Jump to content

14K Or 18K?


lurcho

Recommended Posts

The excellent Spanish company FPNibs offers #6 nibs in either 14K or 18K for a strikingly similar price. In US dollars it's $74.69 and $80.12.

 

This doesn't make sense to me, since 18K is 1.29 times the gold content of 14K. (I think.)

 

Anyway, since I love steel JoWos, I'm thinking of getting one in gold and, perhaps perversely, setting it in a Jinhao 159 or 750.

 

But I'm not sure whic way to go. I know that 18K is for all sensible reasons an inferior alloy for the purpose, but I wonder about the nail-like possibilities of a 14K.

 

I'd appreciate any feedback, including perhaps that of Franklin-Christoph owners.

Link to comment
Share on other sites

  • Replies 15
  • Created
  • Last Reply

Top Posters In This Topic

  • Jerome Tarshis

    2

  • FarmBoy

    2

  • lurcho

    2

  • fabri00

    2

If you just happen to be in France you can't call a 14K object solid gold, it must be 18K or higher.

San Francisco International Pen Show - The next “Funnest Pen Show” is on schedule for August 23-24-25, 2024.  Watch the show website for registration details. 
 

My PM box is usually full. Just email me: my last name at the google mail address.

Link to comment
Share on other sites

If you just happen to be in France you can't call a 14K object solid gold, it must be 18K or higher.

in Europe, not only in France.

Link to comment
Share on other sites

in Europe, not only in France.

Yes but I blame France.

San Francisco International Pen Show - The next “Funnest Pen Show” is on schedule for August 23-24-25, 2024.  Watch the show website for registration details. 
 

My PM box is usually full. Just email me: my last name at the google mail address.

Link to comment
Share on other sites

I have repeatedly read this assertion about French law and 18K nibs, but have never understood it. As FarmBoy certainly knows, Parker 51s with 14K nibs were sold all over the world. Including France. So there isn't any French law against selling pens with 14K nibs in France.

 

Nor is there a new law, of either France or the EU. Only a few minutes ago I found this:

 

http://stylosenligne.com/stylos-aurora/1332-stylo-plume-aurora-modele-optima.html

 

The Optima is described as having a 14K nib. Seems to be no problem about selling it. Nor about describing it as having a gold nib. With rhodium on top.

 

Can somebody explain what this is all about, with some exactitude? Is it that nibs manufactured in France must be 18K? I have owned pens with 14K nibs that weren't manufactured in France but must have been sold in France. Parker, Cross, Aurora, Montblanc pens. From the 1950s to the present day.

Link to comment
Share on other sites

I have repeatedly read this assertion about French law and 18K nibs, but have never understood it. As FarmBoy certainly knows, Parker 51s with 14K nibs were sold all over the world. Including France. So there isn't any French law against selling pens with 14K nibs in France.

 

Nor is there a new law, of either France or the EU. Only a few minutes ago I found this:

 

http://stylosenligne.com/stylos-aurora/1332-stylo-plume-aurora-modele-optima.html

 

The Optima is described as having a 14K nib. Seems to be no problem about selling it. Nor about describing it as having a gold nib. With rhodium on top.

 

Can somebody explain what this is all about, with some exactitude? Is it that nibs manufactured in France must be 18K? I have owned pens with 14K nibs that weren't manufactured in France but must have been sold in France. Parker, Cross, Aurora, Montblanc pens. From the 1950s to the present day.

I think what farmboy wrote is self-explanatory:

 

"you can't call a 14K object solid gold, it must be 18K or higher"

 

Is not forbidden to use 14kt gold, but you cannot call it solid gold.

Link to comment
Share on other sites

To the OP's question: the difference in feel between the 14K and 18K nibs will depend primarily on the mechanical design of the nib, and secondarily upon the other materials in the alloy and how the alloy is treated. The difference in gold content by itself is almost immaterial. You can't predict softness, flexibility, color, or much of anything else about a nib just by knowing it is 14K or 18K. The only way to know the difference between these two nibs would be to buy them both, try them, and hope that individual manufacturing variations aren't larger than the design differences.

ron

Link to comment
Share on other sites

The excellent Spanish company FPNibs offers #6 nibs in either 14K or 18K for a strikingly similar price. In US dollars it's $74.69 and $80.12.

 

This doesn't make sense to me, since 18K is 1.29 times the gold content of 14K. (I think.)

 

 

Are you assuming that almost all of the price is accounted for by the gold content? I doubt it. I imagine that most of the price is in the labour of turning a piece of gold into a nib + various expenses + allowance for a profit margin.

 

Put another way: If you melted both a 14 #6 nib and an 18K #6 nib and and flogged the tiny balls to your local jeweller, how much would you get?

 

Or to put it another way, you want to apply your 1.29 factor to the part of the price that is due to the materials, not to the total price.

Edited by FriendAmos
Link to comment
Share on other sites

I'm an expert on 18K :P , my only 18 K nib is a nail.....and nails are nails...one gets a better deal with steel.

Rest of rant deleted.

 

What about writing them and asking what flex the nibs have? And if they have that 14 K one in the old fashioned regular flex. Perhaps you can get lucky and get it in 'true' regular flex.

In reference to P. T. Barnum; to advise for free is foolish, ........busybodies are ill liked by both factions.

 

 

The cheapest lessons are from those who learned expensive lessons. Ignorance is best for learning expensive lessons.

 

 

 

Link to comment
Share on other sites

I'm an expert on 18K :P , my only 18 K nib is a nail.....and nails are nails...one gets a better deal with steel.

Rest of rant deleted.

 

What about writing them and asking what flex the nibs have? And if they have that 14 K one in the old fashioned regular flex. Perhaps you can get lucky and get it in 'true' regular flex.

 

Actually, Bo Bo, you're being modest. I think you are an expert.

 

But this thread, and another similar one running concurrently, are rather turning me away again from gold of any stripe, and back to good-old HPS.

Link to comment
Share on other sites

I think what farmboy wrote is self-explanatory:

 

"you can't call a 14K object solid gold, it must be 18K or higher"

 

Is not forbidden to use 14kt gold, but you cannot call it solid gold.

 

It seems that my question wasn't sufficiently explanatory. I understand what FarmBoy wrote. But laws are enacted in response to real events in the real social world. I would like to know what those events were.

 

Today there does not seem to be any general tendency to describe nibs as being of solid gold, even if they are 18K nibs offered to the French. Waterman.com says 18K, not "or massif." The long-established shop Mora Stylos says 18K, as do the offerings on French Amazon and such other European sellers as Novelli, iguana sell, and La Couronne du Comte.

 

I do not doubt that some evil events happened in the past to make such a law seem necessary. But I live in the United States, and if the true crux of the Stavisky affair was the notorious Stavisky offering a 14K nib as solid gold, followed by universal outrage, I in my ignorance do not know about it. And would like to reduce my ignorance.

Link to comment
Share on other sites

My only 18k nib is a treasure.

If memory serves, pure gold is 24k, so 14k by weight would be more than half gold. And pure gold would be unusably soft.

Link to comment
Share on other sites

Performance aside, there is just something nice about having an 18K nib, isn't there?

Edited by Owsley
Link to comment
Share on other sites

I like the Sailor 21k nibs - though they are nails, at least the two I have! :D (I kinda like nails - sorry Bo Bo.)

 

Erick

Using right now:

Visconti Voyager 30 "M" nib running Birmingham Streetcar

Jinhao 9019 "EF" nib running Birmingham Railroad Spike

Pelikan M1000 "F" nib running Birmingham Sugar Kelp

Sailor King of Pens "M" nib running Van Dieman's Heemskerch and Zeehaen

 

 

 

Link to comment
Share on other sites

I think what farmboy wrote is self-explanatory:

 

"you can't call a 14K object solid gold, it must be 18K or higher"

 

Is not forbidden to use 14kt gold, but you cannot call it solid gold.

 

On one hand, in France it used to be required for a gold object to be called gold to be at least 18K, mind you not "solid gold" but just "gold" like in "here, this is a gold ring". Of course this made for nibs destined to French market to be at least 18K gold or else they couldn't call it a "gold nib". This also implicitly answers the question about 14K or 18K nibs: it doesn't matter, or else there would be a significant difference when you compare the same model from same age 18K or 14K, which is not the case (of course in the long run it does make a difference for the maker: going 14K instead of 18K means you get the gold for a nib out of 4 basically for free).

 

On the other, I'm not so sure if that's still the case: France is part of the EU so it might be the case that this law is no longer enacted (I don't know).

Link to comment
Share on other sites

There is so little actual difference in the weight of the gold between the 2 nibs that the cost is negligible. That's the difference in price. The 18k nib is 75% gold vs 14k at about 58% gold. So look at the total weight of a nib and you'll see what I mean. I tend to like the way 14k nibs feel on paper vs the 18k nibs. They seem springier to me where the 18k feels softer and more buttery. It's personal preference and has a lot to do with the additional alloys an individual manufacturer uses for the balance of the metal content. At the end of the day it comes down to the accuracy of the grind, the alignment of the tip and tines more than the gold content. A good nib meister can make a steel nib just as good as gold. The gold was originally used because the ink woukd never corrode the nib. So use what you like.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33583
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26772
    5. jar
      jar
      26105
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...