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SPORS


OldGriz

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First Impressions 5/5
Very surprised at how nicely made the pen was.... this one is in mint condition and the chrome trim has not deteriorated at all....

Appearance 4/5
The pen is a classic black with very sharp chasing like a fine BCHR...
The clip is a slip on with the letters SPORS engraved. There is a chromed barrel band and the crescent filler is chrome plated.
All in all a very very attractive pen.

Design 3/5
The pen is black hard plastic... I am sure it is not HR and does not smell like it when rubbed.
The pen is a classic crescent filler like the early Conklins and works well
Capped length is 4.975", posted is 6.200" and unposted is 4.455". The section where you hold the pen is .325" and the body is .430"
Overall a very comfortable pen to write with posted. I found it too short unposted...
The cap is screw type and takes more turns than I like to remove... I would guess this is not a multi-lead thread

Nib 5/5
This was the real high point of using this pen....
The nib is glass and fluted in a spiral. I have heard horror stories about these nibs but this one writes a beautiful fine line about 5-6 on the wetness scale with Waterman Black ink.

Filling System 4/5
As mentioned the filling system is the classic crescent filler invented by Conklin. This one worked well after I restored the #16 sac...
It appears to fill well...

Cost and Value 4/5
This was one of my eBay purchases.... I bought the pen because it looked to be in good shape and I have been curious as to how one of these wrote...
I am not complaining...

Conclusion 25/30
Unfortunately, these pens are no longer made...
As mentioned I purchased this out of curiosity. I doubt I will keep it for long...
The only fault I can find is the nib drying out when you don't write with it for a while... but a gentle shake seems to get it going again...
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      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
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