Jump to content

Do You Own A Namiki Emperor?


sketchstack

Recommended Posts

I'm in the early stages of researching a Namiki acquisition and the black or vermillion Emperor is on my radar.

 

I'm curious if those with experiences can talk about the #50 nib: general impressions, is it very soft or not, and does a "Broad" write like a European nib?

 

Of course any other impressions are welcome!

 

Link to comment
Share on other sites

  • Replies 38
  • Created
  • Last Reply

Top Posters In This Topic

  • mongrelnomad

    11

  • sketchstack

    7

  • Mew

    4

  • NeverTapOut

    2

Top Posters In This Topic

Posted Images

I have one B. It writes like a MB B. There is no line variation. The nib is pleasantly supple. There is absolutely no flex.

In case you wish to write to me, pls use ONLY email by clicking here. I do not check PMs. Thank you.

Link to comment
Share on other sites

I have the Vermilion #50 (technically, that is the correct term for this pen, rather than "Emperor"). The nib is quite large, but not uncomfortable to write with. It's not flexible or "soft." Mine is relatively wet. The medium nib on my pen writes like a European medium, perhaps a little narrower, so I wouldn't count on the broad being much finer than a European broad. The pen is an absolute joy to look at, to handle, and to write with. The urushi finish is immaculate. Because it is so large, I had a custom Japanese style leather case made for it.

Rationalizing pen and ink purchases since 1967.

Link to comment
Share on other sites

I have a Namiki urushi #50 (you need maki-e work before you call it an Emperor) and a Yukari Royale. I have the older style nib on my #50 and would say it has a softness to it. (Mine has text on the nib, not the two tone Mt. Fuji.) For regular use, I think the Yukari Royale with a #20 nib is more pleasurable for longer writing sessions. I use lots of big pens, but the YR has a good combo of weight and thickness to make it a great writer for me. Too bad I can't get any really wide nibs on it.

If you want less blah, blah, blah and more pictures, follow me on Instagram!

Link to comment
Share on other sites

Thanks for the replies everyone. I have a Pilot Custom Urushi with the #30 nib and it's rather soft and springy, so I was wondering what to expect with the #50 nib --like whether Namiki shares the idea that larger nibs should be soft.

 

The Yukari Royale is on my list as well, but I'm afraid if I get the Yukari Royale then I'll still wonder if I should have just cut to the chase and gotten the flagship.

 

Currently it appears the Vermillion is conspicuously not listed at some online retailers. For example both Goulet and Anderson Pens no longer have a listing for the Vermillion; but they do list the black. I'm not looking to buy right away so that's ok. But I've read that Namiki produces these in batches when the current stock sells out. So maybe that explains the gap.

Link to comment
Share on other sites

I have the Vermillion one without (edit) rings with FM nib and it is my most used pen. I keep a record of number of pages I write with each of my pen and it has written over 400 A4 pages till now. It's nib is soft, but not for line variation. Just some gentle bounce.

Also have M and B nibs but I don't use them very often.

 

I don't know about US stock situation but it is always available at Itoya, Shousaikan and Maruzen. Even if it isn't available with the retailer in the nib width you want, they can quickly order it from Namiki and it is ready for picking up within a week. They are luxury pens and receive equivalent treatment from the company. The pens are not shipped by Namiki to the retailers and instead hand carried to them by the sales representatives of Namiki.

Edited by Mew
Link to comment
Share on other sites

Namiki Emperor pens are art instruments. Very nice to look but not everyday pens because of their size and their price.Writing quality is ok.

Link to comment
Share on other sites

Wow interesting comment. Certainly does NOT apply to me. I constantly carry pens that are even more expensive than the Emperor and use every one of them as daily carries. The only problem I find with the Emperors are that I have to carry it separately from other pens because it's so long.

 

But I DO have a couple cases that can accommodate the Emperor. Ones the Aston 10 pen case. The other is the 4 pen Louis Vuitton case.

 

Namiki Emperor pens are art instruments. Very nice to look but not everyday pens because of their size and their price.Writing quality is ok.

Link to comment
Share on other sites

I have a Vermilion#50 with a broad nib which is, as already observed, much like a European broad. It is a delight to write with and very comfortable to hold. I think for those of us of a certain arthritic age larger pens are easier to manipulate.

Love all, trust a few, do harm to none. Shakespeare

Link to comment
Share on other sites

I will let other people speak of the nib, but I will say that owning both, the Yukari Royale is a pen, the Emperor is a ceremonial object.

 

I love them both, but would not hesitate to recommend the Royale first...

Edited by mongrelnomad

Too many pens; too little writing.

Link to comment
Share on other sites

I will let other people speak of the nib, but I will say that owning both, the Yukari Royale is a pen, the Emperor is a ceremonial object.

 

I love them both, but would not hesitate to recommend the Royale first...

Now I think I may have to buy the Yukari..

Link to comment
Share on other sites

Now I think I may have to buy the Yukari..

It's a fabulous pen that surprised me immensely with its quality and character. It is also a bit of a steal relative to its peers (in Japan, at least)...

Too many pens; too little writing.

Link to comment
Share on other sites

It's a fabulous pen that surprised me immensely with its quality and character. It is also a bit of a steal relative to its peers (in Japan, at least)...

 

How is the Yukari nib? Do you know if it's similar in feel to the Pilot #15? (I believe they are roughly the same size)

Link to comment
Share on other sites

 

How is the Yukari nib? Do you know if it's similar in feel to the Pilot #15? (I believe they are roughly the same size)

 

Similar in size, different in character. The Yukari's 20 is softer and springier, with some separation of the tines (I wouldn't go so far as to call it flex). It's a much more special-feeling nib...

Too many pens; too little writing.

Link to comment
Share on other sites

It's a fabulous pen that surprised me immensely with its quality and character. It is also a bit of a steal relative to its peers (in Japan, at least)...

Now you are really tempting me. :P

Indeed it costs slightly lower in Japan. But imo, the extra for the emperor gives a lot more over the Yukari (bigger nib, that massive ink capacity and that rare Japanese eyedropper). So never really looked at the Yukari but now I might have to rethink.

Link to comment
Share on other sites

I thought so too, hence why the Emperor came first. But on purchasing the Yukari, I realised that they are very different prospects, thought their looks suggest otherwise. The Yukari is a heavy, solid, well-balanced pen composed almost entirely of brass. It is earthy and dense where the Emperor, despite its comical dimensions, being of ebonite, is ethereal in the hand...

Too many pens; too little writing.

Link to comment
Share on other sites

I thought so too, hence why the Emperor came first. But on purchasing the Yukari, I realised that they are very different prospects, thought their looks suggest otherwise. The Yukari is a heavy, solid, well-balanced pen composed almost entirely of brass. It is earthy and dense where the Emperor, despite its comical dimensions, being of ebonite, is ethereal in the hand...

 

You've certainly given me more to think about. It's not unlikely that I'll one day end up with both ...this is more about which one I buy first.

 

What really got me thinking was how much I like the writing of the Pilot Custom Urushi. I've thought a lot about why I like it so much and I believe it's the soft nib and overall length. Writing with the Custom Urushi almost evokes a painterly with my handwriting.

 

So if the Yukari has the softer tines and is well balanced, that may be the clincher right there. Not to mention while I love beautiful fountain pens, I do use my pens and the Yukari seems a little more realistic in that respect.

 

Edit: What nibs widths do you have in the Yukari?

Edited by sketchstack
Link to comment
Share on other sites

Thank you Mongrelnomad for the comparison between Emperor and Yukari. Definitely considering it now. :)

 

Btw, how did you get an F on Yukari? All I have seen are FM.

Link to comment
Share on other sites

It's definitely an F. I asked at Itoya for an FM but they only had F, M and B. The F was fine but forgiving, with a great feel. It was not a difficult decision.

 

I recently forced myself twice into writing exile, trying to make headway on my next novel. Unusually, I only took two pens and two inks: the main writing - all 100 A4 tamoe river pages - was done with the Yukari and Nagasawa 65 (a wonderful red-sheening black ink), with a Conid (filled with Nagasawa 27) on hand for marking-up.

 

It is an exceptional pen.

Edited by mongrelnomad

Too many pens; too little writing.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33563
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26746
    5. jar
      jar
      26101
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...