Jump to content

Omas Lives Again? Scribo


ParkerDuofold

Recommended Posts

exactly, and in my opinion Leonardo Officina has the right entrepreneurial approach and know how.

The produce for ASC, and the true manufacturer always has the deeper knowledge...

IMO we will hear a lot from them in future.

I am less convinced about ASC, when the Omas stock of materials will run out...

 

They have new models, cheaper ones.

For their own sake, I hope their business model and case is not based on the arco material only... and some quasi-flexible nibs. It's the same story (or very similar) to new Wahl-Eversharp.

The owner of Wahl basically said - it's his pet project, and they made sure that they get their money back (investment) and whatever they make extra - good job.

I don't see them being around for long (Wahl) ... as for the ASC - they may have a shot, if new models are good.

Link to comment
Share on other sites

  • Replies 155
  • Created
  • Last Reply

Top Posters In This Topic

  • dapprman

    21

  • strelnikoff

    13

  • Seney724

    12

  • Stylo_dOr

    11

Top Posters In This Topic

Posted Images

On the Write Here news letter today they showed two pens broken down in components -

The next SCRIBO is on the way, and to whet the appetite here is a picture of the two prototypes - pre assembly, I'm afraid.

S.gif

http://files.constantcontact.com/f53b795c001/d6b1597b-53f5-49b0-b18c-58a110b662a7.jpg

S.gif

New SCRIBO

The first run will be of 50 pens - 40 red and 10 green. They will all have the SCRIBO nib which, as avid readers will know, is made by Boch to the exact specification as the they used to make the OMAS nib.

 

The build will be identical to the first run of pens - still a couple left! Are they any good? The feedback we've had from customers has been very positive - but what else would we say? Possibly better to look at this video from SBRE Brown.

Not too vicious, and, we thought generally fair! And he wrote later

"I liked that flex nib, by the way; some of the best modern flex I have tried." So, unsurprisingly, there will be lots of flex nibs available.

 

Something definite in the next newsletter - and better photographs!

Link to comment
Share on other sites

 

I agree on this. Which begs the question - why someone doesn't produce more of the Arco celluloid material ... I mean, it's that material and hype around it - that drives the prices.

These days, I would never pay that much for Omas... good brand, but not THAT good :)

 

As an owner of a couple Arco pens, I selfishly hope no one ever produces more of it and that the prices continue to skyrocket so I can sell them to fund my retirement.

Link to comment
Share on other sites

As an owner of a couple Arco pens, I selfishly hope no one ever produces more of it and that the prices continue to skyrocket so I can sell them to fund my retirement.

 

Nah. They’ll need servicing by then and the cost for custom parts will eat any profits.

Link to comment
Share on other sites

I wonder in which direction will pen prices go(adjusted for inflation) in the long run. Some of the rarest pens produced around 100 years ago tend not to increase in price in last years when I was checking. I don't think there will be many collectors left 50 years from now, which should decrease demand accordingly

Link to comment
Share on other sites

Recently I bought a pre-1918 pen to restore and sell. On its arrival I like it's well-preserved appearance so much that, hoping for a successful restoration, I want to keep it. Again. :rolleyes:

 

I suppose that is relevant in that dwindling numbers may have compensation in greater enthusiasm, like any cult.

X

Link to comment
Share on other sites

 

As an owner of a couple Arco pens, I selfishly hope no one ever produces more of it and that the prices continue to skyrocket so I can sell them to fund my retirement.

 

I hope your hope doesn't happen :D for my own selfish reasons :D but I do hope you retire with a hefty account...

Link to comment
Share on other sites

I wonder in which direction will pen prices go(adjusted for inflation) in the long run. Some of the rarest pens produced around 100 years ago tend not to increase in price in last years when I was checking. I don't think there will be many collectors left 50 years from now, which should decrease demand accordingly

 

My 2 cents on this - or my thought - if current manufacturers keep producing pens and if the demand keeps increasing, as well as if they conquer some of the "old techniques" namely in nib manufacturing, demand for vintage pens will wind down to some extent. There will be no reason to pay 1,300 USD for Waterman 7 Pink - if there is a modern equivalent for 500-800 USD.

 

But what today is considered modern pen, who knows what will happen in 50 or 100 years. It will depend on what is missing by that time.

 

It is the same token today, reason why some of the vintage pens are expensive is because there are no modern equivalents.

 

One market I don't understand well and don't follow is maki-e. I mean, Namiki Emperor prices today are between 1,600 USD and 68,000 USD ... depending on the artist and rarity. For these pens - 100 yrs from now... I have no clue what will happen.

Link to comment
Share on other sites

Recently I bought a pre-1918 pen to restore and sell. On its arrival I like it's well-preserved appearance so much that, hoping for a successful restoration, I want to keep it. Again. :rolleyes:

 

I suppose that is relevant in that dwindling numbers may have compensation in greater enthusiasm, like any cult.

 

Only if the pen is really good and special... I don't see Pelikan M800 in demand 100 years from now. M1005 is even today sought after...

 

I mean - I agree with you 100% :D

Link to comment
Share on other sites

But Boch nib... :unsure: does Boch really makes nibs to specifications? Or just modifies their own existing...

I mean - metallurgy, alloy content ... is that 14K rolled or forged?


then again, I've paid more for pens I knew they are not so special :)

Link to comment
Share on other sites

To specification. OMAS used them when they stopped making in-house - including the extra flessibile. Visconti have always been through Boch.

Link to comment
Share on other sites

To specification. OMAS used them when they stopped making in-house - including the extra flessibile. Visconti have always been through Boch.

 

I didn't know that about Visconti... I have few, but with 23Kt Palladium nibs...

 

Well, when I get a chance to try one, I will probably buy one. I can't find the 14 K flessibile Scribo on UK web store.

Link to comment
Share on other sites

Well, when I get a chance to try one, I will probably buy one. I can't find the 14 K flessibile Scribo on UK web store.

Write Here sold out of the pens with the Flex nibs and only have a few of the 'normal' 18k. From the piece I posted above it looks like they are going to do a new batch, but how that will be split wise we'll have to wait to see as we will with when they come out (will it be the pen show in October again ?).

Link to comment
Share on other sites

  • 2 weeks later...

On the topic... This is what is currently posted on the Omas website (I don't know when this went up, but it would seem that this happened somewhere within the last couple of weeks).

 

Capture.png

 

Now this is not the first time Omas was acquired in recent years, and we all know that this didn't end up "bringing Omas back', but the company that bought it now is at least in the pen business itself, so I'm moderately excited.

I'm wondering if they'll try to bring back some of the people that worked there, and what's gonna happen to the nibs (will they outsource them? make them in Acora's workshops?)
Link to comment
Share on other sites

Interesting news. I hope it goes well for them.

"Why me?"
"That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?"
"Yes."

"Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why."

-Kurt Vonnegut, Slaughterhouse-Five

Link to comment
Share on other sites

I wish them well, but what is the situation with the Omas celluloid? Omas isn't Omas without it, and from what I understand, Manu bought the stock when the company folded.

 

That said, I'd love to see a Tokyo reissue in better materials...

Too many pens; too little writing.

Link to comment
Share on other sites

 

Now this is not the first time Omas was acquired in recent years, and we all know that this didn't end up "bringing Omas back', but the company that bought it now is at least in the pen business itself, so I'm moderately excited.

 

 

I do not read anywhere that someone acquired Omas.

I think Omas as company went bankrupted, and does not exist anymore.

Maybe they bought the right on the IP of Omas.

Link to comment
Share on other sites

I found some of the Omas blanks for sale on a website. they explain: "We managed to close the deal on the Acrylate materials, the celluloid is being retained by the management team, who will be relaunching a new Italian Pen Company, and we wish them great success!"

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33577
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26766
    5. jar
      jar
      26105
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...