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Blackstone Scented Inks And Ink Concentrate


NickiStew

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Even though this project has been going nearly 2 years and attracting a substantial audience I very very rarely get asked to review ink product ahead of launch. So when Kevin Watson of Blackstone Inks contacted me to test some of his new products naturally I jumped to it. The last time I reviewed the initial range was back in February 2016. You can read this on my blog, details of which are on my profile page.

 

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So, first up are his new range of scented fountain pen inks. Now, he says the chemistry may well be similar to the current range, but the colours aren’t necessarily. The only real constant is Golden Wattle, all the others are new and they’re lovely. I’m not generally into the scented side of things but these are pungent! The Australian Bush is worth a good sniff. All of them are great bleeders and blend with water readily, they react with bleach and they blend together beautifully. From a chromatography angle, Wild Orange, Brown Boronia and Australian Bush all reveal hidden hues AND all of the colours are great for writing. But take a look at the test art below and see what you think?

 

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The petal samples were created by painting the petal shapes with water and then flooding in the colours. I used Golden Wattle with Wild Orange and Blue Gum with Red Kunzea.

The abstract alphabet featured all seven colours. Once again, I created the alphabet with water and then bled the colours in with a brush. This a lovely range of colours and as you can see, they’re not just good for writing either! Check out the the diverse range of other colours created through the blending of the core colours!

 

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One of the other NEW products sent over is Ink Concentrate. This is a brand new product, not released as yet and grew out of the SuSeMai powdered ink odyssey on the Fountain Pen network some years ago. When testing the powdered inks Kevin was surprised to find so many fountain pen enthusiasts did not have a ready supply of empty ink bottles so this time he has packaged the conentrate in 30ml PP bottles, ready to just add water. The concentrates are primarily a way to adjust the wetness and saturation of fountain pen ink to personal preferences but spreading the concentrate directly with a palette knife and brushing a water wash over it gets some pretty amazing effects. Sheen freaks, please note the 3D sheen below! Tasty or what!

 

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And finally, a little love. The love heart was created in the same way – painted with water and then flooding in Blue Gum with pure Blackstone Magenta and then adding a shake of Bronze powder. Pretty! Which leads me to sign off with a teaser for you. Pure Magenta? Oh yes! My next review, Blackstone again, is a real corker and the Magenta is a key part of it so stay tuned!

 

If you’d like to buy any of the original art featured on my site please contact me direct. I will do my upmost to add value to your investment over time. I am also accepting commissions for swatch tests. So, if you have a favourite ink(s) and some words for someone special, or maybe just for yourself, drop me a line and we can discuss further.

All tests on Bockingford 200lb watercolour paper using brushes and a Noodler’s Ahab for the ink work.

Just for the record – I do this for myself, I receive no remuneration what-so-ever and I tell it exactly how I see it.

Of possible interest: if you are interested in my techniques and want to try them yourself – workshop details below:

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And don't forget - there's are reviews on my blog site that don't appear here. You can link to my blog site from my profile page.

Edited by NickiStew

To view the full article and images please visit my blog: **** WWW.NICKSTEWART.INK ****

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    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
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