Jump to content

Neusiedler 100G Digital Color Laser Paper


Bo Bo Olson

Recommended Posts

A German paper. In that the package is in German, English and French, perhaps you can get some.

In small print is 20 some odd other languages.

 

I had one sheet of Neusiedler 'Japan Post' watermark paper in my ERRS test. It was very good paper. I did not know what weight it was or anything about it.

I got out the old hammer and chisel and engraved on my pea brain.

 

I stopped off at the second computer shop in my village to ask what paper he had. He had a little bit...50 sheets left over from his stash. I got for €0.50.

 

This was 100 g color laser digital paper. It is a double sided paper.

It comes in 90, 100, 120 160, 200, 220, 250, 280 and 300.

 

With some Gmund paper I found some real good paper in the 150&170. The Avery 170 is ok too.

I have become a fan of heavy paper.

 

So I'll have to send off for a sample of each weight.

 

The 100 g paper is a good paper. Not perfect.

I'd buy some.

 

A quick scribble with 17 (not all) of my inked pens. A couple of BB's, a Lamy Joy 1.5, OB, a couple M's, OF and some F's and an EF. There was a spread of nibs from the easy full flex, maxi-semi-flex/'flexi', regular, and nail.

 

Inks Waterman Blue Black, Waterman SSB, Topaz, Bleu Pervenche, Lamy Blue, DA Copper brown, DA Havana, DA Yellow Ocher, Herbin Lie de The`, Cafe de Iles, Vert Empire, DA Mossgrun (spring green and needs a wet nib) and Pelikan Jade.

There may be an ink or two I missed... I was not doing a major 'test' just a quick scribble. The last time I went into detail I got no feed back so won't waste time like that again.

 

 

I examined the scribble with a 2.8x 4"x3" magnifying glass, there were a couple of inks where one could say there was the slightest of feather...or ignore. I ignored the it. If I got to look three times then that's not feathering.

 

There were three inks that feathered but that was because of the wide wet nibs. An Osmia BBL/OBB Pelikan Jade and the Degussa easy full flex with DA Copper Brown and Lie de The` (which came out light on this paper).

There was no to very little Bare Eye Feathering with those two inks.

Lie de The` was yes-BEF.

The wet writing Degussa easy full flex..there was minor bleeding.

There was show through but no bleeding with the other inks.

 

Except for a saturated ink, and the wet Degussa DA Copper brown there was good shading.

 

I'll be buying this or a higher weight of this paper. 100 g is good paper.

Edited by Bo Bo Olson

In reference to P. T. Barnum; to advise for free is foolish, ........busybodies are ill liked by both factions.

 

 

The cheapest lessons are from those who learned expensive lessons. Ignorance is best for learning expensive lessons.

 

 

 

Link to comment
Share on other sites

  • Replies 0
  • Created
  • Last Reply

Top Posters In This Topic

  • Bo Bo Olson

    1

Popular Days

Top Posters In This Topic

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33582
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26771
    5. jar
      jar
      26105
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...