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How Do You Choose The Pen You Are Using?


MadAsAHatter

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I close my eyes and reach.

I ride a recumbent, I play go, I use Macintosh so of course I use a fountain pen.

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The sheer gorgeousness of Tsuyu Kusa, the velvety blue of Aonibi, the otherworldly calm of Hisoku, the historical connotations of Vert Empire, the dusky elegance of Yama Guri...

"The trouble with the world is that the stupid are cocksure and the intelligent are full of doubt."

 

B. Russell

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filling system, reliability and nib

Pens are like watches , once you start a collection, you can hardly go back. And pens like all fine luxury items do improve with time

 

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I choose by nib type, writing style, and the ink I want to use. I have strong preferences for which pen works best with specific inks, so that influences my selection. I like variety, so my next fill is usually something different. The only inks refilled repeatedly are the conservative staples, like Iroshizuku black. That one is usually in a Kaweco Perkeo with a fine nib. The rest are a mix and match based on my mood at the moment.

“I admit it, I'm surprised that fountain pens are a hobby. ... it's a bit like stumbling into a fork convention - when you've used a fork all your life.” 

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I usually decide by ink color. It just depends on the situation and how readable the ink is. When I'm in class I also will color code parts of my notes. I have about 20 pens inked up all with a different color of ink, so it works out fine.

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Ink the first consideration. I don’t generally assign specific pen/ink combinations, but there are Rules.

 

—Black pens cannot have blue ink. Maybe bluish (like a teal or a blurple), but NEVER straight up blue. (Black ink is only for work and work has a separate set of considerations and pens and inks)

—The color of the ink and the color of the pen must not match, but must look well together.

—The nib and ink must play nicely together.

 

So I typically pick the inks I’m after and then find an appropriate pen. Usually I manage to have at least one Sailor and at least one Pilot. I have two large capacity pens (an 823 and an Opus 88), so one of them is almost always inked. The other 4ish are fair game.

Yet another Sarah.

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Generally like this:

 

1. Conway Stewart model 70 (fine - red ink) write comments on technical drawings

2. Sheaffer Connaisseur (medium - turquoise ink) General daily note taking, meetings etc

3. Leonardo Momento Zero (Stub - turquoise ink) Signing checks and writing personal letters

4. Conway Stewart Winston (Stub - black ink) Special occasions - signing contracts etc.

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      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
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      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
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      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
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