Jump to content

How To Join A Cursive Lower Case R?


ndw76

Recommended Posts

In an effort to improve my hand writing I have been trying to use the fancy lower case letter r. In a recent post on tnis forum someone asked the question how do you write an r. The r I am refering to was in that post called the type2 r. When it follows a letter with a low joiner, like the letter a, it is easy and looks good. But when it follows a letter with a high joiner like o, w, or v I get confused.

 

What is the propper way to join the letter r?

Please call me Nathan. It is a pleasure to meet you.

http://img525.imageshack.us/img525/606/letterji9.pnghttp://img244.imageshack.us/img244/5642/postcardde9.png

Link to comment
Share on other sites

  • Replies 20
  • Created
  • Last Reply

Top Posters In This Topic

  • ndw76

    4

  • pmhudepo

    3

  • mboschm

    3

  • andymath

    2

Lower case r is not joined, at low level, to another letter in order to avoid confusion with n.

Edited by Beechwood
Link to comment
Share on other sites

http://i1148.photobucket.com/albums/o565/mboschm/DSC_0289.jpg

 

I do it this way, as in "carro" or "roc"

http://i1148.photobucket.com/albums/o565/mboschm/sig_zps60868d6f.jpg
Link to comment
Share on other sites

Lower case r is not joined, at low level, to another letter in order to avoid confusion with n.

Ok, so does this mean that a letter finishing at a low level, like an "e", is not joined with the next letter, an "r"? Or does it mean that the "r" is not joied with the next letter, say an "a", b/c the "a" starts low? I was taught to always join the r tothe next letter, regardless of what thenext letter is or what level it starts at. I actually have more trouble when the letter folowing the "r" starts at a high level, it always messes my "r" up or makes it easily confused with a "n". Sometimes at speed it can even result in the following letter becoming somewhat deformed also. Do you know where an example of connections between both high and low level following letters might be?

 

 

Edited by Harlequin
Link to comment
Share on other sites

Here are a few scribbles I made this morning:

 

fpn_1357898491__rr-web.jpg

 

I guess it's somewhere in between my note-taking and my nice script. Montblanc 146 OB, Noodler's Apache Sunset, cheap notebook paper, quick cell phone snap.

journaling / tinkering with pens / sailing / photography / software development

Link to comment
Share on other sites

But how would you write the words ore, write, or, broom?

Please call me Nathan. It is a pleasure to meet you.

http://img525.imageshack.us/img525/606/letterji9.pnghttp://img244.imageshack.us/img244/5642/postcardde9.png

Link to comment
Share on other sites

Here's a suggestion from EC Mills, in his Modern Business Penmanship book:

 

http://www.iampeth.com/books/mills_modern_business_penmanship/Mills_Modern_Business_Penmanship_page18.html

 

Thanks for that link. This has given me a better idea of how to write this letter.

Please call me Nathan. It is a pleasure to meet you.

http://img525.imageshack.us/img525/606/letterji9.pnghttp://img244.imageshack.us/img244/5642/postcardde9.png

Link to comment
Share on other sites

But how would you write the words ore, write, or, broom?

 

Oops, I misread your original post; of course, you are interested in joining into the 'r' when the preceding letter does not end on the baseline. Here's a sample:

 

fpn_1357922234__rr2-web.jpg

 

I see that my joined-into 'r' can easily look like a dotless 'i' if I'm writing at speed. This was done at a fairly slow speed, certainly much slower than note-taking. For the last two lines, I did slow down a bit more.

 

edit: Parker Duofold international F, Parker Quink Blue, even cheaper notebook paper, office lighting, same cell phone.

Edited by pmhudepo

journaling / tinkering with pens / sailing / photography / software development

Link to comment
Share on other sites

But how would you write the words ore, write, or, broom?

 

Oops, I misread your original post; of course, you are interested in joining into the 'r' when the preceding letter does not end on the baseline. Here's a sample:

 

fpn_1357922234__rr2-web.jpg

 

I see that my joined-into 'r' can easily look like a dotless 'i' if I'm writing at speed. This was done at a fairly slow speed, certainly much slower than note-taking. For the last two lines, I did slow down a bit more.

 

edit: Parker Duofold international F, Parker Quink Blue, even cheaper notebook paper, office lighting, same cell phone.

 

I do the same as shown in these pictures, but I extend the "r" just a bit higher so that if you would draw a line across the top of most of the miniscules (a, e, o, u etc.) it would be just a touch above the line.

Link to comment
Share on other sites

 

 

I do the same as shown in these pictures, but I extend the "r" just a bit higher so that if you would draw a line across the top of most of the miniscules (a, e, o, u etc.) it would be just a touch above the line.

 

Me too.

http://i1148.photobucket.com/albums/o565/mboschm/sig_zps60868d6f.jpg
Link to comment
Share on other sites

I think I have got it.

 

Please call me Nathan. It is a pleasure to meet you.

http://img525.imageshack.us/img525/606/letterji9.pnghttp://img244.imageshack.us/img244/5642/postcardde9.png

Link to comment
Share on other sites

http://i1148.photobucket.com/albums/o565/mboschm/DSC_0289-1.jpg

 

Yep, that's the way I do it. Except when I start writing pretty fast-then it tends to shrink a bit and blend in height with the other minuscules...

Link to comment
Share on other sites

Here's the secret to writing a good 'r' after a letter (or, wr, vr, etc). It's SPACING. You know why? Because a good proper spacing between the letters means you can dip your line down a bit and then come up to make your 'r' distinctive. Otherwise you're just coming straight out of your 'o' or 'w' and what not and going down into an 'r' and it doesn't look very clear. It looks like Æ would look if you wrote them together like you write an 'o' and 'r' together. It's like 'or' and 'wr' and 'vr' are a whole different letter because of the proximity of the letters.

 

Slow down for the 'r's and space your letters out properly and your 'r's (in business script) will clean up quite proper and will start looking like pmhudepo's link.

 

Spacing, more than anything else, dictates legibility (although slant helps too). Letter form is actually not that important, as evidenced by the at least 5 different types of 'r's we have (see ken's post in the "how do you write your 'r's thread). Spacing is the most important, with slant making sure the letters don't run into each other. Once they stop running into each other, they stand out on their own merit and become the letters they were meant to be. I'm still working on my spacing, but it makes your handwriting pretty nice.

Link to comment
Share on other sites

  • 1 year later...

Another observation from these great examples is to ensure you square the top of your 'r', not rounding like an 'n' and I was taught that the left side of the squared 'r' is slightly higher than the right side, showing a slight slant on the squared top, left to right. Well, that should have confused you, lol, sorry! I came back to this as the discussion of writing the letter r seems to have recently cropped up in other places yet again. :D

Edited by TXKat

So, what's your point?

(Mine is a flexible F.)

Link to comment
Share on other sites

  • 4 years later...

Thanks TXKat: that's a good tip about the left side of the "r" being slightly higher than the right. It does help to identify that it's an "r".

Live life, not long life

Link to comment
Share on other sites

Try these:

 

fpn_1549816568__rs.jpg

… or something like that. If at first …

I love the smell of fountain pen ink in the morning.

 

 

Link to comment
Share on other sites

This question in the opening post also meant I had to do some retraining. So I found some practice sheets on the net and went to work on my cursive.

 

I'm glad to say with some practice I've improved somewhat. This is how it works for me now...

 

 

 

http://i22.photobucket.com/albums/b317/plutrach/20190214_175614_zpsdwyufnzx.jpg

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33577
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26766
    5. jar
      jar
      26105
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...