Jump to content

Italix Parson's Essential Amber 14K


ballboy

Recommended Posts

Just a quick note to say that after a hiatus from Italix, I returned to buy the Parson's in a different colour (previously owned a black with medium nib plus a cursive italic).

This time, I decided to plunge in and try the 14K medium nib, which effectively doubled the price of the pen plus some, but still came out as outstanding value, including postage. The nib is soft, if not springy, has good flow characteristics when the converter plays ball, and has nice line variation. Diamine Sepia has complemented the Amber bodywork nicely.

fpn_1471809010__img_0027.jpg

 

fpn_1471807378__italix_ps_amber.jpg

 

fpn_1471807283__amber_14k_nib.jpg

Roger

Magnanimity & Pragmatism

Link to comment
Share on other sites

  • Replies 7
  • Created
  • Last Reply

Top Posters In This Topic

  • ballboy

    4

  • Izzy

    1

  • mmg122

    1

  • ian1964

    1

What a lovely colour combination. Very nice indeed.Thanks for the pictures.

 

But what do you mean by "when the converter plays ball" ?

Edited by ian1964
Link to comment
Share on other sites

Surface tension has been noticeable within the converter, leading to eventual ink starvation in the otherwise responsive feed. I don't have any cartridges to test. However, it is a Schmidt converter with a metal ring; I might try my other standard converters without one to see if they behave differently.

 

I'm working the ink back and forth across the opening of the converter, into the feed and seeing if that helps besides flushing now and then.

Roger

Magnanimity & Pragmatism

Link to comment
Share on other sites

Nib is actually 18K

 

Don't know why I forgot that; stunning value and performance.

Roger

Magnanimity & Pragmatism

Link to comment
Share on other sites

  • 1 month later...

Hi Roger

 

Love my Parsons Essential (Black - Steel nib) but like you I have issues with the converter (Ink Starvation).

 

Regards

Nigel

NIGEL

Exploding Ink Maestro

 

Pens: Caran d'Ache Leman Godron, Lamy Safari, Italix Parsons Essential, Mont Blanc LeGrande '90 years' Edition, Sigma Style, Italix Vipers Strike, Parker Sonnet, Omas 360, Parker Duofold (c.1950), Conway Stewart #286, Conway Stewart #24, Onoto Magna Classic in Chased Midnight Blue and SS Trim

Link to comment
Share on other sites

Nigel, I'm glad to report that starvation due to surface tension in the converter is waning. I cheated by removing the coil from a Platignum converter and fitted it in the Schmidt to see if it helps. Diamine Sepia (shown) is known to be quite dry according to some posts on FPN.

 

So far, Diamine Safari is flowing quite nicely.

Roger

Magnanimity & Pragmatism

Link to comment
Share on other sites

Excellent photos, Roger! I'm a huge fan of Italix Parson's Essential and have one in black with a broad cursive stub nib. I haven't had any converter problems as yet. It's a beautiful pen and smooth as glass writer right out of the box...and the price is surely unbeatable. Kudos to Mr. Ford.

Link to comment
Share on other sites

I have that same pen with an italic nib. I have had no issues with the converter. as you pointed out, it's a standard Schmidt converter.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33583
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26772
    5. jar
      jar
      26105
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...