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Sailor Ishida Bungu Hakodate Curry


white_lotus

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Here is a review of one of the rare Sailor inks for the Ishida Bungu shop on Hokkaido, Japan. The ink refers to a famous curry served up at a local curry house of long standing. The coloring of the ink is really great.

 

Reviewed on Mohawk via Linen, Hammermill 28 lb inkjet, and Tomoe River papers.

 

I seem to have lost my waterfastness test sheet, which it must surely be around somewhere, but not available when I want to photograph it. This ink is one of the most washed away by water that I've encountered in my tests.

 

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There was some bleed through here, but only where I had hammered the color on the previous side.

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Nice review. Pretty colour and the name adds character. Like writing with curry sauce?

The praise of the praiseworthy is above all rewards.

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I am hungry now. Thank you for the spicy review!

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White_lotus, how does it compare to Bungbox Kabayaki of the Hamanako Eel?

The Hakodate curry seems to be in the Raw Sienna color range while the BB Kabayaki of the Hamanako Eel is more lightly Burnt Sienna. So more golden brown vs a warmer light brown. The curry is lighter, the eel darker, but not dark like MB Toffee Brown. The curry has nice shading, but the eel has great shading given it's greater value range.

 

Hopefully that is helpful.

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    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
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