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Gw Pens Work


GW_Pens

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Hi folks, I wanted to share a few pieces of my work now that I've been lurking around for a while :) I've been a full time pen maker for about 5 years now and am proud of some of the commissions I've had. Here is some of my work:

 

Below is a pen I was commissioned to make for the city of Philadelphia to present to His Holiness Pope Francis during his visit. It is made of custom cast sterling silver and wood removed from Independence Hall during an 1800's renovation. A sister pen I made for the city is being housed in the Philadelphia History Museum. You may have seen a short write-up on this in Pen World Magazine a couple of months ago.

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This was a custom ordered Lapis Lazuli fountain pen with 18k nib.

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This is my Palladian pen, made from Yule marble quarried from the same source as the marble for the Lincoln Memorial and Tomb of the Unknown Soldier. The hardware is custom designed solid sterling silver with a rhodium plated 18k nib. This was featured in the June 2015 Now section of Pen World Magazine.

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Below is the Alpha, my first series of kitless pens. Shown here in vintage cebloplast and a black oxide nib.
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My second series of kitless pens, the Beta, features a nickel plated tear drop clip. The material is flexigran from Richard Greenwald.

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I have another 5 pens in the works right now, you can find me on Instagram where I post a good amount of behind the scenes shots (search GWPens). If you're local to Pitman, NJ feel free to reach out to arrange a time to stop by my showroom. Thanks for looking!

-John
Take time to stop and ink

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    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
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