i have had been listened to him since i don't know when. Somehow after going thru articles i managed to ordered a Pilot Metropolitan in this new year and suddenly with few months time i am having a few handful of FPs from Ranga, Airmails, Lamys, Jinhaos - with a few different Pelikan, Pilot, Camlin Inks! The ink stains don't wanna come off now, I can say the same now - its got me bugged - Until Death Do Us Part! Thanks for Welcoming!
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Oh I wish this one had a different name! I humbly offer Mehndi - which is exactly this colour, and the past of which is applied on hands and feet to celebrate special occasions and weddings.... I digress...
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Hello FPN Members, Its glad to meet you all. Long story short, my name is Sunil Pandya, from Ahmedabad INDIA and my instagram handle is @sunilscalligraphie my passion for writing started around 1988 at that time I did not know even what the calligraphy is. I was inspired by my Biology teacher Mr. Karimullah, every time I see him writing on board I copied into the book and kept practicing for hours and hours. I have recently started practice calligraphy in Spencerian and Copperplate for which I was googling for fountain pens and I found FPN network has huge number of supportive people discussing whereabouts of fountain pens, vintage pens, reviews and lots many more. I am totally inspired by this community and created account so that I can also share my thoughts. Before joining this group I did not knew that India is a Hub of Fountain Pens so a big thanks to the group members. I am also visiting to Abdul Rahman Street, Mumbai to pick up some budgeted Fountain pens for easy writing. I will post my findings soon after my visit. Happy exploring and discussing. Love from India
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Pure Pens based in Newport, south Wales, have launched a series of their own branded and 'Bottled in Wales' inks and this short comment features just two of the series, which arrived in the post this morning. There are far more details on their website and no doubt, there will be many more reviews and comparisons in the coming months but I just wanted to show a couple of images. I just wanted two colours at the moment - Celtic Sea and Saltire. I also purchased one of the TWSBI Eco T pens from them - blue to use with the Celtic Sea one but more about that on another occasion. Celtic Sea is a lovely colour, with tones of a relatively light blue/green that really do make me think of the sea. Very pleasant to use and it flows well. Saltire is wonderful. Just my sort of colour and even with the F nib on a TWSBI 580, there is a definite red sheen which isn't always easy to see on a scanned image. Judging by comments made on Twitter and Instagram, there will be more colours available, which is very exciting. I don't know where the inks are made but based on the slight aroma of one of them, I have my suspicions. A great new product range to ad to PP's extensive arsenal and I can only see them being firm favourites. Especially if a blue-black shade is offered sometime!
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Hello Everyone! My name is Richard, and I became infected with the Fountain Pen Virus about 18 months ago. Since then, my collection has expanded more rapidly--and expensively--than I anticipated. I am fascinated by fountain pens and inks, like the rest of you. I also cannot truly answer the question: what is your favorite pen? It is way too difficult to choose. I can't even decide on my favorite brand! But, I love Lamy, Visconti, and Pilot. I'll give an honorable mention to one Faber-Castell: the Loom, which punches way above its weight, in my opinion. The Lamy 2000 and the Pilot Custom 823 are my top writers, but I have an on-going love for my Visconti Rembrandt with a 1.5 mm Stub nib. I lament not having easy access to an Architect Grind, as I often find myself rotating my Stub nib 90 degrees to create a similar effect. Also, the Visconti Homo Sapiens Bronze Age is the crown jewel in my collection for overall "wow" factor. I have a Pelikan M800, which I love. However, I thought it would write more smoothly given all the reviews. It is very good, but it doesn't quite match the Pilot Custom 823 in terms of smoothness. I would love to pick up an M1000, though, as the "springiness" it is notable for is right up my alley. I enjoy Pilot's Vanishing Point series for work use. I will say, I have misplaced my Lamy Safari and my Lamy Al-Star, and I find myself frequently missing them. They are inexpensive and steel nabbed, but they are among my favorite pens to use. I generally prefer buttery smooth with little to no feedback, which Faber-Catell's Loom accomplishes much better, but for some reason, I enjoy the feedback and overall feel of the Lamy Safari/Al-Star lineup. With respect to nibs, I tend towards mediums and larger, although, I do like having a smooth fine on-hand for business situations (Pilot Vanishing Point Decimo works great for that). Inks...SO...MANY...INKS! Among my favorites are the usual suspects Pilot Iroshizuku Kon-Peki & Yama-Budo, Noodler's Black Swan in Australian Roses, and Noodler's Liberty's Elysium. I love pretty much every single Diamine I've ever used. I still cannot decide between Diamine Autumn Oak and Noodler's Apache Sunset, and I can hardly tell the difference between them most of the time. I also struggle to choose between Diamine's Oxblood and Red Dragon. I love both of those reds. Diamine Sherwood Green is one of my absolute favorite inks. I would love to get more green inks. I will admit: I am not a big shimmering ink fan. Shading, yes, but shimmering, no. I don't need metal flakes in my ink or stuck in my feed. I like deep, rich, and smooth inks that aren't painfully bright. Legibility is important to me, so I tend towards darker shades that also have an elegant beauty to them and "pop" on the page without requiring sunglasses to read. I love my Bullet Journals, and I highly recommend them. Also, the Clairefontaine Basic Notebook in Dot Grid is absolutely fantastic! Of course, there is always Tomoe River paper and Rhodia. Other than fountain pens, I also love cars (I sell luxury brands: Jaguar, Land Rover, Porsche, and Volvo). I am also published author and theologian, and I speak German and Spanish; I can also read French and--to an extent--Latin and Greek. I am a soccer fan: Go Liverpool! That's enough rambling for now: bis später, arrivaderci, au revoir, hasta luego, and goodbye.
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Where can I buy nib Tuning Supplies like micro-mesh and mylar paper in India?
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Hi, I was thinking about buying my first TWSBI pen and I'm confused about which one I should buy. I've shortlisted the TWSBI Eco, TWSBI 580 and TWSBI Vac 700. If it were up to you, which pen would you buy and recommend?
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Hi, I am in love with the Robert Oster signature inks and I want to them. I live in India. Where can I get Robert Oster inks in India?
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Came across these on ebay: https://www.ebay.com/itm/5280-Fountain-Pen-Ink-Bottle-Set-Features-11-Different-Colors/273032430865?hash=item3f92004511:g:c5kAAOSwDVtaYhcg Some of the colors look interesting, was wondering if anyone has tried them.
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Hello! I live in India and I am looking to buy the Pilot custom 74. Is there a good website where I can buy Pilot pens and Inks for a reasonable price? Amazon sells some of them, but I was wondering if there is better, more direct way of buying them?
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Hi all, I stay in Bangalore, and I might end up going to avenue road over the weekend. I'm specifically looking for colourful fountain pen ink, and maybe cheap second hand pens. I know Meenakshi Pen Mart is a favorite but can anyone confirm they sell different coloured ink as well? Smruthi
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Australian ink manufacturer, Blackstone Inks, recently released its latest suite: Blackstone Lights, a range of inks designed to appeal to those who prefer less saturated inks than their standard fare. I've been following Blackstone's progress since it released its first inks a few years ago, and have had the opportunity to test some of their inks before they were released to the market. This time around, I didn't see the inks till they were up on the JustWrite.com.au website - and I immediately placed an order for four of them. The proprietors kindly sent me bottles of the two inks I chose not to order (Violet and Black), so I could check out the entire range. My favourite three inks in this range are Blue, green and orange - all of them bright, vibrant inks that stand out on the page. Violet would be my least favourite, and Black I haven't tested yet... which leaves the subject of this review, Blackstone Lights Red. I've struggled to find an ink that I consider to be a "true red" - not pink-leaning, nor orange, but the kind of red my PhD supervisor used to mark up my thesis with when he wasn't happy with my prose or analysis. It somehow seems to be a difficult colour for fountain pen ink manufacturers to replicate! My current favourite reds are Montblanc Corn Poppy red (though it's a bit orange-y), and Diamine Wild Strawberry - and sad to say, Blackstone Lights Red doesn't quite live up to their standard. I'd call it a "true" red, but just a little undersaturated, a little on the pale side. That's especially notable in the Q-Tip swab sample - but (thankfully) somewhat less so in the FPR Triveni pen I tested it in. If you like your reds to shade - and/or if you're more worried about getting a "true" red than a "strong" red, this could be a good option for you. I expect I'll use mine, because it's near enough for me to "true", and the ink flows nicely in my pen without drying out or hard-starting. But I have to say, in honesty, there are other inks in the market that are more bright and more vibrant. A writing sample, photographed in strong (spring) sunlight with my Samsung Note 8, and not retouched or recalibrated [sorry for the stray bits of blue on the page!]: I'll try to get around to black sometime later this week - I'm just having a bit of trouble getting excited about it, given the number of pens I already have inked up with grey, or black, or somewhere in between...
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The 'Blackstone Lights' are a new range of 6 inks (thus far) from Blackstone Inks / JustWrite Pens. As the name suggests, these inks are designed to be lighter and less saturated than the inks the company is becoming well known for - though some of them are still quite vibrant in their own right. Blackstone Lights Orange is a good example of what I'm talking about - along with the green and blue inks, it's quite bright and cheery. Add to that its wetness and flow, and you have the makings of a really good ink. Won't bore you with additional details - here's a photo, taken in full sunlight with my Samsung Note 8, no attempt to adjust the colours:
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This is my third review of a new range of inks manufactured by Blackstone Inks, and distributed through JustWrite Pens - based in Blackstone, Qld. When I saw these on the JustWrite website, I placed an order for 4 of them - Kevin, the 'brains trust' of the operation, kindly sent me the other two so I could check out the complete set. Blackstone Lights Green is one of the four inks I ordered and paid for - and it's already rocketing to the top of my list of favourites. If you're familiar with the inks produced by Blackstone in the past, you'll know that they're mostly highly saturated, smooth-flowing inks - which, in the case of the reds, can sometimes need a little coaxing to get started (I have no such problems with the blues, browns, yellows or greens!). The Lights range is designed to fill a gap in the line-up - inks that are less saturated in colour, but still relatively bright. These inks are smooth and well-lubricated, with no tendency towards drying out, and are a pleasure to write with (check out https://justwrite.com.au/Blackstone-Fountain-Pen-Ink/blackstone-lights-fountain-pen-ink for the manufacturer's summary). At this stage I'd say Blackstone Lights Blue is my favourite - a vibrant, bright blue that 'pops' off the page - but Green is a close second. Though not heavily saturated, it's a very bright, light green that likewise stands out on the page and is easy to read. At AU$7 for a 30 mL bottle (plus postage!), it's reasonably priced, and well worth a look! Feel free to ask if you have any questions - either about this ink, or about the Blackstone range. Disclaimer: I have no affiliation with the company, but have received samples from Kevin in the past, both to test and review, in addition to the inks I've purchased with my own money. All opinions expressed are my own!
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I'm new to fountain pens and found that my country's (Hungary) selection of both pens and inks is lacking to say the least, there are only a handful of inks available in stores (Lamy, Pelikan 4001 series, Parker Quink, Waterman) so my question would be whether there are any Hungarians here who have suffered with the same issue and have maybe found a suitable solution or if you have a recommendation on which of these inks I should go with?
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Im a leftie, so I prefer inks with the shortest drying times. Back in the Eighties I bought several bottles of Mont Blanc Mystery Black and theyre still sitting here because whatever I wrote with it may still be wet. I find Diamine satisfactory but I wondered what other brands had this characteristic. What says the collective wisdom of the forum?
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Hello to all of the FPN I only used lamy inks and I'm interested in trying out new inks and I saw some that caught my attention because of their beautiful colors like noodler's walnut, bad blue heron, the Lawrence and any other black ink. I have also heard that some are resistant to the passage of time, water etc.So I ask you what do you think about these inks?I use a lamy 2000 BB modified to stub
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Dear fountain pen friends, a friend of a friend of mine is currently staying in Tokyo. Do you know good places where to buy inks in Tokyo for a good price? I'm thinking about Sailor and Iroshizuku inks. Any other advice what to get in Tokyo stationery-wise? Thank you!
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So , just stumbled on an article below: https://nickstewart.ink/2018/09/22/a-new-future-for-fountain-pen-inks/ and this: https://nickstewart.ink/2018/09/04/multi-purpose-fountain-pen-inks/ If I understand the article correctly, it means you just need the set of 4 inks from them and you can create multiple colors from the color wheel in the article. Seems like a concept that mixable inks have taken since quite a while though? Although this seems to only require the 4 basic colors
