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Montblanc's Meisterstück 90 Years -- Permanent Grey


lapis

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1. Foreplay

To start off with, here is a copy taken from the Montblanc site:

MEISTERSTÜCK_Site_Shot.jpg

 

Officially, this ink is the partner of a Meisterstück pen issued at the same time (beginning of April 2014 worldwide) although -- in contrast to many other MB pen-ink "pairs" -- it can very well be purchased without the pen. However, both are LEs, just like the Hitchcock pen and Hitchcock ink. That is, this new Permanent Grey can also be considered as a LE ink alone (without any matching pen) e.g. like our White Forest. Finally, it (the grey ink in this review) has been intended to measure up to the standard features of other MB document inks.

 

The following rambling is the first occasion I have met with in regard to this ink's use. I just whipped out a sheet of Rhodia and jammed down a line or two with six different pens to get a feeling or two.

 

lapis2

 

Bear in mind that I'm already getting into greys (or, as they'd say in the States "grays"). I don't know why but who cares? As an early warning, I'll be coming up some day with a more detailed comparison of a dozen or two different greys :)

 

2. First impressions

I think I really like this ink, although I'm not yet 100.0% sure. I've only had it for a few days and not yet compared it well enough with another handful or two but that is on the march. The first thing I found to be neat -- although by no means any real surprise -- is that its actual colour flare distinctly depends on the pen's nib width and wetness (duhhhh). IMO that is however no easy job since it is "after all" still only a grey or, to put it in other words, a state of black on white (whew, who didn't already know that?). Just to defend the situation, it's not as easy as it is speaking about let's say an amber or a moss green where we can all say "mine comes out more orange or less blue etc....

 

To repeat something I once said about Pelikan's Garnet, the HP Officejet 6700 scans used here are at least IMO adequate representations and match nicely with my photos of same.

 

3. About the Packaging

Nice bottles and boxes as usual, just like the other 35-ml jobs offered for Balzac, Swift and Collodi. Not like the 30-ml -- even if bigger-looking -- Red Chalk, Einstein or Meisterstück Montblanc Diamond issues. Not as practical as a MB shoe, but I see no reason to worry here. The lid is okay but IMO still not as "good" as MB's newer lids (the companies' older lid designs were less well made, and harder to open and close.)

The bottle's shape and label are truly beautiful. A better adjective here would be "reminiscent". These all very nicely resemble something created about 90 years ago (har, har). Two shots of one and the same bottle:

MEISTERSTÜCK_bottle_2.JPG

 

MEISTERSTÜCK_bottle_1.JPG

 

The boxes are also well made. Nothing new here except that the whole looks of the four sides IMO fit better with the looks of the bottles' labels than those of other inks do, like Balzac, Swift and Collodi.

MEISTERSTÜCK_box_1.JPG

 

MEISTERSTÜCK_box_2_and_4.JPG

 

MEISTERSTÜCK_box_3.JPG

 

... and the bottom:

MEISTERSTÜCK_box_5.JPG

 

That otta do for the boxes. I save and collect these, too, BTW.

 

4. A fast look at ink properties here

■ Flow: Very good. About as wet as all of the other present-day MB inks.

■ Lubrication: Also good.

■ Saturation: Medium to high. Very difficult to get perfect here because we're having to do with a grey, and IMO if its saturation/intensity is too low, it'll look too light whereas if too high, too black. Okay, that's logical....

■ Shading: Good. See the 6-pen scan up top. As I see it, there is at least some shading for each pen and/or nib width and none of those have a flex nib.

■ Bleeding: Practically none on Rhodia paper. The "worst" was on Avery 80 g/m2 copy paper, followed by Moleskine and Leuchtturm in that order. On all 5 of the other papers, I see no bleeding.

■ Feathering: Only Avery showed any real feathering.

■ Drying time with the 51 (B nib) on Rhodia:

MEISTERSTÜCK_drying.jpg

 

Now that is a long time to dry but then again, this ink is very wet, and I love that feature! At the same time, we're dealing here with an ostensibly permanent ink and these are almost always "long drying". That includes iron-gall inks. But then again, iron-galls are usually quite dry and this ink isn't dry! Short story: at least 2 minutes drying time is a long time, especially for our lefties out there.

■ Maintenance: I find that this ink is easy to maintain. Washing and cleaning seems to be no problem. I also see no nib creeping. I have only used this ink for a few days now but I would still wash and dry the pen at least every few weeks after use, even for a refill of the same ink. MB says 3 months for their iron-gall inks. Let's say you write almost all day, every day with it... then I'd say clean it after every 2-3-4 fillings.

■ Waterproofness: This may well be -- of course -- the aspect most sought after here, since the bottle, box, and the above-mentioned MB site all say "PERMANENT GREY". I find it to be very waterproof. I started off with the usual 1, 2, and 5 min baths (submerged continually in water) but ended up with 60 min. If I look very carefully, I do see some unevenness in the 60-min bath but that in fact looks more like a shadow than a smear. Pelikano with an M nib on Rhodia:

lapis2

 

Sure, I could try out 24 h but I'll leave that up to you if you really require such documentation. More interesting IYAM was the thought of how their Permanent Blue and Black would compare. Here's what that looked like using an Herbin glass dip pen on Rhodia paper:

MEISTERSTÜCK_3_perms.jpg

 

As a matter of fact, the grey looks more robust than the black although that might be due to the actual amount of ink which was transported by that dip pen.

 

5. Various papers

Eight papers, all under the Herbin glass dip pen.

MEISTERSTÜCK_8_papers.jpg

 

Basically, there is hardly any difference to be seen on any of these papers.

The only thing I myself really encountered and/or enjoyed is the experience of a nice texture like on Artoz 90 or GraF it 90 but that is completely a subjective thing and I know that some you just love the heck out of Clairefontaine because it is so smooth. I don't because I find it too glassy. I find that a nice glide over a good texture requires a decent wetness, otherwise things may end up too scratchy. As you can see, there definitely is some feathering, at least on that Avery copy paper. Otherwise, I see no feathering on any of the other 5 papers. For bleeding, see above under Point 4 (ink properties).

 

6. Ink Comparisons

Here's a small list of 5 inks in comparison. 1x, 2x, and 3x swabbings, glass dip pen from Herbin, Pelikanos with M nibs, and the Lamy Joy 1.5 mm.

MEISTERSTÜCK_6_inks.jpg

 

Oops, sorry that I wrote Flannel Gray; I should have typed Gray Flannel. I any case, I chose these inks because they are the greys I thought of first which many of us here cherish again and again. At least the last two American treasures. One thing which has always interested me is that a collection of grey inks can lead to a lot of new discoveries (maybe only to be outdone by blacks). E.g. here, the Oyster and the kiri-same almost look the same (har, har, just couldn't resist that one...) in relation to their flair for aubergines, but what you can only see and feel upon writing -- and later cleaning -- is that the kiri-same appears to be more saturated and/or soluble than the oyster.

 

7. Availability

This ink has a recommended (actually standardized) retail price is 15 Euros. That might lead to $ 20.00.

Montblanc being Montblanc means that you can get it all over the world (like Pelikan, Waterman, Parker etc.), even if you have to order it online.

 

8. Notes

FWIW, this ink is meant to be similar in regard to the flow and permanence of their PERMANENT BLUE and PERMANENT BLACK. (I formatted that here in bold and in that order because those are the typographical formats of the ink names on their 60-ml shoes' labels, whereas the names on their boxes are BLUE PERMANENT and BLACK PERMANENT; for the grey I read PERMANENT GREY on everything. WHEW!

Important: don't forget that this ink is a LE ink, so if you happen to need and/or want it, buy it before it's gone.

(For those in need, DIN ISO 14145-2 is a German process which ensures quality for a remanufactured and compatible indelible ink. ISO stands for International Standards Organization and DIN stands for Deutsches Institut für Normung. Most inks that meet these tough standards will actually have a seal or mention of that term on the packaging and/or bottle label, meaning that they have been manufactured under such ISO standards. These inks penetrate very deeply into the paper and are therefore extremely secure against forgery. This makes them ideal for documentation. There are also other ISO numbers on other inks -- with or without the "DIN" prefix -- like ISO 12757-2 on the De Atramentis Document Inks.) The funny thing -- again, not all that hilarious -- is that neither the bottle label nor box of the ink discussed in this review has such a seal/printing. But it does conform to that DIN ISO 14145-2.

 

9. Summary

■ A great grey, by no means similar to Montblanc's Oyster Grey. Whereas the latter has a touch of aubergine, the former suggests rather a hint of green and/or brown... but... in a very subtle fashion.

■ Box and bottle are actually beautiful especially in regard to their looks and colours... sort of like they would have and/or must have looked like 90 years ago. Still, neither the bottle nor its cap or box are as sturdy as those of the heavy-duty 60-ml shoes.

■ The only thing which comes to mind as a con is that it takes a good two minutes to dry, no problem for me but probably one for lefties. The fact that it costs 15.00 Euros (likely $20.00) doesn't disturb me in the least, because I think it's worth it.

■ But its permanence as a document ink is outstanding. Just like their Permanent Blue and Permanent Black, maybe even a bit more indelible than the latter. If you're into greys, this is the Document Grey Ink!

■ If you like greys in general, I'd say that you'll be getting a hold of this for sure

■ Don't forget that this is a LE ink, so time is running out!

 

Mike

Life is too short to drink bad wine (Goethe)

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Thanks for the very thorough review. I might just have to try a bottle of this.

" Gladly would he learn and gladly teach" G. Chaucer

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Fahrneys sells it.

Breathe. Take one step at a time. Don't sweat the small stuff. You're not getting older, you are only moving through time. Be calm and positive.

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I got my bottle in today and my preliminary thoughts back up a lot of what was said above. I think it definately seems most similar to Noodlers Lexington Grey in color. My drying times weren't quite as long, but it was in my Pilot VP M nib (so that makes sense). So far it has been very well behaved and fast drying on printer paper. Of note, it did seem to take some extra effort to get it off my R & K glass dip pen, but take that for what you will. It has wonderful permanence, and on first impressions alone, I am really happy with it.

Edited by Doc.
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Great review, especially with all the paper comparisons and other grey ink comparrison. Thanks.

 

In case anyone is in northern California, the MB boutique in San Francisco has this ink.

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Where do you buy it in the US? *sob* their site blasted me with music

 

Consider the following: Fountain Pen Hospital..Bertram's Inkwell..Worldlux..and don't forget Atlanta...

et al..

 

 

Fred

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Lovely review, as ever. I might just keep my eyes open for some of this.

The Good Captain

"Meddler's 'Salamander' - almost as good as the real thing!"

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Thanks lapis, your ink reviews are always extremely informative and enjoyable to read. I actually had a bottle of the MB Oyster Grey when it came out a few years ago, but the color was too washed out for me. I guess it just needed a different (wetter???) pen.

 

 

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Just picked up a bottle from Bertram's Inkwell. My first gray ink. Can't wait.

 

Thanks for a thoughtful review.

 

Cheers,

John

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Very in-depth and intriguing review. Great pics as well! :)

 

Ben

''You can't stay in your corner of the forest waiting for others to come to you. You have to go to them sometimes''. A A Milne

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Great review, detailed and I love the comparison to other greys. If you are a grey fan, I'd recommend giving the Sailor Kobe Stone Grey a try. It is my very "favouritest" grey! Anyway I shall be getting this one despite being a leftie! Thanks.

Fountain pens are like weapons. They just make your pocket bleed so much.

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i'm a fan of grey ink and this is a nice grey ink. it's great to see the comparison between different pens and different grey inks. thanks for sharing.

-rudy-

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Thanks for your thanks, everybody!

mrchan, that was a good idea... actually, I thought of that myself (honestly) since I really liked it but didn't use it at first because I thought (still do) that Sailor's Kobe Stone Gray (their No.31) isn't all that well known and/or often used here. Well, here it is:

MEISTERSTÜCK_7_inks.jpg

 

Mike

Life is too short to drink bad wine (Goethe)

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Wow, Mike this is impressive and exactly what I would call a FORMAL review.

Fountain pens are my preferred COLOR DELIVERY SYSTEM (in part because crayons melt in Las Vegas).

Create a Ghostly Avatar and I'll send you a letter. Check out some Ink comparisons: The Great PPS Comparison 

Don't know where to start?  Look at the Inky Topics O'day.  Then, see inks sorted by color: Blue Purple Brown Red Green Dark Green Orange Black Pinks Yellows Blue-Blacks Grey/Gray UVInks Turquoise/Teal MURKY

 

 

 

 

 

 

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