Jump to content

Robert Oster Signature - Plumb Nut


namrehsnoom

Recommended Posts

Robert Oster Signature - Plumb Nut

 

Robert Oster is an Australian ink maker that is well-known for its unique range of colours. On his website he describes our shared love quite eloquently: "Robert Oster Signature originates from one of the most famous wine producing regions of the world, the Coonawarra district of South Australia, an idyllic setting with great influence on the senses. There is my inspiration. It's a joy to share it with you." Well, we are certainly fortunate to have inspiring ink makers like Robert Oster to satiate our thirst for glorious inks.

 

fpn_1500062820__robert_oster_-_plumb_nut

 

This review focuses on Plumb Nut. A big thank you to Catherine from Sakura for providing me with a sample of this ink to play around with - much appreciated ! Plumb Nut is of the pink variety - an ink that is outside my usual comfort zone. This is not an eye-searing pink however, it leans more to the salmon pink variety with some red-brown undertones. As such it's a more muted wall-flowery type of colour that doesn't try to dominate the stage.
Plumb Nut works well in all nib sizes. The ink is easy on the eye, with a good contrast on all paper types, even when using fine nibs. The ink shows some nice shading in broad nibs that really enhances the character of your writing. Such shading is mostly absent with finer nibs though, resulting in a flat and - in my opinion - uninteresting look. This ink is definitely at its best with wet and/or broad nibs.
fpn_1500062834__robert_oster_-_plumb_nut
Unfortunately, Plumb Nut really hates water. You typically don't buy Robert Oster inks for their water resistance, but this one is rather extreme. The ink has absolutely zero water resistance. Short exposures to water completely obliterate your writing. This is evident from the chromatography - the ink detaches easily from the paper, as can be seen in the bottom part of the chroma. Surprisingly, the ink performed really well on the smudge test, where I rub a line of ink with a moist Q-tip cotton swab. Here, there was only some mild smudging of the line, leaving the text mostly undisturbed.
fpn_1500062845__robert_oster_-_plumb_nut

I’ve tested the ink on a wide variety of paper – from crappy Moleskine to high-end Tomoe River. On every small band of paper I show you:
  • An ink swab, made with a cotton Q-tip
  • 1-2-3 pass swab, to show increasing saturation
  • An ink scribble made with an M-nib fountain pen
  • The name of the paper used, written with a B-nib
  • A small text sample, written with an M-nib
  • Drying times of the ink on the paper (with the M-nib)
Plumb Nut behaved perfectly on all paper types, without any feathering. The ink's chemistry clashes with Moleskine paper with a sickly colour as a result. Really strange - and I previously observed a similar effect with Robert's Purple Rock. There must be some chemical component he uses that just doesn't work with Moleskine paper. This is a relatively fast drying ink on most papers, with drying times in the 10 second range. In my opinion, Plumb Nut looks best on white paper, and is less good-looking on more yellow paper.
I also show the back-side of the different paper types at the end of the review. No troubles there, except with the Moleskine paper, which shows significant bleed-through. Since only masochistic fountain-pen lovers adore Moleskine paper, this is not much of a problem ;-)
fpn_1500062859__robert_oster_-_plumb_nut
fpn_1500062873__robert_oster_-_plumb_nut
fpn_1500062888__robert_oster_-_plumb_nut

Conclusion
Robert Oster Plumb Nut is a classy salmon-pink ink with a vintage vibe. The ink looks its best in wet/broad nibs on white and creamy paper. It's not so good-looking in fine nibs and on more yellow paper. Unfortunately, the ink has zero water resistance - the briefest touch of water completely obliterates your writing. I did like the way Plumb Nut looks in drawings, but as a writing ink it is not a good match for me : it's not really my type of colour, and I typically use F/M nibs, which are too fine to bring out this ink's character. But I'm sure there are others out there that this ink will speak to.
fpn_1500062912__robert_oster_-_plumb_nut
Technical test results on Rhodia N° 16 notepad paper, written with Lamy Safari, M-nib
fpn_1500062929__robert_oster_-_plumb_nut
fpn_1500062942__robert_oster_-_plumb_nut
Back-side of writing samples on different paper types
fpn_1500062957__robert_oster_-_plumb_nut
fpn_1500062968__robert_oster_-_plumb_nut
fpn_1500062981__robert_oster_-_plumb_nut

 

Link to comment
Share on other sites

  • Replies 11
  • Created
  • Last Reply

Top Posters In This Topic

  • amberleadavis

    1

  • Sakura FP Gallery

    1

  • lgsoltek

    1

  • DrDebG

    1

Well drat! It's too pale for what I wanted. Looks like I'll stick with KWZ for brown-pinks.

Link to comment
Share on other sites

I kinda like it. Because it's NOT brown pink. Reminds me a bit of De Atramentis Apple Blossom.

Thanks for the review.

Ruth Morrisson aka inkstainedruth

"It's very nice, but frankly, when I signed that list for a P-51, what I had in mind was a fountain pen."

Link to comment
Share on other sites

I'm not keen on this one, but I'm just glad it's not yet another Oster blue. I like most of my Oster inks, but the endless, almost daily, releases of blues, blue-greens, green-blues, and blue 'special editions', is getting a little silly. I can't tell many of them apart, even when adjacent to each other on the page.

Verba volant, scripta manent

Link to comment
Share on other sites

Great review, but an unappealing washed-out ink. Looks like something that comes out of my pen after a few rinses with water.

Link to comment
Share on other sites

Well done ! I think this ink is great for other artistic purposes such as watercolouring !

Catherine Van Hove

www.sakurafountainpengallery.com

 

Koning Albertstraat 72b - 3290 DIest - Belgium

Link to comment
Share on other sites

I'm not keen on this one, but I'm just glad it's not yet another Oster blue. I like most of my Oster inks, but the endless, almost daily, releases of blues, blue-greens, green-blues, and blue 'special editions', is getting a little silly. I can't tell many of them apart, even when adjacent to each other on the page.

 

 

+1

Link to comment
Share on other sites

Excellent review! I think that Robert Oster needs to find a new person to name his inks. This isn't at all what I expected from the name.

 

Perhaps he is enjoying our confusion over the names of his inks.

"Today will be gone in less than 24 hours. When it is gone, it is gone. Be wise, but enjoy! - anonymous today

 

 

 

Link to comment
Share on other sites

  • 2 weeks later...

Great review.

Fountain pens are my preferred COLOR DELIVERY SYSTEM (in part because crayons melt in Las Vegas).

Create a Ghostly Avatar and I'll send you a letter. Check out some Ink comparisons: The Great PPS Comparison 

Don't know where to start?  Look at the Inky Topics O'day.  Then, see inks sorted by color: Blue Purple Brown Red Green Dark Green Orange Black Pinks Yellows Blue-Blacks Grey/Gray UVInks Turquoise/Teal MURKY

 

 

 

 

 

 

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...