Jump to content

Polar Graph/circular Grid Notebooks?


niccig

Recommended Posts

Do fp-friendly polar graph notebooks exist? I'd like to have one for working on mandalas. I've seen a few on amazon but haven't been able to find much about whether they work well with fountain pen ink. Alternately, any suggestions on binding paper other than circa discs? I could print my own, but I'm not at all a fan of disc bound notebooks.

Sample Request: I really really want to try Diamine Steel Blue. I will trade you samples!

http://img525.imageshack.us/img525/5673/inkdz2.pnghttp://img525.imageshack.us/img525/606/letterji9.pnghttp://img181.imageshack.us/img181/3937/paperzu3.png

Link to comment
Share on other sites

  • Replies 3
  • Created
  • Last Reply

Top Posters In This Topic

  • PJohnP

    1

  • bogiesan

    1

  • niccig

    1

  • tim77

    1

Top Posters In This Topic

Sketching, layout, and conceptual tablets are usually compromises between size, binding, paper quality, and, of course, cost. About all you can do is research the brands you found on amazon and see if reviewers of other tablets found them useful for fountain pens. Papers that have goo results when using water based felt tips should work well with fountain pen inks. But the tooth of the paper may be inappropriate for the nibs and may quickly shred and clog a split tine delivery system. Most mathematical and engineering graph systems I have used have paper designed for pencils. And that was ages ago. You could also explore data recording systems that use circular disk blanks. These systems often use a stylus that looks a lot like a fountain pen to deliver the line. Power plants once used such recording graphs, sometimes driven by clockwork mechanisms, to record generation output and system. demand using red and blue inks on the same disk.

 

If preserving your layouts of your mandala artwork is important to you, print your own on paper you trust. You can take your pages to any print shop and have them glued on the edge. Or you could take your Illustrator file to the print shop and ask to test their paper stocks. They’ll print and bind your notebooks for you. You just throw money at them to get the size, quantity, and binding style you want.

 

I also stumbled across a few different mandala user discussion forums while researching this idea. Maybe their users have ideas for you. Most of these were in the new age (now that new age is old) and art therapy realms.

I ride a recumbent, I play go, I use Macintosh so of course I use a fountain pen.

Link to comment
Share on other sites

Truth be told, you might well be best served by creating a design on exactly the paper you want, not compromising on others' design, paper, printing and binding. I've done this, albeit not with polar coordinates, using wonderful paper, and then punching it to fit my Arc notebook.

 

How to do it ? Well, there are a number of online templates you can start with, such as :

https://incompetech.com/graphpaper/polar/

https://www.waterproofpaper.com/graph-paper/polar-graph-paper.shtml

 

Depending on your ultimate needs, you could print on a colour or B&W laser printer (inkjets are not as strongly indicated for this effort), or take the design to a print shop. Fainter or darker coordinate grid ? Colour or B&W grid ? Smaller or larger ? You decide...

 

I noodled around with several designs for my work-related notebook, adding a header, changing the layout around, and so forth. My early attempts were "just about" good enough, but I eventually hit what I wanted, and I've now used that format for most of a decade. If we were in a similar part of the country, I'd offer to show you some of these tests, but I'm over in the Southwest, a long way from your location.

 

Obviously, your needs will not be same as those of others, so binding or punching or gluing will be to your desire. I would recommend trying out several quite widely variant designs at first in looseleaf or punched arrangements, and then you could decide where the better lines of design fall for you. You might well decide to switch papers around as well, but the combinations of designs and papers are such that it's best to settle on the design first, then the paper, then the binding format. *

 

Do let us know how all of this works out - success stories, even including the missteps leading to those great results, are a vital part of this forum !

 

 

 

John P.

 

 

* Do be warned that this can be a descent (ascent ?) into a number of related areas of discussion here in FPN, including leatherworked covers, specialist punch systems, bookbinding, paper treatments, and onward. It's a fascinating journey, but it can lead to some much longer term projects. I've had a design for a traveler's style Arc-bound notebook percolating on the mental backburner for several years. I have the leather, I have the design, I have most of the tools, but the time, alas, has not been available for completion. Warning, warning... <warm smile>

Link to comment
Share on other sites

Are you ok with an A5-format notebook? If so then print and stitch-bind your own graph paper. It's quite quick and easy to do. Half-a-dozen sheets and a card cover gives you 24 pages.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33584
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26772
    5. jar
      jar
      26105
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...