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I find that flexible dip nibs are very scratchy and railroad a lot. I have the following nibs: Brause L'ecoliere NibBrause 66EFBrause Rose NibVintage Gillott 404Gillott 404 NibLeonardt Copying Nib DP33Hunt 108 dipped in Noodler's inks, and Parker Quink inkon Nature's Wheat-based Paper Can anyone shed light on this and suggest solutions to get smoother, uninterrupted writing with line width variation? The first thing is I don't expect this, because these are supposed to be a useable selection of implements.

My friend got this pen from a flea market seller some time ago and gave it to me. He said he paid 100 dollars for it and it is a very nice pen in superb condition( wear is almost non existent and the color really is amazing in-person). The dimensions are 5 inches capped, 4.6 from nib to end, 3.9 from section to end, and the barrel is 3.4 inches long. The lever is a half an inch long and says "PAT.NOV.17.1925" and the clip says "Conklin PAT 5-38-1916" the imprint says "TRADEConklinMARK" and underneath "Toledo, Ohio, USA. The nib says Conklin 2 toledo and goes from a really wet fine/medium to a 3mm flexed point. Attached are some pictures of it and the pen n comparison to a pilot varsity and a fpr guru and triveni. Thanks a lot in advance for the help!

Over the last 8 or 9 years since I have been collecting fountain pens, I have changed my viewpoint on flexible nibs at least several dozen times. At first, I had to have the wet-noodle because this was a coveted nib that only few had experienced. I have never found a nib that flexible, but I have purchased several pens with very flexible nibs. Over time the novelty wore off. I found I preferred a nib with a little spring to it, but the super-flexible nibs were just not convenient to write with. Then I realized I was writing the wrong way. Instead of trying to produce width and shading with every letter, flexible nibs were meant to distribute ink with the lightest of light touches. If you look at correspondence from the 19th and early 20th centuries, people were not mashing down on the nibs getting them to bend into outrageous proportions, producing broad shades followed by razor point lines. This kind of activity was reserved for the professional penman who used a steel nib with a nib-holder to create a decorative business script. Break a steel nib, replace it with another one. They usually came in a box of 30. So what is this obsession with the flexible nib? Why, when we see some demonstration of the pen are we automatically drawn to the flexible nib, when in fact, it doesn't represent the way anyone writes on a regular basis, nor should it represent the way the nib should be used.

I recently purchased a box of brushes and in the very bottom was what appeared to be an old fountain pen. When I picked it up, it began to crumble in my hands. It seemed rather small to be a fountain pen, but when I finally got the top off (in pieces) I found a gold nib. The body crumbled, leaving nothing but the nib. The feed was also cracking. I managed to seat the nib in an off-brand fountain pen to see if I even liked it, and wouldn't you know, I love it!! It works, but not well, in the off-brand pen body. The nib is gold, has the word Eversharp in a slight bow with the words "Made in the USA" just below. Underneath that is the number 2 and the word "flexible." I would love to seat the nib in an appropriate pen body, but I haven't a clue as to where to begin. Any thoughts on where I might get a quick start on learning what type of pen I had and what to place the nib into next? Any help would be greatly appreciated! ~ Sam

Last weekend I happened to find a small vintage pen store. On offer was this Eversharp Skyline, for about $90. I was playing with it until I started wondering whether it's as considered flexible or not? Also, is the price I paid fairly worth it? I've been told that the cap is a little more unusual.

I'm 'training' with my Noodler's semiflex nib (in a Konrad), with the prospect of owning a vintage full flex (superflex?) fountain pen in mind. So I started searching for the proper way of holding a flexible nibbed pen (so I won't ruin a 100 year old pen when I purchase it) but guess what...not everyone agrees to the same thing. I have 2 sources that state exactly the opposite of each other: first is https://www.fountainpennetwork.com/forum/index.php/topic/43939-how-do-you-hold-your-vintage-flex-nib-pens/ which is a very delectable read, specifying that the vintage flex pens should be held as flat (horizontal?) as possible, meaning in between the thumb and index fingers. That's fine and dandy, but here comes http://www.vintagepen.net/how-to-use-flex-nibs.html which states that the pen should be held rested atop the first knuckle of the index finger. At least both sources agree on one thing: the index finger must be atop the pen section and the flexing is done with the index finger. How do you do it? And why? Is there a 'proper' way? Or does everyone uses the hold that suits them best? Dragoş

Hi Folks, Is there any of Pelikan nibs of size #2? I ask because I have a #2 flexible waterman nib, and I fitted it on a noodler's nib creaper. It works, but I need to slow down to keep reasonable amount of ink for the flex. If there are any Pelikan nib of size #2 I would like to get Oblique nib, because I prefer oblique over flex for daily writing. Thanks.

Hi everyone, My name is Pierre. I'm from France and I rediscovered penmanship through my 9yo daughter who has had a calligraphy course in school. My everyday handwriting is terrible, however, if I want to write nicely, I can turn nice letters and I discovered that I had an old Pelikan pen with a gold nib that would flex if applying huge pressure. The result was quite nice (to me) so I decided to go hunt for a real flex nib fountain pen (or even better, a wet noodle) and recently bought a couple of pens on *bay. I am still receiving some and the result is quite nice. I will sell back those that I am unhappy with (what is nice with vintage pens is that you don't lose much by buying and selling them because their market price does not vary that much: the most I could lose is shipping price to and fro). Meanwhile, I offered my daughter a dip pen and will present her with a nice non-flex fountain pen for her 10th birthday (pilot vanishing point) that she will be able to use during her studies (the first nice fountain pens I got were after I really needed them, so I thought that it would be better to offer my daughter a good fountain pen when she will need it most). Then, if she really appreciates penmanship (through her dip pen & different nibs), I will offer her a nice flexible fountain pen for her to enjoy quality writing. Pierre

I'm beginning to enjoy my flex pens (mainly Waterman's), but I was looking recently at Noodler's Ahab's. Now they are cheap, but I've also read the thread here that they are best when adjusted with the use of a dremel. Now I've been asking around and can't find anyone I know with a dremel, so if I bought an Ahab I would probably have to buy a dremel to make the adjustment. To do that, a cheap pen would end up being quite expensive. So, I started to search a little and saw the Pilot Namiki (for roughly the same price as a dremel and an Ahab!) and it said it had a flexible nib. I just wondered if anyone had any experience of the Pilot Namiki (saw it on Goulet pens website) and if it is just as 'stiff' to use as the Ahab. Essentially what I was looking for was a cheap pen that I could throw any ink into without worrying and sometimes I worry about certain inks in my vintage pens that have flex nibs.

I have been collecting fountain pens for 4 or 5 years. In that time I have had well over 250 fountain pens pass through my hands. I first started with fountain pens when I was a boy. My father always used a fountain pen, a MB 149, this was his only pen and he carried it everywhere, still does. He has sent it in for service over the years but he always tells everyone who asks about his lifetime warranty and he has made use of it many times. When I was 18 or so my father bought me a MB 146. I used it sparingly but at the time I was not mature enough to appreciate it and didn't care for the mess that I invariably made. 20 years down the road my daughter went off to summer camp. We sent her to an old fashioned camp on an island in the Pacific NW and the only way to communicate with her was via snail mail letters. The camp does not allow, email, text, telephone, etc. No electronic communication whatsoever. I started writing my daughter letters almost every day and I was appalled by my handwriting. Not good. I have had a computer since I was six years old and gave up on handwritten schoolwork as soon as I was allowed. The prospect of writing letters was a little daunting to me and I was definitely embarrassed by my awful script and print. I started looking for a better pen that allowed me to write more legibly and quickly settled upon a fountain pen. I found one made for practicing handwriting with a little feedback so that the pen held the paper nicely and did not shake with my unsteady hand. This event though started an odyssey for the perfect fountain pen. I started going to shows and events, reading blogs, scanning through eBay, sending pens to nibmeisters, I found this forum, and have bought and sold quite a number of pens over the past 4 to 5 years all in search of the perfect pen. I got into repairing and restoring old pens. I would buy old pens in as found condition and work to get them functioning again sometimes with limited success. As a result I have a box of 50 or more pens that I was not able to get working. I like flexible italic nibs. I love a little line variation. I have pretty much given up on modern pens in favor of vintage. I thought I would share my current favorite pens. While I have considerably more than this these are the pens that I find myself reaching for. My other pens just sit in a box until I finally bring myself to the point where I am willing to part with them. These pens are in no particular order of preference. 1. Montblanc 214. This is a button fill flexible italic nib that has been customized by Pendleton Brown. I bought this pen about 3 years ago and somehow it manages to stay in my top rotation. I had it for sale at one point but no-one bought it for the price I was asking and I am glad that it didn't sell. Now it has sentimental value as my first vintage MB and I don't think I will sell it. It is both very crisp yet somehow glides over the page. I prefer finer, more substantial pens but the nib on this one is just too spectacular to worry about the pen that is holding it too much. 2. Montblanc 146 F Semi-Flex with flat feed and telescoping fill. This is a celluloid pen from 1950-51 I believe. Pendleton Brown customized the nib to an italic and made it a little finer but the way it writes was vastly improved. I cant decide between this 146 and the next. I will probably end up selling on one of them as it doesn't make sense to have two identical pens but currently I cannot decide which of them I prefer more. 3. Montblanc 146 EF Semi-Flex with two groove round feed and telescoping fill. This is a celluloid pen from 1951-53 I believe. I did not customize the nib on this one. It is nice and crisp. I am not sure if a former owner customized it or if it came this way from MB but it is wonderful. It has an Italic edge but flexes for great line variation. As I mentioned I cannot decide which pen I prefer this one or the just slightly earlier one. 4. Montblanc 642 F full flex with flat feed and telescoping fill. This pen is celluloid and gold plate overlay. I believe it is from 1950-51. I did not customize the nib on this pen is is really fantastic. I think that this pen is one of those that I reach for most often. I really like the look of it and the way that it feels. It is a little smaller than I would prefer and I am looking for a 644 currently with a similar nib. I have another pen just like this one currently out for repairs getting its cork replaced and I will probably end up selling one of them. They are pretty much identical. The flex nib is wonderful on both of these pens. Probably the best stock nib I have ever used for my preference. 5. Krone Fiction Picante EF to M semi flex italic stub. Pendleton brown customized this nib for me. This is the only modern pen that I have in my top box. I really love the way that this nib turned out from Pendleton. It is very crisp and the nib is more soft than a real semi-flex but the line variation is really fun. I also love the way it looks clipped into my jacket or shirt pocket. The fittings are solid silver and it is a dream to write with. 6. Omas 556 Brevetto full flex M to BB italic stub. The pen is a piston filler from about 1960 I think. Pendleton Brown customized this nib for me and I really love it. With light pressure I can write nice spidery print and with a little more pressure it is very expressive. Even though this is kind of a plain pen I don't think I will part with it. It is very unique and I don't have another pen that writes anything like it. I use this pen for custom thank you and birthday cards. I can get nice thick shaded lines. 7. Diamond Point Black and Pearl Flat Top Lever Fill. I think that this thick celluloid pen is from 1924-25. The quality of the material is quite remarkable. No-one believes that the pen is really that old. It is in fabulous condition. It has a Warranted EF to B flexible italic nib customized by Pendleton Brown. I reach for this pen quite often. The lines are very crisp and the flexibility of the nib is very smooth and even. I really like my handwriting with this pen. It is very large and makes a great statement in my pocket as well. 8. Morrison's "The Tourist" Ef to B italic flex nib. Pendleton Brown customized the nib of this oversized black and pearl pen for me as well. This pen is a lever filler. I am not sure what year this pen was made. I would guess the 40s but I don't really know. I like the way that this pen looks and now that Pendleton has done his magic I really like the way that it writes as well. 9. Waterman's Silver Ray. This pen is from the 30s and has the vacuum pump fill that Waterman's used during this time on some of its pens. The lever compresses a bulb and when it inflates it sucks ink into the body of the pen. The ink capacity is quite large. I really like these pens. I bought three of them when I was trying to acquire one of them and they were all in disrepair. Out of the three that I bought I ended up with two functioning pens. The nib on this pen was customized by Pendleton Brown. The #4 Key Hole nib is really nice to write with and has a good flex. I cannot decide which I prefer this Silver Ray or the Emerald Ray. I think I like the looks of the Emerald Ray a little better but I prefer the way that this Silver Ray writes. 10 Waterman's Emerald Ray. This is the brother to the Silver Ray. Pendleton Brown also customized the nib on this pen and It is also spectacular This pen has a little less flex and a little less of an edge to the italic but they are both very similar. I like the gold hardware on this pen a little better than the silver on the other. This pen also has the gold emblem on both the top and bottom of the pen whereas the Silver Ray only has the silver emblem on the bottom. 11. Waterman's 7 Emerald Ray. This lever fill pen has the famous Red nib. I left it stock and it performs very well. I have so far resisted the urge to collect more of these #7 Waterman's. They came in Jet Black, Emerald Ray, and Red and Olive RIpple. The color coded nibs come in different widths and flexibility as well. Richard Binder has a good description of these on his website. I am looking for a Pink or Black nib in a #7 or #5. This pen is in fantastic condition. I bought it from the collection of the late Earl Shigemoto the former owner of the Honolulu Pen Shop. This pen is really fabulous and I highly recommend these #7 Waterman's pens with a Red nib. 12. Waterman's 94 with #4 Italic flex key hole nib. This lever fill pen has this beautiful celluloid I call Autumn Night. I am not sure what Waterman's called it. Pendleton Brown customized the nib for me and it is smooth and wonderful to write with. This is a light comfortable pen that I use when I am going to be writing for long periods. I get no fatigue whatsoever with this pen. 13 - 15. Eversharp Skylines with "flextastic" nibs customized by Pendleton Brown. I have collected these Skylines extensively. I still have more than 20 of them and these are my favorite 3. The Skyline came in three different sizes, Demi, Standard and Executive. It also came in a ton of different materials, colors and nib variety. I prefer two certain types of flexible nib. I can spot them now on sight and still will occasionally buy them. I have sold off a number of Skyline pens in my collection but these three are special to me.

I have been using the nib customization services of Pendleton Brown for a couple of years now. I thought it was past time for me to post some samples of his fine work. In my opinion Pendleton is a living treasure. Invariably when I send him a pen it comes back to me writing much better. Some times it is like a different pen altogether the improvement is so great. I have gotten the full gamut of customization work from him, soft stubs and super crisp italics on both hard and flexible nibs. While all his work is phenomenal my favorite are my flexible crisp Italics. I am posting some of my favorites here. At this point I send almost every new pen I get to Pendleton. I have his GA address saved as a favorite in PayPal. Despite my wholly positive comments here I have no association with Pendleton, financial or otherwise. Feel free to ask me any questions about the attached 20 or so pens.