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  1. kcwookie

    Daytone Dark Storm

    I inked up a pan using this ink and was very pleasantly surprised. Please see the photo for my review. The paper is Clairefontaine.
  2. Does anybody know any reputable Indian repairmen who could restore old cellouloid fountain pens ? I have a few old Plato pens in decent condition, i.e. no cracks or dents, but their bodies could do with a little polishing since 50 year old pens have lots of tiny scratches. Please share your experience if you have availed the services of any repairperson in the past.
  3. Recently I was going through the youtube there I saw a fountain pen never heard off....the name is Parker Folio Fountain Pen. Any update regarding this pen?
  4. Dear FPN'ers, Greetings !!! This is Kandan.M.P from Ranga Pen Company, India. Hope and wish you are staying safe . Thanks for your support so far We wish you and family very happy, healthy and prosperous New year 2021 We are happy to inform that Ranga Pen-Tamenuri Studio has been announced as Greatest of All Time (GOAT 2020) Pen by famous Pen reviewer Sbrebrown. https://www.youtube.com/watch?v=78Ki1pBkXM0 (7 of 10th pen @ 9th minute in the review video) After going through huge success for Ranga Abhimanyu Model. We are happy to extend Ranga Abhimanyu in visually stunning more beautiful Acrylic colours. As name Indicates, Ranga Abhimanyu is short ,cute but very strong and great workhorse.. These are completely Handmade Pen .This is Clipless pen . Section is Classic vintage styled Section .It is comfortable for long use. We are using this section for first time in our production line In order to purchase Ranga Abhimanyu Pen , Kindly fill the Google Form (Link Below) RANGA ABHIMANYU - ORDER FORM https://docs.google.com/forms/d/e/1FAIpQLSfmMUFGtsiIeynqBudoIAvZo4zIPyViiP99eHwRe8S78k-5sA/viewform?vc=0&c=0&w=1&flr=0 Prices are as follows: RANGA Abhimanyu with Ranga Nib and German Schmidt Converter:59USD for REgular Acrylic till 31st January . (Its Regular Price is 74USD). Kindly avail this Offer Price for this Excellent Pen (Thickness-Cap Dia: 16mm, Barrel Dia : 16mm , Capped Length - App 5.25 Inches ) You can upgrade it with German Bock/Jowo/Schmidt Screw in Nib and German Schmidt Converter. Up-gradation charges are mentioned in Google order form Colours : Regular Acrylics: ------------------------ R17. Malachite R18. Purple /Dark Blue R19. Brown Swirl R20. Sea Blue/ Red R21. Heather R22. Blue Pearl R23. Dogwood R24. Light Blue/Dark Blue/White R25. Yellow with Green Lines R26. White Blue Swirl R27. Purple Pearl R28. Yellow with Red Lines R29. Arctic Blue Swirl R30. Bright Yellow Green Swirl R31. White Black Swirl R32. Fire Opal Finish :Polished Finish or Matte Finish Clip Option - Clipless Cap Turn: It takes less than 1 turn to cap and uncap For C/C mechanism (with Schmidt K5 Converter) #6 Nib Options Nib Option: Ranga Extra Fine Nib - Chrome Tone ,Gold Tone,Dual Tone Ranga Fine Nib- Chrome Tone ,Gold Tone,Dual Tone Ranga Medium Nib- Chrome Tone ,Gold Tone,Dual Tone Ranga Broad Nib- Chrome Tone ,Gold Tone,Dual Tone Ranga Double Broad Nib:Chrome Tone ,Gold Tone,Dual Tone Ranga Flex: Chrome Tone ,Gold Tone,Dual Tone Ranga 14K Nib # 6 Size Nibs:- Extra Fine, Fine Point, Medium Point ,Broad Point, Bock Titanium #6 nibs: Extra Fine, Fine Point, Broad Point, Double Broad Point Bock 18K Nib # 6 Size Nibs:- Extra Fine, Fine Point, Medium Point ,Broad Point, Broad Point JoWo Fine Nib - Chrome Tone or Gold Tone JoWo Medium Nib - Chrome Tone or Gold Tone JoWo Broad Nib - Chrome Tone or Gold Tone JoWo 1.1 Calligraphy Nib - Chrome Tone or Gold Tone JoWo 1.5 Calligraphy Nib - Chrome Tone or Gold Tone Schmidt Fine Nib - Gold Tone or Chrome Tone Schmidt Medium Nib - Gold Tone or Chrome Tone Schmidt Broad Nib - Gold Tone or Chrome Tone No Nib - Threaded for Bock #6 No Nib - Threaded for JoWo #6 No Nib - Threaded for Schmidt #6 No Nib - Threaded for Bock #8 Price : Base price for Ranga Abhimanyu with Ranga Screw in nib and German Schmidt Converter is 74USD (Premium Ebonite ) and 59USD (Regular and Special Ebonite). Customer's can upgrade it to their favourite nibs with extra charge Making Time : 1-2 weeks from payment date Shipping: Via Courier . It takes 4 to 9 days.Via Courier- Kindly note that courier rates are very high now. We are happy to share that we are collecting only 50% of the courier charges and rest is incurred by us . Customer's need to pay 15USD for USA/Canada, 10USD for Central Europe /Singapore/ Malaysia and country specific rates for other countries. Making Time: 1-2 Weeks after payment Payment Details: Paypal id: mpkandan@gmail.com If you buy More than 2 Pens and if you don't want to fill the form, You can directly send the specs to our mail id mpkandan@yahoo.co.in Regards, Kandan.M.P Ranga Pen Company
  5. Sharing the pictures of my new Deccan Author Red Ebonite eyedropper pen. There are 2 previous posts discussing about the acrylic versions of this pen: https://www.fountainpennetwork.com/forum/topic/216836-deccan-aurelius-author/https://www.fountainpennetwork.com/forum/topic/224094-the-deccan-aurelius-aka-the-author/I bought the eyedropper, ebonite Author in red colour, with Deccan stock fine nib. Overall design: It is a simple and elegant design. The colour appears more brownish-red than bright red that is seen in images with light. The clip appears slightly off the center (but it doesn't matter to me). There were small fragments of chipped off ebonite material in the barrel. The cap opens in exactly 2 turns. With cap posted: Barrel is quite thick and the pen looks very sturdy: Nib: The junction of nib/feeder and section is beautiful. Deccan logo (stylized D with stars): It is quite comfortable to hold in hands while writing. I will use the pen for a couple of weeks and follow-up with how the nib writes. My favorite writing style of nib is a fine nib that puts down a wet line. I will do whatever tuning it takes to suit this pen to my regular writing need. Please share your pictures of this pen if you have.
  6. Introduction: Ranga recently held a group buy of this new model on FPN (https://www.fountainpennetwork.com/forum/topic/351924-ranga-handmade-pens-introducing-splendour-model-in-striking-stripes-colours/). Deeming the designs and colour options attractive, I went in for a blue-pink model. I requested Ranga for a customized model which has the cap of the rounded variant and the body of the torpedo, which Mr. Kandan from Ranga was happy to accommodate (on this note, it is always a pleasure dealing with Mr. Kandan). The pen arrived in due time (with the transport time being a bit longer than usual due to onset of nation-wide lockdown). It came in a typical Ranga pen case with an extra "oliver" brand basic plastic pen. the packaging was sans frill and practical, which I like. My thoughts on the pen itself are summarized below. Appearance & Design - This is a imposingly attractive looking pen that commands attention…the stripes are striking, as is the size. The blues and pink/purples really stand out. Design is classic and sans frill – just a rounded cap design with a sensible looking gold clip and a torpedo shaped barrel [as mentioned in the intro – this is a hybrid design – the off-the-shelf designs will have either rounded or torpedo (or flat with conical top) finish on both and bottom]. No finials, cap rings or any other ornamentation. The looks are of reserved elegance letting the acrylic pattern take centerstage. Maybe Ranga could try a variant with a thick cap ring – it may work. The #6 nib does seem proportionately small given the size of the pen. Construction & Quality– It is well-finished to a soft sheen on the acrylic. The build quality is typical of the Ranga stable – sturdy and attentive to detail. There is no wobble when the cap is secured, which, as a new twist (pun completely intended) for Ranga (at least to my experience) takes only one turn to close or open. That’s awesome for something I intend to use always as a desk pen. To nit-pick, do note that since this is a completely hand turned item, you may notice some turning marks when the pen is held to harsh light, like direct sunlight. To me, this adds to the charm of the pen and makes it feel more like a handmade item. Some may find this a minor irritant compared to industrial finishes. Weight & Dimensions This is positively a very-big pen. No seriously, its huge. Right now, it’s the biggest pen I own. However, strangely enough, I wrote through 5 pages of Ginsberg’s Howl just to test for fatigue and there was none. The uncapped weight however, is very manageable given the lack of metal in the barrel (other than the nib), weighing in at much less than an ounce. I do not think it would make any sense to even consider posting (though it is very possible and secure). The dimensions are below: Length; weight (capped): 170 mm (6.7”); 37 gms (1.3 oz) Length; weight (uncapped) : 153mm (6.1”) (measured from tip of nib); 23gms (0.8 oz) Section length : 30mm (1.18”) Section diameter: 13mm to 15mm (0.5 – 0.6 inch) [this information is from Ranga directly. The rest measured by me). Some comparison pictures are below: This is what it looks like next to the TWSBI 580 AL and the Pilot Justus - both quite large pens at around 145-150 mm (5.8-6"") posted. Nib & Performance - It has a very well-tuned Bock nib (I opted for an M) that wrote well right out of the box, both in terms of smoothness (very smooth, with just enough grip on paper to control the handwriting) and flow (wet without being gushy). Only one of the several inks I tried till date - Krishna sea @ night – gave me some problems with hard starts [i badly wanted this ink to pair well since both the base and sheen colours match the pen . But may be this tiny issue will also sort out over time as these things often do]. The #6 nib does look proportionately small for the body – a number #8 would be nice; but the Bock #8s are only in gold (which I deemed too expensive) and Ti (colour whereof would not match the gold clip). Filling System & Maintenance – This is a “3-in-1” filling system (C/CC which can be eye-dropped) which is common for Indian hand turned pens with German units. It comes included with a Schmidt international cartridge which means its easily replaceable down the road, and can be swapped for a whole bunch of cartridges. The body will hold almost 5ml of ink if eye-dropped, which is insane if that’s your thing (I like to keep at least 4-5 pens inked at a time, so prefer CC for the lower ink volume). Cost & Value – I paid the equivalent of about $85 at current exchange rates on the group buy. For an oversized hand turned pen in premium resin with a bock, this was a great deal. Even with the normal (non-group buy) price, it would still be a very good deal. Conclusion – Once more Ranga hasn’t disappointed. The pen is a great addition to my collection, and is a good option for anyone who likes (a) large pens, ( thick sections © striated resin patterns and (d) understated classic designs.
  7. So here are some thoughts on my two Kanwrite Heritage pens - One in Green marbled pattern and the other in Blue marbled. One with a Fine nib (currently the blue, but it changes), and one with a medium. I will also talk a bit about writing with the KW Fine Flex nib which had brought separately for another pen (this is I think the same nib as the Noodler's flax pens). TLRD: the pens are great value for a price of under $30; the nibs (and feeds) and ergonomics are the real stars. Filling mechanism is dependable. The body is pleasing to the eye albeit without feeling premium (but acceptable quality for this price). Review: Intro and Choices available. The Kanwrite Heritage is a largish piston filler pen from Kanwrite or Kanpur Writers, a pen nib manufacturer based out of Kanpur, India. The pens come into a huge variety of colors, solids, translucents and certain marbled patterns. I find the marbled patterns the most pleasing to the eye, and out of a shortlist which also included the excellent looking red marbled variant, I chose the green and blue marbled versions (mainly because I have an OCD of matching inks to pens, and I have (and write with) a lot more of greens and blues than red. Another combination that I personally would wish to see would be one with a black cap and burnt-orange body - I think it would look great on this pen. I haven't seen one around, but if you wish, the there are black pens and burnt-orange pens readily available for a cap-swap (if you are willing to be stuck with another pen with the reverse combination...). Kanwrite makes their own nibs, and as I will talk in detail below, they are generally very good. They have a huge variety of nibs, not only the usual F,M and B, but unusually for the sub INR 2000/USD 30 market, they also offer EF, BB, Fine flex, and an extra-fine flex also. All choices, however, may not be available with all retailers. They also have a 14K gold nib which looks very similar to an Aurora 88 and is excellent (however, I find the gold nib an overkill for a pen in this range - I would get it for a custom hand turned pen (as I have), for which there are lot of good options in India. To make matters easier, Kanwrite will send you the nib, on your request, pre-fitted into a Bock or JoWo housing. Appearance & Design (1-10) – 8 The pens come in marbled plastic bodies with gold accents. there is a thick cap ring, a clip supported by a visible clip ring and a ring between the barrel and the cap protecting the piston knob. Uncapping the pens, one finds an ink window (very useful since its an opaque body piston filler) rimmed by two more gold rings, cap threads and a girthy and reasonably long section that slopes down gently and flares slightly, but abruptly near the nib. Both the marbled patterns are quite attractive, to say the least. These are injection moulded CAB plastic though, not PMMA/ acrylic, let alone hand turned, so lacks the visual depth and chatoyance of marbled resin. The marbling is on the surface itself and does not glow from within like the latter material. That said, I find it very pleasing to the eye on its own right. The marbled patterns are multi-colored (not just white, but veins of other colors too) and this creates various points of interest while looking at the pen. From a design perspective, whether consciously or otherwise, there are some similarities wit the Aurora Optima family of pens; especially the shape of the clip and clip ring, the cap band and bands on both sides of ink window and above the piston knob, and, the size and placement of ink window itself. These are not unique design concepts however, and the pen retains enough individuality to stand apart as a unique design. For one, it is more than a full centimeter (about half an inch) larger than the Aurora (coming in at 140cm closed to the Aurora's 127) - a much nicer size for my preference. Also the piston knob cap and top finial have the same color as the rest of the body. But the most 'interesting' departure is the shape of the top of the cap - instead of a regular softly squared off design, Kanwrite has gone for a slightly weird reverse cone top sitting rather awkwardly over the clip ring - I am not sure it works as a design choice - it seems stuck on as an afterthought. Nevertheless this is a substantial looking, attractive pen. Apart from that off-putting cap-top, everything comes together very well. the choice of gold accents work well with the marbled colors. the nib is perfectly proportional to the body. the proportions of the various segments and the angles and slopes are spot on from any angle. Interchanging the caps makes for a fun look too! 2. Construction & Quality (1-10) – 8.5 Coming back to the CAB plastic material, it doesn't feel as dense and premium as resin, but it is indeed sturdy and durable. At this price point, you are not likely to get premium materials - though some stuff out of China can feel as though they are)The same can be said of the metal trims - well if they are metal at all - apart from the clip, I am not sure. But the plating seems well done and likely to last. The pen looks like it can take rough use and that is the most important thing at this price range. None of the components or the pens as a whole, feel 'cheap' (though you probably couldn't fool anyone its high end either - unlike the case with some Moonman/PenBBS pens in the same range. opening the cap reveals a plastic knob to activate the piston. The knob and the piston itself are clear(ish) plastic - again nothing fancy, but feels solid and up to the task. Weight Dimensions & Ergonomics (1-10) – 9 This is a largish pen without stepping into the oversize territory. To get the numbers out of the way, these are: Length capped = 140-141 mm (5.5") Length uncapped = 129-130mm (5.1") Length Posted = 161 cms (6.3") Ink window = 5mm (0.2") diameter at section = 11-12mm (0.4 - 0.5") weight capped/posted = 21gms weight uncapped = 15 gms Here is a comparison of the pens posted and unposted: I like pens which I can comfortably use unposted, and this usually means a sweet sweet between (capped/ uncapped) 125/135mm and 150/160mm - so this is right in the sweet spot for me. Here is a comparison with some other pens of this price range range that I find very comfortable to hold (well, probably a stretch including the TWSBI in this price range, but what the hell!) the pens are also very light and the caps do not add much to the weight if you are fond of posting. Ergonomics is one area, where, at least for me, the pens really excel. They just has that right combination of length and light-weight to act as an EDC. The pens balance well in the hand, whether un-posted or posted (which they do securely) and the section shape and girth are comfortable for me also. Well to nitpick, I'd have have preferred a more gentle upward curve to the rim (nib-side) instead of the slightly abrupt ridge; but this is relevant only for those, like me, who hold the gen very low. Even then, its not uncomfortable as such (since the ridge is not sharp), but you know its there. Nib & Performance (1-10) – 9.25 The nibs are broad shouldered understatedly attractive Indian #35 (#6 type) nib and is perfectly swappable into Bock or JoWo housings (and vice versa, I would assume). In fact the same KW nibs are offered pre-fitted in Bock or JoWo housing by Kanwrite. Since there are two nibs on review, I will discuss them in turn: The fine is about a half a size finer than a typical Jowo or Bock fine (though some Bock fines I have used are similar) - its similar to a sailor MF. It has a pleasant sort of feedback but is not scratchy or unpleasantly toothy. with very dry inks (like my Krishna Ghat Green), the sense of toothiness may increase so better to use with well lubricated inks. I really do like this KW fine very much - with a Pilot Iroshizuku or Sailor Shikiori inks, it really shines. the nib has is quite hard, though it has slightly more spring than a jowo - about same as a bock. the feedback this nib gives is excellent for a controlled handwriting. The medium is closer to a JoWo medium but probably a hair finer; hence a more typical medium line width. It is smooth and tuned very well right out of the box. There is nothing to dislike about the medium nib Between the two, I personally prefer the fine by a hair's width, but that is just down to writing preference. Many will prefer the medium. Both nibs wrote well out of the box. Both pens were tuned very well for optimum wetness. The feeds are thick ebonite ones which seems to regulate flow quite well; though there are very occasional overly wet starts when the pen has been moving around int he bag (this is common and not a problem) Nibs are easy to change out as the whole housing disengages by unscrewing it from the section. Kanwrite nibs, where available, are quite affordable. As a case in point - I had also (earlier) separately procured a KW 'Fine Flex nib'. It is probably the same as used in Noodler's flex nibs. I wouldn't use it for these pens as it steel colored (though these are also available in two tone) while these pens have gold trims. I am currently using it in a Moonman T1 where it performs very well (though only after I adjusted the Moonman feed to supply the extra flow required). In hindsight say the extra-fine flex would have been preferable for exploring the full breadth of line variations possible... Filling System & Maintenance (1-10) - 8.75 It is a piston filler; which while (thanks to the Chinese) is not exactly unheard at this price point these days, is nice to have. The piston works smoothly. I get about about 2ml ink into it per fill (give or take) which I think is quite optimal - more than that is probably not ideal for someone like me who has more than one, couple of, quite a few pens inked at one time! Cleaning thoroughly is possible as disassembly is quite easy. the plastic knobs feels a little flimsy but its protected, and not something would need heavy handling. Cost & Value (1-10) – 8.5 In India, the KW Heritage is likely to cost around INR 1700-1800 (about USD 25); but expect to pay about $5-10 more if buying outside India, which is understandable because of customs, logistics and shifting exchange rates etc. While at this price, it is most certainly a 'good' value, the exact score is a little tricky, because, frankly, getting a great value pen at around $30 is no longer unheard of (as it was a few years ago) due to the introduction was several great models at this (or even lower) price points by the likes of PenBBS, Moonman and Wing Sung (among others). For example: 1) Moonman T1 is a piston filler made of attractive anodized aluminium which feels more premium in build but is cheaper 2) The materials in PenBBS piston, vac fillers and other special-filler pens (especially the quality of acrylics used; and also metal pistons, vacuum plungers etc) such as the 309, 456, 355 and 500 feel more premium and 'high-end' So, as a value proposition, it would not be fair to say that the KW Heritage is miles ahead of the competition. However, and this is a big point, at least for me, I feel that the nibs in these pens are at a different class from all the Moonman & PenBBSnibs I've tried. I've had to change the nib on every, but one, of my PenBBS+Moonman pens into JoWos/ Bocks (or in the case of the T1 - the KW Fine flex!) . I found those pens to generally have dry and less than satisfactory feeds as well - no comparison to the one the one on the KW (ebonite or otherwise) in terms of flow regulation. Some may like these pens out of the box, but for those opting for a nib change, that's an added cost to be factored for these Chinese pens. Another thing is that Kanwrite provides various nib options from EF to BB as well as F and EF in flex. Most Chinese pens at this range come only in a couple of widths (F and one of EF or M). So, overall, considering the writing quality and nib options, this is still an extremely good value. Conclusion (Final score, xx/6) - 8.55 I find these pens to be good looking, sturdy and comfortable to write with. They are dependable and affordable. They write very well every time. So overall, I would recommend these pens heartily as an EDC or for your collection. Some writing samples showing the line widths of the various nib sizes I have are below:
  8. the main review is below. This is an Indian notebook called ITC classmate which is dirt cheap and exceptionally fountain pen friendly - doesn't feather or spread with the worst offenders (in my case, Noodler's 54th Mass for spreading, Noodler's forest green for feathering); dry time is quick but inks retain their vibrancy and shade nicely. Only strikes against it is that it doesn't particularly help with sheen and its not bright-white (there's a slight red tinge to the pages). Anyway, enough about the paper. This review was written with a PenBBS 480 with a Mini fude F nib. Really its more like an M. Writes wetter than normal. Note: the color balance is off in the top 5th of the page - probably due to paper not being totally flat. The ink in that area looks murkier than in real life. Here are some comparisions to other browns (Kiowa Pecan is similar, Yama Guri, not really). Also how the inks looks on blobs, swatches, smudges and dry times. Overall thoughts: It is a very nice brown, rich color with shading variations and possibilities of sheen (and a nice ink even without the sheen); with good flow, quick-ish dry times and no major drawback as far as I can see, except the tendency to stain clear plastic (though not sure if it was just that one cartridge converter). Will be receiving some Clairefontaine and Tomoe River shortly (I am out of stock now and all but essentially deliveries are closed due to C-Virus). Will check on sheening then. The pooled ink drop shows some green sheen around the rim of the darker area.
  9. Brand: Ranga - Model 9B in red/black swirl premium ebonite (design P6 as per their catlog) Ranga pens is an Indian maker of hand turned fountain pens of great quality. As many regulars are aware, the brand was founded by the eponymous Mr. Pandurangan, who has been making fountain pens for half a century and the business is now managed by his son, Mr. Kandan. They are pretty well known for their ebonite and acrylic hand-made models, both in India and the international market. ______________________________________________________________________ Appearance & Design (1-10) - 9.5 I already knew I will like the looks of this pen when I ordered it. But even with such high expectation, the actual item was a very pleasant surprise. The pen is really a looker - simple timeless cigar design - smooth uninterrupted curves, and the subtle lustre of premium ebonite. The cap and barrel have a seamless continuity when capped. Uncapped,there is a step into the long and much slimmer section but it looks very aesthetic (and is very comfortable despite the step down as discussed later). the swirly red patterns continue from the barrel seamless into the section. Surprisingly, when the cap is posted most of the swirly patterns seem to continue into the cap as well. I do not know how that is possible, so hats off to them for this (they warned me over email that this continuity is not guaranteed as ebonite behavior is not perfectly predictable when turned, but pulled it off anyway!) This way, the pens look homogenous and seamless when both uncapped and capped. I may have preferred a more substantial clip than the one provided but that is a very minor nitpick. Construction & Quality (1-10) - 9 Nothing to fault. At all. if being very difficult, then I would say only that I wish it uncapped faster than the 3 whole turns it takes. Otherwise the ebonite has been finsihed beautifully. There is no blemish of the pen body and everything just feels solidly and thoughtfully executed. the soft-polish finishing of the ebonite surface is expertly done. When capped, the line between cap and barrel is well nigh invisible as the design intended. This is a luxury item at a non-luxury. A perfect item to gift oneself or someone else who loves well made things in general or pens in particular. Weight & Dimensions (1-10) - 10 Length - 155-156mm capped and 136mm uncapped (about) Weight - 31 gms capped; 20 gms uncapped This is LARGE pen. Currently the largest pen I won (given the wow factor of this one, I wonder how massive the giant variant would look! - a proper 'power pen'). Below is a picture with some of the other pens I won. It is slightly taller and much beefier in girth than other larger sized pens in the ~ 150mm length like the pilot Justus and the penBBS 380/ 456. But, for its size, its incredible light, on account of being made of ebonite and having no metal parts except that small clip. At 31 gms (20 gms uncapped) the weight is very comfortable and would cause no fatigue for long writing sessions. I am been using it continuously since receipt and it has never caused me discomfort. In fact, the girth of the barrel makes it rest very comfortably on the web between my thumb and forefinger (for the same reason, I never found very slender pens too comfortable). 10/10 - I wanted a large impressive pen without the off-putting weight and that's what I got. Nib & Performance (1-10) - 9.5\ ​The supplied nib was, as per my request, a chrome coloured JoWo #6 steel nib. This nib wrote brilliantly out opf the box - like a typical Jowo M, it was a stiff nib, about a 0.7 mm line and very juicy. No problems there. Then I realized I have a spare 21K Sailor rhodium plated Broad (H- nib from an old Pro-Gear pen whose barrel had cracked at the threads a few years back. This nib had been converted to use in Fountain pens accepting Jowo #6 housing by means of a converter-housing from flexiblenibs.com. So I thought I will make my own Ebonite KOP variant! Out went the supplied JoWo nib and housing and in went the Sailor nib in Jowo-compatible housing. My goodness, how smooth this is. I remember this nib was a mighty fine one, but I don't remember if it wrote SO wet and SO smooth in the old sailor pen. It was the smoothest writing experience I ever had - not smooth in the off-putting glassy sense - but in the sense that you fell that you gliding on roller skates over the paper. Maybe the line is a bit too broad and bit too wet for some uses (fast writing, annotations etc.) but I have many mediums and fines and only this and another Japanese broad - so I don't mind. Though I have a feeling part of the extra wetness is basically I had rinsed the nib and feed in photo-flo solution before using (to be investigated further). Filling System & Maintenance (1-10) - 8.5 Nothing fancy here - it came with a cartridge converter and is ebonite with ebonite section threads, hence eyedroppable. I tried the converter. It worked. end of. However, because the Sailor -JoWo compatible adapter housing does not accept CC, I have to use it solely as an eyedroppable pen. There was no o-ring but I had one handy that fit over the section threads and applied some TWSBI silicon grease to the threads as well. It works well with no leak. Cost & Value (1-10) - 10 It is easily worth its asking price and then some. As I remarked earlier - this piece screams bespoke luxury at a very affordable (for a hand made item) price. Conclusion (Final score : 9.4) -An unmitigated masterpiece. This pen can be appreciated both by fountain pen afficianados and even others who just appreciate something made well with care. This was a hit among my colleagues most of whom couldn't care about writing instruments beyond getting the job done. I am already plotting my next order from Ranga!
  10. Hello FPNers, I just received my pens from Fosfor Pens. Wanted to share my first impressions with all of you! This review will not have any ratings. All I can tell you is, I simply love these pieces of art and highly recommend Fosfor Pens... Pen #1: - Parker Duofold style flat top pen with roller clip - Material : Vintage Mazzucchelli Cebloplast - Length : 138 mm capped, 128 mm uncapped, about 170 mm posted - Width : 13.6 mm at the barrel-cap threads - Nib : Jowo steel, Extra Fine The pen is beautiful, just magnificent. You can keep staring at the material, the depth is so amazing. Pictures taken by Manoj- Well, this pen, in a matter of seconds, became one of my favorites. Manoj has cut very smooth triple start threads and the cap takes just 2 turns to disengage from the barrel. It's polished so well. I asked him for a Jowo Steel EF nib and it had feedback, not scratchy, but just feedback. I smoothed it out and it is a joy to write with. It's wet and smooth, but puts down a precise line on the paper. It's a cartridge/converter filling system, but can be used as an eyedropper too. I am not used to writing with Extra Fine and Fine nibs, so I find it a bit difficult to get used to. Pen #2: - Parker Duofold style flat top pen with roller clip - Material : SEM Black Ebonite with Himalayan Cedar inlays on the cap and barrel ends. - Length : 138 mm capped, 128 mm uncapped, about 170 mm posted - Width : 13.6 mm at the barrel-cap threads - Nib : Jowo steel, 1.1 Stub (my all-time favorite) Many may brush aside this beauty thinking this is just another boring black pen...but hold on! There is something interesting, the cap finial and the barrel end have Himalayan Cedar inlaid to them. And the wood looks beautiful, it's a very good contrast. I contemplated about the inlay work, looked at some plastics with interesting patterns, but nothing enticed me more than the organic feel of the wood. But picking the type of wood to use was a challenge, because we have a very small surface area to show the grain. Manoj suggested that we use Himalayan Cedar which has good grain, some yellows, browns, pinks and reds. I am glad to have followed his suggestion. The pen is very beautiful. This has the same triple start threads like the other one has, but the threads don't feel as smooth, may be because it's ebonite. I just put some silicone grease and it helped a bit. Filling system is the same as on the other pen. Pictures taken by Manoj- This pen has my favorite Jowo steel 1.1 Stub nib. Its a great nib, smoothing it a little bit only helped. Usually the 1.1s have a scratchy diagonal upstroke (at least my experience with many of them). So I used some micromesh and it now writes like a dream. Writing Sample: My thanks to Manoj...he is an awesome penmaker, and his patience is remarkable. A lot of care has been taken while polishing, attention to detail is excellent. All my requests to him till now take numerous phone calls and emails, but he has been very patient and is always open to suggestions and challenges. If I could change something, it would be to increase the length of the cap and barrel by a couple of mm, in all make it about 145 mm. Hanging around together- Will post a review of another pen soon. Thanks for reading! Regards, Raghuram.
  11. It’s nearly 3 years since I reviewed a pen that had (at that time) just arrived on the market – the Fountain Pen Revolution ‘Himalaya’ – and in that time I’ve added a few more to my collection (the number now stands at 5!). It’s one of my favourite low(er) cost fountain pens, it’s elegant looking, it writes well… The one thing I felt could be improved – and I guess I’m not the only one who relayed this to Kevin, the proprietor of FPR – was the size of the nib. As smooth as FPR’s #5.5 nibs are to write with, I just like the look of the larger #6 nibs better. So you can imagine my delight to discover that, in addition to the existing #5.5 nib version of the pen, Kevin was releasing an additional version with #6 nib. I ordered one the moment they went up on the website, and have been using it now for a couple of weeks. Because this is not a brand new design, I’ll try to keep the review a bit shorter – you can find my review of the original version of the Himalaya at https://www.fountainpennetwork.com/forum/topic/313017-the-himalaya-from-fountain-pen-revolution/ (and just to be clear, this version is not going away – it will continue to be produced “as long as there’s continuing demand”. [Disclaimer: though I have received free review pens from FPR in the past, this pen was purchased with my own money – in either case, the views expressed in this review are entirely my own.] ______________________________________________________________________ Appearance & Design Both versions of the Himalaya are now available in two materials (acrylic and ebonite), with multiple colour options. The acrylic versions come in 10 different colours – mine is called ‘Purple Amethyst’; while ebonite versions of the pen are currently restricted to a green/black swirl and a brown/black. Whereas the #5.5 nib version of the pen was only offered with a chrome trim (and this continues to be the case), the #6 sports a gold clip and cap band, and by default comes with a dual-tone (gold and chrome) nib. The swirled acrylic of the Purple Amethyst pen – like the other acrylics I’ve purchased in the old version – is very attractive, with a lovely ‘chatoyance’ that leave you feeling like you’re staring into the depths of the material. I like the slight tapering of the pen towards the top of the cap and the bottom of the barrel, that gives it a more ‘curved’ look – as opposed to the ramrod “straightness” of the FPR Triveni. … Construction & Quality The pen feels sturdy in the hand, is expertly turned, and has no rough patches or visible flaws. My older Himalayas are by now (up to) 3 years old, and none have shown any sign of cracking or discolouring. The clip is sturdy, and is tight enough to hold the pen firmly in a pocket, but springy enough to be flexible. The threads are smooth, making the cap (and barrel) easy to open to pull the pen apart. I have to admit there are a couple of minor ‘blemishes’ as regards the fit and finish of the pen – though for the price, these are understandable, and do little to affect my appreciation of the pen: (1) There was a slight scratch on the metal cap-band when the pen arrived; and (2) The machine marks left in the acrylic by the process of turning the pen have not been fully buffed out. It’s not really noticeable except when the pen is illuminated for photos – but in the strong sunlight (or under my Ott-lamp!) I could see lots of superficial scratching on the surface of the acrylic. [Then again, since I don’t really baby my pens, that wouldn’t have taken long for me to accomplish myself!] I feel compelled to say that I would have preferred this pen with a chrome trim – I like the look better than gold – and I’m told that a chrome version of the larger pen may eventually become available, if there’s high enough demand. I was pleasantly surprised, though, to find that in the hand the gold trim didn’t bother me – and the dual-tone (chrome-edged gold) nib looks really good. … Weight & Dimensions As with its predecessor, I’d classify the new Himalaya as a ‘Medium’ sized pen – though both the grip section and the cap have been extended to accommodate the larger nib. It’s very comfortable in the hand, and long enough to write with either posted or unposted. Lengthwise, the pen is 138mm long capped, 127mm uncapped, and extends to ~165mm when posted (as compared with measurements of 134mm, 121mm, and 152mm for the original pen). It weighs in at 16.7g (10.7g uncapped) – though I expect this would be a little heavier for the ebonite versions. The cap diameter (not including clip) is 14.5mm at its widest point, the barrel diameter sits around 12mm, while the grip section (19mm long) tapers down from 11mm diameter near the cap threads, to 9.5mm at its narrowest… before flaring out at the end to 11mm at the lip. This makes for a very comfortable writing experience – at least in my hands! … Nib & Performance This obviously is the big difference between the original Himalaya and the new version (other than the gold trim). The #6 two tone nib sits against a 6.3mm ebonite feed – both of which can be replaced. Other #6 nibs (JoWo, Bock, Jinhao etc) can easily be swapped in and out – and the ebonite feed can easily be heat set to ensure a close fit. I ordered an Ultra-Flex steel nib, and inked it up with Diamine Robert, a high sheening ink only available at Cult Pens. The slightest pressure causes the tines to split, just marginally, allowing the pen to lay down a rich line of ink – and additional pressure easily produces broader lines. FPR nibs are consistently good (with the possible exception of their 1.0mm stubs, which tend to write like an Extra Broad rather than a stub!), and their Ultra-Flex nibs (I now have 3) are amazing. … Filling System & Maintenance The new Himalaya relies on the same filling system as the old: a push-type piston filling mechanism, similar to (but smaller than) the system Nathan Tardif uses in his Noodler’s Ahab. Its capacity is (I think) around 1 mL – which will run out relatively quickly with a flex nib! – but it can be removed to convert the pen to an eyedropper, allowing for a much larger ink capacity. As I’m aware, it’s not possible to use standard international (or other) cartridges with the pen – but you *can* buy replacement filling mechanisms, if you accidentally drop the original down the sink (don’t ask me how I know this: it should be obvious…). … Cost & Value At US$32 (plus postage, plus extra if you want a B, stub, or flex nib), the #6 Himalaya is very reasonably priced – especially for an acrylic or ebonite pen. The older Himalaya still has a base price of $29, which is equally impressive. The FPR Triveni has jumped significantly in price recently – and in my view is not quite as aesthetically attractive (I own several of these too). The #6 Himalaya, for me, has now become the best pen in FPR’s range. … Conclusion I’ve been a long-time customer of FPR, and am a fan of their customer service – so it would be easy for me to be biased when it comes to their products. For mine, though, this is an excellent pen. It’s not as well “finished” as some of my more expensive pens – but for the price, I think that’s excusable. The Himalaya is attractive, fun to write with, highly serviceable… and in every other way a worthwhile buy. Thanks, Kevin, for listening to customer feedback, and making the #6 option on this pen a reality! …
  12. Hey I would really like to buy an ebonite pen, but my budget is really low. Say around 700-1000INR. Is it possible to get one in that range? And if yes, which one and from where? Anurag
  13. Here's what happened- It was 12:30 am, on Saturday night. I was browsing fountain pens online, and drooling over them as I have been for a while. I come across this kerala based website that sells vintage pens online. So I eagerly looked through their contents and was quite impressed with what they carried (Parker 21,51,45, vintage shaeffers, etc.) and also the prices. So I decided to order something. I was eyeing the Parkers, but the good colours were out of stock, and also, I wanted to check their legitimacy before putting too much money on the line, (I am a student living in a budget afterall). So I started looking at the cheaper options. I contacted their customer service WhatsApp number and asked if they delivered to my location. I came across a Indian made Pilot, with their #2 nib for a very reasonable price (it was teal in colour, really liked that). I decided to place the order. I received an email with their UPI id and payment information. I made the payment. However, I checked my order page on their website, and it said that my payment hasn't been confirmed and the order is on hold. Concerned, I reached out again to their '24 hour customer service' number, as mentioned and raised my issue. He blatantly refused to answer my question, and informed me that sales questions are not answered weekends, and told me to contact them on monday-saturday after 10 am. I chose to put my faith in him and waited. Today however, seeing that my order was still ' on hold' I reached out to the number again, this time it was Monday, and it was around 3:45 PM. An interesting thing happened. He lashed out and texted, and I quote "Give me your upi ID - You placed an order on weekend, that too in mid night , and keep bugging us - We are on a vacation since it's a holiday in Kerala for two days - So get the payment back to your upi or paytm -I will cancel order form my end" He had never informed me about any holidays, or their office being closed, or anything of that sort. More over they advertise their customer service to be '24 hours'. I had no problem in being patient, I would've totally understood if they were in a vacation or had some other issues even, but without information, how am I supposed to know whats going on? Was this kind of service given to me because I ordered a relatively inexpensive pen? Or is the customer service supposed to treat the customers as a nuisance? Honestly, I just wanted to buy some nice vintage pens from this new source I found. But for the first time in my fountain pen journey, I've experienced such an attitude. I would still recommend them to others, maybe if you order something expensive, they'd treat you well. But I'll surely warn them about how 'antikcart.com' treats their customers like pest. As for me, I'm never ordering anything from there. This was by far, the worst experience I've had involving fountain pens. Regards, AnuragTukan 15/4/19
  14. I have been thinking about mixing relatively inexpensive inks from India to produce something I can use in my writing. I have to be conservative with my choice of ink for official use- only black/blue-black, and my writing should be somewhat impervious to water damage. In my personal use, I prefer a vibrant, unusual blue ink. I have two ink mixes ready for experimentation. I. 3 parts of Daytone Turquoise Blue + 1 part of Camlin Royal Blue = Custom Blue. II. 3 parts of Daytone Calligraphy Black + 1 part of Camlin Permanent Black = Custom Black. The first photograph below is how the inks behave in different pens on ordinary 75GSM copier paper. The next photograph is the result of water resistance test done after 12 hours of writing. The paper is kept under the stream of tap water for 1 minute and then submerged in a mug of water for 30 minutes.
  15. Hi ... I am looking for reliable Indian websites that are selling FPs and Inks internationally ....I tried penhouse.in to buy inks but unfortunately they declined my visa card as it was international and not an Indian visa card although I used an Indian shipping address ... I hope to get some good thoughts from you Mustafa
  16. sajiskumar

    Flair Mini Fountain Pen

    Hi, It is a small fountain pen from an old Indian brand named Flair. The aerometric filled pen has gold plated fittings - Clip, Cap Finial , Barrel End and a wide Barrel Ring. It has a gold plated tipped nib, engraved with "Flair Duranium". Though the section length is 25 mm long, part (8 mm) of the section is hooded under the gold plated barrel ring. The pen writes smooth with little bit feedback. Compared with Jinhao 159 Specifications: Weight - Capped : 13.00 gm Weight - Uncapped : 8.00 gm Length – Capped : 108.75 mm Length – Uncapped : 98.00 mm Length – Posted : 127.00 mm Length – Barrel & Section : 8.50 mm Length – Section : 25.00/17.00 mm Length – Cap : 45.75 mm Diameter – Cap : 8.30 mm Diameter – Barrel : 8.30 mm Diameter – Section : 7.60 mm Filling System : Aerometric/Proprietary Ink Capacity : 0.75 ml Nib : # 5 GP Stainless Steel "Duranium" Tipped Feeder : 5 mm Ebonite Thanks for reading, -saji
  17. Hi FPNers, I have been a member here a for a long time. My passion to fountain pens took me to launch a new website, which sells Indian pens (mainly KIM ACR Handmade Ebonite Fountain Pens). Please visit http://www.kiwipens.com and get the website launch offer (up to 15% off). Thanks -saji
  18. jacobgmusic

    Serwex 1362

    Serwex 1362 Red, FPR 1.0mm Stub nib The Serwex 1362 is a cheap ($6), Indian made pen sold by Fountain Pen Revolution. This pen is actually a pretty nice writer. I am always looking for new pens to review!
  19. Hello Every body Greetings from Kolkata. Just a couple of days back I received a parcel from Tiruvanthapuram, India containing 03 vintage Indian fountain pens of Polite Brand. The gentleman who sent the pens told me that he had received the lot from some body who had got these pens from a shop in Tamilnadu, which has closed down at least 40 years back. I have checked the net but got no clue about Polite Brand of pens. I am posting a few pics of the same Regards Somnath
  20. A few weeks ago I picked up an Airmail/Wality 69eb, marketed as the Airmail Ebo from Fountain Pen Revolution, because I needed some silicone grease and because I wanted to take advantage of FPR's 20 percent off sale. I only paid 16 dollars for this pen, and I have really enjoyed it. It has been a great workhorse these last couple of weeks and has earned a spot amongst my favorites. I really enjoy the pen's styling. Its cigar shape and ebonite body give the pen a vintage feel. Indian pens, specifically the handmade ebonite eyedroppers, have always invoked nostalgia. This pen is no different. The Airmail 69eb is a large, but not oversized pen. Here it is next to a Metropolitan, Al-Star, and Ahab. It is a comfortable pen to use posted or unposted and is very comparable in size to the Ahab, just slightly thinner. I have read mixed things about Wality/Airmail nibs. My nib gives decent feedback but is not at all unpleasant. Sometimes it feels like writing with a nice pencil. Sometimes I enjoy the feedback on a workhorse pen as I am usually writing quickly and the feedback helps keep my writing more legible. The nib is marked "Special Wality, Tipped Fine" It writes a very fine line with Pelikan Royal Blue. The only other eyedropper I have experience with is an Asa I Can and that is a rather wet pen. Royal Blue tends to be a dry ink so I thought it would be a good choice. The Airmail 69eb does not seem to be a very wet writer and with Royal Blue is a great choice on cheap, absorbent paper. I scrubbed the nib and feed before I inked it and I haven't had any flow issues, hard starts, or skipping. It writes a consistent fine or extra-fine line. The build quality of the pen is good. All of the threads are nicely cut, the nib and feed were nicely set, and the clip works fine. Mine has some small fit and finish issues. The cap band extends below the ebonite material of the cap and is fairly sharp. Sometimes it gets caught on my pen case when I try to slip it in and I am afraid it is going to ben and scratch pen's body. Also, the threads, though nicely cut, must have a sharp edge or bur because they gathered some paper towel material when I wiped them. That is really not a big deal because they feel fine on my fingers. Moreover, while I have read that the pen is handmade, the section is not made of ebonite. It has the feel and odor of vegetal resin. I am not sure how much of this pen, if any, is hand turned. It was only 16 dollars. I do wish the section was made of the same ebonite material as the body. Overall, I really like the pen. For 16 dollars, something like the Pilot Metropolitan gets you a pen with nicer fit and finish, a smoother nib, and a lot less character. I really enjoy Indian pens. Perhaps it is an unfair association, but they evoke feelings of nostalgia and adventure. I bet Indiana Jones used something like the Airmail 69eb to document his travels *This is my first pen review. I apologize for the bad picture quality and the sloppy handwriting.*
  21. Fans of Kevin Thiemann from Fountain Pen Revolution will know that he’s been selling Indian-made pens for several years now – initially sourcing and selling pen from established manufacturers, before branching out to commission and produce fountain pens, nibs and inks under his own brand name. I can no longer remember when I bought my first pen from his website – it’s lost in the mists of time! – but I can tell you that I now have a sizeable collection. It’s hard to pick a favourite from among the pens, but I do have a soft spot for his more premium quality ebonite and acrylic pens – especially the Himlaya and the Triveni. Until recently, these pens both came with the ‘traditional’ #5.5 sized FPR nib – but as of January, the Triveni is has been redesigned to incorporate the larger #6 sized nibs. And it’s one of these newer pens I want to review today – the redesigned FPR Triveni Junior, in 'Dark Blue ebonite'. If you’ve followed FPR as closely as I have, you’ll know the Triveni line has undergone a number of changes over time – the first version was designed to house a plastic “Serwex MB” grip section, and typically came with a #5 flex nib. Kevin later introduced the shorter Junior version, and both were redesigned to come with their own integrated grip section in matching material… Then, more recently again, the Triveni line was redesigned to accommodate a #6 nib. Here’s a picture of four representative grip sections (with nibs) from ‘down through the ages’: [Correction: top left pen is FPR Himalaya; top right is original Triveni with Serwex grip section; bottom right = Triveni 'version 2', and bottom left = the latest iteration with #6 nib.] ______________________________________________________________________ Appearance & Design What I’ve always appreciated about the FPR Trivenis is their no-fuss, fairly straight lines. The cap of the pen posts over the top of the barrel, so the cap is slightly larger in diameter, and both cap and body taper slightly towards the ends – but it’s not a very pronounced taper. The grip section is comparatively short, but the threads for the cap are not sharp, so gripping the pen higher up is no problem. I like the aesthetic of the Triveni Junior better than for the full-length pen – the latter I find looks a little long and thin. Then again, to be honest, I like the look of the Himalaya even more (the more tapered cap I find more aesthetically pleasing) – but these are good looking pens. I really enjoy the materials, too – the acrylic Trivenis are wonderfully colourful, while the swirled ebonite pens look sturdy and serious. I *really* like the dark blue-green accents of this model – the “deep blue” version, which to my eyes is more of a teal-black swirl. … Construction & Quality The Triveni is solidly constructed and well-made. I can see some scratching on the surface of the pen, probably the product of the machining process, but they’re faint enough to not bother me. Overall the Triveni is of higher quality than the cheaper pens in the Triveni line. The threads on the barrel, and between barrel and grip section, are smooth and easy to turn; the fit and finish is of good quality. … Weight & Dimensions My new FPR Triveni is a fairly light pen, weighing in at 18.7g (with a converter full of ink) – the cap’s contribution to that is 6.8g. The pen cap’s diameter is 15mm at its thickest, and the barrel 13mm, while the grip section tapers down from 11mm to roughly 10.5mm – a very comfortable size (for me) for extended writing sessions. The capped length of the pen is 130mm, and uncapped 122mm. For my hands, the pen is long enough to write with unposted, but the posted length (~160mm) will be better for some – and given the light weight of the materials, it writes comfortably either way. … Nib & Performance I’ve always liked FPR’s #5.5 nibs, but have been impressed with the performance of the #6’s I’ve purchased more recently (I have a few Darjeelings, which use the same nib and feed) – and this pen was no exception. The EF nib lays down a fine, wet line, and writes very smoothly. The feed in these pens is plastic (unlike the Jaipur and Himalaya, which rely on an ebonite feed) – and may have a little more trouble keeping up with a flex nib. Nib and feed are friction fit into the grip section, but come out relatively easily. An advantage of the Triveni over most of the other pens made by FPR (apart from the Darjeeling) is its capacity to take a #6 nib. Though the FPR nib is a little wider at the base than a #6 JoWo nib, the latter will fit very comfortably in the pen if you want to swap one in. Here's a comparison of the new Triveni Junior to the old Triveni Jr (red swirl) and a Himalay (green swirl): And a writing sample: … Filling System & Maintenance The Triveni can be used as an eyedropper pen, and can take a standard international cartridge or converter. I haven’t tried this pen in eyedropper mode – but the converter that came with the pen works well. … Cost & Value The Triveni (and the Triveni Junior) is available from $39 in ebonite material, and from $45 in acrylic. That’s a little more expense than the (slightly more stylish) Himalaya – the most expensive in the FPR range, but still a pretty good price for the materials and the quality of the workmanship – and it now comes with the added advantage of a #6 nib. … Conclusion I’ve always like the FPR Triveni, and over the past 5 years I’ve accumulated 7 (mostly when they were on special!). The latest iteration is my favourite, though – and it travels with me almost everywhere. It's a great pen, a great writer, and well worth the expense! …
  22. What are the differences between ebonite made in Japan and elsewhere? I learned that a pen using Indian ebonite I was planning to purchase will soon be available in Japanese ebonite for about $10 extra. I'm guessing the Japanese ebonite has less imperfections/impurities in the ebonite -- correct me if I'm wrong -- but I'm wondering if it's merely aesthetic or if the Japanese ebonite is otherwise superior; for example, less likely to discolor, more durable, less prone to cracking over time, etc. I read on the Eboya (=Nikko Ebonite) site that they are the only ones in Japan still producing ebonite (with only 2 other factories in Germany and I'm assuming a few in India outside of Japan), so I'm guessing the ebonite will be sourced from them. I have hitherto only purchased resin and celluloid pens and still have much to learn when it comes to ebonite. Any info or links to threads which discuss this would be greatly appreciated!
  23. This morning I had a very pleasant conversation with Mr Rao of Guider Pen works on WhatsApp. I've always loved his pens and wanted to get a few for Christmas. He sent me lots of pictures of his current pens and I would like to share it with the wider community.
  24. Howdy folks! I am looking for a bottle of Indian Royal Blue ink which will not fade with time. I am not interested in iron gall based ink(s). I will use it primarily for taking down notes. Thanks in advance
  25. 5thhistorian

    Click Aristocrat Review

    I recently ordered a Click "Aristocrat" fountain pen from a seller on Ebay. I have purchased and used many different Indian fountain pens in the past few years, both from overseas Ebay sellers and from Fountain Pen Revolution, and am usually impressed by the value they deliver at their price point. With a Leuchtturm pocket notebook for comparison. The Click Aristocrat (for some reason, the packaging I received calls it a "Tulip", but since I'm familiar with that model from FPR's house version (the "Indus" piston-filler, I don't think this is really the Click Tulip) is a plastic cartridge-converter pen, designed very closely along the lines of the earliest Parker Duofolds. There are a number of colors available, and I chose the orange with black finial and section, since it reminded me a lot of the Parker Big Red. The build quality is of course pretty basic, but I did not see any defects. The cost, with international shipping was 10 USD. Posted. It is a lightweight pen, 16g altogether and 11g unposted. The cap posts readily on the barrel, and being plastic, has a good grip on the material of the barrel. It has no heavy metal components to throw the whole pen off balance. The nib is a fine-medium, somewhat toothy but I found it wrote well out of the box and did not need any polishing. The length is 5.25 inches capped, 6.5 inches posted, and about 5 inches unposted. The filling mechanism is a standard international cartridge converter system. Note the number of threads securing the section to the barrel. The filling mechanism was nothing much to note, as the pen has a standard no. 6 nib (I think) and plastic feed, with a nipple that accepts a standard international cartridge or converter. The manufacturer provided two long intl. cartridges of blue ink, and a basic slide-plunger converter. After trying the generic ink and finding it a bit washed out, I filled the converter with Chesterfield Zircon and got better results. The nib would be easy to upgrade but is good enough that I will probably continue writing with it for the foreseeable future. The number of threads connecting the section to the barrel invites eyedropper filling, but I'm not sure that the barrel would be insulated enough to keep ink from expanding and burping out the feed. The feed has not yet given me hard-start issues, such as I have had with other no. 6 nibs. The imprint and detail of the finish gives some idea of the material texture of this pen. It isn't hard rubber or acrylic but the plastic used feels fairly good despite its light weight. I would compare it to the Nemosine Singularity or the FPR Indus in terms of the feel of the material. In conclusion: a very distinctive workhorse pen for the price, which I intend to keep in regular rotation.





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