Jump to content

Classic Pens / Paul Rossi Sterling Silver Overlay Harvest Pen 2009


PenHero

Recommended Posts

Hi, Folks!,

This is one from the archives, and one that will be subject to a new short article on the site.
Back in 2009, Andy Lambrou commissioned Paul Rossi to create this sterling silver overlay pen he named Harvest, to reflect harvest time on a Mediterranean island. The design is a composition of Morning Glory flowers and Wheat, with Olive branches on the bands. Centered in the design is the silhouette of the island of Cyprus.
http://penhero.com/Temp/RossiHarvestPrototype_1280_01.jpg
Paul used sterling silver tubes 1.5 mm thick to craft the design. The tube thickness gave Paul the opportunity to carve the high relief design and create textures and details that enhance the individal components of the work. Even the clip is also hand crafted in sterling silver. The base pen was completely hand crafted using the Classic Pens Mythos as the model, a slim profile on a large pen, 6 inches long when closed. The resulting Flame Red base pen with the sterling silver overlay and clip favors the jeweler's work on highly sought after Waterman, Parker and other classic overlay pens from the 1910s and the 1920s.
This pen showed really well on my silver reflective table, which picked up the reflections of part of the back side of the cap and barrel.
You can see Paul Rossi's hallmark on the cap band and top barrel band. The pen represents 100 hours of Paul's time and the list price was $8,250 when sold in 2009. The pen was offered with a choice of five nib grades: Fine, Medium, Broad, Fine Italic, Broad Italic Peter Bock nibs.
Thanks!
Link to comment
Share on other sites

  • Replies 3
  • Created
  • Last Reply

Top Posters In This Topic

  • PenHero

    1

  • da vinci

    1

  • ivyman

    1

  • zaddick

    1

Top Posters In This Topic

Posted Images

  • 1 year later...

Here is another example of Paul Rossi's work. A smooth sterling silver overlay was done for a Waterman 20 pen as a favour for a collector friend of his. Making it a nicer looking pen than the ordinary black hard rubber Waterman 20. See attached photo.

post-101419-0-84531200-1526323531_thumb.jpg

Edited by ivyman
Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33563
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26750
    5. jar
      jar
      26101
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...