Jump to content

Adding Water To Ink?


corgicoupe

Recommended Posts

Is there a Rule of Thumb about how much water one can add to an almost-empty bottle of ink and still have a usable ink? Is it brand dependent? Color dependent?

Baptiste knew how to make a short job long

For love of it. And yet not waste time either.

Robert Frost

Link to comment
Share on other sites

  • Replies 18
  • Created
  • Last Reply

Top Posters In This Topic

  • sansenri

    4

  • corgicoupe

    4

  • Arkanabar

    2

  • Olya

    1

Yep. All of those apply.

Start slowly drip drip drip 💧 and dip a nib in to test regularly. 1 or 2 mls should do it.

Link to comment
Share on other sites

if you go too far, leave the bottle open a while to evaporate until the ink density goes back to normal ... :)

Link to comment
Share on other sites

I have read that Noodler's inks can be diluted with water to double (!!!!) the amount of ink, which comes in bottles without affecting colour (or performance).

That is the only brand wide suggestion I know of.

 

But I have only read that, I have no experience at all with any Noodler's ink.

 

Otherwise it is saturation dependant, I'd say.

 

Eg washable blue ink is pretty unsaturated, so dilution is difficult, unless a pale colour is desired.

Saturated inks can handle more dilution (I have diluted Diamine Majestic Blue once).

 

As Tas said, start slowly.

And sansenri is also right, of course. But keep an eye on ink you let evaporate, I did that once and was surprised how quickly it reduced.

Link to comment
Share on other sites

To add. I have several inks that I regularly dilute in sample vials, 4:1, 3:1, 3;2, 5:3, 1:1. Lots of fun!

If you're out and about and run out of ink, a half fill of water should see you through.

Add lightness and simplicate.

 

Link to comment
Share on other sites

This is a bottle of Visconti blue that I bought several years ago and was just about gone. The bottle is so unstable by design that I figured I wouldn't be losing much if it didn't work. Why make a top-heavy plastic bottle? I may wrap some solder around the narrow base to increase the stability. It is a nice ink though.

Baptiste knew how to make a short job long

For love of it. And yet not waste time either.

Robert Frost

Link to comment
Share on other sites

I have read that Noodler's inks can be diluted with water to double (!!!!) the amount of ink, which comes in bottles without affecting colour (or performance).

That is the only brand wide suggestion I know of.

Well, I just refilled a pen with distilled water after using Noodler's Purple Mountain Majesties, and the color was definitely affected. It's still a nice color, but is a lot less saturated. I didn't completely refill, maybe only about 2/3 of the converter.

I do dilute Bay State Blue about 20% due the the bad feathering I had with my bottle of it, and that doesn't seem to affect the color too much. I now use a Noodler's Charlie as a dedicated BSB pen; I can eyeball how much ink to put into the barrel, then top off with distilled water.

Ruth Morrisson aka inkstainedruth

"It's very nice, but frankly, when I signed that list for a P-51, what I had in mind was a fountain pen."

Link to comment
Share on other sites

This is a bottle of Visconti blue that I bought several years ago and was just about gone. The bottle is so unstable by design that I figured I wouldn't be losing much if it didn't work. Why make a top-heavy plastic bottle? I may wrap some solder around the narrow base to increase the stability. It is a nice ink though.

You are supposed to stand the bottle inside its external plastic cap turned upside down, to make it stand stable...

Design is a bit silly sometimes, I know...

Link to comment
Share on other sites

That doesn't appear to increase stability but, yes, it is a nice ink.

Baptiste knew how to make a short job long

For love of it. And yet not waste time either.

Robert Frost

Link to comment
Share on other sites

i echo the sentiment of test, test, test with serial dilution with distilled water

 

I've made the mistake of overdilution and ink is not like dye for easter eggs so I've learned :unsure:

 

Given past experience with exposing petri dishes of media to air followed by microscopic examination, i would shy away from dehydration to regain concentration/saturation.

 

Who knows what fungi linger in the air or different vaporization points of ink constituents to adversely change the ink's usability.

 

But then again it is only a small sacrifice for science or rather, alchemy.

Link to comment
Share on other sites

I'm personally not a fan of diluting inks with water.

 

I tried it with noodler's HOD, a 4:1 ratio of HOD:Water and I found that it makes the ink feel quite "draggy".

Link to comment
Share on other sites

Some saturated inks will offer beautiful hues if they are diluted. Blackstone Sydney Harbour Blue and Sailor Shikiori Yonaga come to mind, two inks that I regularly dilute up to 50%. I just take 5 mL out of the bottle, put it in a separate vial, add 2 to 5 mL of water and I’m good to go. As a rule of thumb, if an ink sheens with normal writing then I would not hesitate to dilute it.

Link to comment
Share on other sites

I agree, dilution also reduces a lot of the problems of clogging caused by some very saturated inks.

I regularly dilute Diamine Sargasso sea and Majestic blue, 10-20%. The only drawback is they lose the sheen, which I'm not so interested in having especially at work, but I follow the same rule of thumb, if it sheens it can be diluted!

Drying time also becomes quicker usually.

I don't usually dilute more than 20% as I like these inks to remain sufficiently saturated.

Link to comment
Share on other sites

That doesn't appear to increase stability but, yes, it is a nice ink.

have you tried? I actually only do it like this, otherwise I agree the bottle would be too unstable.

Visconti used to make glass bottles of this same shape (although I've never owned one), I tend to think that the glass bottle being heavy was more stable, when they switched to plastic they wanted to keep the same shape, but they probably realized the problem, so they designed the transparent plastic cap to contain the bottle...

 

fpn_1591033632__img_4217-3_visconti_blue

Link to comment
Share on other sites

Aha! That's a different cap than I thought. The bottle top is no help in stabilizing the bottle. But that would work.

Baptiste knew how to make a short job long

For love of it. And yet not waste time either.

Robert Frost

Link to comment
Share on other sites

I dilute Noodler's Borealis Black 4:5, Bad Black Moccasin 1:1, Heart of Darkness 3:2, and Iro Ku-Jaku 4:1. I also diluted some Noodler's Red-Black (an estimated) 3 or 4:1. Of the lot, only the red-black had its color much affected, going from a reddish black to a burgundy. The BBM shades a little more and feathers a decent bit less when so diluted.

Other than the Red-Black, I also do all this dilution in sample vials. I suggest you do the same.

Link to comment
Share on other sites

As crazy as it may seem, I started diluting black ink to achieve a level of grayness similar to old Parker Quink.

 

2 part water, 8 part black is satisfying ratio for me. Suppose that if you do that with blue you could get a pretty shading ink, although a bit faint.

 

Take heed that diluting inks also dilutes the surfactants, making it drier

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33558
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26730
    5. jar
      jar
      26101
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...